經典英文電影思維導圖

Ⅰ 一部經典電影的PPT,英文的,要有圖,英語課上要作展示

好嘛，我發給你一個《泰坦尼克號》好吧。

Ⅱ 急需英語經典電影的英文介紹!!!(詳細的好!)

這是1933年版《金剛》電影的介紹，希望對你交作業有幫助

The greatest and most famous classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Co-procers and directors Merian C. Cooper and Ernest B. Schoedsack (both real-life adventurers and film documentarians) conceived of the low-budget story of a beautiful, plucky blonde woman (Fay Wray) and a frightening, gigantic, 50 foot ape-monster as a metaphoric re-telling of the archetypal Beauty and the Beast fable. [Fay Wray mistakenly believed that her RKO film co-star, 'the tallest, darkest leading man in Hollywood,' would be Cary Grant rather than the beast. Later in her life, she titled her autobiography "On the Other Hand" in memory of her squirming in Kong's grip.]

The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), the hero (Bruce Cabot in a part originally offered to Joel McCrea), the voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires. However, the primitive, giant ape must also struggle against the forces of urban civilization and technology when it is exploited for profit and returned for display in New York City ring a time of economic oppression.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot ring the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.

The following scenes for the 1938 re-release, that were excised by censors after the Proction Code took effect in 1934, were restored in recent editions of the film:

the Brontosaurus' killing of three victims (instead of five in the original)
the giant spider scene
Kong's stripping/peeling of Fay Wray's clothing while holding her unconscious in his palm
Kong's chewing of a New York victim and his drop of a woman from the Empire State Building
This remarkable film received no Academy Awards nominations - it would have won in the Special Effects category if there had been such a category. The film contained many revolutionary technical innovations for its time (rear projection, miniature models about 18 inches in height, and trick photography, etc.), and some of the most phenomenal stop-motion animation sequences and special effects ever filmed (by chief technician Willis O'Brien, famed for his first feature film The Lost World (1925)). A wildly dramatic musical score by Max Steiner enhanced the action of the story.

The film has numerous memorable moments, including Kong's battle with a giant snake in a misty cavern, his struggle against a flying pterodactyl, the screaming beauty (Fay Wray, known as the "Queen of Scream") held captive in Kong's giant clenched palm, and the finale with the defiant Kong atop the Empire State Building while circling aircraft shoot him down. In director John Guillermin's inferior remake King Kong (1976), starring Jessica Lange, the great ape takes his last stand atop one of the towers of the World Trade Center.

King Kong launched the "giant beast" subgenre of science-fiction, inspiring the 1950's atomic mutant creature features and the Japanese giant movie monsters like Godzilla, Gamera, Rodan, etc. Godzilla and King Kong actually faced off in the Japanese film King Kong Vs. Godzilla (1962, Jp.) (aka Godzilla vs. King Kong in Japan). Various other Kong-related films are summarized in the following list:

Son of Kong (1933)
Mighty Joe Young (1949)
Konga (1961)
King Kong Vs. Godzilla (1962, Jp.)
King Kong Escapes (1967, Jp.)
King of Kong Island (1968)
King Kong (1976)
A*P*E (1976, Kor.)
Queen Kong (1976, UK)
King Kong Lives (1986)
The Mighty Kong (1998, animated)
Mighty Joe Young (1998)
[Oscar-winning The Lord of the Rings trilogy director Peter Jackson shot a remake of the classic 1933 film as King Kong (2005), with Jack Black (as Carl Denham), Adrien Brody (as Jack Driscoll), Naomi Watts (as Fay Wray), and Andy Serkis (and CGI) employed for the 25-foot tall monstrous ape.]

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The film begins with the title card from an Old Arabian Proverb:

And the Prophet said, 'And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.'
The scene is 1932 at the Hoboken docks in New Jersey ring a Depression-era winter. A dock night watchman is approached and asked about the nearby moored steamer: "Say, is this the moving picture ship?" The watchman confirms that the ship is going on a "crazy" voyage, and knows of the brash reputation of Carl Denham (Robert Armstrong), a fearless and arrogant adventure filmmaker and movie procer, who is preparing for a film expedition: "...that crazy fella that's a runnin' it....They say he ain't scared of nothing. If he wants a picture of a lion, he just goes up to him and tells him to look pleasant." Everybody around the dock is talking about the unusually large cargo and number of crew members - "three times more than the ship needs." The well-dressed man, Charles Weston (Sam Hardy), a theatrical agent, is invited on board the vessel by First Mate Jack (John) Driscoll (Bruce Cabot) and is told: "Come on board. Denham's gettin' wild. I hope you got some good news for him."

In the captain's cabin, trusted skipper-Captain Englehorn (Frank Reicher) confers with Denham and suggests that he sail immediately by the next day's light, before the fire marshal can discover his illegal cargo of ammunition, explosives and gas bombs, one of which is strong enough "to knock out an elephant." They must also get to their destination to finish filming before the monsoon season starts. Weston and Driscoll enter and Denham demands to know if the agent has located an actress to star in his top-secret film: "Somebody's interfered with every girl I've tried to hire. And now all the agents in town have shut down on me. All but you, you know I'm square." Weston believes Denham has a "reputation for recklessness that can't be glossed over." Weston also objects to Denham's secretiveness - not even the skipper and first mate know where they are going. The agent hasn't found a girl because his conscience won't let him ask a young girl to take on such an unknown project:

I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
No ingenue actress will commit to a long sea voyage to an unknown destination, with an all-male crew. Denham argues that there's more danger in New York for most women: "Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me." "Yeah, but they know that kind of danger," thick-headed Jack pipes up. Denham complains that he needs to have a heroine in his picture to provide romance and a love interest:

Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want.
Undaunted but frustrated, the entrepreneurial, jungle filmmaker promises them he will make the "greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back." He leaves to find a girl for his picture by himself, vowing: "even if I have to marry one." A cab drops him off outside the Woman's Home Mission where women are in a breadline, but he doesn't see any potential prospects. Nearby, he notices a hungry, out-of-work, and broke girl reaching for an apple from a fruit market on the streets of New York. The street vendor catches the girl and threatens to call the police. After paying off the irate proprietor with a buck to rescue her, she swoons into his arms. When he takes a good look at her, he impulsively decides that she has the kind of beauty that he is looking for - perfect for the starring role in his documentary movie.

Denham takes the starving young girl by taxi to a Bowery restaurant, buys her a meal, and over a cup of coffee asks her about herself. She is orphaned with no family, although she says: "I'm supposed to have an uncle someplace." She also worked as a film extra at a studio on Long Island before it closed. She identifies herself as Ann Darrow (Fay Wray) and he enthusiastically offers the down-and-out, destitute woman a job: "I've got a job for you. Costumes on the ship won't fit you. Broadway shops are still open. I can get some clothes for you there." To encourage the beautiful girl to go along, he entices her with a promise of lifting her out of obscurity:

It's money and adventure and fame. It's the thrill of a lifetime and a long sea voyage that starts at six o'clock tomorrow morning.
Ann hesitates with fear in her voice, fearing that she will be made Denham's mistress: "No wait. I - I don't understand. You must tell me. I do want the job so, but I can't..." Denham chivalrously reassures her by explaining his position: "Oh, I see. No, you've got me wrong. This is strictly business....Listen, I'm Carl Denham. Ever hear of me?" His fearless, courageous, daredevil reputation is even known by Ann: "Yes. Yes! You make moving pictures in jungles and places." Ann is told that she has been picked to be the leading lady in his new film, and their voyage leaves at 6 am to a place "a long way off." Ann agrees to the voyage, after Denham offers final assurances that sex isn't involved: "I'm on the level. No funny business...Just trust me and keep your chin up." They shake on it.

The next day, the all-male crew sets sail on a long six-week journey on the S. S. Venture bound for the South Pacific. The good-looking and brawny, but disgruntled First Mate Driscoll meets Ann on deck and unpleasantly marks her as "that girl Denham picked up last night." The males on board are angry and distrustful at the prospect of having such a tempting, attractive, and charming woman along on such a dangerous voyage: "I've never been on one with a woman before." Women are a "nuisance" on board ships, according to him.

During the voyage, Ann prepares to practice and rehearse a scene for the film director on the deck, "to see which side of my face looks best and all that." Driscoll really believes her life is in jeopardy and is feeling protective of her safety: "This is no place for a girl," he tells her. The First Mate is chauvinistic, but apologetic: "You're all right, but, but, but women, women just can't help being a bother. Made that way, I guess."

Denham strolls into their company, and sees Ann fondly petting the ship's pet monkey - a miniature foreshadowing of the regal Beast in the film. He comments, sardonically: "Beauty and the Beast, eh?" Ann excuses herself to put on one of her costumes for the film test to be directed by Denham. While waiting for Ann to reappear, Driscoll confronts Denham and asks what lies ahead: "When do we find out where we're going?...And you going to tell us what happens when we get there?"

Possibly feeling threatened by Driscoll's growing crush on his actress-heroine, Denham suspects that the crew member has been emasculated and gone "soft" and "sappy" over Ann's Beauty. Denham equates the first mate to the Beast in his Hollywood script - already robbed of his virile masculinity e to his concern for Ann's vulnerable presence:

Denham: Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll: Love affair! You think I'm gonna fall for any dame?
Denham: I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll: Now who's goin' sappy? Listen, I haven't run out on ya, have I?
Denham: No, you're a pretty tough guy, but if Beauty gets you, ya...(He breaks his train of thought and turns away with a self-deprecating smile.) Huh, I'm going right into a theme song here.
Driscoll: Say, what are you talkin' about?
Denham: It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.

Ⅲ 英語思維導圖

下面是用MindManager製作的英語思維導圖：

做到以上所述不能缺的就是耐心和自信了，雖說做到這些不容易，但是既然有了方向我們是不是應該為了這些方向而努力呢，相信MindManager思維導圖，相信自己，你一定可以學好英語的,Better late than never，只要開始，雖晚不遲。

Ⅳ 100分求一關於英文經典電影的PPT（急用）

My Favorite Movie - Star Wars
http://www.authorstream.com/Presentation/manotas-75759-favorite-movie-star-wars-daniel-english-international-collaboration-rodriguez-2-ecation-ppt-powerpoint/

My Favorite Movie - Titanic
http://www.authorstream.com/Presentation/biancaperez-75046-favorite-movie-second-evaluation-6th-level-ecation-ppt-powerpoint/

Ⅳ 經典電影的英文介紹

當幸福來敲門 ; 劇情介紹 克里斯·迦納（威爾·史密斯）是一個聰明的推銷員，他勤奮肯乾努力，卻總沒辦法讓家裡過上好日子。妻子琳達終究因為不能忍受養家糊口的壓力，離開了克里斯，只留下他和5歲的兒子克里斯托夫相依為命。事業失敗窮途潦倒，還成為了單親爸爸，克里斯的銀行帳戶里甚至只剩下了21塊錢，因為沒錢付房租，他和兒子不得不被攆出了公寓。

克里斯好不容易得到了在一家聲名顯赫的股票投資公司實習的機會，然而實習期間沒有薪水，90%的人都沒有最終成功。但克里斯明白，這是他最後的機會，是通往幸福生活的唯一路途。沒有收入、無處容身，克里斯唯一擁有的，就是懂事的兒子無條件的的信任和愛。

他們夜晚無家可歸，就睡在收容所、地鐵站、公共浴室，一切可以暫且棲身的空地；白天沒錢吃飯，就排隊領救濟，吃著勉強裹腹的食物。生活的窮困讓人沮喪無比，但為了兒子的未來，為了自己的信仰，克里斯咬緊牙關，始終堅信：只要今天夠努力，幸福明天就會來臨！皇天不負苦心人，克里斯最終成為一名成功的投資專家。

阿甘正傳 ;劇情介紹 阿甘是個智商只有75的低能兒。在學校里為了躲避別的孩子的欺侮，聽從一個朋友珍妮的話而開始「跑」。他跑著躲避別人的捉弄。在中學時，他為了躲避別人而跑進了一所學校的橄欖球場，就這樣跑進了大學。阿甘被破格錄取，並成了橄欖球巨星，受到了肯尼迪總統的接見。

在大學畢業後，阿甘又應征入伍去了越南。在那裡，他有了兩個朋友：熱衷捕蝦的布巴和令人敬畏的長官鄧·泰勒上尉。這時，珍妮已經墮落，過著放盪的生活。甘一直愛著珍妮，但珍妮卻不愛他。在戰爭結束後，甘作為英雄受到了約翰遜總統的接見。在一次和平集會上，甘又遇見了珍妮，兩人匆匆相遇又匆匆分手。在「說到就要做到」這一信條的指引下，甘最終闖出了一片屬於自己的天空。在他的生活中，他結識了許多美國的名人。他告發了水門事件的竊聽者，作為美國乒乓球隊的一員到了中國，為中美建交立下了功勞。貓王和約翰·列儂這兩位音樂巨星也是通過與他的交往而創作了許多風靡一時的歌曲。最後，甘通過捕蝦成了一名企業家。為了紀念死去的布巴，他成立了布巴·甘公司，並把公司的一半股份給了布巴的母親，自己去做一名園丁。甘經歷了世界風雲變幻的各個歷史時期，但無論何時，無論何處，無論和誰在一起，他都依然如故，純朴而善良。

在隱居生活中，他時常思念珍妮。而這時的珍妮早已誤入歧途， 陷於絕望之中。 終於有一天，珍妮回來了。她和甘共同生活了一段日子。在一天夜晚，珍妮投入了阿甘的懷抱，之後又在黎明悄然離去。醒來的甘木然坐在門前的長椅上，然後突然開始奔跑。他跑步橫越了美國，又一次成了名人。在奔跑了許久之後，甘停了下來，開始回自己的故鄉。在途中， 他收到了珍妮的信。 他又一次見到了珍妮，還有一個小男孩，那是他的兒子。這時的珍妮已經得了一種不治之症。甘和珍妮三人一同回到了家鄉，一起度過了一段幸福的時光。

珍妮過世了，他們的兒子也已到了上學的年齡。甘送兒子上了校車，坐在公共汽車站的長椅上，回憶起了他一生的遭遇。

辛德勒的名單 ;劇情介紹 1939年9月，德軍在兩周內攻佔了波蘭，納粹下令波蘭全境的猶太人必須集中到指定的城市進行登記，每天有一萬多名猶太人從鄉村來到克拉科夫。

在克拉科夫的猶太人推舉了24名猶太人組成委員會幫助被集中到該城的猶太人解決住宿膳食，分配勞役和排解紛爭等問題。

剛從家鄉來到克拉科夫的德國企業家奧斯卡·辛德勒身材高大、相貌英俊、舉止風流倜儻。他在酒店及各種社交場合慷慨地大量結交德國軍官和黨衛軍。

辛德勒也來到登記處，找一個曾在利勃茲一家搪瓷廠當過會計，名叫伊扎克·斯泰恩的猶太人。辛德勒有意買下那個經營不善的搪瓷廠以生產食用器皿，供應軍需，發戰爭財。他要斯泰恩當他的會計師和助手來管理工廠。可令斯泰恩疑惑的是：辛德勒做什麼呢……
還有 《美麗人生》《光榮之路》《這個殺手不太冷》《海上鋼琴師》《泰坦尼克號》《勇敢的心》這些全都是世界經典電影且全是英文版的！

Ⅵ 有誰能告訴什麼是腦圖英語啊

一、產品背景

腦圖英語學習法由陝西新思維網路科技有限責任公司開發，起源於原國家教育部關於學習效率研究小組的科研成果。在學習負擔日益加重的今天，如何提高學習效率成為全社會關心的問題。這個小組在長達六年的研究當中，經過無數次的實驗研究，發現了影響學生學習效率的三大原因，並且提出了具體有效的解決方案。腦圖英語學習法就是這種原理的具體應用。
英語詞彙的記憶問題是整個英語學習當中一直倍受人們關注的問題。經過多年的總結，一個高中學生要記住高考所要求的2000多單詞，通常需要650個小時以上。在傳統教學當中，學生反復背誦，效率低下，很多學生因為單詞記憶的問題逐漸失去了學習英語的信心。學生們更渴望的是有種方法能夠教授如何背誦單詞，並在最短的時間內徹底解決詞彙的記憶問題。
腦圖英語學習法的產生解決了英語學習者普遍面臨的難題。以該學習法的高中部分為例，學生通過30-60個小時的學習，可能完全掌握高中階段的詞彙，並能長期保持，比傳統方法效率提高了10-20倍以上，不但節省了時間，而且大大提高了學生學習英語的信心。

二、三大原理

腦圖英語學習法之所以能達到這樣的效果，是基於心理學中關於記憶的基本原理和右腦開發的研究成果：
★ 留下深刻印象的東西是不容易忘記的
★ 形象化的東西不容易忘記
★ 未知的東西同已知的以某種方式聯系在一起不容易忘記

我們從小長到大一定經歷過許多事情，但是什麼事情是你一直記在心裡不易忘記的呢？比如說你的初戀、初吻、第一次在學校獲獎等等。這些東西都給你留下深刻的印象，即使多年過去我們依然無法忘記，而這些我們從來沒有復習過。如果每一個單詞都像能給我們留下深刻印象，那麼不需要太多的復習，我們依然無法忘記。
至於形象化的東西不容易忘記十分好理解。蒙娜麗莎的微笑、羅丹的思想者、某個精彩的電影片斷等等看過一遍便深刻留在頭腦中很難忘記。那麼如果我們把抽象化的英文轉化為形象化的圖像，那麼就可以大大提高記憶效率。
對於陌生的東西我們總是很難一次記住，那麼我們總是利用一些我們熟悉的來記陌生的。例如當我們看到12985763556這個數字是十分難記的，可是當我們看到130110120021這個數字的時候，卻很容易記住，為什麼呢？當我們看到這個數字的時候，首先會做一個分解，把它分解為130－110－120－021四個部分，而130是聯通的手機號，這是我們所熟悉的，110是報警電話 120是急救電話 021則是上海的區號。實際上我們看到的不是一串單純的數字，而是我們熟悉的聯通手機＋報警電話＋急救電話＋上海區號四個部分，就是把我們不熟悉的、抽象的數字和我們熟悉的、形象化的手機報警電話等有機地聯系在一起，就很容易記住了。英語單詞的記憶也是如此。

三、產品特點

產品的特點是由產品本身和消費者的消費習慣決定的，我們在調查的時候發現了以下結論：

★ 應試制度下學生學習負擔重，自由時間少；
★ 背單詞是一種負擔，希望有老師講解，方法越簡單越好；
★ 學生的疲勞期為15－30分鍾

基於以上結論，我們賦於腦圖英語學習法以下特點：

★ 國內獨立研究，為原創性課程

陝西新思維網路科技公司是一個研究型的公司，堅持創新第一與獨樹一幟的理念，在國內堅持原創性的研究，努力為學習者提高效率設計更多更有效的課程。

★ 嚴格的程序化學習步驟

傳統的教育注重講授，而忽視了正確的學習方法和有效的訓練。我們按照記憶和學習的規律設定好最佳的學習程序，學生只要按照規定的學習步驟就可以順利完成學習。學習可以像操作傻瓜相機時「按快門」一樣簡單。

★ 自由靈活的學習時間

我們根據學習者的時間緊、易疲勞的特點，靈活設置授課時間，方便學生見縫插針學習。

★ 輕松隨心所欲的學習方式

通常在課堂上，會與不會的都必須按照老師的講課順序學下去。至於記住多少，全靠自己的努力，但是網路改變了這一切，我們可以隨心所欲地學習，可以反復學習，也可以跳過那些原本已經會的部分，只學習自己不會的部分。

★ 以網路為載體，以動漫畫和形象記憶為載體

網路正在不斷改變著人類的生活。在網路上可以使用更多的手段，更多地調動學習者的積極性，使學習效率不斷提高。

★ 以掌握為核心的訓練方式

通常情況下，我們聽教師講課比較多，而有效的訓練不足，只有通過科學有效的訓練，讓學生在短時間完全掌握，最終達到提高的目的。

★ 突破時間、地域和師資條件的限制，實現全國資源共享

網路教育突破了時間、地域和師資條件的限制，在第一時間把最優秀的資源通過互聯網傳播到全國各地，迅速實現了全國資源共享，普通人也能在第一時間享受到一流的教育。

★ 更新迅速

我們不斷跟蹤國家教育部門的改革方向，在新教材推出的15天內就可以完全更新課程，滿足學生的實際需要。

產品名稱：《腦圖新概念》
產品類型：腦圖文章背誦
產品狀態：運營中
產品列表： 新概念I卡 新概念II卡
開發進度：第一冊,第二冊已完成,第三冊開發中
推出時間：2006年1月
產品梗概
《新概念英語》作為享譽全球的、最為經典地道的英語學習寶典，早已成為英語學習者的必選教材。《腦圖新概念》課程藉助網路、多媒體和flash動畫技術把《新概念英語》里的句子、文章變成了flash情境動畫片，配以真人講解，純正發音，讓學習者輕松掌握原文對「聽說讀寫譯」的學習要求，把過去枯燥、低效率的文章抽象記憶，變得生動、鮮活、有趣，從而大幅度提高了單詞記憶和課文背誦的效率，幫助學習者全面突破提升英語成績。

學習載體新穎，學習興趣提高
網上將每篇新概念的故事情節通過flash動畫片的形式表現出來，生動直觀的畫面使學習者對課文理解更深刻，記憶更牢固。學習者在輕松愉快的氛圍里看著動漫，掌握了知識。由於學得輕松，學有所獲，學習興趣也因之提高。

Ⅶ 英語思維導圖片

Mid autumn Festival中秋節The Mid Autumn Festival is drawing near. 中秋節快到了。

Ⅷ 推薦一部經典英文電影中的場景對白，3~4分鍾。（必須註明原因，謝謝！）

《傲慢與偏見》中達西第一次向伊麗莎白表白的那一段，很不錯，情節有起伏，比較能夠抓住觀眾（當然需要一些肢體語言），時間應該夠。還有就是《泰坦尼克號》中最經典的「you jump ,i jump」的那一段，這個也不錯，不過沒試過。PS：《傲慢與偏見》我在英語口語考試中和搭檔用過那一段對白，效果很不錯的哦~~~

Ⅸ 推薦30部經典的英文電影

十大經典電影（人生篇）
1、《肖申克的救贖》

2、《百萬金嬰》又名《百萬寶貝》

3、《悲慘世界》1958年版
4、《辛德勒的名單》
5、《阿甘正傳》
6、《勇敢的心》

7、《活著》

8、《天堂影院》

9、《殺手裡昂》又名:
這個殺手不太冷/
終極追殺令
/
殺手裡昂

10、《完美的世界》
十大經典電影（愛情篇）
1、《羅馬假日》

2、《泰坦尼克》

3、《卡薩布蘭卡》

4、《花樣年華》

5、《人鬼情未了》

6、《亂世佳人》

7、《風月俏佳人》

8、《西雅圖未眠夜》

9、《廊橋遺夢》

10、《英國病人》
十大經典電影（戰爭篇）
1、《巴頓將軍》
2、《拯救大兵雷恩》

3、《現代啟示錄》

4、《戰爭與和平》

5、《野戰排》

6、《西線無戰事》

7、《最長的一天》

8、《獵鹿人》

9、《遙遠的橋》

10、《黑鷹墜落》

Ⅹ 10部經典英文電影推薦

肖申克的救贖》（不用多說，非常震撼人的電影）
《辛德勒的名單》（感人感人！）
《人工智慧》（01年的片子，機器人小孩的愛，基調有些悲傷，但十分感人！）
《教父》（黑幫經典，被稱為「男人的聖經」。本人原本不感興趣，意外地看了之後完全迷上了．．．！）
《美麗人生》（義大利的，親情+勵志，看過不下5遍）
《指環王》（可能不是所有人都感興趣，但是每個人看完只要看懂了都會發自內心喜歡這三部電影。個人認為絕對經典，其史詩地位不可動搖，將黑暗與光明，人性的罪惡和善良描述地很到位~！經典中的經典！！！！）
還有一些不錯的，比如《金剛》、《漫長的婚約》（法國）、《天使艾美麗》（法國）、《雨人》、《第六感》、《美麗心靈》、《角鬥士》、《芝加哥》（有些人說這是奧斯卡最佳影片裡面的爛片，可是我覺得還很不錯～）．還有什麼《飛越瘋人院》，《夜訪吸血鬼》感覺也很特別。最近的也不是沒有好看的，《贖罪》就挺好。
如果除了這些很打動人心的片子之外你還對動作、冒險片感興趣，那麼推薦幾部：《諜中諜》系列，《虎膽龍威4》（算最近的嗎？）．諜影重重系列．．．《變形金剛》．．．
恐怖片推薦《閃靈》，史蒂芬·金很有代表性作品之一～～～！（我至今不敢看，但是據說裡面對於人性罪惡的描寫很真實很震撼）
可能你看過很多了.因為真的很經典