❶ 急求電影 費城故事 觀後感（全英文）的，300詞左右，急求，各位大大幫幫忙，
現在存翻譯軟體，先自己寫個中文的翻譯過來好了
❷ 誰能給一個＜費城故事＞的英文影評鏈接也可以！重賞！！
Philadelphia: http://movie-reviews.colossus.net/movies/p/philadelphia.html
Godfather: http://movie-reviews.colossus.net/movies/g/godfather.html
Glory: http://movie-reviews.colossus.net/movies/g/glory.html
Patriot: http://movie-reviews.colossus.net/movies/p/patriot.html
❸ 英語電影觀後感 《美女與野獸》 《 費城故事》《 時尚女魔頭》三選一 1大概內容2 感想 3主角特色 4主旨
good good good!!!
❹ 高分！幫忙寫個電影的英語觀後感
The Curious Case Of Benjamin Button review
"The Curious Case of Benjamin Button" is a splendidly made film based on a profoundly mistaken premise. It tells the story of a man who is old when he is born and an infant when he dies. All those around him, everyone he knows and loves, grow older in the usual way, and he passes them on the way down. As I watched the film, I became consumed by a conviction that this was simply wrong.
Let me paraphrase the oldest story I know: In the beginning, there was nothing, and then God said, "Let there be light." Everything comes after the beginning, and we all seem to share this awareness of the direction of time's arrow. There is a famous line by e.e. cummings that might seem to apply to Benjamin Button: and down he forgot as up he grew. But no, it involves the process of forgetting our youth as we grow older.
We begin a movie or novel and assume it will tell a story in chronological time. Flashbacks and flash-forwards, we understand. If it moves backward through a story (Harold Pinter's "Betrayal"), its scenes reflect a chronology seen out of order. If a day repeats itself (Harold Ramis' "Groundhog Day"), each new day begins with the hero awakening and moving forward. If time is fractured into branching paths ("Synecdoche, New York"), it is about how we attempt to control our lives. Even time-travel stories always depend on the inexorable direction of time.
Yes, you say, but Benjamin Button's story is a fantasy. I realize that. It can invent as much as it pleases. But the film's admirers speak of how deeply they were touched, what meditations it invoked. I felt instead: Life doesn't work this way. We are an observer of our passage, and so are others. It has been proposed that one reason people marry is because they desire a witness to their lives. How could we perform that act of love if we were aging in opposite directions?
The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest. In the film, Benjamin (Brad Pitt) as an older man is enchanted by a younger girl (Cate Blanchett). Later in the film, when he is younger and she is older, they make love. This is presumably meant to be the emotional high point. I shuddered. No! No! What are they thinking ring sex? What fantasies apply? Does he remember her as a girl? Does she picture the old man she loved?
Pitt will of course be nominated for best actor and may deserve it because of his heroic struggle in the performance. Yes, he had to undergo much makeup, create body language and perform physically to be manipulated by computers. He portrays the Ages of Man with much skill. That goes with the territory. But how did he prepare emotionally? What exercises would the Method suggest? You can't go through life waving goodbye. He is born looking like a baby with all the infirmities old age. He grows younger, until he resembles Brad Pitt, and then a younger Brad Pitt, and then -- we do not follow him all the way as he recedes into the temporal distance.
The film was directed by David Fincher, no stranger to labyrinths ("Zodiac," "Fight Club"). The screenplay is by Eric Roth, who wrote "Forrest Gump" and reprises the same approach, by having his hero's condition determine his life experience. To say, however, that Roth "adapted" the original short story by F. Scott Fitzgerald would be putting it mildly. Fitzgerald wrote a comic farce, which Roth has made a forlorn elegy. Roth's approach makes Benjamin the size of a baby at birth. Fitzgerald sardonically but consistently goes the other way: The child is born as an old man, and grows smaller and shorter until he is finally a bottle-fed baby. Not much is said about Benjamin's mother, which is a pity, because he is 5-feet-8 at birth, and I wonder how much pushing that required.
I said the film is well-made, and so it is. The actors are the best: Taraji P. Henson, Julia Ormond, Elias Koteas, Tilda Swinton. Given the resources and talent here, quite a movie might have resulted. But it's so hard to care about this story. There is no lesson to be learned. No catharsis is possible. In Fitzgerald's version, even Benjamin himself fails to comprehend his fate. He's born as a man with a waist-length beard who can read the encyclopedia, but in childhood, plays with toys and throws temper tantrums, has to be spanked and then disappears into a wordless reverie. "Benjamin" rejects these logical consequences because, I suspect, an audience wouldn't sit still for them.
According to the oddsmakers at MovieCityNews, "The Curious Case of Benjamin Button" is third among the top five favorites for best picture. It may very well win. It expends Oscar-worthy talents on an off-putting gimmick. I can't imagine many people wanting to see the movie twice. There was another film this year that isn't in the "top five," or listed among the front-runners at all, and it's a profound consideration of the process of living and aging. That's Charlie Kaufman's "Synecdoche, New York." It will be viewed and valued decades from now. You mark my words.
有些長,你可以刪減一下吧,希望能為你所用
❺ 費城故事英文影評
比較地道的影評（樓上的更像簡介）
There are certain films I like to renew my acquaintance with every few years, and one of these is "The Philadelphia Story" (1940). This is a witty, sophisticated movie that, in addition to dazzling star power, features elegant direction by George Cukor and a brilliant, non-formulaic screenplay.
The film is set among the privileged upper class in Philadelphia, and I would characterize it as a comedy of manners. The protagonist is a high-spirited, spoiled, somewhat arrogant socialite named Tracy Lord (Hepburn), and I am hard-pressed to think of a better matchup between an actress's persona and the character she portrays. Tracy is attractive in many ways, but she's too judgmental and intolerant of the weaknesses of others. As one character tells her, "You'll never be a first-class human being or a first-class woman until you've learned to have some regard for human frailty."
The lively, fast-paced plot in "The Philadelphia Story" revolves around love and marriage. Tracy has three suitors: journalist Mike Connor (James Stewart), ex-husband C. K. Dexter Haven (Cary Grant), and current fiancé George Kittredge (John Howard). Only hours before Tracy and George's wedding, romantic sparks fly between her and Mike. She disappears with the journalist and resurfaces later, clad in a robe and being carried by Mike, who is singing "Somewhere Over the Rainbow."
In short, the movie is filled with entertaining repartee, and the three big stars are in top form.
❻ 求英文電影影評 Philadelphia
Philadelphia英文影評(161篇)：
http://us.imdb.com/title/tt0107818/usercomments
❼ 求看過英文電影 Philadelphia 的觀後感~萬分感謝
本片討論了法律對公民權利的保障，讓我震驚的不僅是美國健全的司法制度，而且是每個公民對法律社會功能的深刻理解。現在看來艾滋病、同性戀甚至在中國也開始被主流社會所接受，所以在某種意義上來說法律會成為未來的道德標准。
❽ 求:費城故事的英文影評
Deze film heb ik gekozen als beste film van 1993 omdat het gewoon een fantastisch mooie film is.
Het verhaal gaat als volgt: Andrew Beckett is een homofobe advocaat die ontslagen wordt omdat hij (zo denkt hij toch) AIDS heeft. Hij is hiervan overtuigd en daarom loopt hij alle advocaten van Philly af om z'n ex-bazen aan te klagen. Geen van dezen wil dit doen, tot hij bij advocaat Joe Miller binnenstapt. Hij is eerst ook niet van plan om Andy's zaak op zich te nemen, maar uiteindelijk besluit hij het toch maar te doen. Deze rechtszaak en de laatste fase van Andy's leven leveren dan een prachtfilm op.
Blijkbaar had Jonathan Demme een neus voor goede scripts gerende '91-'93, want na The Silence Of The Lambs was dit z'n tweede hit. Hij heeft er zelfs nog eens twee oscars aan overgehouden. Eén voor Tom Hanks' vertolking en één voor Bruce Springsteen's soundtrack, en deze waren allesehalve onverdiend.
De film mag dan wel 2 uren ren, maar verveelt geen seconde, misschien behalve de scène waarin Andy in een rood schijnsel danst, die vond ik érover, en dan zap ik soms wel even weg. Maar op deze ene scène na een fantastische film.
De film schetst ook de afstand en de haat die de mensen, ook nu nog, hebben tegenover homo's. Ook de personages die de 'slechteriken' spelen, doen dit. En toch kan je als kijker niet meteen zeggen van; "Geef Andy z'n geld, eikels!", want er wordt niet echt haat tegenover hen opgebouwd. Dit is écht geen film voor op-ontploffingen-en-naakte-vrouwen-kickende puistenpubers, maar wel voor die mensen die een sterke, geen schoten-en-lijken bevattende film wel kunnen waarderen. Conclusie: Fantastische acteerprestaties, sublieme muziek, gewoon: zeker bekijken! Topper van formaat!
❾ 跪求費城故事（1993）的英語觀後感
Philadelphia story] tells a AIDS patients with legal safeguard their rights of story.
One is called ANDY young lawyer for AIDS was unreasonable fired, he in the struggle against disease at the same time,
And his lawyer persisted with the law to maintain their own dignity and rights, ultimately win the lawsuit story.
In the film more appear the AIDS and gay these two sensitive topic, through fair and discrimination fight this thread throughout the film.
Tell us that all men are created equal. But we should not wear blinders.
Calling for the society should give every citizen to equal rights.
Society will be better