經典英文電影英語作文

㈠ 求幾篇外國經典電影的英文觀後感，謝謝了

老人與海
This year summer vacation, I read the American well-known writer Hemingway's novel " old person and sea ". I extremely admire in the novel the senior fisherman's will, he let me understand one person certainly must have relentless spirit, only then could obtain successfully.

The novel description is one year near sixty years of age senior fisherman, when alone goes to sea in one fishing, fished one big fish, actually did not pull. The senior fisherman socialized several days after the fish, only then discovered this was the big marlin which one surpassed the oneself fishing boat several fold, although knew perfectly well very difficult to win, but still did not give up. Afterwards and further because in the big marlin wound fish fishy smell brought in several crowds of shark fish snatches the food, but the old person still did not hope like this to give up, finally highlighted encircles tightly, returned to the big fish belt the fishing port, lets other fishermen not admire already.

When I read " the senior fisherman think: Here to the seacoast really was too near, perhaps could have a bigger fish in a farther place... " When, I extremely admire this senior fisherman, because he by now already projected on some fish, but he had not settled to the present situation, but was approaches the bigger goal advance. Again has a look us, usually meets one slightly is difficult, we all complain incessantly. We will be the motherland future, will be supposed to like this old person same mind lofty aspiration, will even better pursue even better, the bigger goal.

When I read " the big marlin start fast to gather round the young fishing boat hover, twined the cable on the mast, the old person right hand lifted up high the steel fork, leapt the water surface in it the flash, did utmost throws to its heart, one wail ended the big fish's life, it was static static floats on the water surface... " When, my heart also liked together the big stone falls. I extremely admire old person that kind do not dread, the relentless spirit, although knows the match strength is very strong, but he not slightly flinches, but is welcomes difficultly above. Just because had this kind of spirit, the senior fisherman only then achieved this life and death contest success. We also must study senior fisherman's spirit in life, handles the matter does not fear the difficulty, only then can obtain successfully.

Was reading the big fish's smell of blood is smelled by one crowd of shark fish, struggled swims snatches the food, old person's left hand happen to in the convulsions, he only could use the right hand, with wooden stick， the mouth and so on all was allowed to use for the weapon self-defense which attacked, and finally expelled this crowd of shark fish. But the big fish's meat was already eaten one most, but the old person also charmingly criticized oneself the left hand " this work time actually was resting " time, I also was subed by the old person optimistic spirit. In the life, some losses are inevitable, we should treat by the optimistic manner, cannot be calculating.

Finally, the novel sees by one youth the senior fisherman fully has 18 foot long big marlin in the measure, once more described this fish's hugeness, explained senior fisherman overcomes the difficulty was big, non- was more common than.

The novel eulogized the spirit which the senior fisherman fear hard and dangerous diligently did not struggle, we also should like his such, could not satisfy the present situation, should positively to above, do any matter all is relentless, meets difficultly must welcome difficultly above, could give up halfway in no way. Only has this, we only then can obtain a bigger success and the victory.

㈡ 10部經典英文電影推薦

肖申克的救贖》（不用多說，非常震撼人的電影）
《辛德勒的名單》（感人感人！）
《人工智慧》（01年的片子，機器人小孩的愛，基調有些悲傷，但十分感人！）
《教父》（黑幫經典，被稱為「男人的聖經」。本人原本不感興趣，意外地看了之後完全迷上了．．．！）
《美麗人生》（義大利的，親情+勵志，看過不下5遍）
《指環王》（可能不是所有人都感興趣，但是每個人看完只要看懂了都會發自內心喜歡這三部電影。個人認為絕對經典，其史詩地位不可動搖，將黑暗與光明，人性的罪惡和善良描述地很到位~！經典中的經典！！！！）
還有一些不錯的，比如《金剛》、《漫長的婚約》（法國）、《天使艾美麗》（法國）、《雨人》、《第六感》、《美麗心靈》、《角鬥士》、《芝加哥》（有些人說這是奧斯卡最佳影片裡面的爛片，可是我覺得還很不錯～）．還有什麼《飛越瘋人院》，《夜訪吸血鬼》感覺也很特別。最近的也不是沒有好看的，《贖罪》就挺好。
如果除了這些很打動人心的片子之外你還對動作、冒險片感興趣，那麼推薦幾部：《諜中諜》系列，《虎膽龍威4》（算最近的嗎？）．諜影重重系列．．．《變形金剛》．．．
恐怖片推薦《閃靈》，史蒂芬·金很有代表性作品之一～～～！（我至今不敢看，但是據說裡面對於人性罪惡的描寫很真實很震撼）
可能你看過很多了.因為真的很經典

㈢ 30部必看經典英文電影，看完口語、聽力大幅提升！你到底看過哪些

一、經典電影（人生篇）

1、《肖申克的救贖》

《肖申克的救贖》（The Shawshank Redemption）取自斯蒂芬·金《不同的季節》中收錄的《麗塔·海華絲及蕭山克監獄的救贖》而改編成的《肖申克的救贖》劇本，並由弗蘭克·達拉邦特執導，蒂姆·羅賓斯、摩根·弗里曼等主演。

2、《百萬金嬰》又名《百萬寶貝》

《百萬寶貝》（Million Dollar Baby）是一部勵志劇情電影。影片由克林特·伊斯特伍德執導，克林特·伊斯特伍德、希拉里·斯萬克、摩根·弗里曼等主演。

影片講述了一位有名的拳擊教練法蘭基因為太過於投身與拳擊事業而陷入了長期的自我封閉和壓抑，一位學徒麥琪堅毅的決心軟化了法蘭基並成出色的女拳擊手。

3、《悲慘世界》1958年版

《悲慘世界》是法國作家維克多·雨果於1862年所發表的一部長篇小說。是十九世紀最著名的小說之一。

小說涵蓋了拿破崙戰爭和之後的十幾年的時間。故事的主線圍繞主人公獲釋罪犯冉阿讓(Jean Valjean)試圖贖罪的歷程，融進了法國的歷史、建築、政治、道德哲學、法律、正義、宗教信仰。1958年法國導演讓.保羅·李塞諾拍攝過同名電影，2006年日本出品了根據原著改編的動畫片《悲慘世界少女珂塞特》。

二、經典電影（愛情篇）

1、《羅馬假日》

《羅馬假日》是1953年美國推出的一部經典浪漫愛情片，由道爾頓·庄柏編劇，威廉·惠勒導演。格利高里·派克和奧黛麗·赫本聯袂主演。

故事講述了一位歐洲某公國的皇室公主與一個美國平凡記者之間在義大利首都羅馬一天之內發生的浪漫故事。

2、《泰坦尼克號》

《泰坦尼克號》是美國20世紀福克斯公司和派拉蒙影業公司共同出資，於1994年拍攝的一部浪漫的愛情災難電影，由詹姆斯·卡梅隆創作、編輯、製作、導演及監制，萊昂納多·迪卡普里奧、凱特·溫斯萊特主演。

影片以1912年泰坦尼克號郵輪在其處女啟航時觸礁冰山而沉沒的事件為背景，描述了處於不同階層的兩個人——窮畫家傑克和貴族女露絲拋棄世俗的偏見墜入愛河，最終傑克把生命的機會讓給了露絲的感人故事。

3、《卡薩布蘭卡》

《卡薩布蘭卡》是由華納兄弟影片公司出品的愛情電影，由邁克爾·柯蒂斯執導，亨弗萊·鮑嘉、英格麗·褒曼、克勞德·雷恩斯、保羅·亨雷德等主演。

影片講述了二戰時期，商人里克手持寶貴的通行證，反納粹人士維克多和妻子伊爾莎的到來使得里克與伊爾莎的舊情復燃，兩人面對感情和政治的矛盾難以抉擇的故事。

三、經典電影（戰爭篇）

1、《巴頓將軍》

《巴頓將軍》是由弗蘭克林·斯凡那導演，1970年2月4日在美國首映，影片主要介紹了一九四三年在北非，英美盟軍遭到綽號叫「沙漠之狐」隆美爾元帥率領的德軍反擊，展開了一場大規模的戰斗，結果美軍遭到慘敗。陷入了困境。

2、《拯救大兵瑞恩》

影片《拯救大兵瑞恩》是夢工廠1998年出品的一部戰爭電影，由史蒂文·斯皮爾伯格執導，湯姆·漢克斯、湯姆·塞茲摩爾和馬特·達蒙等聯袂出演。影片於1998年7月24日在美國上映。

電影描述諾曼底登陸後，瑞恩家4名於前線參戰的兒子中，除了隸屬101空降師的小兒子二等兵詹姆斯·瑞恩仍下落不明外，其他3個兒子皆已於兩周內陸續在各地戰死。美國陸軍參謀長馬歇爾上將得知此事後出於人道考量，特令前線組織一支8人小隊，在人海茫茫、槍林彈雨中找出生死未卜的二等兵詹姆斯·瑞恩，並將其平安送回後方。

3、《現代啟示錄》

《現代啟示錄》是由弗朗西斯·福特·科波拉執導，馬丁·辛、馬龍·白蘭度、羅伯特·杜瓦主演的戰爭片。

影片講述了越戰期間，美軍情報官員威爾德上尉奉命除掉庫爾茲上校。接到命令後，威爾德率領小分隊，冒險乘小艇深入柬埔寨。

4、《戰爭與和平》

《戰爭與和平》是由金·維多執導的劇情片，亨利·方達、奧黛麗·赫本參加演出。

該片講述了在拿破崙指揮軍隊進攻俄國時，發生在大動盪年代中的一段經典愛情故事。

(3)經典英文電影英語作文擴展閱讀

《經典英文電影賞析》是2009年5月1日國防工業出版社出版的圖書。本書主要收錄了10部精選優秀經典英文電影作品。

《經典英文電影賞析》由10個章節組成。每一章節包括電影背景、故事簡介、主要演員陣容及導演介紹、精彩部分節選、對影片的評論及注釋五大部分。相信許多讀者會在觀賞優美電影或閱讀《經典英文電影賞析》的過程中重溫自己過去的電影體驗，獲得新的感悟和理解。

英漢對照是《經典英文電影賞析》的一大特點。《經典英文電影賞析》既有英文原文，也提供了中文翻譯，有助於英語愛好者能更好地理解書中的內容。同時，《經典英文電影賞析》還提供了注釋，為讀者的自學提供了參考。

㈣ 推薦30部經典的英文電影

十大經典電影（人生篇）
1、《肖申克的救贖》

2、《百萬金嬰》又名《百萬寶貝》

3、《悲慘世界》1958年版
4、《辛德勒的名單》
5、《阿甘正傳》
6、《勇敢的心》

7、《活著》

8、《天堂影院》

9、《殺手裡昂》又名:
這個殺手不太冷/
終極追殺令
/
殺手裡昂

10、《完美的世界》
十大經典電影（愛情篇）
1、《羅馬假日》

2、《泰坦尼克》

3、《卡薩布蘭卡》

4、《花樣年華》

5、《人鬼情未了》

6、《亂世佳人》

7、《風月俏佳人》

8、《西雅圖未眠夜》

9、《廊橋遺夢》

10、《英國病人》
十大經典電影（戰爭篇）
1、《巴頓將軍》
2、《拯救大兵雷恩》

3、《現代啟示錄》

4、《戰爭與和平》

5、《野戰排》

6、《西線無戰事》

7、《最長的一天》

8、《獵鹿人》

9、《遙遠的橋》

10、《黑鷹墜落》

㈤ 經典英文電影

《肖申克的救贖》（不用多說，非常震撼人的電影）
《辛德勒的名單》（感人感人！）
《人工智慧》（01年的片子，機器人小孩的愛，基調有些悲傷，但十分感人！）
《教父》（黑幫經典，被稱為「男人的聖經」。本人原本不感興趣，意外地看了之後完全迷上了．．．！）
《美麗人生》（義大利的，親情+勵志，看過不下5遍）
《指環王》（可能不是所有人都感興趣，但是每個人看完只要看懂了都會發自內心喜歡這三部電影。個人認為絕對經典，其史詩地位不可動搖，將黑暗與光明，人性的罪惡和善良描述地很到位~！經典中的經典！！！！）

還有一些不錯的，比如《金剛》、《漫長的婚約》（法國）、《天使艾美麗》（法國）、《雨人》、《第六感》、《美麗心靈》、《角鬥士》、《芝加哥》（有些人說這是奧斯卡最佳影片裡面的爛片，可是我覺得還很不錯～）．還有什麼《飛越瘋人院》，《夜訪吸血鬼》感覺也很特別。最近的也不是沒有好看的，《贖罪》就挺好。

如果除了這些很打動人心的片子之外你還對動作、冒險片感興趣，那麼推薦幾部：《諜中諜》系列，《虎膽龍威4》（算最近的嗎？）．諜影重重系列．．．《變形金剛》．．．

恐怖片推薦《閃靈》，史蒂芬·金很有代表性作品之一～～～！（我至今不敢看，但是據說裡面對於人性罪惡的描寫很真實很震撼）

可能你看過很多了.因為真的很經典

㈥ 經典英文電影片段

原創原創原創原創原創原創！！！我這是原創的！！！！！！
說我復制抄襲的人請張開你那雙狗眼！！看清楚什麼叫原創！！別以為自己做不出這么精彩的回答別人就也要像你一樣垃圾 不要這么不珍惜別人的勞動果實
我是復制的，但我復制的是我自己的！樓主可以點我ID看好評數 1W多個好評 證明我真的不是浪得虛名

本人閱片無數 想要大量么？這就來了
希望樓主不要嫌我的回答多 耐心都看完（尤其是我在括弧裡面的註解）
你會發現我給你的全部都是精品中的精品
我發這些我全部都看過
我該算比較資深了
寢室2M寬頻
每天晚上保證10小時下載
每天我都看電影
以下內容100%本人一個字一個字打出來的
-------------------------------網路titan_zhaoyl整理-------------------------------
首先放的是我認為最經典的 必看電影（基本上順序是從上往下 越靠前越好看 當然了 很多電影難分伯仲。。。）

遺願清單（看到「親吻世界上最美麗的女人」的時候 心顫的一塌糊塗。。。）
幸福終點站
竊聽風暴（是德國電影 不是香港的竊聽風雲）
天使之城（凱奇總是不會讓我們失望的~）
朗讀者
靈異第六感（電影有漏洞 但卻讓我非常震撼！）
（這幾個是我最首推最喜歡的電影了 有一點小遺憾 但卻絕不是悲劇 不完美 卻讓人很舒服 暖暖的 感覺真棒）
機器人總動員（也叫 機器人瓦力 WELL-E）
馴龍記（雖然結局俗套一點 但這故事挺不錯 最好開著立體聲 大點音量 這里的音樂超美）
西西里的美麗傳說
天堂電影院
海上鋼琴師（托納托雷三部曲 經典~）
12怒漢（這電影我不多說 你就看去吧 光看電影名字就夠霸氣的吧 別看俄羅斯版）
肖申克的救贖
天使愛美麗
辛德勒名單
兩桿大煙槍（這可不僅僅是喜劇片這么簡單 火爆刺激的動作片兒）
未知死亡（呵呵 寶萊塢~挺不錯的）
記憶碎片（說不好該先看未知死亡還是記憶碎片 未知死亡更好理解 就先看未知死亡吧）
盜夢空間（IMDB第三名了 確有真材實料）
颶風營救（難得的好片 不像別的電影 磨磨唧唧 這個干凈利落簡練痛快 不像別的電影 廢話太多 我就受不了那種 明明主角是個神槍手 到最後面對壞人劫持人質的時候 把自己槍扔了 颶風營救這電影可不這么墨跡 所以說是難得的好片 逼供什麼的 一點也不啰嗦）
七宗罪（從這部開始往下 到 飛越瘋人院 這三部電影 結局最讓人震撼）
飛越瘋人院
放牛班的春天（非常美的電影 看著非常溫暖）
AI人工智慧（感動一波又一波侵襲著你 真讓人心酸）
艾利之書（劇情多少有點牽強 但這電影的結局 太神來之筆了。。。）
八面埋伏（懸疑類的電影我首推這個 比致命ID 記憶碎片什麼的 強多了 這才是真正的推理）
恐怖油輪（劇情思路很好~~）
-------------------------------網路titan_zhaoyl整理-------------------------------
這個殺手不太冷
螢火蟲之墓（真的沒法說這部電影的感覺 讓人實在不想再看第二遍 看完絕對會讓人心情壓抑 寫戰爭的 但全部都是側面描寫 現實）
聞香識女人（那一段經典的 tango~史瓦幸格在真實謊言里還抄襲過呢 被抄襲了太多次了）
空房間（有的也翻譯成 空房誘奸 這是我認為唯一可以上榜的韓國電影了。。。）
初戀五十次（其實外國的愛情電影有太多了 但是這個浪漫得很別致 很新穎）
戰爭之王（軍火販子和警察 兩個人的堅持 這種感覺 我不會說 但很喜歡）
U571(劇情跌宕起伏啊 叮咣就是干 我喜歡這樣的)
珍珠港（戰爭場面華麗得沒的說！但是前面那惡心的愛情。。。記得以前看過一句話 「珍珠港一定要把一個用電視劇才講得好的愛情故事 搬到一部電影里」實在是敗筆）
諜影重重（我認為最好看的牒片！並不是以高科技秘密武器凸顯間 諜的神秘和能力 而是靠決策 戰術 還有訓練養成的習慣 感覺很真實 不玄乎）
舞出我人生（看1 第2部太普通了 完全可以不看 這電影很美 但也只是很美而已。。。電影沒什麼內涵 舞出我人生1比同類的 歌舞青春 美多了！）
網路titan_zhaoyl整理 轉載請註明原作者
鋼琴家
荒島餘生（讓我很奇怪 這部電影Fedex竟然沒掏一分錢贊助費 ）
美麗心靈
美麗人生
楚門的世界
返老還童
剪刀手愛德華
逍遙法外（也叫局外人）
黑鷹墜落（看了有十遍了 爽）
黑夜傳說（先看1後看2 3不看也可以）
2012（一直感覺2012的視覺效果比阿凡達強多了。。。要讓我對比的話 2012完勝阿凡達）
角鬥士（其實我特喜歡這類型的片子的 純爺們 真漢子）
漢尼拔（片子最後的十五分鍾。。。太。。。）
低俗小說（呵呵 周星馳抄襲了裡面跳恰恰舞的片段）
海扁王（比罪惡之城更容易讓人接受 比殺死比爾更讓人覺得舒服 這類型的電影 怎麼也得看一個吧。。。）
搏擊俱樂部（這電影差一點就落入了「大轉折」的俗套 但是它轉的早 所以這是個好電影）
熱血警探（英國電影 和 海扁王 有異曲同工之妙）
超人總動員
阿甘正傳
雨人（阿湯哥演技最好的一部了吧。。。跟達斯汀霍夫曼一比他可真嫩）
變形金剛
黑暗騎士（蝙蝠俠6 比前幾部好看得多！前幾部太水了）
機械公敵（也叫 我，機器人）
夜魔（覺得比電鋸驚魂好看）
鋼鐵俠（第二部讓我失望了。。。）
地獄男爵系列
男女墮落指南
第一滴血
死神來了系列
加勒比海盜系（我超喜歡的電影 這電影里的音效做的多棒啊！必須用立體聲大點聲看！ 名次可以很靠前 但由於是系列劇 就放在後面了）
指環王系列（好萊塢續集翻拍成功的典範之作 大多數電影難逃續集被罵的厄運）
電鋸驚魂系列
驚聲尖笑系列
虎膽龍威系列（真是純爺們真漢子！還有他那吊兒郎當的風格 簡直跟凱奇有異曲同工之妙 這系列電影是給男人看的！）
網路titan_zhaoyl整理 轉載請註明原作者
竊聽風雲
新宿事件（感覺這個和竊聽風雲一樣 挺現實的）
喋血孤城（就場面來說 這個電影真的算是實至名歸的「戰爭大片」）
大兵小將（台詞有點2 其他的都不錯）
十月圍城（我覺得看這個電影重點不應該放在故事上 這電影主要表達的是信仰 是堅持）
火龍對決
錦衣衛（加上上面的幾個 都是近一兩年的作品 不得不說 國產電影越來越上道兒了 只不過光追求商業性了。。。太單薄。。。）
大話西遊（哇 這電影簡直就是開創了新紀元啊。。。不僅喜歡它的無厘頭 還喜歡裡面的愛情。。。）
可可西里（裡面的巡邏隊 在可可西里真實存在）
我們倆（同類的還有「月球」「空房間」「夢想照進現實」「這個男人來自地球」 就是電影從始至終就那麼幾個人 場景也不怎麼換 就一個地方）
維多利亞一號
男人四十（愛死林嘉欣了。。。還有張學友）
PTU機動部隊之同袍（同袍最好 尋槍 也不錯 這系列好像有5部呢）
大事件
槍火
暗戰系列（我認為唯一可以和無間道相比的港片了）
放逐（杜琪峰啊杜琪峰~~喜歡 一連放了5部他的電影上榜 其實還喜歡很多 暗花 也不錯的）
大丈夫（喜劇片我首推這個）
決戰剎馬鎮
無間道系列（美版的無間道太爛了。。。不知道憑什麼能得奧斯卡小金人。。。不說別的 美版裡面那垃圾配樂。。。簡直就等於沒配樂！唉。。。）
葉問系列 感覺前傳更好看一點

有三部電影我想重點說一說
靈異第六感（前面已經提到過了 這里把它跟另外兩部放在一起說 雖然這電影有漏洞經不起推敲 但卻非常讓我震撼 尤其是那小男孩的演技 太牛必了 這小男孩可是大明星 演過老多好片兒了）
致命ID
致命魔術
這三個電影都可以用4個字概括「峰迴路轉」 在我眼中 這就是「大轉折的俗套」 雖然很好看 電影都很精彩 但是整部電影只靠最後的「大轉折」出彩 我不得不說 這樣的電影【不夠】精彩 而且也確實是經不起推敲。。。劇情都有說服力不夠的地方 但不可否認 這三個確實是好電影 但是是那種 1流偏下水準的
-------------------------------網路titan_zhaoyl整理-------------------------------
再來一些我覺得可以一看的電影
至少這些電影看完不會覺得是浪費了時間

第九突擊隊（心酸）
嗜血破曉（吸血鬼片 但是視角很新穎）
天龍特工隊（這片子只能用華麗來形容 動作和特效真的很華麗 導演怎麼想到的點子呢？都那麼巧妙 而且還都那麼瘋狂 不過我是在迅雷看看上找的 翻譯的其爛無比！！所以劇情完完全全沒看懂。。。只看畫面了。。。）
迫在眉睫（好人干壞事兒 看電影的過程中一直猜測著結局 挺能吸引人的）
狙擊電話亭（快節奏電影 看了一秒想下一秒）
持續驚恐（同上兩步 扣人心弦 吸引人）
相信有很多人會認為 致命ID 迫在眉睫 狙擊電話亭 持續恐慌 這幾部電影算是經典之列了吧 不過我還是把這些放在了下面 這些電影 或多或少都有遺憾之處 我只能說 是很努力很努力想要拍好的電影 但還算不上頂尖
死亡飛車
冰河世紀系列
夜齒（值得一看的喜劇喪屍片）
51號星球（好萊塢的動畫片真有愛~~~）
超時空效應
黑洞頻率（穿梭時空改變過去原來也不一定是壞事）
全民情敵（我喜歡那個小胖子 男主和女主我都不咋喜歡。。。）
香水（這電影真邪乎。。。）
生化危機系列（1真是精彩 4可真爛）
逃出克隆島（呂克貝松經典的電影著實不少~除了這部 還有上面的 這個殺手不太冷 都很好 還有些其他的 天使A 第五元素 13街區 勇闖奪命島 的士速遞 都赫赫有名）
網路titan_zhaoyl整理 轉載請註明原作者
獨立日
貝奧武甫（里頭有安吉麗娜朱莉的全裸 不過現在網上資源很不好找）
異形大戰鐵血戰士（2別看 不好看 新鐵血戰士現在只有槍版 還沒看呢）
刀鋒戰士
殺死比爾（血腥暴力。。。）
科洛佛檔案（比 迷霧 好看）
通天塔（同類的還有 撞車 也很好看 感興趣的也可以看看）
布魯克林警察（同撞車 和 通天塔 結局我還真沒猜對。。。）
真實謊言（還是小孩的時候看的這個電影 現在回顧的話 也是個很不錯的片子）
美國往事
人骨拼圖
基地疑雲
生死停留
心靈捕手
神鬼運轉（幸運史萊克）
鳳凰劫
怒火攻心
當幸福來敲門（經濟危機時 勵志電影自然而然的就來了）
（其實勵志電影有很多好看的 叫我第一名 弱點 街頭日記 成事在人 光輝歲月 光榮之路 等等等等 很多都很好看）
（從 心靈捕手 到 當幸福來敲門 我把這幾部放在了下面 而沒放在上面我認為最經典的隊列里 相信很多人又要噴我了吧 我只能說 這些電影。。。真的算不上是一流 很值得一看 也挺好看 但離經典的距離還著實很遠。。。
死亡詩社（有太多人推崇了~在我看來 死亡詩社 是個很無趣的2流底的電影。。。如果開頭那一個來小時冗長的烘托只為了結局是說的一句「oh my captain」我只能說 這lan子電影 也太墨跡了）
網路titan_zhaoyl整理 轉載請註明原作者
二手雄獅
火柴人
在雲端
怒火救援
小島驚魂
勇敢的心
盜火線
我是傳奇
無恥混蛋（勉強可以上榜吧。。。其實很一般）
12猴子
機械化身
刀鋒戰士
保衛者（喜歡這種黑色幽默風格的電影）
全民超人
狙擊生死線
毀滅戰士
懲罰者（別看1 看2 絕對血腥暴力）
霹靂游俠（電影其實不好看 但是為了兒時那閃著紅光的小黑車的回憶 也得看看這部電影）
007系列（我第一次看007是黃金眼 當時被裡面的高科技給折服了 後面越來越多 也就覺得普通了）
-------------------------------網路titan_zhaoyl整理-------------------------------
還有些快餐電影 火爆刺激
敢死隊（明星太多 以至於每個人都像是配角 都是槍戰 打戲很無趣） 斷劍（我看的第一部美國大片) 綠芥刑警（喜歡廣末涼子） 火線保鏢（比什麼 暴力街區 好看多了） 勇闖奪命島 失敗者 空中監獄 太陽之淚 勇闖16街區 惡靈騎士 劍魚行動 特工邵特（又殺總統又核戰爭的 真邪乎。。。） 生死時速系列 食人魚3D（老版的也不錯 但是這個新版絕對夠血腥 露lu點dian鏡頭超多） 4兄弟（干凈利落 導演讓人死真是毫不含糊啊） 史密斯夫婦 血濺13號警署 拯救大兵瑞恩 風語者
新街口
阿飛正傳
霸王別姬（簡直是專門為張國榮量身打造）
暗花
歲月神偷（溫情港片 還有 老港正傳）
人在囧途（對於這個電影有些話不得不說 這電影貌似是除了瘋狂石頭 國產喜劇片口碑最好的吧 不過在我眼裡 國產喜劇片 還是不上道兒。。。只是為了搞笑而搞笑 幽默的一點智慧一點層次都沒有。。。沒有內涵。。。就好像 你丫閉嘴 一樣 搞笑的層次太低級。。。）

關於暴力街區 有些話不得不說 這電影的跑酷其實很不精彩。。。也就是鑽車玻璃 鑽門玻璃 鑽送餐口 那麼寥寥幾個片段很過癮 其他還有什麼呢？打鬥場面無趣之極 動作導演一定很爛。。。就是跳來跳去 雖然跳來跳去難度也很大 但是觀賞性實在是不佳。。。其實國人不要把跑酷看的這么神奇 大家最早看到跑酷的時候 你們還是孩子呢----成龍！ 成龍電影裡面的跑酷 比暴力街區觀賞性強多了！總體來說 暴力街區根本不夠資格被稱為「跑酷電影」!

-------------------------------網路titan_zhaoyl整理-------------------------------
最後放點讓我非常失望的電影
都很出名
但我覺得都很爛
都是三流片子。。。三流三流三流
都太爛了。。。懶得評論
網路titan_zhaoyl整理 轉載請註明原作者
唐山大地震（馮小剛無恥！這是個苦情戲 我也哭了 但「能讓人哭」跟「這是個好電影」一點關系都沒有！這電影純粹是借著中國人的地震情結惡炒！吸引眼球！整部電影幾乎和地震一點關系都沒有！把開頭的20分鍾去掉 名字也改一改 叫「震後」「錯愛」什麼的 這一樣是一個有完整故事的電影 這電影英文名就叫after shock 英文名就叫震後 憑什麼給中國人看的名字就叫地震呢？因為他知道他不能忽悠外國人 之好拿來跟國人玩魚目混珠 真是下三濫）
眼鏡蛇崛起（什麼破玩意）
蝴蝶效應（尤其第二第三部 真爛 但第一部還有點意思的~）
第九區（這電影可以說是很努力想要講一個好故事 但仍舊是個三流片兒 真不明白 就這樣一個片子 怎麼就給你們那麼大的「心靈震撼 人性拷問」 這著實是一部很普通很一般的電影）
異次元殺陣（超級立方體）
刺客聯盟
殺手代號47
終極面試
你丫閉嘴（低俗的笑料。。。膚淺！）
暮光之城（劇情扯淡 一點內涵都沒有 俗套的要死 這電影是在是不入流）
斷頭谷
理發師陶德（蒂姆伯頓+約翰尼德普 呵呵 多讓人瘋狂的組合啊 多少人盲目的崇拜蒂姆伯頓 盲目的崇拜約翰尼的德普 多少人說這個電影經典 我只是想問 這破片子 亮點在哪？？？？？）

下面這幾個更出名
但不是爛
而是名不副實
電影其實很一般 根本就配不上這么大的名氣
同樣不解釋
看電影沒有比我多的人 也別來反駁我 因為你還不配

阿凡達
暮光之城
大偵探福爾摩斯
拆彈部隊（竟然是奧斯卡小金人。。。我只能說 這電影對於人性描寫的比較細膩 也是出彩在這個地方 但怎麼就能捧回小金人呢？）
貧民窟的百萬富翁
帕西傑克遜與神火之盜
諸神之戰

還有很多電影 不少人認為經典有深度 但我覺得很一般 就沒寫上來

像什麼 條紋睡衣男孩 天使A 我們曾是戰士 父輩的旗幟 洛麗塔 靈幻夾克 穆赫蘭道
出名的太多了。。。。。。不過我倒覺得 沒什麼特別的 頂多也就是看了不會讓人覺得失望

辛苦手打 望樓主採納
網路titan_zhaoyl整理 轉載請註明原作者
PS：歡迎志同道合的人加入我的團隊 團隊名稱「電影推薦」

㈦ 急需英語經典電影的英文介紹!!!(詳細的好!)

這是1933年版《金剛》電影的介紹，希望對你交作業有幫助

The greatest and most famous classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Co-procers and directors Merian C. Cooper and Ernest B. Schoedsack (both real-life adventurers and film documentarians) conceived of the low-budget story of a beautiful, plucky blonde woman (Fay Wray) and a frightening, gigantic, 50 foot ape-monster as a metaphoric re-telling of the archetypal Beauty and the Beast fable. [Fay Wray mistakenly believed that her RKO film co-star, 'the tallest, darkest leading man in Hollywood,' would be Cary Grant rather than the beast. Later in her life, she titled her autobiography "On the Other Hand" in memory of her squirming in Kong's grip.]

The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), the hero (Bruce Cabot in a part originally offered to Joel McCrea), the voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires. However, the primitive, giant ape must also struggle against the forces of urban civilization and technology when it is exploited for profit and returned for display in New York City ring a time of economic oppression.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot ring the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.

The following scenes for the 1938 re-release, that were excised by censors after the Proction Code took effect in 1934, were restored in recent editions of the film:

the Brontosaurus' killing of three victims (instead of five in the original)
the giant spider scene
Kong's stripping/peeling of Fay Wray's clothing while holding her unconscious in his palm
Kong's chewing of a New York victim and his drop of a woman from the Empire State Building
This remarkable film received no Academy Awards nominations - it would have won in the Special Effects category if there had been such a category. The film contained many revolutionary technical innovations for its time (rear projection, miniature models about 18 inches in height, and trick photography, etc.), and some of the most phenomenal stop-motion animation sequences and special effects ever filmed (by chief technician Willis O'Brien, famed for his first feature film The Lost World (1925)). A wildly dramatic musical score by Max Steiner enhanced the action of the story.

The film has numerous memorable moments, including Kong's battle with a giant snake in a misty cavern, his struggle against a flying pterodactyl, the screaming beauty (Fay Wray, known as the "Queen of Scream") held captive in Kong's giant clenched palm, and the finale with the defiant Kong atop the Empire State Building while circling aircraft shoot him down. In director John Guillermin's inferior remake King Kong (1976), starring Jessica Lange, the great ape takes his last stand atop one of the towers of the World Trade Center.

King Kong launched the "giant beast" subgenre of science-fiction, inspiring the 1950's atomic mutant creature features and the Japanese giant movie monsters like Godzilla, Gamera, Rodan, etc. Godzilla and King Kong actually faced off in the Japanese film King Kong Vs. Godzilla (1962, Jp.) (aka Godzilla vs. King Kong in Japan). Various other Kong-related films are summarized in the following list:

Son of Kong (1933)
Mighty Joe Young (1949)
Konga (1961)
King Kong Vs. Godzilla (1962, Jp.)
King Kong Escapes (1967, Jp.)
King of Kong Island (1968)
King Kong (1976)
A*P*E (1976, Kor.)
Queen Kong (1976, UK)
King Kong Lives (1986)
The Mighty Kong (1998, animated)
Mighty Joe Young (1998)
[Oscar-winning The Lord of the Rings trilogy director Peter Jackson shot a remake of the classic 1933 film as King Kong (2005), with Jack Black (as Carl Denham), Adrien Brody (as Jack Driscoll), Naomi Watts (as Fay Wray), and Andy Serkis (and CGI) employed for the 25-foot tall monstrous ape.]

--------------------------------------------------------------------------------

The film begins with the title card from an Old Arabian Proverb:

And the Prophet said, 'And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.'
The scene is 1932 at the Hoboken docks in New Jersey ring a Depression-era winter. A dock night watchman is approached and asked about the nearby moored steamer: "Say, is this the moving picture ship?" The watchman confirms that the ship is going on a "crazy" voyage, and knows of the brash reputation of Carl Denham (Robert Armstrong), a fearless and arrogant adventure filmmaker and movie procer, who is preparing for a film expedition: "...that crazy fella that's a runnin' it....They say he ain't scared of nothing. If he wants a picture of a lion, he just goes up to him and tells him to look pleasant." Everybody around the dock is talking about the unusually large cargo and number of crew members - "three times more than the ship needs." The well-dressed man, Charles Weston (Sam Hardy), a theatrical agent, is invited on board the vessel by First Mate Jack (John) Driscoll (Bruce Cabot) and is told: "Come on board. Denham's gettin' wild. I hope you got some good news for him."

In the captain's cabin, trusted skipper-Captain Englehorn (Frank Reicher) confers with Denham and suggests that he sail immediately by the next day's light, before the fire marshal can discover his illegal cargo of ammunition, explosives and gas bombs, one of which is strong enough "to knock out an elephant." They must also get to their destination to finish filming before the monsoon season starts. Weston and Driscoll enter and Denham demands to know if the agent has located an actress to star in his top-secret film: "Somebody's interfered with every girl I've tried to hire. And now all the agents in town have shut down on me. All but you, you know I'm square." Weston believes Denham has a "reputation for recklessness that can't be glossed over." Weston also objects to Denham's secretiveness - not even the skipper and first mate know where they are going. The agent hasn't found a girl because his conscience won't let him ask a young girl to take on such an unknown project:

I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
No ingenue actress will commit to a long sea voyage to an unknown destination, with an all-male crew. Denham argues that there's more danger in New York for most women: "Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me." "Yeah, but they know that kind of danger," thick-headed Jack pipes up. Denham complains that he needs to have a heroine in his picture to provide romance and a love interest:

Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want.
Undaunted but frustrated, the entrepreneurial, jungle filmmaker promises them he will make the "greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back." He leaves to find a girl for his picture by himself, vowing: "even if I have to marry one." A cab drops him off outside the Woman's Home Mission where women are in a breadline, but he doesn't see any potential prospects. Nearby, he notices a hungry, out-of-work, and broke girl reaching for an apple from a fruit market on the streets of New York. The street vendor catches the girl and threatens to call the police. After paying off the irate proprietor with a buck to rescue her, she swoons into his arms. When he takes a good look at her, he impulsively decides that she has the kind of beauty that he is looking for - perfect for the starring role in his documentary movie.

Denham takes the starving young girl by taxi to a Bowery restaurant, buys her a meal, and over a cup of coffee asks her about herself. She is orphaned with no family, although she says: "I'm supposed to have an uncle someplace." She also worked as a film extra at a studio on Long Island before it closed. She identifies herself as Ann Darrow (Fay Wray) and he enthusiastically offers the down-and-out, destitute woman a job: "I've got a job for you. Costumes on the ship won't fit you. Broadway shops are still open. I can get some clothes for you there." To encourage the beautiful girl to go along, he entices her with a promise of lifting her out of obscurity:

It's money and adventure and fame. It's the thrill of a lifetime and a long sea voyage that starts at six o'clock tomorrow morning.
Ann hesitates with fear in her voice, fearing that she will be made Denham's mistress: "No wait. I - I don't understand. You must tell me. I do want the job so, but I can't..." Denham chivalrously reassures her by explaining his position: "Oh, I see. No, you've got me wrong. This is strictly business....Listen, I'm Carl Denham. Ever hear of me?" His fearless, courageous, daredevil reputation is even known by Ann: "Yes. Yes! You make moving pictures in jungles and places." Ann is told that she has been picked to be the leading lady in his new film, and their voyage leaves at 6 am to a place "a long way off." Ann agrees to the voyage, after Denham offers final assurances that sex isn't involved: "I'm on the level. No funny business...Just trust me and keep your chin up." They shake on it.

The next day, the all-male crew sets sail on a long six-week journey on the S. S. Venture bound for the South Pacific. The good-looking and brawny, but disgruntled First Mate Driscoll meets Ann on deck and unpleasantly marks her as "that girl Denham picked up last night." The males on board are angry and distrustful at the prospect of having such a tempting, attractive, and charming woman along on such a dangerous voyage: "I've never been on one with a woman before." Women are a "nuisance" on board ships, according to him.

During the voyage, Ann prepares to practice and rehearse a scene for the film director on the deck, "to see which side of my face looks best and all that." Driscoll really believes her life is in jeopardy and is feeling protective of her safety: "This is no place for a girl," he tells her. The First Mate is chauvinistic, but apologetic: "You're all right, but, but, but women, women just can't help being a bother. Made that way, I guess."

Denham strolls into their company, and sees Ann fondly petting the ship's pet monkey - a miniature foreshadowing of the regal Beast in the film. He comments, sardonically: "Beauty and the Beast, eh?" Ann excuses herself to put on one of her costumes for the film test to be directed by Denham. While waiting for Ann to reappear, Driscoll confronts Denham and asks what lies ahead: "When do we find out where we're going?...And you going to tell us what happens when we get there?"

Possibly feeling threatened by Driscoll's growing crush on his actress-heroine, Denham suspects that the crew member has been emasculated and gone "soft" and "sappy" over Ann's Beauty. Denham equates the first mate to the Beast in his Hollywood script - already robbed of his virile masculinity e to his concern for Ann's vulnerable presence:

Denham: Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll: Love affair! You think I'm gonna fall for any dame?
Denham: I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll: Now who's goin' sappy? Listen, I haven't run out on ya, have I?
Denham: No, you're a pretty tough guy, but if Beauty gets you, ya...(He breaks his train of thought and turns away with a self-deprecating smile.) Huh, I'm going right into a theme song here.
Driscoll: Say, what are you talkin' about?
Denham: It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.

㈧ 求10部經典英文電影的英文讀後感

Many people hold the opinion that American people care only money and themselves, they dispose no attention to others, even their relatives. The film Rain Man (雨人) described about how a self-centered businessman retrieved his family affection. Charlie Babbitt is frantically trying to straighten out his failing Los Angles business which involves expensive import cars. One day he receives word that his father, with whom he has had no contact for years, had died. At the reading of his bill, he learns that he has received a pittance, and that his father』s 3 million-dollar fortune has gone into a trust. Whom is the trust for? Charlie discovers with a shock that it goes to support an older brother he never knew he had. His brother Raymond is a 「high-level」 autistic, who has been institutionalized for years. Angry that he has been cut out of his share of the inheritance, Charlie takes Raymond out of the mental home and vows to bring him to live in Califomia, then they head out on a cross-country odyssey of discovery. Charlie at first does not quite seem to accept the dimensions of Raymond』s world and grows frustrated at what looks like almost willful stubbornness. Eventually, Charlie has learned how to pay attention, how to listen, and how to be at least a little patient some of the time. He gets in touch with things that are more important than selling cars. In the film, family affection beats money. The story was simple, but the meaning was much deeper. It reflected vividly the conflict between money and the affection, inspired people to consider money』s value again.

㈨ 經典電影的英文介紹

當幸福來敲門 ; 劇情介紹 克里斯·迦納（威爾·史密斯）是一個聰明的推銷員，他勤奮肯乾努力，卻總沒辦法讓家裡過上好日子。妻子琳達終究因為不能忍受養家糊口的壓力，離開了克里斯，只留下他和5歲的兒子克里斯托夫相依為命。事業失敗窮途潦倒，還成為了單親爸爸，克里斯的銀行帳戶里甚至只剩下了21塊錢，因為沒錢付房租，他和兒子不得不被攆出了公寓。

克里斯好不容易得到了在一家聲名顯赫的股票投資公司實習的機會，然而實習期間沒有薪水，90%的人都沒有最終成功。但克里斯明白，這是他最後的機會，是通往幸福生活的唯一路途。沒有收入、無處容身，克里斯唯一擁有的，就是懂事的兒子無條件的的信任和愛。

他們夜晚無家可歸，就睡在收容所、地鐵站、公共浴室，一切可以暫且棲身的空地；白天沒錢吃飯，就排隊領救濟，吃著勉強裹腹的食物。生活的窮困讓人沮喪無比，但為了兒子的未來，為了自己的信仰，克里斯咬緊牙關，始終堅信：只要今天夠努力，幸福明天就會來臨！皇天不負苦心人，克里斯最終成為一名成功的投資專家。

阿甘正傳 ;劇情介紹 阿甘是個智商只有75的低能兒。在學校里為了躲避別的孩子的欺侮，聽從一個朋友珍妮的話而開始「跑」。他跑著躲避別人的捉弄。在中學時，他為了躲避別人而跑進了一所學校的橄欖球場，就這樣跑進了大學。阿甘被破格錄取，並成了橄欖球巨星，受到了肯尼迪總統的接見。

在大學畢業後，阿甘又應征入伍去了越南。在那裡，他有了兩個朋友：熱衷捕蝦的布巴和令人敬畏的長官鄧·泰勒上尉。這時，珍妮已經墮落，過著放盪的生活。甘一直愛著珍妮，但珍妮卻不愛他。在戰爭結束後，甘作為英雄受到了約翰遜總統的接見。在一次和平集會上，甘又遇見了珍妮，兩人匆匆相遇又匆匆分手。在「說到就要做到」這一信條的指引下，甘最終闖出了一片屬於自己的天空。在他的生活中，他結識了許多美國的名人。他告發了水門事件的竊聽者，作為美國乒乓球隊的一員到了中國，為中美建交立下了功勞。貓王和約翰·列儂這兩位音樂巨星也是通過與他的交往而創作了許多風靡一時的歌曲。最後，甘通過捕蝦成了一名企業家。為了紀念死去的布巴，他成立了布巴·甘公司，並把公司的一半股份給了布巴的母親，自己去做一名園丁。甘經歷了世界風雲變幻的各個歷史時期，但無論何時，無論何處，無論和誰在一起，他都依然如故，純朴而善良。

在隱居生活中，他時常思念珍妮。而這時的珍妮早已誤入歧途， 陷於絕望之中。 終於有一天，珍妮回來了。她和甘共同生活了一段日子。在一天夜晚，珍妮投入了阿甘的懷抱，之後又在黎明悄然離去。醒來的甘木然坐在門前的長椅上，然後突然開始奔跑。他跑步橫越了美國，又一次成了名人。在奔跑了許久之後，甘停了下來，開始回自己的故鄉。在途中， 他收到了珍妮的信。 他又一次見到了珍妮，還有一個小男孩，那是他的兒子。這時的珍妮已經得了一種不治之症。甘和珍妮三人一同回到了家鄉，一起度過了一段幸福的時光。

珍妮過世了，他們的兒子也已到了上學的年齡。甘送兒子上了校車，坐在公共汽車站的長椅上，回憶起了他一生的遭遇。

辛德勒的名單 ;劇情介紹 1939年9月，德軍在兩周內攻佔了波蘭，納粹下令波蘭全境的猶太人必須集中到指定的城市進行登記，每天有一萬多名猶太人從鄉村來到克拉科夫。

在克拉科夫的猶太人推舉了24名猶太人組成委員會幫助被集中到該城的猶太人解決住宿膳食，分配勞役和排解紛爭等問題。

剛從家鄉來到克拉科夫的德國企業家奧斯卡·辛德勒身材高大、相貌英俊、舉止風流倜儻。他在酒店及各種社交場合慷慨地大量結交德國軍官和黨衛軍。

辛德勒也來到登記處，找一個曾在利勃茲一家搪瓷廠當過會計，名叫伊扎克·斯泰恩的猶太人。辛德勒有意買下那個經營不善的搪瓷廠以生產食用器皿，供應軍需，發戰爭財。他要斯泰恩當他的會計師和助手來管理工廠。可令斯泰恩疑惑的是：辛德勒做什麼呢……
還有 《美麗人生》《光榮之路》《這個殺手不太冷》《海上鋼琴師》《泰坦尼克號》《勇敢的心》這些全都是世界經典電影且全是英文版的！

㈩ 經典的英文電影見紹 要英文字幕的！！我要寫作文 越多越好

Forrest Gump

Forrest Gump is a 1994 drama film based on a 1986 novel by Winston Groom and the name of the title character of both. The film was a huge commercial success, earning US$677 million worldwide ring its theatrical run (the top grossing film in North America released that year). The film garnered a total of 13 Academy Award nominations, of which it won six, including Best Picture, Best Visual Effects, Best Director (Robert Zemeckis), and Best Actor (Tom Hanks).

The film tells the story of a man with an IQ of 75 and his epic journey through life, meeting historical figures, influencing popular culture and experiencing first-hand historic events while largely unaware of their significance, e to his lower than average intelligence. The film differs substantially from the book on which it was based.

Plot
The movie begins with a feather falling to the feet of Forrest Gump sitting at a bus stop in Savannah, Georgia. Forrest picks up the feather and puts it in a book, then tells the story of his life to a woman seated next to him. The listeners at the bus stop change regularly throughout his narration, each showing a different attitude ranging from disbelief and indifference to rapt veneration.

Forrest is shown to have been taught much about life by his mother. Forrest often recalls her favorite sayings, including "Life is like a box of chocolates; you never know what you're gonna get" and "Stupid is as stupid does." Both sayings became popular catchphrases following the movie's release. Other people who play key roles in Forrest's life include Jenny Curran, a childhood friend who is physically and sexually abused by her father; Benjamin Buford "Bubba" Blue, a young shrimper who serves with Forrest in the Vietnam War and knows "everything there is to know about shrimping"; and Lieutenant Dan Taylor, under whose command Forrest and Bubba serve. A few years after the war is over, Forrest proposes marriage to Jenny. She turns him down. Later that evening they have sex. In the morning she disappears. To cope with his heartbreak, Forrest runs across the country for three and a half years. He is called "a Gardener from Greenbow, Alabama", in news reports about his country length runs, e to his cutting the football field for free because he likes to do it so much.

Forrest is waiting at the bus stop because on March 30, 1981, he received a letter from Jenny who, having seen him run on TV, asks him to visit her. Forrest shows Jenny's letter to the current listener, a patient elderly lady who has already passed up one bus to continue listening; she tells him that the address is only a short walking distance away. He thanks the lady and immediately starts running. Once he is reunited with Jenny and her young son, Jenny tells him that the boy is named Forrest, after his father, who he at first incorrectly believes to be the son of another man named Forrest, although she confirms that the child is indeed his. She also tells Forrest she is suffering from a virus. Together the three move back to Greenbow, Alabama, where Jenny and Forrest finally marry, but their married bliss is cut short by Jenny's death "on a Saturday morning" according to Forrest. Her gravestone gives her date of death as March 22, 1982.

The film ends with Forrest escorting his son to a school bus, where the father and son tell each other that they love each other. The feather in Forrest's book is blown away by the wind, and floats into the sky, echoing the film's beginning.