⑴ 电影《简爱》中罗切斯特与简·爱关于"平等"的对白
你以为因为我穷，低微，矮小，不美，我就没有灵魂没有心吗？你想错了！ 我的灵魂和你一样，我的心也和你完全一样。 这是我的心灵在跟你的心灵说话，就好像我们两人已经穿越了坟墓，站在上帝的脚 下，我们是平等的。 因为我们是平等的!
女人一般被认为是极其安静的，可是女人也和男人有一样的感觉；她们像她们的兄弟一样，需要运用她们的才能，需要有一个努力的场地；她们受到过于严峻的束缚、过于绝对的停滞，会感到痛苦正如男人感到的一样；而她们的享有较多特权的同类却说她们应该局限于做做布丁、织织袜子、弹弹钢琴、绣绣口袋，那他们也未免太心地狭窄了。
生命太短暂了,不应该用来记恨.人生在世,谁都会有错误,但我们很快会死去.我们的罪过将会随我们的身体一起消失,只留下精神的火花.这就是我从来不想报复,从来不认为生活不公平的原因.我平静的生活,等待末日的降临.--海轮·彭斯
⑵ “平等”的英文翻译
equalization 例句与用法 1. hi the past 50 years , great success has been achieved in equality of opportunities in ecation our country has been seeking , and on the whole there is an equal tendency 半个世纪以来，我国在追求教育机会均等方面取得了巨大的成就，整体上教育呈现出平等化趋势，但目前仍然存在着地区之间、城乡之间、性别之间、民族之间、阶级(阶层)之间、群体之间教育机会的不均等问题。 2. the countermeasures are as follows , to consummate the system of law in order to strengthen the system of law in order that the exam and employing can be fully under the guidance of the law , to intensify the flack of the system and publicity of information , to set entrance conditions scientifically so as to realize the equality of employing chance of all persons , to reform the procere of employing in order to get the rationalization of exam and employing process , to take multi - kind of assessment technique in order to select the best one , to strengthen the management of the exam and employing , realizing all the process are fully supervised by the public 然后运行系统分析法对这些问题进行了系统评价,得出了相应的完善我国考录制度的对策。应当完善法律体系,实现考录工作法制化;应当加大宣传力度,实现考录信息公开化;应当科学设置条件,实现考录机会平等化;应当实行程序改革,实现考录过程合理化;应当加强实践探索,实现考试内容科学化;应当贯彻择优原则,实现测评技术多样化;应当加强队伍建设,实现考官组成多元化;应当加大管理力度,实现约束监督正常化。
麻烦采纳，谢谢!
⑶ 大家提供一些英文电影里面的经典对话，读起来要2至5分钟。不要太难。谢谢了。
《简•爱》
"I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automaton?- a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!- I have as much soul as you,- and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;- it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,- as we are!"
“我告诉你我非走不可！”我回驳着，感情很有些冲动。“你难道认为，我会留下来甘愿做一个对你来说无足轻重的人？你以为我是一架机器？——一架没有感情的机器？能够容忍别人把一口面包从我嘴里抢走，把一滴生命之水从我杯子里泼掉？难道就因为我一贫如洗、默默无闻、长相平庸、个子瘦小，就没有灵魂，没有心肠了？——你不是想错了吗？——我的心灵跟你一样丰富，我的心胸跟你一样充实！要是上帝赐予我一点姿色和充足的财富，我会使你同我现在一样难分难舍，我不是根据习俗、常规，甚至也不是血肉之躯同你说话，而是我的灵魂同你的灵魂在对话，就仿佛我们两人穿过坟墓，站在上帝脚下，彼此平等——本来就如此！”
⑷ 关于一部美国电影（关键词：校园 女巫 人权平等）
提供个网站是HBO 历史节目预告
http://epg.tvsou.com/programjw/TV_86/Channel_369/W6.htm
⑸ 跪求外国电影里经典的台词。要英文的。外加翻译
1. If God intended everybody to be the same, he'd have given us all braces on our legs. 如果上帝要
让人人都一样的话，他会给每人一双脚撑。
2. There must be something can be done. 一定会有办法解决的。
3. Anyway, I guess you could say me and Mama was on our own. 总之，我想你可以说，我和妈妈无依无靠
。
4. Mama says,"Stupid is as stupid does. " 妈妈说，“做傻事的才是傻瓜”。
5. Jenny and mewas like peas and carrots. 珍妮和我形影不离。
6. I was getting yelled at. 我给骂得狗血喷头。
7. You stick with me. 你们跟紧我。
8:he had a lot to live up to. 他很有荣誉感。
9. Look alive out there . 那边好象不错。
10. Life was likea box of chocolates. You never know what you're going to get. 人生就像一盒各式各
样的巧克力，你永远不知道下一块将会是哪种。
11. Mama always had a way of explaining things so I could understand them. 妈妈总有办法让我明白她
的意思。
12. Jesus loves you more than you will know。 “耶稣对你也特别垂青”
13. I'd kinda like to see that. 我倒想瞧一瞧。
14. You said it all. 你说得很好。
15. Who's the baby killer?这怪人是谁？
16. I should have known it was going to be some bullshit hassle!我早该知道大家会争吵！
17. That uniform is a trip, Forrest. 这件制服不错，福雷斯。
18. How she discovered ways to expand her mind. 她如何发现了新的思想。
19. Things got a little out of hand. 所有的事都乱套了。
20. A promise is a promise. 要信守诺言。
21. I paid my respect to Bubba himself. 我也去看望了布巴本人。
22. I got it all figured out. 我已经安排好了。
23.We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and
swum up like rivers, fears we have hidden in like this wretched cave. I want all this marked on my
body. We are the real countries, not the boundaries drawn on maps with names of powerful men. I
know you will come and carry me out into the palace of winds, that's all I've wanted- to walk in
such a place with you, with friends, on the earth without maps.
我们都将死去，我们将与爱的人和不同种族的人一起充实而热烈的死去。我们咽下
彼此的味道；交换彼此的身躯，浮游于爱河之上；恐惧时我们躲藏起来，正如这凄
凉的洞穴。我要所有这些都镌刻在我的身体上。我们才是真实的国家，并非画在地
图上的边界所示的，以掌权者命名的国家。我知道你定会回来抱着我，屹立风中。
那就是我所要的--与你漫步在如此的土地上，与朋友们，在一个没有地图的地球上。
24.I don't wanna be someone who comes between two best friends. I just, I can't stand seeing what
this is doing to you guys, and I don't wanna be the cause of that. So, I don't think we can see
each other anymore. I'm gonna go to my mom's in Chicago, I'm gonna stay there for awhile. I think
this could've be something really amazing, but y'know this is probably for the best. Y'know? I'm
gonna miss you. Good-bye, Chandler.
我不想在你们两个哥们儿之间左右为难，我，我不能忍受你们因我反目成仇。我想，我们不会再见了，我也不能
再在这儿呆了。我知道原本我们会有令人欣羡的爱情，但也许这样结束更好，你知道，我会想念你的，再见，钱
25. If God had gifted me with some beauty and much wealth, I should have made it as hard for you
to leave me, as it is now for me to leave you. I am not talking to you now through the medium of
custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit;
just as if both had passed through the grave, and we stood at God's feet, equal — as we are! '
如果上帝赐予我财富和美貌，我会使你难于离开我，就像现在我难于离开你。上帝没有这么做，而我们的灵魂是
平等的，就仿佛我们两人穿过坟墓，站在上帝脚下，彼此平等——本来就如此！”
26.Stupid is as stupid does. (蠢人做蠢事，也可理解为傻人有傻福)
27. Miracles happen every day. (奇迹每天都在发生)
28. If you are ever in trouble, don’t t ry to be brave, just run, just run away.
你若遇上麻烦，不要逞强，你就跑，远远跑开)
29. Death is just a part of life, something we’re all destined to do.
死亡是生命的一部分，是我们注定要做的一件事
30. I don’t know if we each have a destiny, or if we’re all just floating around accidental？like on a breeze.(我不懂我们是否有着各自的命运，还是只是到处随风飘荡)
⑹ 有没有什么英语电影是关于男女平等的
有的! 比如莎里兹.塞隆的<<北方风云>> 朱丽亚.罗伯茨的<<永不妥协>>
以及Reese Witherspoon 的<<律政俏佳人>>,<<NANA世上的另一个我>>都带有一定的女权色彩和男女平等思想.
还有一些比较经典但是同时有些极端的:<<Baise-moi>>,<<末路狂花>>
⑺ 电影米尔克中的英文演讲~~~
My name is Harvey Milk, and I want
to recruit you. I want to recruit
you for the fight to preserve your
democracy. Brothers and sisters, you
must come out. Come out to your
parents. I know that it is hard and
will hurt them but think about how
they will hurt you in the voting
booth! Come out to your friends, if
they indeed are your friends. Come
out to your neighbors, to your
fellow workers. Once and for all,
break down the myths, destroy the
lies and distortions. For your sake.
For their sake. For the sake of the
youngsters who are becoming scared
by the votes from Dade to Eugene. On
the Statue of Liberty it says "Give
me your tired, your poor, your
huddled masses yearning to be free."
In the Declaration of Independence
it is written "All men are created
equal and are endowed with certain
inalienable rights." For Mr. Briggs
and Mrs. Bryant and all the bigots
out there, no matter how hard you
try, you cannot erase those words
from the Declaration of
Independence. No matter how hard you
try, you cannot chip those words
from off the base of the Statue of
Liberty. That is what America is.
Love it or leave it.
⑻ 高分！帮忙写个电影的英语观后感
The Curious Case Of Benjamin Button review
"The Curious Case of Benjamin Button" is a splendidly made film based on a profoundly mistaken premise. It tells the story of a man who is old when he is born and an infant when he dies. All those around him, everyone he knows and loves, grow older in the usual way, and he passes them on the way down. As I watched the film, I became consumed by a conviction that this was simply wrong.
Let me paraphrase the oldest story I know: In the beginning, there was nothing, and then God said, "Let there be light." Everything comes after the beginning, and we all seem to share this awareness of the direction of time's arrow. There is a famous line by e.e. cummings that might seem to apply to Benjamin Button: and down he forgot as up he grew. But no, it involves the process of forgetting our youth as we grow older.
We begin a movie or novel and assume it will tell a story in chronological time. Flashbacks and flash-forwards, we understand. If it moves backward through a story (Harold Pinter's "Betrayal"), its scenes reflect a chronology seen out of order. If a day repeats itself (Harold Ramis' "Groundhog Day"), each new day begins with the hero awakening and moving forward. If time is fractured into branching paths ("Synecdoche, New York"), it is about how we attempt to control our lives. Even time-travel stories always depend on the inexorable direction of time.
Yes, you say, but Benjamin Button's story is a fantasy. I realize that. It can invent as much as it pleases. But the film's admirers speak of how deeply they were touched, what meditations it invoked. I felt instead: Life doesn't work this way. We are an observer of our passage, and so are others. It has been proposed that one reason people marry is because they desire a witness to their lives. How could we perform that act of love if we were aging in opposite directions?
The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest. In the film, Benjamin (Brad Pitt) as an older man is enchanted by a younger girl (Cate Blanchett). Later in the film, when he is younger and she is older, they make love. This is presumably meant to be the emotional high point. I shuddered. No! No! What are they thinking ring sex? What fantasies apply? Does he remember her as a girl? Does she picture the old man she loved?
Pitt will of course be nominated for best actor and may deserve it because of his heroic struggle in the performance. Yes, he had to undergo much makeup, create body language and perform physically to be manipulated by computers. He portrays the Ages of Man with much skill. That goes with the territory. But how did he prepare emotionally? What exercises would the Method suggest? You can't go through life waving goodbye. He is born looking like a baby with all the infirmities old age. He grows younger, until he resembles Brad Pitt, and then a younger Brad Pitt, and then -- we do not follow him all the way as he recedes into the temporal distance.
The film was directed by David Fincher, no stranger to labyrinths ("Zodiac," "Fight Club"). The screenplay is by Eric Roth, who wrote "Forrest Gump" and reprises the same approach, by having his hero's condition determine his life experience. To say, however, that Roth "adapted" the original short story by F. Scott Fitzgerald would be putting it mildly. Fitzgerald wrote a comic farce, which Roth has made a forlorn elegy. Roth's approach makes Benjamin the size of a baby at birth. Fitzgerald sardonically but consistently goes the other way: The child is born as an old man, and grows smaller and shorter until he is finally a bottle-fed baby. Not much is said about Benjamin's mother, which is a pity, because he is 5-feet-8 at birth, and I wonder how much pushing that required.
I said the film is well-made, and so it is. The actors are the best: Taraji P. Henson, Julia Ormond, Elias Koteas, Tilda Swinton. Given the resources and talent here, quite a movie might have resulted. But it's so hard to care about this story. There is no lesson to be learned. No catharsis is possible. In Fitzgerald's version, even Benjamin himself fails to comprehend his fate. He's born as a man with a waist-length beard who can read the encyclopedia, but in childhood, plays with toys and throws temper tantrums, has to be spanked and then disappears into a wordless reverie. "Benjamin" rejects these logical consequences because, I suspect, an audience wouldn't sit still for them.
According to the oddsmakers at MovieCityNews, "The Curious Case of Benjamin Button" is third among the top five favorites for best picture. It may very well win. It expends Oscar-worthy talents on an off-putting gimmick. I can't imagine many people wanting to see the movie twice. There was another film this year that isn't in the "top five," or listed among the front-runners at all, and it's a profound consideration of the process of living and aging. That's Charlie Kaufman's "Synecdoche, New York." It will be viewed and valued decades from now. You mark my words.
有些长,你可以删减一下吧,希望能为你所用
⑼ 求美国电影，关于平等的
丹泽尔 华盛顿的 《最佳辩手》
还有艾尔 帕西诺的《惊爆内幕》