電影大魚影評英文版

❺ 大魚海棠觀後感英語作文50字

國內電影恐怕只有中文字幕，國際版預告有英文字幕。

❻ 大魚海棠英語影評100詞

Spring is the season of recovery in all things,spring is the season of vibrant spring blossom season,but spent the Nanjing Mochou Lake Begonia quietly opened this spring!
Upon entering the door,greeted the Yi Keke Begonia flower,in the quiet growth.To go any further,there is a pond.Koike some rockery,as well as fountains.A door saw a lot of things,but did not see the teacher that the 'blossom',and some not wait.

❼ 電影大魚 經典台詞（中英對照）

1、Kept in a small bowl, the goldfish will remain small. With more space, the fish will grow double, triple or quadruple its size.

金魚呆在小魚缸里永遠不會變大。若有更多空間，它們將會數倍化成長。

2、Sometimes the only way to catch an uncatchable woman is to offer her a wedding ring.

要套住一個無法捉摸的女人，最好的辦法就是幫她套上一隻婚戒。

3、The biggest fish in the river gets that way by never being caught.

里最大的魚永遠不會被人捉到。

4、There comes a point when a reasonable man will swallow his pride and admit that he's made a terrible mistake.Truth is , I was never a reasonable man.

懂道理的人，終會有按下自尊、坦承他犯下嚴重錯誤的時刻。事實是，我一直都是不講道理的人。

5、The more difficult something is, the more rewarding it is in the end.

事情愈艱難，最後愈能得到豐厚的果實。

6、They said when you meet the love of your life,time stops.And that's true.What they don't tell you is that once time starts again, it moves extra fast to catch up.

人們說當你遇上你的摯愛時，時間會暫停。真的是這樣。但人們沒有告訴你，當時針再度恢復轉動，它會無比飛快，讓人無法趕上。

7、Most things you consider evil or wicked are simply lonely and lacking in social niceties.

你認為最邪惡、最壞的東西，大多隻是孤獨、缺乏融洽的個性。

8、A man tells stories so many times that he becomes the stories. They live on after him, and in that way, he becomes immortal.

一個人不停述說著自己的故事，讓他自己也成了故事本身。故事在他死後繼續流傳，那樣，他也變得永垂不朽了。

(7)電影大魚影評英文版擴展閱讀

《大魚》是一部2003年出品的美國奇幻片，故事改編自丹尼爾·華勒斯（Daniel Wallace）於1998年出版的《大魚老爸》（Big Fish）改編而成。由蒂姆·伯頓執導，由伊萬·麥克格雷格、阿爾伯特·芬尼和傑西卡·蘭格等聯袂出演。

正面評價

蒂姆·伯頓作為風格鮮明的導演，其作品都帶有獨特標簽。比如喜愛表現節日景象，常關注被誤解遺棄的人物，片中常出現小丑，喜好黑色幽默，有點故弄玄虛的神異風格或超自然現象，視覺元素獨特古怪，且喜在多部影片中運用相似技法，這些特點也出現在《大魚》中。

導演和編劇為了視覺化文學概念，將老愛德華年輕時冒險故事與記者兒子尋找父親生活真實的努力兩條故事線以閃回方式交織在一起，這些離奇故事似乎與講述者和他的家庭是孤立存在的，眩目故事與枯燥現實穿插往來，一幅「魔幻現實主義」的圖景，以超現實的方式觸摸真實世界。

影片不僅是讓人眼花繚亂的幻想曲，更是抒情的家庭劇。與蒂姆·伯頓之前作品相比更情緒化，是視覺風格化的戲劇性故事，注重角色創造個人歷史的願望。

這是關於愛的故事，包括彼此忠誠的愛情和最終彌平溝壑的親情。影片同時也充滿奇幻色彩，但並沒有用很多電腦特技，多數超現實場景通過割裂銀幕、縮小道具和運用燈光、角度、景深完成，並有經典的「摳像（Blue Screen）」技術。

負面評價

影片縱有誇張風格，仍掩不住疲弱。編劇問題在於壓縮一本極具細節性的書為電影，僅存情節框架，細節則是從中隨意截取的場景而非完整的故事，缺乏懸念和連貫性。

兒子形象膚淺，缺乏可信度和行為動機，使得父子矛盾顯得牽強，結尾兒子態度轉變也顯突然。導演過分重風格輕故事和人物，對南方修飾性敘述的喜好「過猶不及」，過於迷戀自己創造的影像世界，虛張聲勢和宏大結尾使得影片陷入模式化僵局。

❽ 求《大魚》（Big Fish）的英文影評

Because Someone have already written about the father』love perfectly. So I will tell someting else now.
-------------words in the front
One thing I like about Tim Burton's work is his wonderful art workthat the art is always wonderful. The scenes in Sleepy Hollow are truly a wonder and Big Fish does not disappoint me either. Maybe it isn't as stunning as Sleepy Hollow, but Spectre is beautiful enough afterall.
The pathetic thing about alts is that they are not imaginative anymore. When William was little he envied his father's heroic experiences, yet when he grew up everything turned out to be a lie to him, something to hurt him but not something to amuse him. If he had discovered sooner how Ed Bloom had been able to have noticed of the small and interesting things and people happened in his life and made use of them to write his own tale and brought others laughters and joy, he would have realised sooner that he himself was a good story-teller too: The story Will told of was almost the most fascinating one in the film. Through telling the story the son finally understood his father. It's better than a thousand explanations. This way Big Fish is a tale for grown-ups.
Life is always a myth, but what comes out of it could be so fantastic once you got the courage and the positive spirit. Every human being has his or hers ups and downs in the long journey of lifetime, but the legend for each one could reach the perfect ending if proced in an imaginative and purely positive way like Edward Bloom's.
"The big fish gets its way by never been caught". Never let the obstacles and the trivial in life bring you down. And you can also be the big fish

❾ 求經典外國電影影評---要英文版本的

珍珠港的影評

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions

❿ 求 大魚老爸的英語影評

Because Someone have already written about the father』love perfectly. So I will tell someting else now.
-------------words in the front
One thing I like about Tim Burton's work is his wonderful art workthat the art is always wonderful. The scenes in Sleepy Hollow are truly a wonder and Big Fish does not disappoint me either. Maybe it isn't as stunning as Sleepy Hollow, but Spectre is beautiful enough afterall.
The pathetic thing about alts is that they are not imaginative anymore. When William was little he envied his father's heroic experiences, yet when he grew up everything turned out to be a lie to him, something to hurt him but not something to amuse him. If he had discovered sooner how Ed Bloom had been able to have noticed of the small and interesting things and people happened in his life and made use of them to write his own tale and brought others laughters and joy, he would have realised sooner that he himself was a good story-teller too: The story Will told of was almost the most fascinating one in the film. Through telling the story the son finally understood his father. It's better than a thousand explanations. This way Big Fish is a tale for grown-ups.
Life is always a myth, but what comes out of it could be so fantastic once you got the courage and the positive spirit. Every human being has his or hers ups and downs in the long journey of lifetime, but the legend for each one could reach the perfect ending if proced in an imaginative and purely positive way like Edward Bloom's.
"The big fish gets its way by never been caught". Never let the obstacles and the trivial in life bring you down. And you can also be the big fish