① 求the blind side 電影背景 英文 介紹
不知道你要的是不是這個,還找到一個東西在這個放不下,在下個答案里給你
Sandra Bullock ("The Proposal"), Tim McGraw ("Friday Night Lights") and Oscar® winner Kathy Bates ("Misery") star in Alcon Entertainment and Warner Bros. Pictures' "The Blind Side," which depicts the remarkable true story of All-American football star Michael Oher.
Teenager Michael Oher (Quinton Aaron) is surviving on his own, virtually homeless, when he is spotted on the street by Leigh Anne Tuohy (Sandra Bullock). Learning that the young man is one of her daughter's classmates, Leigh Anne insists that Michael—wearing shorts and a t-shirt in the dead of winter—come out of the cold. Without a moment's hesitation, she invites him to stay at the Tuohy home for the night. What starts out as a gesture of kindness becomes much more as Michael becomes part of the Tuohy family despite the differences in their backgrounds.
Living in his new environment, the teen faces a completely different set of challenges to overcome. And as the family helps Michael fulfill his potential, both on and off the football field, Michael's presence in the Tuohys' lives leads them to some insightful self-discoveries of their own.
"The Blind Side" is directed by John Lee Hancock ("The Rookie"), who also wrote the screenplay based on the book <em>The Blind Side: Evolution of a Game</em>, by Michael Lewis. Gil Netter, Broderick Johnson and Andrew Kosove are procing the film with Molly Smith, Erwin Stoff and Tim Bourne serving as executive procers.
Sandra Bullock and Tim McGraw star as Leigh Anne and Sean Tuohy, and Kathy Bates stars as one of Michael Oher's dedicated tutors, Miss Sue. Quinton Aaron is introced in the central role of Michael Oher. The film also stars newcomer Lily Collins and Jae Head ("Hancock") as the Tuohy children, Collins and S.J., respectively.
The behind-the-scenes creative team is led by director of photography Alar Kivilo ("Year One," "The Lake House"), two-time Oscar®-nominated proction designer Michael Corenblith ("Apollo 13," "How the Grinch Stole Christmas," "Frost/Nixon"), editor Mark Livolsi ("Marley & Me," "The Devil Wears Prada") and costume designer Daniel Orlandi ("Angels & Demons," "Frost/Nixon").
Opening nationwide on November 20, "The Blind Side" is a presentation of Alcon Entertainment and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
不能回答了,但是有個PDF很不錯,介紹背景的
http://www.theblindsidemovie.com/pdf/prodNotes.pdf
② 求2篇英文影評
公主日記2
The story opens with Mia graating from college (when we last saw her she was in high school) and zipping off to Genovia, which her grandmother, Queen Clarisse Renaldi (Julie Andrews), hopes she will govern someday soon. As in the original ''Princess Diaries,'' much of the putative comedy involves the free-spirited Mia working in gentle, contrapuntal harmony with her veddy, veddy proper grandmother. Because the ugly ckling has already molted into a swan, however, the plot this time around hinges on some minor palace intrigue and romances with two blow-dried suitors who take turns holding the royal hand while keeping a safe distance from the royal chastity. In between the cooing and wooing, the pratfalls and proct placements, Ms. Hathaway and Ms. Andrews flash smiles of such dazzling wattage they could carry California through its next energy crisis.
''The Princess Diaries 2'' was directed by Garry Marshall, who has been selling wish-fulfillment fantasies for years, most notably in ''Pretty Woman'' and in the first ''Princess Diaries'' movie. Mr. Marshall, whose place in pop-culture heaven was secured long ago by television comedies like ''The Dick Van Dyke Show,'' on which he served as a writer, is not much of a film director. Depending on the budget, his movies look either cheap (like this one) or studio slick (''Pretty Woman''), and tend to have the same flat, presentational visual style that's familiar from most sitcoms. (That's why his movies fit so snugly into airplane monitors.) And as in those sitcoms shot in front of live audiences, Mr. Marshall's actors often play to the camera and wait for laughs, which can be a serious problem when the screenplay is as deeply unfunny as this one.
Built on vintage and newly minted clichés, Shonda Rhimes's script combines a classic storybook scenario with the usual self-help uplift. After undergoing a radical makeover in the first ''Princess'' movie, Anne has metamorphosed into a self-possessed young woman. She knows how to walk in high heels, iron the frizz out of her hair and whirl around the dance floor with ineligible partners without making them feel bad. True, her sexuality comes across as weirdly underdeveloped, closer to that of the preadolescents who constitute this G-rated movie's core audience, than that of most typical college graates. But that's in keeping with the character whose appeal is largely predicated on being essentially unremarkable in every respect in looks, intelligence, personality and that most bious of designated female traits, niceness.
There's nothing wrong with being nice if it means giving succor to the poor and being kind to animals, but there's something unsettling about a character as bland, mushy and fiber-free as soggy corn flakes. Once upon a different time, Mia might have found her truest self by hanging out with the soulfully truculent adolescent girls in ''Ghost World.'' Instead, Ms. Andrews whisked in with a face frozen in do-re-mi beatitude and carried Mia off to a world where every unruly hair and thought is as smoothed down as the grass on a windswept Bavarian mountain. In the first film, Mia discovered she was to the manner born. Now, the princess who would be queen learns what the rest of us know already: happy movie endings generally come to those women who eat their independence and, in time, a wedding cake too.
《貧民窟的百萬富翁》
A gaudy, gorgeous rush of color, sound and motion, 「Slumdog Millionaire,」 the latest from the British shape-shifter Danny Boyle, doesn』t travel through the lower depths, it giddily bounces from one horror to the next. A modern fairy tale about a pauper angling to become a prince, this sensory blowout largely takes place amid the squalor of Mum, India, where lost children and dogs sift through trash so fetid you swear you can smell the discarded mango as well as its peel, or could if the film weren』t already hurtling through another picturesque gutter.
Mr. Boyle, who first stormed the British movie scene in the mid-1990s with flashy entertainments like 「Shallow Grave」 and 「Trainspotting,」 has a flair for the outré. Few other directors could turn a heroin addict rummaging inside a rank toilet bowl into a surrealistic underwater reverie, as he does in 「Trainspotting,」 and fewer still could do so while holding onto the character』s basic humanity. The addict, played by Ewan McGregor, emerges from his repulsive splish-splashing with a near-beatific smile (having successfully retrieved some pills), a terrible if darkly funny image that turns out to have been representative not just of Mr. Boyle』s bent humor but also of his worldview: better to swim than to sink.
Swimming comes naturally to Jamal (the British actor Dev Patel in his feature-film debut), who earns a living as a chai-wallah serving fragrant tea to call-center workers in Mum and who, after a series of alternating exhilarating and unnerving adventures, has landed in the hot seat on the television game show 「Who Wants to Be a Millionaire.」 Yet while the story opens with Jamal on the verge of grabbing the big prize, Simon Beaufoy』s cleverly kinked screenplay, adapted from a novel by Vikas Swarup, embraces a fluid view of time and space, effortlessly shuttling between the young contestant』s past and his present, his childhood spaces and grown-up times. Here, narrative doesn』t begin and end: it flows and eddies — just like life.
By all rights the texture of Jamal』s life should have been brutally coarsened by tragedy and poverty by the time he makes a grab for the television jackpot. But because 「Slumdog Millionaire」 is self-consciously (perhaps commercially) framed as a contemporary fairy tale cum love story, or because Mr. Boyle leans toward the sanguine, this proves to be one of the most upbeat stories about living in hell imaginable. It』s a life that begins in a vast, vibrant, sun-soaked, jampacked ghetto, a kaleidoscopic city of flimsy shacks and struggling humanity and takes an abrupt, cruel turn when Jamal (Ayush Mahesh Khedekar), then an exuberant 7, and his cagier brother, Salim (Azharuddin Mohammed Ismail), witness the murder of their mother (Sanchita Choudhary) by marauding fanatics armed with anti-Muslim epithets and clubs.
Cast into the larger, uncaring world along with another new orphan, a shy beauty named Latika (Rubina Ali plays the child, Freida Pinto the teenager), the three children make their way from one refuge to another before falling prey to a villain whose exploitation pushes the story to the edge of the unspeakable. Although there』s something undeniably fascinating, or at least watchable, about this ghastly interlude — the young actors are very appealing and sympathetic, and the images are invariably pleasing even when they shouldn』t be — it』s unsettling to watch these young characters and, by extension, the young nonprofessionals playing them enact such a pantomime. It doesn』t help even if you remember that Jamal makes it out alive long enough to have his 15 televised minutes.
It』s hard to hold onto any reservations in the face of Mr. Boyle』s resolutely upbeat pitch and sective visual style. Beautifully shot with great sensitivity to color by the cinematographer Anthony Dod Mantle, in both film and digital video, 「Slumdog Millionaire」 makes for a better viewing experience than it does for a reflective one. It』s an undeniably attractive package, a seamless mixture of thrills and tears, armchair tourism (the Taj Mahal makes a guest appearance ring a sprightly interlude) and crackerjack professionalism. Both the reliably great Irrfan Khan (「A Mighty Heart」), as a sadistic detective, and the Bollywood star Anil Kapoor, as the preening game-show host, run circles around the young Mr. Patel, an agreeable enough if vague centerpiece to all this coordinated, insistently happy chaos.
In the end, what gives me reluctant pause about this bright, cheery, hard-to-resist movie is that its joyfulness feels more like a filmmaker』s calculation than an honest cry from the heart about the human spirit (or, better yet, a moral tale). In the past Mr. Boyle has managed to wring giggles out of murder (「Shallow Grave」) and addiction (「Trainspotting」), and invest even the apocalypse with a certain joie de vivre (the excellent zombie flick 「28 Days Later」). He』s a blithely glib entertainer who can dazzle you with technique and, on occasion, blindside you with emotion, as he does in his underrated children』s movie, 「Millions.」 He plucked my heartstrings in 「Slumdog Millionaire」 with well-practiced dexterity, coaxing laughter and sobs out of each sweet, sour and false note.
③ Pitiful (Lp Version) 歌詞
歌曲名:Pitiful (Lp Version)
歌手:Blindside
專輯:Silence
<Pitiful>
by Blindside
As I recall with my stomach turning
I was hiding away from myself
Away from you
Like nothing
Though something was terribly wrong
And I admit that I was only waiting for the right time
Night time
the right moment for you to look away
Though you never did, I pretended for a while
So I could walk where I don't belong
And I remember every word you said
Come back in time, come back
And I remember I would soon be dead
Now so pitiful, so pitiful
But I know
As I hammered those nails into your beautiful hands
Your eyes still try to search for mine
But I look away
Now your eyes are the only thing that can save me
I'm still so afraid of them piercing
Youre breaking into my prison,
Just pretended for a while
My soul is dying
I won't look away
And I remember every word you said...
Come back in time, come back
And I remember I would soon be dead
Now so pitiful, so pitiful
Pitiful, so pitiful ...
Pitiful, so pitiful ...
I'll remember every word you said
This time I won't look away
I'll remember every word you said
This time I won't look away
I'll remember every word you said
Come back in time, come back
And I remember I would soon be dead
Now so pitiful, so pitiful
I'll remember every word you said
Pitiful, so pitiful
Pitiful, so pitiful...
http://music..com/song/802647
④ 電影《弱點》:為什麼叫弱點
blind
side說的是橄欖球裡面四分衛的盲區,雙關表示人們所關注的世界裡的盲區(也就是那些有著非凡天賦卻因為種種原因生活在社會底層的弱勢群體)
人性的弱點,情緒的弱點,思想的弱點,以及選擇理性的弱點
⑤ 快樂大本營金敏智熱舞秀歌曲歌詞翻譯
時光在旋轉一個人回想重播的快樂時光
愛情很危險所以要勇敢時間會幫我的忙
牆上的鍾響過了12點愛情也消失了嗎
最後看你一眼順便告訴你再見了我的國王
跳支芭蕾 one two three 紀念我愛過你
往事很美我會踏著回憶的旋律孤單單的跳到天亮
我不會慢慢慢慢忘記一段愛情
慌慌張張跟著世界旋轉
麻麻煩煩天天胡思亂想我不會
我不要忙忙忙忙故意欺騙自己
平平凡凡忽略我的夢想
孤孤單單夜夜看著月亮辦不到
為了愛情空轉
拿走你的回憶
(rap):123 wanna 忘記你 so why don't you
just gimme some peace i just want to forget
abourt you but thoughts just keep
on comin' in not what's agril to do i gotta
be strong just keep goin; on and
ireally should have known know all along
know that even when your're gone i can still carry on
深呼吸練習忘了你別擔心
我一定可以我相信愛有一種復原的能力
忘記你愛我的原因
明天起我不認識你
謝謝你離開我的世界吧
⑥ 極度恐慌一共多少幕
攻略如下:6章
第1章
看過開場畫面後,玩家就踏上這段驚恐之旅。第一章基本上是教學章,主要是教導玩家如何操作。因為此作的操控方式跟其它FPS有一點點差別,大家不清楚的話可以參考一下上面的控制方法介紹。
一開始主角會在一架車里,下了車的玩家向前行,首先看到有幾塊木板阻擋玩家的去路。玩家可以使用右鍵把木板搞破,就可以穿過這里。穿過後在左面找到一道門,在門前按F可把門打開,進入後就走到一間非常黑暗的房間,此時按X就能把手電筒打開,不過要留意手電筒每次使用都有時間限制,但在關掉後又會自動充電。穿過黑房後會看到一名同伴在一道封閉了的門後,玩家要找路跟他會合。
在玩家面前有一道樓梯及兩道門,玩家先走進其中一門中,裡面可以看到一個Health Booster,可以增加玩家最大HP,之後一直走就會從別一道門出來,之後走上樓梯,打開門口一直走會看到一張桌子擋路,按空格鍵跳過桌子,向前行轉彎會,再看到一些木板封住的門,跟一開始一樣用右鍵把木板打破,再往前走,看到一道上鎖的門,能用手槍打破鎖。繼續走看到有東西擋住的門,同伴此時會出現幫玩家移開阻擋物。
跟著同伴走,奇怪的事發生,同伴突然消失,一直往前走會看到一具死屍坐在椅子上,過走看死屍的時候,同伴又突然出現…。同伴叫你死處看看,看到一道樓梯可以走上去,一直走會到達天台,此時沒有分岔路,繼續一直走,去到一個轉角,主角卻被擊暈。
主角醒來後沿著來路回去找同伴,跟同伴會合後,第一章也完結。
第2章
玩家一開始會乘坐一輛直升機去到一個新地方。今次行動主角將會代表F、E、A、R、(First Encounter Assault Recon)小組跟SFOD-D小組合作進行任務。落機後SFOD-D小組會站在一道大鐵絲網門前,叫你找開關把門打開。大家可以在網門的右手邊找到一條窄路,進入後會先看到一道半開的閂門,進入後可以看到一支Reflex Booster,這支東西的用途可以加長你使用Slow Motion的時間。離開房間後繼續走會看到一條樓梯,跑上去一直走,在一間房中會看到一具死屍,而閂門的開關就在死屍旁,大家走近開關,按F就能啟動。
啟動後回去跟SFOD-D小組會合,走到一半卻傳來慘叫聲,玩家趕緊回去閂門,到達時卻只見滿地鮮血及骨頭,原來SFOD-D遇上了那名紅衣女孩…
繼續往前走,玩家終於會遇到敵人了。在一間房間中主角會遇上2至3名敵人,大家在剛遇上時敵人大多背向主角,主角可以按Shift慢慢瞄準他們才開槍。不過一開槍後就會惹來其它敵人的注意,要小心。過了這間房間後繼續走,會看到一條樓梯,上去後又會遇上其它敵人,殺了他們後會看到一間有葯箱的房間,大家拿到葯箱後,可以按Z來吃葯補血,而葯箱最多同時間拿10個。
繼續走會發現沒路走,不過旁邊卻有一道用木板封住的窗,按右鍵打破後,爬出窗後往右轉,走到盡頭跳到地下,會有一道門能夠打開。
繼續往前走會到達一個滿布貨櫃的地方,這里敵人眾多,大家可以按Control使用Slow Motion來瞄準敵人,不過千萬不要沖動沖出去,除非你玩Easy,不然很易被人殺死。殺光敵人後就看到一間稍稍下陷的地下室,進去後一直走,到達一間很多貨物的地方,又發生靈異事件。繼續走又再出現敵人,此時系統會教你起雙飛,大家只要按前、跳及右鍵就能起飛腿。
繼續走看到樓梯,走上去後會到達一個被雜物阻擋住的門,右面有路可以跳到那間有雜物的房間,在房間內會有一些手榴彈和一部電話,大家可以按F收聽電話錄音。在房外有一個控制器,按F後會有一個貨櫃移來剛才要跳的地方。當貨櫃移到那位置時,對面走道會有人沖出來,要小心。大家可以經由那貨櫃跳到對面走道。殺死敵人後繼續走,期間也會遇到幾次敵人,不過就不會出現分岔路,路也很容易找。一直走呀走,又會發生靈異事件,看到一個男人的背影,一接近就會化灰,跟著他會到達一個有樓梯的房,上樓梯發現房間沒有其它路可行,只有一道破了的窗戶。
沒辦法之下主角唯有跳下去,一落地,那女孩又再出現,而她身後更有紅紅烈火,大家此時開槍也沒有用,也不要向著女孩跑,而是向反方向跑,然後房間會爆炸,主角也爆飛到屋外,而第二章也完結了。
第3章—Escalation
上一章最後講到主角被爆風炸出室外,救援小組也及時趕到將主角救醒,而食屍男Paxton Fettel仍然在逃,主角需要繼續追捕他。此關路並不難找,敵人也不算強,不過驚嚇成份十足…
Infitration
1、 接到新任務的玩家先進入建築物,越過一條黃色的鐵橋後,可看到一個控制器,啟動控制器後(按F可啟動,下同),可把鐵橋位置改變。
2、此處下樓梯可找到葯箱。
3、經過零星的戰斗後來到有兩個大缸的房間,找到上鎖的鐵門,把鎖打破並把門打開進入裡面。
4、一直往前會到達室外,此處敵人眾多要小心。
5、再次進入建築物,會看到一個水池,跳下去再從對面的樓梯爬上來,沿路向前進,在小女孩移動方向的暗角,會在地上看到一個出口。
6、跳下去會進入異度空間,向前行到門前
Heavy resistance
7、再次掉進水裡的主角,可先蹲下後從左方的通道離開水池,之後並沒有分岔路,卻會遇上零星的戰斗。
8、一直向前行會再次去到室外,此處地形看似復雜,不過路其實只有一條,沿路一直走便可。另外此處敵人繁多,要小心。
9、進入圖中的地方會到一座斷了的鐵橋,大家可從旁邊的門走到外邊,找到一個軚盤型開關,打開後回到斷橋處,會發現橋下水位上升,大家可利用浮起的木箱跳到橋的另一邊
10、向前走的期間會遇到一名著重裝甲的敵人,非常難纏,要小心。再沿路走會看到一個大水池,旁邊有一個軚盤型開關,打開後在開關後方會有一條小鐵管在水中升起,大家跳到鐵管上,再經由房間旁的窄路走到樓梯處。
11、沿路走到圖中的位置,可看到地上的坑渠蓋,打破後跳下去。
Bad water
12、一直往前走會看到不少靈異事件,當玩家進入血紅的異度空間時,會有兩個鬼影沖向主角,開槍能把他們打成碎片,主角也能離開異度空間。
13、一輪靈異事件後又要開始戰斗,途中會看到一名滿身鮮血的人坐在椅上,並會發生事件,事件完結後會有大量敵人攻擊。
14、進入圖中地方要小心地上的地雷,要用槍打破它,打破後會爆炸並出現閃電,玩家要另外找路通過此處。大家可以在左邊牆壁上找到一個可打破的鐵氣窗,打破後進入。
15、進入後上樓梯,到圖中之處可跳到水管走到對面。
16、去到圖中場景時會出現大量敵人,殺光後向前進,走到一個很暗的房間後會有一間水管,水管後會有一條樓梯,要留心找找。
17、上樓梯後可走到有閃電的房間,而電力的開關就在附近,打開手電筒會較易找到。之後的路並不難找,不過敵人十分之多,走到最後會有直升機接載主角離開。
第4章—Infiltration
「F、E、A、R、」小組收到消息此事件源自Armacham公司,而部份SFOD-D的成員也在此公司的總部發生意外,主角立即乘坐直升機到達Armacham公司總部,不過一下直升機卻受到襲擊,而總部的正門也已被破壞。此關路並不難找,不過有很多封住的路,因此比較麻煩,但要留意的是此章戰斗比重較重。
LZ is hot
1、一開始敵人非常多,並會從左右包抄主角,玩家要擅用Slow Motion以及盡量找掩護。擊退敵人後可從他們來處找到總部外部入口。
2、這一部分路並不難行,主要也是留意敵人的襲擊,最後在圖中的地方可跳下去,便能成功侵入總部內部。
Watchers
3、在總部內很多通道都因為電動門聯機出現問題而關閉,只剩下一條路可以走下去,在圖中會遇到很多這種某外星人牌子的Laptop型計算機,遇到後按F即可與「F、E、A、R、」指揮官更新情報。另外看到一些亮燈的電話也可以按F接聽留言。
4、沿路走(只有一條路)會到達一個大堂,在大堂二樓會出現新的敵人,他們會隱形襲擊主角,他們的移動速度很高,玩家可利用Slow Motion在他們現形時擊倒他們。
5、在一間有警衛死屍的房間中(房內會有收音機廣播),可以看到一台汽水機,大家可利用地上雜物跳上汽水機上找到道路。
6、一路上繼續使用Laptop更新情報,並在一個櫃台前看到一個肥佬Mapes。在他面前按F會發生事件,最後他會把旁邊的門打開。
7、離開肥佬後繼續向前行,玩家目標是找到圖中藍色瑩光幕的控制裝置。按F打開後可從旁邊的小監視器看到其中一道門打開了。
8、圖中位置的門已經打開,進入後會再找到的一個藍瑩幕開關,按F後另一道門會打開,玩家從此路走,並要在路上尋找失去聯絡的SFOD-D成員。
9、一直走會到達一個正在裝修的地方,期間再次進入異度空間,在一個著火的房間中,大家會在一道有燈光透出來的門,走近後會回到現實。
10、回到現實後沿路走到達一個滿地鮮血的大堂,此時同伴會在電梯內出現,一輪談話後,指揮官要求玩家繼續追查食屍男Fettel。而此時電梯無法使用,大家只能從另一道門向前行,到盡頭處會看到一道鎖了的門,而此時唯一能走的路就是從二樓跳到一樓去。
第5章—Extraction
尋找到失去聯絡的SFOD-D隊員後的主角繼續旅程,而指揮官又再度偵測到Paxton Fettel身上通話器的訊號,位置就在主角身處的大樓內。指揮官要求主角在Armacham總部找到Fettel並加以攔截。此章有很多可以接聽的電話留言,如要了解故事劇情的話,大家可以全部接聽,這些電話並不難找,大多是在必經之路上。另外這章戰斗的比重十分高,而路方面在前半段比較易走,就算是分岔路,到最後大多會到達同一個地方。後半段則比較多隱藏的路。
Bishop
1、此關敵人經常會在高處出現,大家如果聽到敵人交談聲音,就要多加留意。
2、到達圖中位置會遇上激烈的戰斗,大家要多加利用Slow Motion。殺死敵人後進入圖中那間有燈光的房間,進入後會聽到呼叫聲。
3、在房間右方會找到一道門,而呼叫聲就是來自這道門後。在房中會看到一名被縛上炸彈的男人,他名叫Bishop,跟他談話後指揮官又傳來新指令,要主角往前行到電梯大堂跟「F、E、A、R、」小隊的爆破專家會合。
4、往前行會到達一個有很多電梯的房間,大家最好在圖中位置等待敵人,因為敵人會分批從各部電梯圍剿主角,因為敵人數量很多,而且從前、左、右方擁來,有點難對付,大家可以邊打邊退到後方,引他們過來逐個擊破。
5、戰斗結束後終於等到兩名爆破專家,他們會把一面牆炸開,大家可從這里帶兩名專家回去找Bishop,而在專家正為他除下身上的炸彈時,火警鍾會響起。
6、就在旁邊本來不能走的門現在打開了,進入後向前走,在盡頭處可找到一個關掉火警鍾的裝置,關掉後又再有事情發生。
7、回過神來的玩家需要在屋頂上跟Bishop及爆破專家會合,大家可以坐圖中的電梯上去。
8、電梯走到一半卻突然停了,無奈的主角只能離開進入一間布滿雜物的小房間,在房間找到圖中的位置,可以利用油桶跳到右方的木板上。
9、在木板上向前走,打開手電筒可看到一個可破壞的通風口。
10、到達一個可望向街外的房間,卻因為閂門被鎖不能前進,大家可打破玻璃跳到窗檯繼續前進。在此要小心跌落街,轉過一個角後會到達一間有燈的房間,打破玻璃進入房間。
11、剛才走了一段路後,現在又進入戰斗時間,一邊打一邊行,會到達圖中的位置,大家需要跳上去才能繼續往上走。
12、到頂後會看到一道被木板圍住的門,大家打開手電筒後可看到板後有一個紅色木箱,大家可利用那木箱跳過木板。
Blindside
13、此節一開始都是戰斗,不過殺光所有敵人後你可能會找不到路,大家可在一個室外的平台上,亦即是圖中左前方位置向下看,就能找到去路。
14、此時只有一條路,向前行會看到一個洞,跳進去主角會掉進水渠里,而主角此時要找路回到主建築物中。
15、離開水渠後會看到一道上鎖的鐵門,開槍後會引起爆炸。
16、主角會被爆風彈會水裡,而水旁的路也被炸破,玩家可從跳到破損了的路繼續往前走。
17、在圖中地方會遇上天花下榻,把前面鐵橋毀掉,大家可跳下圖左的小路找到一條小通風口。通風口位於鐵橋底。
18、一直走會發生爆炸,令通往出口的樓梯被火所阻,大家可從以再從橋底找到另一個通風口繼續前進。
19、一直兜來兜去的主角最終找到關掉煤氣的開關,關掉煤氣後可從原路回到通往出口的樓梯。
20、向前行會遇到一道被雜物頂住的門,左邊會有一個電梯槽,在另一邊的房間有一個水池,在一個水池旁找到一個水閂的開關,打開後水池的水位會上升,跳進水裡可以游水到另一邊
21、離開水後會到達被雜物頂住的門的另一邊,這里有一條樓梯,樓梯後有一個要開手電筒才看到的開關,打開此開關能讓剛才電梯槽處的電梯到達。進入電梯後按鍵,終於完成此章。
第6章—Interception
終於回到主建築物的主角繼續找尋Paxton Fettel的下落…
Sayonara, sucker
1、經歷上一章後極度黑暗的環境後,終於回到有燈的總部內,而主角再次找到肥佬Mr、 Mapes。
2、主角再次要找尋藍色瑩幕裝置來打開被鎖的電子門,這里每一間房間的空間都看似很大很復雜,不過其實能走的路只有一條。當主角看到圖片中的地方時,可以勇敢地跳下去。
3、找到裝置打開電子門後,其中一道電子門會打開,穿過這門走上樓梯,卻發現Mr、 Mapes很驚慌地逃進電梯內,而電梯也不能再用。
4、在電梯旁找到一條往上的樓梯,利用圖左極窄的小路可走到樓梯旁,爬上樓梯後可在柱後找到另一條樓梯,再往上爬。上去後會看到兩條欄桿,跳過欄桿後可打破前方的通風口,再由通風口繼續前進。
Unauthorized personnel
5、往前走會看到肥佬Mr、 Mapes躲在一間房間內,只見他按了一個按鈕後就跑掉。而屋頂就有一個會攻擊的電子裝置攻擊主角,此裝置火力強大,大家可立即跑到裝置下方以最短時間破壞它。在這一章會經常出現這個裝置,大家如果不能接近它的話,就先躲起來,等它停止射擊後再用Slow Motion把他破壞。
6、破壞裝置後從原路回去,在一個有很多排氣管的地方,可找到一條往下的出路。
7、打開路上一道寫著CLOSED AREA的門,進去後有一開關,打開後繼續走。一路上會主角會經上看到肥佬Mapes,不過他每次都能躲開主角。
8、這段路不難走,到達一個中間有著大升降機的地方,找到開關後把在二樓的升降機降下來,會出現一隻使用飛彈的機械人,大家要小心應付。
9、摧毀機械人後使用升降機上二樓,到達一個很多雜物的房間,爬上紅色樓梯後,會有一間很黑,看似沒有通的房間,不過大家只要打開手電筒,照向房間右方就能看到一條通風口。
10、通過通風口後警鳴大作,大家找到開關關掉警鍾後繼續走,會看到一部控制遙控電子機槍的裝置,大家使用此裝置可以殺死旁邊房間的大部份敵人。
11、殺完人後大家可從圖中右邊的窗口跳到下面,圖左是遙控電子機槍裝置。(筆者在此卡關卡了很久說…)通過這里後應該問題不大,一直往前走到一處可跳到下面一層的地方時,向下跳便可完成此節。
Afterimage
12、此節一開始以驚嚇掛帥,路很易走。一直走到一個可看到星空的中庭,殺光敵人後可以在中庭盡頭找到進入室內的樓梯。
13、進入室內後以戰斗為主,走到盡頭發覺閂門關閉,大家可打破旁邊玻璃,向外跳到花槽上,就能完成此章。
有翻譯成《弱點》,《溫情橄欖球》,《攻其不備》,或者《暗算》, 導演: 約翰·李·漢柯克John Lee Hancock
⑧ 弱點原型是誰
《弱點》的原創劇本是書籍《弱點:比賽進程》
書中描述的人物原型是邁克爾·奧爾,他是電影中主宰體育場的大人物。影片以書為原型,書的原型來自真實人物。雖然經過兩個藝術過程,邁克爾在現實中的生活經歷與邁克爾在電影中的生活經歷基本上達到了95%的重合。
看電影就是看他的生活,除了邁克爾·奧爾的名字外,影片中其他主角的名字和背後的故事基本符合現實。這也證明了最好的電影總是來自現實生活。
(8)泰國電影blindside擴展閱讀
劇情簡介
黑人邁克爾·奧赫自幼父母離異,無家可歸。不過,木訥的他卻因為極強的身體條件和運動天賦,幸運地進入了一家基督教學校。雖然,他科科零分,但是一些細節卻讓他顯得與眾不同。一次排球比賽後,他主動收拾垃圾的行為,引起了陶西一家的注意。
於是,陶西太太決定收養奧赫,並把他培養成橄欖球選手。陶西太太讓他感受到了家庭的溫暖。同時,陶西的兒子還幫助奧赫訓練,使他很快地融入了橄欖球隊的生活,不斷激發運動的潛能。終於,在一次比賽中,他因出色的表現嶄露頭角,開始獲得了球探的關注,並且最終收獲。
⑨ 有什麼適合英語初學者的教學視頻或電影
經常有級別較低的學員讓我們推薦一些適合他們的電影。我絞盡腦汁回憶了幾部好看又好懂的英文電影(美音)。
1.Hachiko:
A
Dog's
Story—忠犬八公
這部電影非常日常,表達方式實用,句子簡短,邏輯簡單,特別適合初學者。
2.
Proposal
–假結婚
很多女孩子會喜歡的電影,輕松愉快,而不是很爛俗。句子普遍很短,適合初學者理解。
3.School
of
Rock—搖滾校園
令人有點小驚喜的一部喜劇,雖然比傑克布萊克之前的Tenacious
D的笑點低。除了少部分片語需要特別查閱字典外,大部分句子都很容易從字面上理解。
4.
The
Blind
Side—弱點
不矯揉造作的一部勵志運動電影。有一些專有名詞、大詞和令人費解的表達方式,但是大部分都比較好懂。
⑩ blind-sided什麼意思
blindside
blindside[簡明英漢詞典]
[ˈblainsaid]
vt. 1 攻其不備; 出其不意地襲擊 2 使遭受意外打擊
詞條指正 - Google 搜索