無事生非電影圖片

1. 無事生非電影演員表

肯尼思·...
飾 Benedick

艾瑪·湯...
飾 Beatrice

理查德·...
飾 Signor...

凱特·貝...
飾 .Hero

羅伯特·...
飾 .Claudio

丹澤爾·...
飾 .Don P...

邁克爾·...
飾 Dogberry

伊梅爾達...
飾 Margaret

菲麗達·勞
飾 Ursula

Richard C...
飾 Conrade

2. 誰有《無事生非》電影的中文版

狗狗上有呀，給你一個網站http://119.147.41.16/down?cid=&t=13&fmt=flv是中英雙語的，希望能行吧，用迅雷下呀，祝你好運！

3. 無事生非完整版電影

鏈接:

《無事生非》是肯尼思·布拉納執導的喜劇片，肯尼思·布拉納和艾瑪·湯普森出演。該片講述了兩段糾葛不清的愛情。

如果資源不正確，或者版本不正確，歡迎追問

4. 《無事生非》和《仲夏夜之夢》到底哪一部屬於四大喜劇

「四大喜劇」的是《仲夏夜之夢》、《皆大歡喜》、《第十二夜》和《威尼斯商人》
「四大悲劇」的是：《哈姆萊特》、《奧賽羅》、《李爾王》和《麥克白》

5. 無事生非的劇情簡介

這一出發生在田野鄉間的浪漫喜劇，場景壯觀而華麗，片中充滿了精巧的騙局與美麗的愛情故事。
描寫希蘿與克勞底歐是一對即將步入禮堂的戀人，在准備婚禮期間，兩人閑來無事，便計劃撮合雙方好友班奈迪克與碧翠絲的婚事。班奈迪克是一個性情豪放又機智的年輕貴族，自負的他抱定了單身的打算，而碧翠絲則是一個性格活潑、伶牙俐齒的姑娘，兩個嘴快的人一見面，都要展開一場挖苦譏笑的舌戰。
不過，在周遭好友善意的騙局下，兩人唇槍舌劍的背後，慢慢滋生起愛苗，最後終於由冤家變為夫妻。

6. 急需莎士比亞喜劇《無事生非》的英文情節簡介和人物性格介紹

這個是英文名字：Much Ado About Nothing

情節簡介：
At Messina, Don Pedro, an Italian prince from Aragon and his deputies, Claudio and Benedick have just returned from a successful military campaign. Leonato, the governor of Messina, welcomes them for passing by the city and invites them to stay for a month.

Benedick and Leonato's niece, Beatrice, longtime adversaries, carry on their "merry war of words". Claudio』s feelings for Hero, Leonato's young daughter, are kindled on his seeing her, and Claudio soon announces to Benedick his intention to court her. Benedick tries to dissuade his friend, but is unsuccessful in the face of Don Pedro』s encouragement. While Benedick teases Claudio, Benedick swears that he will never get married saying,

That a woman conceived me, I thank her; that she brought me up, I likewise give her most humble thanks: but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pardon me. Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor. (Act 1 Scene 1)

To that Don Pedro says, "I shall see thee, ere I die, look pale with love," (Act 1 Scene 1). Later, Don Pedro says "Well, as time shall try: 'In time the savage bull/ doth bear the yoke," (Act 1 Scene 1). This exchange sets up the comical premise for the play.

A masquerade ball is planned in celebration, giving a disguised Don Pedro the opportunity to woo Hero on Claudio』s behalf. Don John uses this situation to get revenge on his brother Don Pedro and Claudio by telling young Claudio that Don Pedro is actually wooing Hero for himself. Claudio then becomes furious at Don Pedro and confronts him. The misunderstanding is quickly resolved and Claudio wins Hero's hand in marriage.

Don Pedro and his men, bored at the prospect of waiting a week for the matrimonial ceremony to take place, harbor a plan to matchmake Beatrice and Benedick. The men, led by Don Pedro, proclaim Beatrice』s love for Benedick while knowing he is eavesdropping on their conversation. The women, led by Hero, do the same likewise to Beatrice. Struck by the "revelations", Beatrice and Benedick, neither willing to bear the reputation of pride and scornfulness, each decide to requite the love of the other.

Meanwhile Don John, Don Pedro's bastard brother, is a malcontent who plots to ruin Claudio and Hero』s wedding plans by casting aspersions upon Hero』s character. His follower Borachio courts Margaret, Hero's chambermaid, calling her 「Hero」, at Hero』s open bedroom window while Don John leads Don Pedro and Claudio to spy below. The latter two, mistaking Margaret for Hero, are convinced by what is evidence of Hero's infidelity.

The next day, ring the wedding at the church, Claudio climactically refuses to marry Hero. He and Don Pedro humiliate Hero publicly before a stunned congregation. The two leave brusquely, leaving the rest in shock.
"Claudio, deceived by Don John, accuses Hero" by Marcus Stone
"Claudio, deceived by Don John, accuses Hero" by Marcus Stone

Hero, who has fainted from shock, revives after Don Pedro and Claudio leave, only to be reprimanded by her father. The presiding Friar interrupts, believing Hero to be innocent, and he convinces the family to feign Hero's death in order to exact the truth and Claudio』s remorse.

Leonato and Antonio, Hero's uncle, subsequently blame Don Pedro and Claudio for Hero』s death, and both challenge Claudio to els. Benedick, forcefully prompted by Beatrice, does the same.

Unbeknownst to everyone, however, on the night of Don John's treachery, the local Watch has apprehended Borachio and his ally Conrade. Despite the Watch's comic ineptness (headed by constable Dogberry, a master of malapropisms), they have overheard the o discussing their evil plans. The Watch arrest them and eventually obtain the villains' confession, whilst informing Leonato of Hero's innocence. Though Don John has meanwhile fled the city, a force is sent to capture him. Claudio, though maintaining he made an honest mistake, is repentant; he agrees to not only post a proper epitaph for Hero, but to marry a substitute, Hero's cousin, in her place.

During Claudio』s second wedding, however, as the dancers enter, the "cousin" is unmasked as Hero herself, to a most surprised and gratified Claudio. An impromptu dance is announced. Beatrice and Benedick, prompted by their friends』 interference, finally confess their love for each other. As the play draws to a merry close, a messenger arrives with news of Don John』s capture – but his punishment is postponed another day so that the couples can enjoy their newfound happiness.
人物性格：
Beatrice is the niece of Leonato, a wealthy governor of Messina. Though she is close friends with her cousin Hero, Leonato』s daughter, the two could not be less alike. Whereas Hero is polite, quiet, respectful, and gentle, Beatrice is feisty, cynical, witty, and sharp. Beatrice keeps up a 「merry war」 of wits with Benedick, a lord and soldier from Paa. The play suggests that she was once in love with Benedick but that he led her on and their relationship ended. Now when they meet, the two constantly compete to outdo one another with clever insults.
Although she appears hardened and sharp, Beatrice is really vulnerable. Once she overhears Hero describing that Benedick is in love with her (Beatrice), she opens herself to the sensitivities and weaknesses of love. Beatrice is a prime example of one of Shakespeare』s strong female characters. She refuses to marry because she has not discovered the perfect, equal partner and because she is unwilling to eschew her liberty and submit to the will of a controlling husband. When Hero has been humiliated and accused of violating her chastity, Beatrice explodes with fury at Claudio for mistreating her cousin. In her frustration and rage about Hero』s mistreatment, Beatrice rebels against the unequal status of women in Renaissance society. 「O that I were a man for his sake! Or that I had any friend would be a man for my sake!」 she passionately exclaims. 「I cannot be a man with wishing, therefore I will die a woman with grieving」 (IV.i.312–318).

Benedick
Benedick is the willful lord, recently returned from fighting in the wars, who vows that he will never marry. He engages with Beatrice in a competition to outwit, outsmart, and out-insult the other, but to his observant friends, he seems to feel some deeper emotion below the surface. Upon hearing Claudio and Don Pedro discussing Beatrice』s desire for him, Benedick vows to be 「horribly in love with her,」 in effect continuing the competition by outdoing her in love and courtship (II.iii.207). Benedick is one of the most histrionic characters in the play, as he constantly performs for the benefit of others. He is the entertainer, inlging in witty hyperbole to express his feelings. He delivers a perfect example of his inflated rhetoric when Beatrice enters ring the masked ball. Turning to his companions, Benedick grossly exaggerates how Beatrice has misused him, bidding his friends to send him to the farthest corners of the earth rather than let him spend one more minute with his nemesis: 「Will your grace command me any service to the world』s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpicker from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words』 conference with this harpy」 (II.i.229–235).
Of course, since Benedick is so invested in performing for the others, it is not easy for us to tell whether he has been in love with Beatrice all along or falls in love with her suddenly ring the play. Benedick』s adamant refusal to marry does appear to change over the course of the play, once he decides to fall in love with Beatrice. He attempts to conceal this transformation from his friends but really might enjoy shocking them by shaving off his beard and professing undying love to Beatrice. This change in attitude seems most evident when Benedick challenges Claudio, previously his closest friend in the world, to el to the death over Claudio』s accusation as to Hero』s unchaste behavior. There can be no doubt at this point that Benedick has switched his allegiances entirely over to Beatrice.

Don Pedro, Prince of Aragon
Of all the main characters in Much Ado About Nothing, Don Pedro seems the most elusive. He is the noblest character in the social hierarchy of the play, and his friends Benedick and Claudio, though equals in wit, must always defer to him because their positions depend upon his favor. Don Pedro has power, and he is well aware of it; whether or not he abuses this power is open to question. Unlike his bastard brother, the villain Don John, Don Pedro most often uses his power and authority toward positive ends. But like his half-brother, Don Pedro manipulates other characters as much as he likes. For instance, he insists on wooing Hero for Claudio himself, while masked, rather than allowing Claudio to profess his love to Hero first. Of course, everything turns out for the best—Don Pedro』s motives are purely in the interest of his friend. But we are left wondering why Don Pedro feels the need for such an elaborate dissimulation merely to inform Hero of Claudio』s romantic interest. It seems simply that it is Don Pedro』s royal prerogative to do exactly as he wishes, and no one can question it. Despite his cloudy motives, Don Pedro does work to bring about happiness. It is his idea, for instance, to convince Beatrice and Benedick that each is in love with the other and by doing so bring the two competitors together. He orchestrates the whole plot and plays the role of director in this comedy of wit and manners.
Don Pedro is the only one of the three gallants not to end up with a wife at the end. Benedick laughingly jokes in the final scene that the melancholy prince must 「get thee a wife」 in order to enjoy true happiness (V.iv.117). The question necessarily arises as to why Don Pedro is sad at the end of a joyous comedy. Perhaps his exchange with Beatrice at the masked ball—in which he proposes marriage to her and she jokingly refuses him, taking his proposal as mere sport—pains him; perhaps he is truly in love with Beatrice. The text does not give us a conclusive explanation for his melancholy, nor for his fascination with dissembling. This uncertainly about his character helps to make him one of the most thought-provoking characters in the play.
你可以來這里看到圖片：
http://images.google.com/images?hl=en&resnum=0&q=Much+Ado+About+Nothing+characters&um=1&ie=UTF-8&sa=N&tab=wi

7. 保加利亞的無事生非的電影在哪看 介紹一下網址

你在網吧還是家裡？有PPS軟體沒。搜索無事生非名字就有了，不懂在問我。