Ⅰ 電影《傲慢與偏見》英文簡介
電影《傲慢與偏見》英文簡介:
Elizabeth Bennet (Keira Knightley) and her sister Jane Bennet (Rosamand Parker), sister Mary Bennet (Dalula Lely), Katie Bennet (Kerry Mulligan) and Lydia Bennet (Gina Malone) are all sisters from small landlord families. Mrs. Bennet's greatest goal in life is to find the right man for all five of her daughters. Unfortunately, the second daughter, Elizabeth, can always find out 100 reasons for refusing to marry her mother.
When Mrs. Bennet heard that the neighbouring manor was rented by a wealthy bachelor and would come to spend the summer with his distinguished friends, she excitedly decided that it was a blessing for her daughters. The suitor was on the verge of coming, and things were going as she had expected.
The monotonous and slightly quiet life of the five sisters was accompanied by the arrival of wealthy single Handacy (Matthew McFadden) and his friend Gray, two young men. A beautiful love story full of pride and Prejudice unfolded after the healthy and upward Gray and the wealthy Darcy met the five golden flowers of the Bennet family in the town.
Elizabeth (Keira Knightley) is the most diligent of the five sisters. She is also a talented college student. She never considered marriage before graation. But when she met the handsome, cynical Gray and the wise businessman Darcy (Matthew McFadden), her judgment began to be tested. Because the wealthy son Darcy soon fell deeply in love with the beautiful Elizabeth after a brief exchange.
Moreover, Darcy bravely proposed to her regardless of the family and wealth gap, but because of Elizabeth's misunderstanding and prejudice against him, he was relentlessly refused. The reason why Elizabeth misunderstood and prejudiced him was that Darcy, a wealthy man, often showed immortal arrogance, which made the honest and kind Elizabeth disgusted. Because Darcy's arrogance is actually a reflection of status differences, so long as there is such arrogance, there can be no common thoughts and feelings between him and Elizabeth, nor can there be an ideal marriage.
But after a period of time, graally, Elizabeth found and witnessed a qualitative change in Darcy's way of dealing with people and a series of actions. Especially his past proud and conceited manner disappeared completely, so Elizabeth's misunderstanding and prejudice towards him graally disappeared, and a happy marriage finally achieved. Her sisters also got the sweet life they wanted.
中文對照:
伊麗莎白·班納特(凱拉·奈特莉飾)和姐姐珍·班納特(羅莎曼德·派克飾)、妹妹瑪麗·班納特(妲露拉·萊莉飾)、凱蒂·班納特(凱瑞·穆麗根飾)以及麗迪亞·班納特(吉娜·馬隆飾)這5個出身於小地主家庭的姐妹個個如花似玉。班納特太太(布蘭達·布萊斯飾)最大的人生目標就是給她的這5個女兒都找到如意的郎君。可惜天不從人願,二女兒伊麗莎白總能找出100個不願結婚的理由拒絕母親。
當班納特太太聽說鄰近的庄園被一個富有的單身漢租下,並且會帶著他那些有身份的朋友們前來消夏時,她興奮地認定這是女兒們的福分,求婚的人眼看著就要上門了,而事情也正如她預想的那樣發展開來。
姐妹5人原本單調且略顯平靜的生活伴隨著富有的單身漢達西(馬修·麥克費登飾)和他的好友格萊兩個年輕小夥子的到來而泛起了波瀾。健康向上的格萊和富家子達西這對要好的朋友在結識了鎮上班納特家的這五朵金花之後,一段美麗而飽含傲慢與偏見的愛情故事就此展開。
伊麗莎白(凱拉·奈特莉飾)是5個姐妹中最勤勉的一個,她還是個有才智的大學生,在畢業之前她從沒有考慮過談婚論嫁。但是當她遇到英俊瀟灑,玩世不恭的格萊和理智的商人達西(馬修·麥克費登飾)後,她的判斷力開始接受考驗。因為富豪子弟達西在短暫的交往後很快便深深地愛上了美麗的伊麗莎白。
並且,達西不顧門第和財富的差距,勇敢地向她求婚,但卻因為伊麗莎白對他存有的誤會和偏見,而遭到了無情的拒絕。伊麗莎白對他存有誤會和偏見的原因是,出身富貴的達西經常表現出不可一世的傲慢,這令正直善良的伊麗莎白討厭不已。因為達西的這種傲慢實際上是地位差異的反映,只要存在這種傲慢,他與伊麗莎白之間就不可能有共同的思想和感情,也不可能有理想的婚姻。
但經過了一段時間之後,漸漸地,伊麗莎白發現並親眼看到了同樣善良的達西在為人處世和一系列所作所為上有了質的改變。特別是他過去那種驕傲自負的神態完全不見了蹤影,於是伊麗莎白對他的誤會和偏見也逐漸消失,一段美滿的姻緣也就此最終成就。她的姐妹們也各自得到了想要的甜蜜生活。
1、《傲慢與偏見》是根據簡·奧斯汀同名小說改編,由焦點電影公司發行的一部愛情片,由喬·懷特執導,凱拉·奈特利、馬修·麥克費登、唐納德·薩瑟蘭等聯合主演。該片於2005年9月16日在英國上映。
該片講述了19世紀初期英國的鄉紳之女伊麗莎白·班內特五姐妹的愛情與擇偶的故事。
2、影片評價:
《傲慢與偏見》溫暖人心、令人愉悅、浪漫,美國影評界對這部名著改編作品絲毫不吝惜溢美之辭。凱拉·奈特利的表演光芒四射(《亞特蘭大憲報》 評論)。
該片最大限度地保留了原著的精華,在傳承經典的同時又巧妙地融合了許多現代元素,好看且耐人回味,是一部難得的改編力作。(台海網 評論)。
該片畫面精緻,從鏡頭的轉換到原聲音樂表現,清新,養眼的俊男美女與悅目的英國鄉村風光更符合一部新世紀電影的感覺。(新浪網評論)。
Ⅱ 用英文介紹伊麗莎白一世
Elizabeth I (7 September 1533 – 24 March 1603) was Queen of England and Queen of Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty. The daughter of Henry VIII, she was born a princess, but her mother, Anne Boleyn, was executed three years after her birth, and Elizabeth was declared illegitimate. Her brother, Edward VI, cut her out of the succession. His will, however, was set aside, and in 1558 Elizabeth succeeded her half-sister, the Catholic Mary, ring whose reign she had been imprisoned for nearly a year on suspicion of supporting Protestant rebels.
Elizabeth set out to rule by good counsel,[1] and she depended heavily on a group of trusted advisers led by William Cecil, Baron Burghley. One of her first moves as queen was to support the establishment of an English Protestant church, of which she became the Supreme Governor. This Elizabethan Religious Settlement held firm throughout her reign and later evolved into today's Church of England. It was expected that Elizabeth would marry, but despite several petitions from parliament, she never did. The reasons for this choice are unknown, and they have been much debated. As she grew older, Elizabeth became famous for her virginity, and a cult grew up around her which was celebrated in the portraits, pageants and literature of the day.
In government, Elizabeth was more moderate than her father and siblings.[2] One of her mottoes was video et taceo: "I see, and say nothing".[3] This strategy, viewed with impatience by her counsellors, often saved her from political and marital misalliances. Though Elizabeth was cautious in foreign affairs and only half-heartedly supported a number of ineffective, poorly resourced military campaigns in the Netherlands, France and Ireland, the defeat of the Spanish armada in 1588 associated her name forever with what is popularly viewed as one of the greatest victories in English history. Within 20 years of her death, she was being celebrated as the ruler of a golden age, an image that retains its hold on the English people. Elizabeth's reign is known as the Elizabethan era, famous above all for the flourishing of English drama, led by playwrights such as William Shakespeare and Christopher Marlowe, and for the seafaring prowess of English adventurers such as Francis Drake and John Hawkins.
Historians, however, tend to be more cautious in their assessment. They often depict Elizabeth as a short-tempered,[4] sometimes indecisive ruler,[5] who enjoyed more than her share of luck. Towards the end of her reign, a series of economic and military problems weakened her popularity to the point where many of her subjects were relieved at her death. Elizabeth is, however, acknowledged as a charismatic performer and a dogged survivor, in an age when government was ramshackle and limited and when monarchs in neighbouring countries faced internal problems that jeopardised their thrones. Such was the case with Elizabeth's rival, Mary, Queen of Scots, whom she imprisoned in 1568 and eventually had executed in 1587. After the short reigns of Elizabeth's brother and sister, her 44 years on the throne provided valuable stability for the kingdom and helped forge a sense of national identity.[2]
Ⅲ 求電影伊麗莎白鎮英文劇本
劇本:http://www.script-o-rama.com/movie_scripts/e/elizabethtown-script-transcript-cameron-crowe.html
故事情節:
Drew Baylor is the designer of the Späsmodica shoe, a world-famously hyped but flawed new proct that his boss informs him will lose $972 million and is "a disaster of mythic proportions, [...] a folktale told to others that makes other people feel more alive because it didn't happen to them".
After he is fired, Drew's beautiful girlfriend Ellen breaks up with him. Drew goes to his apartment, defeated, and attempts to commit suicide (by modifying an exercise bike and attaching a kitchen knife with ct tape so he would be stabbed to death when activating the bike). However, his sister Heather phones at just that moment to tell Drew that their father has just died and he needs to go to Elizabethtown, Kentucky, to bring the body back home.
At the airport, Drew's sister and mother tell him they wish to cremate his father's body. On a nearly empty plane, a quick-witted flight attendant, Claire, gives him a free seat in First Class. He declines but she insists because she doesn't want to have to walk all the way back to Coach just for him.
Claire knows Kentucky well and draws him a map to Elizabethtown. She also jots her phone number on the map. When he arrives in Elizabethtown, a boy leads him to the funeral home, where Drew's cousin is waiting for him.
Various members of his family greet him as the "California boy", although his family had only lived in California for 18 months before moving to Oregon. After viewing his father's body, Drew meets with relatives near the burial plot where they would like the body buried. Drew insists on honoring his mother's wish for a cremation.
Drew attempts to call home but receives no answer. He remembers that Claire gave him her number. They talk for most of the night and meet in the early morning. They begin to spend time together, including visiting the mortuary where Drew's father is.
While visiting relatives to explain the choice of cremation, Drew sees a photo of his father near a flame from his Aunt Dora's stove. Feeling guilty, he runs to the mortuary to stop the cremation but arrives too late and is given an urn containing his father's ashes. Drew returns to the hotel to find Claire there. They talk about their feelings and conclude they are not right for each other. However, they kiss and end up sleeping together.
Drew tells her his plan to finish his business in Kentucky and then return home to commit suicide. They decide to meet up one last time at Drew's father's memorial.
Drew's mother and sister arrive in Kentucky for the service. After various acquaintances speak in memory of Drew's father, his mother Hollie talks about him and does a tap-dance to his favorite song. Drew's cousin, along with his band "Ruckus" (consisting of members of Kentucky band My Morning Jacket), begin to play the classic Lynyrd Skynyrd song "Free Bird." A stage prop, a large paper dove, catches on fire, setting off alarms and causing emergency water sprinklers to go off, while everyone flees.
Drew decides to drive back to Oregon rather than fly. Claire once again gives Drew a map, this time an elaborate one with instructions and CDs, guiding him "home." There are notes of places along the way he should visit. At each one, he spreads some of his father's ashes.
During the trip, Drew comes to terms with his father and begins to talk to him, stating that they should have taken this trip together years ago. Finally, the directions come to a point where he is given two choices -- to continue home or to finish the journey Claire laid out for him. Drew chooses to use her route.
He is instructed to go to the "Second Largest Farmer's Market in The World." There is a note telling him to "look for the girl with a red hat." After looking desperately for a few minutes, he finds Claire.
Ⅳ 伊麗莎白泰勒英文簡介
Dame Elizabeth Rosemond Taylor, DBE (born 27 February 1932), also known as Liz Taylor, is an English-American actress. She is known for her acting talent and beauty, as well as her Hollywood lifestyle, including many marriages. Taylor is considered one of the great actresses of Hollywood's golden age.The American Film Institute named Taylor seventh on its Female Legends list.
Elizabeth Rosemond Taylor was born in London, England, on February 27, 1932. Although she was born an English subject, her parents were Americans, art dealers from St. Louis, Missouri (her father had gone to London to set up a gallery). Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.
The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.
The first proction she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946). In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts.
Throughout the rest of the 1940s and into the early 1950s Elizabeth appeared in film after film with mostly good results. Her busiest year was 1954, with roles in Rhapsody (1954), Beau Brummell (1954), The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.
Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth star in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as st. Despite the film's shortcomings, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957). In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958).
The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1959). Her Oscar drought ended in 1960 when she brought home the coveted statue for her flawless performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive proctions up to that time--as was her salary, a whopping $1,000,000.
This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Michael Todd--who died in a plane crash--and Eddie Fisher). Her next handful of films were lackluster at best, especially 1963's The V.I.P.s (1963), which was shredded by most critics. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt Martha was easily her finest to date.
For this she would win her second Oscar and one that was more than well-deserved, but her films afterward didn't approach the intensity of that one. Since then she has appeared in several movies, both theatrical and made-for-television, and a number of TV programs. In February 1997 Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She has had two husbands since, Senator John Warner and Larry Fortensky.
Ⅳ 有沒有電影《伊麗莎白一世》的英語評論
A biopic of the Virgin Queen Elizabeth's rise to power in England showing the corruption in her court with assassinations, unsuitable suitors, political marriages and treachery.
This is very much a historical costume drama for those that dislike the dry, lifeless drama of other period dramas such as Merchant & Ivory etc. This is a wonderfully vibrant piece, full of gaudy colours, comical and treacherous performances. Director Kapur brings the air of corruption and betrayal to life in a story that is rich in detail and story. The story is full of action and wonderful characters and holds the interest from beginning to end. Kapur gives plenty of modern touches to the drama from comical touches of Elizabeth rehearsing her speech in very quickly edited sequences to filming her through a red-veil shortly after a murder that was authorised by her. It is good to watch a period drama that is so very vibrant and colourful.
Cate Blanchett is great as Elisabeth but the supporting cast are roundly fantastic - Joseph Fiennes, Geoffrey Rush, Christopher Eccleston the list of quality actors goes on goes on. This is also completed by UK TV actors such as Cathy Burke and Angus Deayton. Ex-Manchester United footballer Eric Cantona also shows that he made a good career choice by putting in a good performance in a small role as a member of the French court.
Overall a great film that brings the period to life - warts and all.
http://www.imdb.com/title/tt0127536/
可以看看這個
Ⅵ 急!!!跪求一篇關於英國伊麗莎白時期英國文學的主要成就,英文80字左右
Several general characteristics of Elizabethan literature and writers should be indicated at the outset.
The period has the great variety of almost unlimited creative force; it includes works of many kinds in both verse and prose, and ranges in spirit from the loftiest Platonic idealism or the most delightful romance to the level of very repulsive realism.
In style it often exhibits romantic luxuriance, which sometimes takes the form of elaborate affectations of which the favorite 'conceit' is only the most apparent.
It continued to be largely influenced by the literature of Italy, and to a less degree by those of France and Spain.
The literary spirit was all-pervasive, and the authors were men (not yet women) of almost every class, from distinguished courtiers, like Ralegh and Sidney, to the company of hack writers, who starved in garrets and hung about the outskirts of the bustling taverns.
伊麗莎白文學的總體特徵可總結為如下幾點:
這一時期具有幾乎無限的創作力量,作品種類繁多,從柏拉圖唯心主義或最令人愉快的浪漫主義到反映丑惡的現實主義。
在風格上往往表現出浪漫的繁茂,有時略顯矯揉造作。
它能在很大程度上由義大利文學的影響,並略受法國和西班牙的影響。
文學精神更是無孔不入,男性作者(尚未涉及婦女),幾乎覆蓋每一個階層,從著名廷臣像Ralegh和Sidney,到受雇於出版商的文人,到在閣樓挨餓或是混跡於熙熙攘攘的酒館的人。
Ⅶ 誰有伊麗莎白時代的英文簡介,急需
你好,是伊麗莎白的英文簡介嗎?
Ⅷ 求電影亨利八世(1933年)、伊麗莎白一世(1998年)的英文影評,滿意者重獎之!
Since ancient times, both Chinese and foreign, within the royal family, R Shemi, has become inevitable. Merry with the royal family to make a fuss about the Bufaqiren, relevant film and an endless stream.
Henry VIII in the history of the British royal family also be called second to none Fengliurenwu, although younger than his love Edward VIII last Jiangshan Americans do not love the bad deeds of first-class glory, but he has four queen and almost without parallel in history is also a hospice after To those without the.
Videos in this historical background, on Annibolin Malibolin and sisters in the family under the arrangement of how to please the British King, to break away from the end Annibolin eat their own bitter fruit, the guillotine into the process. In fact, the story itself, the biography of the story itself there is no surprise, is nothing but an understanding of the process, the story of the most exciting level of history has already been decided. Therefore, I think the film be called on Zhongguizhongju, are to see each actor.
Natalie Smart and the plot, the Queen Mary Muna and compliance, Henry's brutal and altery, and even colored supporting role, regardless of character or an in-depth, balance carry out their ties, completed the film. Is no surprise, but attractive unabated.
Henry VIII's tyrannical and eventually caused the weakness of Queen Mary I of the radical religious view, but also led to the Queen Mary and Queen Elizabeth's lonely life, Tudor to this end, it is Xishi不已.