Ⅰ 求經典外國電影影評---要英文版本的
珍珠港的影評
pearl harbour film review
Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.
Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?
If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.
Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions
Ⅱ 外國電影英文觀後感
after seen the movie named《Dvinch code》，i have known that human』s borning characterristics can be very cruel,the only way we can defeat it is distroy is and let everything born agian.Human Instrumentailty can be a very good example.
What we should do is clean our crime by instrumen our heart.
Ⅲ 電影英文影評
極地特快：
Rarely does a movie let you forget who you are and become the main character. This is one of those rare movies.
The movie starts out with a story that every Santa believer experienced. On Christmas eve a boy in Grand Rapids Michigan has reached the age where the statistical impossibility in the Santa story ( the size and speed of Santa's sleigh, the north pole being a barren wasteland) are causing him to doubt the big mans existence. Not knowing for sure the boy drifts into a deep sleep. At 11:55 PM the boy is awakened by the arrival of the Polar Express literally outside his front door. Going to investigate what is going on the boy meets the witty conctor of the Christmas eve train. (Tom Hanks)who informs him that the train is headed to the north pole so the kids can meet Santa Clause. Not totally sure that the train is going to the north pole but to curious to let it go the boy climbs on board. The adventure puts the boy in contact with a girl who is a natural born leader and who's belief in the Christmas magic couldn't be stronger. Other characters include a know it all socially awkward boy, a young underprivileged loner who has never experienced the magic of Christmas and a cast of other more mysterious characters such a a hobo ghost. Through the adventure the combination of great music, flawless animation and fantastic dialog really make you believe you are there and let you relive those days when you thought Santa Clause just might exist. The story ends on Christmas day with a line (narrated by Tom Hanks) about belief that brings back those kid on Christmas eve chills all over again. The themes of belief and friendship are a strong theme in the movie and part of the magic that brings you back to a time when you did believe.Its a great movie for children and alts alike and rekindles the Christmas magic that us alts lost many years ago.
Ⅳ 英文電影影評
Julie & Julia is a 2009 American comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Stanley Tucci, Amy Adams, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog that would make her a published author.
Ephron's screenplay is adapted from two books: My Life in France, Child's autobiography written with Alex Prud'homme, and a memoir by Julie Powell documenting online her daily experiences cooking each of the 524 recipes in Child's Mastering the Art of French Cooking, and she later began reworking that blog, The Julie/Julia Project。 Both of these books were written and published in the same time frame (2004–06). The film is the first major motion picture based on a blog。這是我最喜歡的一部電影之一，我在維基網路上找的資料，你根據那裡的資料改一改，至於觀點，你可以寫堅持自己的興趣和愛好這一方面，寫興趣是最好的老師什麼的，給你個鏈接
Ⅳ 求2篇英文電影，英文的影評100詞
提供 超能陸戰隊 Big Hero 6 (2014) 的英文影評，100單詞，見附件。
如果看不到附件，請用電腦訪問。
Ⅵ 外國電影的英文觀後感
羅馬假日英文觀後感 The story is about a young princess (公主) (Hepburn) named Ann, making a goodwill (善意的) tour of Europe's capitals. She is tired of the responsibility (職責) and demands of the role she has been born in to and longs to experience the every day pleasures of an ordinary person. In Rome she finally rebels. Waiting until after everyone in the embassy (大使館) where her party is staying has gone to sleep, she slips out a window and finds herself alone on the streets of Rome. She is found by Joe Bradley (Peck), a hardened (堅毅的) and somewhat cynical (憤世 嫉俗的) reporter, on his way home from a late night card game. Not knowing who she is but seeing that she has no place to stay he takes pity on her and invites her to his apartment for the night. In a comical (滑稽的) scene, he offers her a pair of his pajamas (睡衣) and points to the couch where she can sleep. Innocent (天真的) aristocrat (貴族) that she is, she asks for a nightgown and help undressing. Bradley helps her take off her tie and then leaves the room. When he returns a few minutes later he discovers her sound asleep on the bed, leaving him the couch (沙發). Leaving her sleeping the next morning, Bradley shows up late for work and tries to cover himself by saying that he had an interview (采訪) with the princess. But his editor shows him a newspaper with her picture and headline stating that she was taken ill the night before and canceled all appointments (安排) for the day. Bradley immediately realizes who he has in his apartment and gets the editor to agree to pay $5,000 if he can get a real interview with the princess. On the way out Bradley contacts a photographer (攝影師) friend, Irving Radovich (Albert) and arranges for him to met him later with his camera for a big scoop. Returning to his apartment, Bradley picks up the princess for their planned tour of the city. Bradley's real aim is to get the pictures and story he promised (答應) his editor. But the innocent charm of the princess softens him and the two start to fall in love. They end up having a good time and some comical adventures (冒險). Bradley conceals the fact that he is a reporter who knows who she really is and she doesn't tell him that that she is a royal princess. But in the end the truth comes out and the princess realizes that her ty to her country and family come first and she reluctantly (不情願地) returns to her official role. The two meet briefly at the end ring her press conference with other reporters. She addresses Bradley as Mr. Bradley just like the others. As he is leaving, Bradley, quietly slips her the photos that his friend Irving had taken and lets her know that his story and pictures of their time together will never be published (公布). The charming Audrey Hepburn plays a modern princess who takes a day on Rome. She meets up with reporter Peck and wise-cracking photographer Albert. Peck and Hepburn fall in love, though Peck plans to sell an "exclusive story with the princess." Roman Holiday is a fun romantic comedy, but stays realistic (現實) with its commentary on society and royalty. Roman Holiday Thanks to some recommendations from my friends , I have recently enjoyed lots of nice films. And last week, the film 『Roman Holiday』 has impressed me a lot. As a remarkable work in the film history, this film is really worth watching. It can be summarized in such a delightful story (This may be a spoilerJ): Princess Anne, who was performed by Audrey Hepburn, was getting bored with her restricted schele when she was on a publicized tour to Rome. One night, she sneaked out of her luxurious residence and fell asleep on a public bench in central Rome. However, she was found by Joe Bradley, an American newspaper reporter, who was performed by Gregory Peck. Joe took her home without knowing who she truly was. Anyway, he was subject to make a big fortune by secretly interview the princess when the truth turned out. But instead of that, after showing Ann around the city and having a good time with her, he forced himself to say farewell to her, for he knew the romance between them oughtn』t to be happened because of their great difference in standing, even though they had fallen in love with each other. The end of the romantic film is really disappointing to most of the audience, though it ought to be imagined at first. However, Audrey Hepburn had successfully performed Ann as a naughty, naive and sweet angel, who ordered a glass of expensive champagne without thinking, who curiously had her first cigarette, who fell in love with a poor but kind man, and who finally firmly returned to the place she hated, only because of her responsibility. She was really charming and graceful, not only from her innocent eyes and expressions, but also from her particular character.
Ⅶ 求一篇英文電影的英文影評
Pride & Prejudice (2005)
傲慢與偏見 凱拉奈特莉版
The story is based on Jane Austen's novel about five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.
Jane Austen's tale of love and economics reaches us once more with the energy of a thorough novelty. "Pride and Prejudice" has been a favorite novel of mine since I first read it and I've seen Laurence Olivier and Greer Garson, Colin Firth and Jennifer Ehle and now Matthew MacFadyen and Kiera Knightly. Amazingly enough I've never been disappointed. The material seems to be full proof. Colin Firth's Darcy, in many ways, is the Darcy I've always imagined. He's been an actor I've followed feverishly since his glorious Adrian LeDuc in "Apartment Zero", Matthew MacFadyen was totally new to me but he managed to create that sense of longing that makes that final pay off so satisfying. Kiera Knightly is a ravishing revelation. I must confess, I didn't remotely imagined that she was capable of the powerful range she brilliantly shows here. The other big surprise is Joe Wright, the director, in his feature film debut which is more than promising, it's extraordinary. The photography, the art direction and the spectacular supporting cast, in particular Donald Sutherland and Brenda Blethyn, makes this new version of a perennial classic a memorable evening at the movies
Ⅷ 英文電影中文影評
無論你喜歡變形金剛與否，今年最大的娛樂大片，非此莫屬。觀乎電影現在的規模，電腦特效、數碼3D、IMAX等等，已是傾全力來吸引觀眾入場，話題性（炸毀香港！）十足，兼且連場動作至超長的157分鍾，無論觀眾喜歡與否，都難以拒絕。這開場白，我已用了兩趟「無論喜歡與否」了，你就明白我喜歡與否了。
故事的內容似通非通，狂派博派的恩恩怨怨搞到糊里糊塗，火花抓狂而四處搗亂，還有無厘頭的父女准女婿情，全球走景，由美國德州走到長城、重慶而南下香港，噱頭處處，還有多得連性格都無時間刻劃的狂派、博派和A貨狂派殺手。最後還要泡製近乎世界末日式大戰，回外太空尋找造物主雲雲。
邁克爾·貝確是匠心獨運，他明白到娛樂大片的唯一生存法則：斗大，大得你無法反駁，大得你無暇兼顧，大得無論多突兀都變成順理成章。
這戲開始自狂派與博派展開黑月之戰後，芝加哥幾乎被夷為平地，汽車工程師Cade（馬克·沃爾伯格飾）無意中找到柯柏文開始，便跟少艾十七歲女兒Tessa（妮可拉·佩爾茨飾）一直不咬弦，直至戲的終結才迷途知返，明白老爹愛之偉大。這已是全部人物線索，剩下的連場火爆動作，不明所以地來到東南亞。
馬克·沃爾伯格的角色設定，是單親爸爸兼具工程專業知識，兼且一窮二白，鬱郁不得志，靠輔助變形金剛打怪物，重振父親的威信。這設計無疑針對較成熟的男性觀眾，比前三集舒拉保夫主演的青春片定位「成熟」了，但不代表人生智慧隨年漸長。倒是，它是不折不扣的動作片，馬克·沃爾伯格的扎實動作男星形像大派用場，而更重要是，戲的首三分一，全是以美國西部為背景，它的西部片意圖便昭然若揭了（包括整了含著雪茄，身上纏滿彈葯的博派機械人），它讓人想起《豪勇七蛟龍》（馬克·沃爾伯格父女和准女婿三人，再加四個博派），顯見下過心思。
其他的電影參考，還有如《末來戰士》的殲滅者機械人，他是本集的頭號大敵，與人類聯手，將博派置諸死地，燦爛、奪目、有型。可惜，他跟其他機械人的連場惡斗，都不能增加觀眾都這三方面機械人的認知。
值得留意是，邁克爾·貝愈來愈擅長引入小點子：具磁力的太空船、蟄伏多年的外星恐龍、令人變為金屬的大殺傷力武器等等，但就無視它們的全無連貫性，意念雖多卻未曾細致統一，有時更有應接不暇自相矛盾之嘆。
它是典型21世紀的爆谷電影，總之目不暇給，熱鬧繽紛就算。長期攝取這種爆谷電影，觀眾會慢慢被訓練，不求甚解地接受它的零碎、矛盾、辭不達意、過度活躍、節奏狂亂、戲味平淡、人物浮誇、特效獨大等等…吃爆谷太多，變成超重一族，要抽脂減重恐怕代價高昂了！當壞品味凌駕一切，長年累月，它要殲滅的，其實是電影這創意媒體本身，還有空間讓尊重觀眾智慧的電影出現嗎？
說到底，《變形金剛4》是計算精確的大生意，朝著全球人口最多、最大巿場進發，香港只是眾多中國城巿的showcase，香港取景部分：鰂魚涌、深水埗、中銀總行、會議展覽中心、政總等等，炸毀她，正好讓內地觀眾發泄一下對香港這城巿的復雜情緒。觀眾的期望和反應是預計之內，沒有失望，亦不見得特別精采，這就是邁克爾·貝的功力，觀眾愈捧場，票房創新高，這種變形金剛殲滅戰，以後仍會不斷上演。
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