花木蘭電影英語好詞好句

❽ 動畫電影花木蘭中英文對照精典句子

動畫電影花木蘭插曲《倒影》中英歌詞對照
1介紹編輯
Christina在經理人的面前清唱了自己最喜歡的歌手Etta James的At Last，唱出了高音「E」音階（比高音"C"還要高），之後她被挑選演唱其電影的主題曲"Reflection"。兩天之內，Christina在日本就錄制好了這首歌，錄制這首歌曲使她在同一周內得到了RCA Records的唱片合約。"Reflection"在成人單曲榜最高名次為第十九名，不僅如此，當年這首歌還被提名為金球獎最佳原創歌曲。1999年該曲被收錄於Christina的第一張同名專輯中。該曲為中英雙版，中文版歌曲名為《自己》，由李玟演唱。[1]
同名專輯
《Reflection》 倒影(電影花木蘭主題曲)
CHRISTINA AGUIELRA (演唱：克莉絲汀娜)

2歌詞編輯

Look at me 看著我,
You may think you see who I really am你也許以為你看到了真正的我
But you』ll never know me但你永遠不會了解我
every day每一天
It』s as if I play a part似乎我真的扮演一個角色，發揮著我的作用。
Now I see現在我明白，
If I wear a mask如果自我掩飾，
I can fool the world我可以愚弄這個世界，
But I cannot fool my heart 卻無法欺騙自己的內心。
Who is that girl I see,我見到的那女孩是誰，
Staring straight back at me?兩眼直直地望著我。
When will my reflection show何時我的倒影才能顯示出
Who I am inside?真正的自我。
I am now in a world我此時身在一個世界，
Where I have to hide my heart在這里我不得不掩飾我的內心世界。
And what I believe in 以及我所信仰的。
But somehow但無論如何，
I will show the world我將告訴這世界，
What』s inside my heart 我心中的秘密，
And beloved for whom I am我愛這樣的我。
Who is that girl I see,我見到的那女孩是誰，
Staring straight back at me?兩眼直直地望著我。
Why is my reflection someone為何我自己的倒影
I don』t know?我自己卻都不認識？
Must I pretend that難道我必須
I』m someone else for all time?一直都扮演一個非我的角色？
When will my reflection show Who I am inside 何時我的倒影才能顯現出真正的自我
There』s a heart that must be free to fly有一顆心需要自由飛翔，
That burns with a need
To know the reason why它迫切地需要知道
Why must we all conceal what we think, how we feel?為何我們都得隱瞞自己在想什麼，自己的真正感受
Must there be a secret me難道有一個秘密，
I』m forced to hide?必須要我隱藏？
I won』t pretend that I』m someone else
For all time我不會一直去扮演另一個身份角色。
When will my reflection show Who I am inside 何時我的倒影才能顯現出真正的自我
When will my reflection show Who I am inside 何時我的倒影才能顯現出真正的自我

❾ 求一篇描寫電影花木蘭的英文文章！

Disney turned East seeking inspiration and found it in Mulan, a thoughtful coming-of-age adventure story about a brave and clever daughter risking her life to save her ailing father in Imperial China. Having fun with the comic possibilities of cross-dressing and gender confusions, this beautifully animated feature places its title character in armor and eventually into the thick of battle, with the stakes no less than the fate of her country. Based on a popular Chinese legend (similar to that of Joan of Arc, but with a kinder conclusion), Mulan is that rarity in any patriarchal culture, a genuine heroine celebrated for breaking the conventions of her sex.

Mulan tries to honor her family the traditional way, letting her mother and grandmother powder her face white and dress her like a China doll in preparation for her interview with the matchmaker, but she utterly fails to please the pompous power broker e to the unintentional interference of her 'good luck' cricket (a close, though mute, cousin to Jimminy). Presented in song with amusing lyrics and overtones of Gigi, this comedy of errors evolves into fairly serious drama. Mulan is deeply ashamed at her failure to bring honor to her family in the only way her society deems possible.

She discovers, however, that her father still believes in her. Beneath the gentle canopy of a cherry blossom tree, he tells her that 'the flower that blooms in adversity is the most rare and beautiful of all.' In this one scene, directors Barry Cook and Tony Bancroft poignantly establish the powerful bond between the tiful but independent-minded daughter and her conventional but compassionate, aged father.

When Mulan learns that the Emperor is demanding one male volunteer from every family to fight the Hun invaders, she secretly cuts her hair, dons her father's armor, takes his sword and rides off in his place. Dramatically staged without dialogue, this is the film's most stirring sequence.

That's where Eddie Murphy comes in, as the voice of Mushu, Mulan's diminutive, streetwise, would-be guardian dragon. Though less witty than Robin Williams in Aladdin, Murphy breathes some edgy, contemporary humor into his toon with attitude. In a wonderfully funny meeting of Mulan's ancestral spirits, the demoted Mushu is sent to notify a 'real' guardian dragon to protect the inexperienced young warrior. But Mushu seizes the opportunity to prove himself by attempting to make Mulan a war hero. Though romance is secondary in the story, Mulan does fall in love with her hunky commanding officer, Captain Shang, who nearly drops his slender recruit until he/she uses her intelligence to complete a daunting task, in a G.I. Jane moment.

As usual, Disney animators succeed in creating a stylishly scary villain-in this case, the monolithic, square-faced Hun leader Shan-Yu, whose yellow eyes gleam with hate. Mulan, with her grace under fire, prevails against this seemingly invincible enemy, but not without some interesting setbacks, including her rejection by Shang and her three army buddies-Ling, Chien Po and Yao-after they find out that 'she' is a woman.

Soon after Mulan enlists, there's a Yentl-like scene in which she is bathing in a pond, only to be joined by this trio of boisterous cohorts. Although she deftly makes her getaway before blowing her cover, it makes for some wry comic suspense. Late in the film, the roles are reversed, as Ling, Chien Po and Yao discover that cross-dressing can serve their martial purposes as well.

With its striking computer-assisted visuals, such as the nearly 3D Great Wall of China that opens the film, and the massive attack of the Huns that recalls the wildebeest stampede in The Lion King, Mulan sets new standards in animation. But it is in the subtlety of its characters' 'acting' that Mulan excels. As has been noted in the past, Disney's cartoon characters show more vitality than many flesh-and-blood actors in non-animated films, and Mulan's are no exception.

But, of course, actors invest these character with life, and all of Mulan's voices do their drawings proud. Ming-Na Wen lends Mulan vulnerability and grit, and Lea Salonga provides as lovely a singing voice for her as she did for Princess Jasmine in Aladdin. B.D. Wong (Seven Years in Tibet) as Shang and Donny Osmond as his singing voice team up to make one virile but multi-faceted drill sergeant. Harvey Fierstein's inimitable gravely voice adds character to the macho, pint-sized Yao, and Miguel Ferrer (recently of television's 'Lateline') fuels Shan-Yu's villainy.

While Stevie Wonder and 98% let you leave the theatre buoyed by Matthew Wilder and David Zippel's 'True to Your Heart,' the other Wilder/Zippel songs in Mulan are less memorable. Veteran Jerry Goldsmith's score, however, adds urgency and emotion to the narrative.

As the Emperor (Pat Morita) tells Shang after Mulan rides back to her family, 'You don't meet a girl like that every dynasty.' He's right.