⑴ 求小說《紅字》（The Scarlet Letter）的英文讀後感。
between Hawthorne's earlier and his later proctions there is no solution of literary continuity, but only increased growth and grasp. Rappaccini's Daughter, Young Goodman Brown, Peter Goldthwaite's Treasure, and The Artist of the Beautiful, on the one side, are the promise which is fulfilled in The Scarlet Letter and the House of The Seven Gables, on the other; though we should hardly have understood the promise had not the fulfillment explained it. The shorter pieces have a lyrical quality, but the longer romances express more than a mere combination of lyrics; they have a rich, multifarious life of their own. The material is so wrought as to become incidental to something loftier and greater, for which our previous analysis of the contents of the egg had not prepared us.
The Scarlet Letter was the first, and the tendency of criticism is to pronounce it the most impressive, also, of these ampler proctions. It has the charm of unconsciousness; the author did not realize while he worked, that this "most prolix among tales" was alive with the miraculous vitality of genius. It combines the strength and substance of an oak with the subtle organization of a rose, and is great, not of malice aforethought, but inevitably. It goes to the root of the matter, and reaches some unconventional conclusions, which, however, would scarce be apprehended by one reader in twenty. For the external or literal significance of the story, though in strict correspondence with the spirit, conceals that spirit from the literal eye. The reader may choose his depth according to his inches but only a tall man will touch the bottom.
The punishment of the scarlet letter is a historical fact; and, apart from the symbol thus ready provided to the author's hand, such a book as The Scarlet Letter would doubtless never have existed. But the symbol gave the touch whereby Hawthorne's disconnected thoughts on the subject were united and crystallized in organic form. Evidently, likewise, it was a source of inspiration, suggesting new aspects and features of the truth,—a sort of witch-hazel to detect spiritual gold. Some such figurative emblem, introced in a matter-of-fact way, but graally invested with supernatural attributes, was one of Hawthorne's favorite devices in his stories. We may realize its value, in the present case, by imagining the book with the scarlet letter omitted. It is not practically essential to the plot. But the scarlet letter uplifts the theme from the material to the spiritual level. It is the concentration and type of the whole argument. It transmutes the prose into poetry. It serves as a formula for the conveyance of ideas otherwise too subtle for words, as well as to enhance the gloomy picturesqueness of the moral scenery. It burns upon its wearer's breast, it casts a lurid glow along her pathway, it isolates her among mankind, and is at the same time the mystic talisman to reveal to her the guilt hidden in other hearts. It is the Black Man's mark, and the first plaything of the infant Pearl. As the story develops, the scarlet letter becomes the dominant figure,—everything is tinged with its sinister glare. By a ghastly miracle its semblance is reproced upon the breast of the minister, where "God's eye beheld it! the angels were forever pointing at it! the devil knew it well, and fretted it continually with the touch of his burning finger!"—and at last, to Dimmesdale's crazed imagination, its spectre appears even in the midnight sky as if heaven itself had caught the contagion of his so zealously hidden sin. So strongly is the scarlet letter rooted in every chapter and almost every sentence of the book that bears its name. And yet it would probably have incommoded the average novelist. The wand of Prospero, so far from aiding the uninititated, trips him up, and scorches his fingers. Between genius and every other attribute of the mind is a difference not of degree, but of kind.
Every story may be viewed under two aspects: as the logical evolution of a conclusion from a premise, and as something colored and modified by the personal qualities of the author. If the latter have genius, his share in the proct is comparable to nature's in a work of human art,—giving it everything except abstract form. But the majority of fiction-mongers are apt to impair rather than enhance the beauty of the abstract form of their conception, -- if, indeed, it possess any to begin with. At all events, there is no better method of determining the value of a writer's part in a given work than to consider the work in what may be termed its prenatal state. How much, for example, of The Scarlet Letter was ready made before Hawthorne touched it? The date is historically fixed at about the middle of the seventeenth century. The stage properties, so to speak, are well adapted to become the furniture and background of a romantic narrative. A gloomy and energetic religious sect, pioneers in a virgin land, with the wolf and the Indian at their doors, but with memories of England in their hearts and English traditions and prejudices in their minds; weak in numbers, but strong in spirit; with no cultivation save that of the Bible and the sword; victims, moreover of a dark and bloody superstition,—such a people and scene give admirable relief and color to a tale of human frailty and sorrow. Amidst such surroundings, then, the figure of a woman stands, with the scarlet letter on her bosom. But here we come to a pause, and must look to the author for the next step.
For where shall the story begin? A "twenty-number" novel, of the Dickens or Thackeray type, would start with Hester's girlhood, and the bulk of the narrative would treat of the genesis and accomplishment of the crime. Nor are hints wanting that this phase of the theme had been canvassed in Hawthorne's mind. We have glimpses of the heroine in the antique gentility of her English home; we see the bald brow and reverend beard of her father, and her mother's expression of heedful and anxious love; we behold the girl's own face, glowing with youthful beauty. She meets the pale, elderly scholar, with his dim yet penetrating eyes, and the marriage, loveless on her part and folly on his, takes place; but they saw not the bale-fire of the scarlet letter blazing at the end of their path. The ill-assorted pair make their first home in Amsterdam; but at length, tidings of the Puritan colony in Massachusetts reaching them, they prepare to emigrate thither. But Prynne, himself delaying to adjust certain affairs, sends his young, beautiful, wealthy wife in advance to assume her station in the pioneer settlement. In the wild, free air of that new world her spirits kindled, and many unsuspected tendencies of her impulsive and passionate nature were revealed to her. The "rich, voluptuous, Oriental characteristics" of her temperament, her ardent love of beauty, her strong intellectual fibre, and her native energy and capacity,—such elements needed a strong and wise hand to curb and guide them, scarcely disguised as they were by the light and graceful foliage of her innocent, womanly charm. Being left, however, for two years "to her own misguidance," her husband had little cause to wonder, when, on emerging from the forest, the first object to meet his eyes was Hester Prynne, "standing up, a statue of ignominy, before the people." She "doubtless was strongly tempted to her fall;" and though the author leaves the matter there, so far as any explicit statement is concerned, it is manifest that, had he written out what was already pictured before his imagination, the few pregnant hints scattered through the volume would have been developed into as circumstantial and laborious a narrative as any the most deliberate English or French novelist could desire.
For his forbearance he has received much praise from well-meaning critics, who seem to think that he was restrained by considerations of morality or propriety. This appears a little strained. As an artist and as a man of a certain temperament, Hawthorne treated that side of the subject which seemed to him the more powerful and interesting. But a writer who works with deep insight and truthful purpose can never be guilty of a lack of decency. Indecency is a creation, not of God or of nature, but of the indecent. And whoever takes it for granted that indecency is necessarily involved in telling the story of an illicit passion has studied human nature and good literature to poor purpose.
還有的參考http://www.exampleessays.com/essay_search/book_scarlet_letter.html
⑵ 5篇英文電影觀後感(用英語寫的)60詞左右
功夫熊貓(這個是最近的.)
Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.
這個殺手不太冷
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
動畫喜劇 海底總動員
Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running
世界末日
There are so many amazing things in the world.這個世界上有太多不可思議的事情。If tomorrow is the end of the world,what can we do?如果明天是世界末日，我們可以做什麼？So now,i think we should keep smile everyday.所以現在，我覺得我們應該每天都微笑。After i finish the movie of "2012The end of the world",I feel very upset about that.我看完「2012世界末日」這電影之後，我感到很悲傷。When I saw the people die in the movie,I thought about if this event will happen to us,will we die very helpless?當我看到人類在這個電影里死了，我想到了如果這件事情發生在我們身上，我們會死得很無助嗎？If we have to die,I'll choose the one happy ending,like we have to cherish what we have now.如果我們一定要死，我會選擇一個開心的結局，就好像我們一定要珍惜我們現在擁有的一切！My family and my friends are love me,there are so many people love me!我的家人和我的朋友都很愛我，有很多人都愛我！I should thanks God for gave me so many things.我應該感激上天給我的一切。When the end really came in the world,I will not feel regret!當世界末日真的來臨了，我也不會感到遺憾！Beginning at this minute,I'll be happy everyday!從這一分鍾開始，我會開心每一天！
英文電影:阿甘正傳觀後感（中英文對照）
阿甘有自己的堅持，他不斷地跑步，JUST RUNS. 他跑步不為任何理由。他說:"人要往前看，千萬不要被過去拖累。我想我跑步就是這個意義」和過去告別，不停留在原處。也許這世界上太多人隨撥逐流，很少人會堅持做一件事，阿甘堅持自己的堅持，於是他成了「神」。影片中還有一位主要人物是上校丹。他在越南戰爭中失去了雙腿。他說他的命運就是戰死。然而阿甘卻救他，讓他活了下來。失去雙腿後他開始憎恨生活，生活得很頹廢，責怪阿甘當初救了他。然而當他調整心態，去和阿甘一起捕魚生活，有了收獲後，開始感覺到生活的美好。感謝阿甘當初就了他。影片試圖通過這個角色告訴觀者生活總是美好的。烏雲後有彩虹，絕境後有重生。關鍵是看我們給不給自己一個好心態，一個機會去改變不好的現狀。影片試圖向觀者傳達這樣一個信息：或許做好我們該做的每一件事，生活就會給我們一個好的回饋。只要有一種堅持就會出現一個奇跡。
Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: 「Man has t look forward, and never encumbered by foretime. I thank that's the meaning of my running.」 Say goodbye to foretime and don't stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes 「GOD」. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A
Gan shouldn't save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gan's help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.
⑶ 英文版電影觀後感 50字
htm 洪恩英語學習中心的下載中心，有豐富的聲音資料下載，（在聽力頻道裡面）且絕大多數為MP3格式的，且下載速度很快，非常不錯。...html 中央電視台英文網站辦的英文學習期刊，其每一期都只有一篇文章且是可以下載RM格式的有聲原文...
⑷ 誰有紅字英文讀後感今晚就要
The Scarlet Letter offers an extraordinary insight into the norms and behavior of the 17th century if American Puritan society. The basic conflicts and problems of its main characters, however, are familiar to readers in the present. The female protagonist, has borne a child out of wedlock and has been jailed for over three months and sentenced to wear a symbol of her altery, a scarlet 「A」 on her dress at all times. It concerns about the moral, emotional and psychological effect of the sin on people in general. It』s not simply a love story or a story of sin. The Scarlet Letter by Nathaniel Hawthorne uses the scarlet letters to symbolize the harshness of Puritan society, showing how they brand sinners for life.
The story happened in Boston about 200 years ago. It narrates love affairs between three persons. The punished woman. Hester Prynne and his husband. Who called himself Roger Chillingworth . He is an old misshapen man and a doctor. Hester does not love him at all. Another man is a young minister, Dimmesdale, who has a high position among ministers and is highly respected among his people in town. Hester and Dimmesdale love each other. But their love is forbidden in that time . It is sinful. Due to this,Hester is punished by society with a letter A on her chest, which considered an evil, a shame.
In this novel, the mainline seems to be around the letter A. Hester is brave enough to face the cruel reality. She is always with a mind of courage. She has been alone with her child for so long , with litter communication. Shame! Hopelessness! Loneliness! Hester has to wear the letter A day after day, seven years as for punishment and ill fame.
When a woman has lived through a difficult experience, her character changes a great deal. If she be all tenderness, she will die. If she survive, the tenderness will leave her .Hester』s charitable deeds and quiet humility have earned her a reprieve from the scorn of the community. The letter on her chest represents her work on earth , always helping others, without expecting any thanks. Never afterwards, does that scarlet letter leave her chest. The townspeople no longer view the letter as a punishment , but rather as representing her great strength and bravery and thy say it means 「Able」.
But Arthur Dimmesdale, his sin against Hester and Pearl is that he will not acknowledge them as his wife and daughter in the daylight. He keeps his dreadful secret from all those under his care in the church for seven years for fear that he will lose their love and will not be forgiven. He is too weak to admit his sins. He suffers from mysterious heart trouble, seemingly caused by psychological distress. What』s worse, he is an advisor to the townspeople about their sins.
After Mr. Dimmesdale』s death , no one changes more in appearance than Roger Chilling worth. All his strength and energy has been used to harm his patient . This unhappy man has made his aim in life to add to the suffering of the young minister. When the evil old man no longer has such a purpose, the devil takes him back to the hell . It is a curious subject of observation, however, whether hatred or love are not of the same place. Each takes a great deal of emotion from one person. The two feelings seem basically the same, expect that one is smiled upon by God, while the other is worshipped by the devil.
我這里正好有一篇
The two lovers has ever decided to flee to Europe, where they can live with their dauthter Pearl as a family .They feel a sense of release there. However, their plan fails…… When Hester dies, she is buried next to Dimmesdale. The two share a single tombstone, with a deep colored letter A shining brightly.
⑸ 求一篇電影《紅字》（根據霍桑的小說改編的）的英語觀後感，150字左右。謝謝。急用
The Scarlet Letter makes Hawthorne who is a famous American writer known all over the world. The story begins in 17th century, Boston, then a puritan settlement. The Scarlet Letter by Nathaniel Hawthorne used the scarlet letters to symbolize the harshness of Puritan society, showing how they branded sinners for life. Although Puritan society is unforgiving towards the sinful scarlet letter, their strictness improved the bearers of the sin. The scarlet letter was also an example of how Puritan society will always remember the sin. 「When strangers looked curiously at the scarlet letter-and none failed to do so, they branded it afresh into Hester』s soul.」 A letter 「A」 but freshly green, instead of scarlet was created by her, showing how Hawthorne made a jest at the punishment Puritans put upon Hester. And the scarlet letter was also a toy to Pearl, something that she enjoyed. Hawthorne uses the scarlet letter to depict his feelings of the exaggerated emotions of the puritans and their overly dramatic punishments. I also find the symbolism in this novel is used quite skillful. The technique he uses makes his novel more artistic. Next, I will talk about Hawthorne and this novel.
⑹ 外國電影英文觀後感
after seen the movie named《Dvinch code》，i have known that human』s borning characterristics can be very cruel,the only way we can defeat it is distroy is and let everything born agian.Human Instrumentailty can be a very good example.
What we should do is clean our crime by instrumen our heart.
⑺ 英語電影觀後感(英文版),急求啊、!!!!
功夫熊貓 Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves. More do not want to repeat the story, because it really well. Look at the process, appeared frequently Huiyi people laugh, the whole atmosphere is relaxed and go. This film has done very authentic, a little bit by the Westerners did not interpret the feeling, no matter which story or convey the moods, whether the screen or the details are all the way east; only special is probably the Speaking of modern, such as, for example ok 中文意思 還是一貫的夢工場的高水準，畫面精緻細膩，人物生動傳神，故事情節曲折動人，最重要的是它以最簡單易解的方式說明白了一個道理，那就是——世界上沒有任何捷徑和秘籍，唯一的制勝法門就是相信自己。 不想再說更多的劇情，因為它真的很出色。看的過程中，頻頻出現人們會意的笑聲，整個氛圍相當的輕松和愜意。這個片子做得非常地道，一點兒也沒有是由西方人演繹的感覺，不論是故事還是其中傳達的意境，不論是畫面還是其中的細節，都是東方式的；唯一特別的可能就是出現的現代的口語，比如ok之類的。
⑻ 求《紅字》的英文讀後感
The Scarlet Letter is an 1850 romantic work of fiction in a historical setting, written by Nathaniel Hawthorne. It is considered to be his magnum opus.[1] Set in 17th-century Puritan Boston ring the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an alterous affair and struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.
Major themes
Sin
Past and present
Read more: http://www.answers.com/topic/the-scarlet-letter#ixzz1YSRppCld
⑼ 哪位朋友可以提供美國電影《紅字》的英文影評懸賞，急，謝謝
http://www.twyman-whitney.com/film/review_rubric.html
⑽ 對美國電影《紅字》的影評
海絲特·白蘭因犯了通姦罪受到加爾文教派權力機構的懲罰， 胸前佩戴著標志通姦的紅色「A」字站在古老的枷刑台上示眾。她的手中抱著這個罪孽的證據：一個出生僅數月的嬰兒。在人們無情的注視下，她拒絕了年輕牧師阿瑟·丁梅斯代爾提出的懺悔並供出同犯的要求。受過懲罰後，海絲特在城外遠離人群的一間小茅屋裡住了下來。她以作針線活維生，並細心地照料著她的女兒——珠兒。這時，海斯特的丈夫來到了美國。他滿懷仇恨地改名為羅傑·奇林沃思，以醫生的身份暗中察訪與海絲特通姦的同犯。很快七年過去了。珠兒已成長為一個美麗可愛的小姑娘。而海絲特因為不斷熱心接濟和幫助別人，最終贏得了人們的尊敬，使胸前那本來代表恥辱的紅字變成了美好善良德行的象徵。 而經過多年的窺探， 羅傑也認定了「道德偉大」的丁梅斯代爾牧師就是那個隱藏的同犯。於是他千方百計地接近牧師， 旁敲側擊，冷嘲熱諷，不停地在精神上對牧師進行折磨。海絲特為了使丁梅斯代爾逃離丈夫的陰影，決心帶著女兒和他一起逃走，但卻被羅傑發現，計劃失敗了。而對羅傑的恐懼和自己隱瞞罪責的煎熬使丁梅斯代爾的健康每況愈下。終於在離開塵世前夕，他在全體教眾的面前，他挽著海絲特和他們的女兒珠兒登上了枷刑台，用以生命為代價的深切懺悔換取了道德上的新生。
《紅字》，世界文學名著，美國作家霍桑極富爭議的作品，曾被屢次搬上銀幕，本文所介紹的版本，是1995年羅蘭·約菲導演的《紅字》。影片本名《The Scarlet Letter》，又譯《真愛一生》或《紅色禁戀》，故事講述了一個凄美動人的婚外情故事。丈夫的失蹤，造成一個女人與牧師的相愛。肚子的隆起，暴露了女人的姦情，她為自己的「罪孽」遭受囚禁，然而她拒絕說出情夫的名字。嬰兒的降生，成了她罪惡的「鐵證」，她的胸前被戴上象徵不貞潔和恥辱的紅色標志「A」。然而，女人獨自帶著孩子的種種善舉，改變著人們對她的認識，也改變著紅色標志「A」的本意。丈夫的歸來，卻打破了這種局面，他查出了妻子的姦夫，開始瘋狂報復。故事結果，紛爭平息，牧師最終站出，攜女人和他們的孩子，離開了居住地。《紅字》，一個令人回味無窮的、名片演繹名著的經典故事。