⑴ 《百萬寶貝》英文經典台詞
奧斯卡最佳影片哦，最記得後面，教練拔掉插管，離開的孤單背影
台詞的話，好像沒人總結過英文的
0.人生就好比一場拳擊比賽,充滿了躲閃與出拳,如果足夠幸運,只需一次機會、一記重拳而已,但首要的條件是你必須得頑強地站著,有何勝利可言,挺住意味著一切。
1.MoCuishle， means my darling，my blood
MoCuishle(高盧語)的意思是：我親愛的，我的血肉。
2.我遇見他的時候，他已經是拳擊界最好的助手。從60年代起就開始訓練和管理，從來沒讓人失望過。有時候什麼都做不了，傷口太深，離骨頭太近，也許你的靜脈已經斷裂，或者你不能讓止血葯滲入裡面。他又各樣的方法來解決不同層次的肌肉拉傷。弗蘭基知道如何解決每一個問題。
3.拳擊是關於尊嚴，贏得你自己的，同時也剝奪別人的。
4.很多人會說對於一個拳手，最重要的莫過於熱情，弗蘭基卻說，帶給我一個只有熱情的選手，我會告訴他什麼叫鼻青臉腫。
5.她從密蘇里州西南而來，家住在靠近一個破舊小鎮的山上，就在杉樹和橡樹中，一個在遙遠和再見之間的地方。在她的成長過程中，她只知道一件事，自家是個垃圾。她現在離家1800公里遠，但感覺卻還如同在山上一個樣。
6.如果在拳擊里存在魔法，那麼就是一種在戰斗中超越忍耐力，超越肋骨斷裂，超越腎臟穿孔，還有關節分開的魔法。這是一種你會為一切冒險的魔法，但是別人都不會看到。
7.拳擊是一種不自然的運動，因為一切都是相反的。你想要向左移動，你不用向左移步，你用力推自己的有腳趾，用自己的左腳趾向右移動，不想正常人那樣躲避疼痛，你要迎接它。關於拳擊的一切都是相反的。
8.Tough ain't Enough.
⑵ 誰能幫我翻譯百萬寶貝的英文影評
百萬個美元嬰孩"有巨大字元, 但它不贊美他們。它有一個美妙的故事, 但它從未設法打動您。攝影、比分和方向是雄偉, 但從未分散。是什麼這部電影, 如果我必須稱它某事, 是激情。激情為影片做, 激情為講故事, 激情為它的字元, 激情為它的演員, 和激情為它將去告訴它的它的故事和手段。驚奇。 Frankie Dunn (Clint Eastwood), 主要, 擁有居住於的一套雜亂拳擊體操由他花費某個時候訓練的downbeat 失敗者。他跑它與他的朋友和從前的學生Eddie 小塊鋼Dupris (摩根公民), contently 現在居住在一間屋子在體操里。一名年輕婦女一天命名了Maggie (Hilary Swank) 進來, 尋找經理和教練員。Frankie 軸立刻她("girly, 堅韌的不是足夠") 。Frankie 有更大的事在他的手。他處理有射擊在標題回合的一架戰斗機。 但Frankie 是老和風化和不是一位吸引人的經理, 因此戰斗機離開他。Frankie 是殘破的由這; 它是另在拒絕和分離一條長的線。我們能告訴, 這時間在他的生活中, 他只獲取真正地緊密與那些他是訓練(小塊是唯一的例外) 。我們能告訴, 他的寂寞- 和一點說服從小塊- 導致他同意教Maggie 。教, 那是協議, 不處理。但, 在影片以前他致力了他的生活於她。 如此故事的剩餘跟隨這兩人民。沒有真正的' 劇情' 那您能描述在拖車因為它經常改變... 它不是您可以認為它的富啟示性的處劣勢方故事。不, 什麼它是' 關於' 是這些字元, 和怎麼他們起反應對情況在他們附近, 改變以各個場面。 敘述故事是小塊, 講話如他從前看回到時期當一切通過了。他的聲音似乎平, deadpan, 但有微妙的哀痛工作在它。小塊是哀傷的人, 他看見自己由於被錯過的機會從前, 和因此他花費他的時間幫助其他, 提供他們他明智的忠告, 以deadpan 幽默和甚而自大口氣。小塊知道什麼應該做, 並且什麼將發生不管怎麼樣, 並且他是有點兒好與一切, 用有點兒被動方式。但人並且知道什麼是不錯和他有被顯示在一個場面特別是的深刻, 內在力量您必須只歡呼的地方。這是一個迷人的字元, 並且親自我認為這是公民的最佳的表現
⑶ 跪求電影《國王的演講》、《飛屋環游記》、《社交網路》、《百萬寶貝》的中英文台詞 非常感謝
迅雷有啊....
⑷ 百萬寶貝英文版影評 600詞左右
如果我們關懷著某人、愛著某人，那麼一定要讓被愛的人知道，也要讓他們看到，如果不這樣，也許會傷害了我們愛著的人以及我們自己。
——有感於《百萬寶貝》
其實Frankie是個內心柔和、情感豐富的老人，但是他給自己穿上了一層厚厚的盔甲，把自己裝扮成一個冷酷、孤僻、不近人情的怪人，難怪他的妻子兒女都離他而去。
Frankie每天晚上都為他的兩個女兒虔誠的祈禱，希望她們平安快樂——當然，這是在沒人看見的時候；他從不缺席去教堂的禮拜——當然還是為了女兒們，他並沒有對女兒盡到應盡的責任。但是他卻不希望別人知道他這么做的原因。在和神父跟交談時，Frankie明明心裡想要懺悔什麼，卻總是說些不著邊際、甚至有點褻瀆神靈的話，搞的連神父都忍耐不住要說粗話罵人。他每周都給女兒們寫信，但是總是被原路退回，這讓我相信，他的信裡面肯定不常常使用一些溫柔的字眼。這大約和Frankie的職業有關，Frankie是一個拳擊教練和經紀人——這是一個僅僅需要冷靜、殘忍和冷酷的職業。
Frankie是一個優秀的教練，但卻不是一個成功的經紀人——因為他實在太過愛護自己的拳手了。拳手只有不斷挑戰最強大、最兇狠的對手才能夠在這一行出人頭地，但是Frankie總是為了避免讓他們受傷而不給他的拳手安排有危險性的比賽。所以他訓練出來的拳手總是在達到最佳狀態的時候離他而去。
Frankie的拳擊館里來了一個女子Maggie，希望向他學拳擊。起初Frankie是不願意的，他大概從來沒有把女人和拳擊扯上聯系。但是Maggie意志極為堅定，非Frankie不行，Frankie似乎是被Maggie感動了，因此答應了她的請求。不過我覺得Frankie之所以答應了Maggie，更可能是Maggie觸動了Frankie內心埋藏已久的父愛之心。他從來沒有好好的愛護過自己的女兒們，女兒們更是與他形同陌路。Maggie可能讓他重新有了做父親的感覺。Maggie從小失去父愛，在別人的蔑視的眼光下長大，Frankie那不易覺察的父愛讓Maggie倍感溫暖。這一老一少從前經歷讓他們找到了親人的感覺。——Maggie需要一個慈愛而嚴峻的父親以及導師，而Frankie需要一個聽話，可愛，意氣相投，並且需要他的幫助的女兒。
Maggie本身具有拳手的天賦，在Frankie的調教下，實力一日千里。Frankie的老毛病又犯了，他不想讓Maggie受傷，所以總是只給Maggie安排一些實力很差拳手來和Maggie比賽。甚至為了安排這種比賽不惜掏腰包。Maggie在比賽中逐漸找到了自信和勝利的感覺。每次勝利後Maggie送給Frankie的擁抱，更是讓Frankie激動萬分。
Maggie再也不滿足於現狀，央求Frankie給他安排更高級別的比賽，而Frankie最終答應了——這可能違背了Frankie一貫的原則，但何嘗不是Frankie的一次嘗試，他畢竟不能始終讓Maggie躲在自己的翅膀下，很多路需要Maggie自己去走。比賽前，Frankie送給Maggie一件袍子，袍子上綉著「Mo Cuishle」的字樣，這是一個高盧語的單詞，意思是「my darling、my blood」，顯示出Frankie對Maggie無比的疼愛，而用了一個誰也看不懂的外國詞語，分明顯示著我雖然愛你，但是我不想讓你知道。
終於Maggie可以向冠軍挑戰了。不幸的是，對手是個喜歡背後下手的下流胚，這次冠軍賽讓Maggie從此成為了廢人。Frankie因此無比自責，如果不是自己教Maggie打拳，Maggie決計不會到如此悲慘的境地。他給美國所有的醫院打電話，希望為Maggie抓住一線生機，但是希望完全落空。於是Frankie給Maggie找了最好的療養院，親自照顧Maggie，每天給Maggie讀書解悶。甚至希望給Maggie找一個學校讓她能夠走出療養院學習。Maggie應該從來都不曾有過責怪Frankie的意思，甚至從沒認為Frankie該為她現在的境地負責。她只怪自己把Frankie的警告當成了耳旁風，她甚至高興，因為她至少和冠軍挑戰過了。Maggie的母親來看她，但是不是為了照顧女兒，僅僅是想要拿走女兒的房產（真真想不到，世上有如此殘忍的媽）。對於Maggie而言，她只剩下Frankie一個親人，而面對Maggie，他似乎已經剝去了所有堅硬的外殼，露出了原本的慈祥。他為Maggie擦身，時不時還會像父親那樣擁抱和親吻Maggie。
Maggie只有等死，但是這個過程漫卻是漫長而無奈，她請求Frankie讓他快點解脫，Frankie只有同意。在拔掉Maggie的唿吸器的時候，Frankie平靜的告訴Maggie 「Mo Cuishle」的含義。這個場景分外感動，Maggie在臨死前流下了感激的淚水。但是這個舉動對於Maggie而言也許多餘，因為她大約已經猜到了「Mo Cuishle」的含義，此刻最多隻是得到了證實罷了。
到了最後，我為Frankie的女兒們嘆息，Frankie為什麼沒有早點把他的愛直接給他的孩子們呢，為什麼直到無可挽回的時候用祈禱來慰藉自己孤獨的內心呢。Maggie遇到Frankie讓Maggie走進了一個充滿愛的世界，也讓Frankie了解了怎樣去愛自己的孩子。但是Frankie的兩位女兒，她們真是不幸。她們有得過Frankie的親吻和擁抱嗎？她們有得到過Frankie的鼓勵嗎？如果心中有愛，就要表達出來，不然，那樣的愛有什麼用呢？
⑸ 求 電影【百萬寶貝】的英文講稿.高分噢.急急急.
Clint Eastwood always explores the darker side of human nature and the ality of man. His dark hero of Unforgiven, William Munny, tries to repent only to be thrust back into that violent world he knows so well. His regretful Frank Horrigan of In The Line Of Fire and his womanizing Steve Everett of True Crime also want redemption.
Eastwood's Frankie Dunn of Million Dollar Baby is the most conflicted, weathered, and vulnerable he's ever played. When he weeps in a darkened church it's like watching a house of cards begin to fall. This is a man whose had a regretful past and can't run away from the curve balls life has thrown at him. Frankie Dunn is like most of us where we eventually get punished for our good deeds.
The funny thing is that Million Dollar Baby is not a boxing movie despite the way it's being advertised like a female version of Rocky. Yes, Hilary Swank's Maggie trains to be a boxer under the guidance of Clint Eastwood's Frankie Dunn. Yes, Morgan Freeman is Scrap, Frankie's tough friend and ex boxer. Yes, the bulk of it takes place in a boxing gym. Yes, there are numerous boxing matches. Despite all this it's still not a boxing movie.
When you see it you'll be surprised by the utter humanity in the piece. This film runs very deep and you will care for the three main characters. Eastwood gives us something we rarely get in films today. He gives us real people.
The film is about the triumph of the human spirit, the emotional world we try to hide from that eventually sucks us all in, our compassionate hearts, and the difficult decisions we face when it comes to those we care about. It's about friendship, trust, and the bonds of the heart that are unavoidable. It is a true masterpiece.
Hilary Swank is all fire and guts as Maggie. Her intensity and commitment has guided her to another Academy Award. She knows she's poor, she accepts it, and she pushes forward despite her limitations. This is not to say she can't be hurt. We watch her eyes well up a few times and truly feel her pain despite the fact that she is as tough as they come. Morgan Freeman, who finally won a long overe and well deserved Oscar, plays Scrap with the perfect combination of toughness and compassion. He knows the situation from every angle and his narration of the film rings true.
See this film. It deserves it's accolades because it's about real characters and it's directed with honesty, warmth, and true pain. Clint Eastwood gets better with age and his films reflect the days of real movie making. The sets are simple, the characters are complex, and the story moves in a pace closer to real life than any other director could reach. Eastwood has been called the Hemingway of Film making. You don't get more real than that. It was great seeing this natural storyteller take home his second Oscar for Best Director and Picture.
"Million Dollar Baby" has great characters, but it doesn't glorify them. It has a wonderful story, but it never tries to impress you. The photography, score and direction is superb, but never distracting. What this movie is, if I have to call it something, is passion. Passion for film-making, passion for storytelling, passion for its characters, passion for its actors, and passion for its story and the means at which it will go to tell it. Amazing.
Frankie Dunn (Clint Eastwood) owns a messy boxing gym which is populated, mostly, by downbeat losers who he spends some time training. He runs it with his friend and former student Eddie Scrap-Iron Dupris (Morgan Freeman), who now lives contently at a room in the gym. One day a young woman named Maggie (Hilary Swank) walks in, looking for a manager and trainer. Frankie shafts her immediately ("girly, tough ain't enough"). Frankie has bigger things on his hands. He's managing a fighter who has a shot at a title bout.
But Frankie is old and weathered and not an appealing manager, so the fighter leaves him. Frankie is broken by this; it is another in a long line of rejections and separations. We can tell that, at this time in his life, he only gets really close with those he's training (Scrap is the only exception). We can tell that his loneliness – and a bit of persuasion from Scrap – cause him to agree to teach Maggie. Teach, that is the agreement, not manage. But, by the end of the film he will have devoted his life to her.
So the rest of the story follows these two people. There is no real 'plot' that you could describe in a trailer because it is constantly changing…it is not the inspiring underdog story you may think of it as. No, what it's 'about' is these characters, and how they react to the circumstances around them, which change with each scene.
Narrating the story is Scrap, speaking like he's looking back to a time long ago when everything has passed. His voice seems flat, deadpan, but there is a working of subtle sorrow in it. Scrap is a sad human being, he sees himself as the result of missed opportunities in the past, and so he spends his time helping the others, offering them his wise advice, with a tone of deadpan humor and even cockiness. Scrap knows what should be done, and what will happen regardless, and he is sort of okay with everything, in a sort of passive way. But the man also knows what's right and he has a deep, inner strength which is displayed in one scene in particular where you just have to cheer. It is an intriguing character, and personally I think it's Freeman's best performance.
And Eastwood's best too. He is an elderly man; some might say too elderly to still be working. After all, most people are retired by his age. But if you had to guess when you're watching this film, you would never, ever say the man is seventy-four. You would say something closer to the sixties, because the man has such amazing energy and dedication, and above all, he has talent. It's been forty long years since "A Fist Full of Dollars" and film has come a long way, and so has this man. At seventy-four, passed all those years as an action hero, nearing what's could be the end of his career, Eastwood has made his best movie. I really, really hope he has time to make many more.
As for Swank, well, she must have found something big that she shared with her character, because this is not acting, it is existing. Swank is Maggie. That's all there is too it. This could be the movie she will be remembered for.
So, "Million Dollar Baby" is a masterpiece. I saw it last night when it opened in my city, and everyone else was seeing "White Noise", and I was shaking my head. Everyone who is even remotely interested in movies should see this one, just so they can know how movies are supposed to be made. I'm trying to think, and there is not a single thing here where Eastwood went wrong. The acting, directing, writing, score, cinematography…they all accomplish precisely what they're supposed to with sublime perfection. Many of these aspects will certainly receive Oscars and all of them should.
You may cry through this film, you may cheer. Whatever the case, you will love it.
結尾很有感染力，呵呵。如果覺得長，也可以做適當的刪改
⑹ 百萬寶貝的中英文字幕
去射手網，或者牛過網，都會有的
具體網址可以直接在網路輸中文
www.shooter.com.cn
⑺ 求<百萬寶貝>的經典台詞
人生就好比一場拳擊比賽,充滿了躲閃與出拳,如果足夠幸運,只需一次機會、一記重拳而已,但首要的條件是你必須得頑強地站著,「有何勝利可言,挺住意味著一切。
⑻ 百萬寶貝的英語經典對白
精彩對白：
Eddie Scrap-Iron Dupris: If there's magic in boxing, it's the magic of fighting battles beyond enrance, beyond cracked ribs, ruptured kidneys and detached retinas. It's the magic of risking everything for a dream that nobody sees but you.
Eddie Scrap-Iron Dupris: To make a fighter you gotta strip them down to bare wood: you can't just tell 'em to forget everything you know if you gotta make 'em forget even their bones... make 'em so tired they only listen to you, only hear your voice, only do what you say and nothing else... show 'em how to keep their balance and take it away from the other guy... how to generate momentum off their right toe and how to flex your knees when you fire a jab... how to fly back and up so that the other guy doesn't want to come after you. Then you gotta show 'em all over again. Over and over and over... till they think they're born that way.
Frankie Dunn: You forgot the rule. Now, what is the rule?
Maggie Fitzgerald: Keep my left up?
Frankie Dunn: Is to protect yourself at all times. Now, what is the rule?
Maggie Fitzgerald: Protect myself at all times.
Frankie Dunn: Good. Good.
Eddie Scrap-Iron Dupris: All fighters are pig-headed some way or another: some part of them always thinks they know better than you about something. Truth is: even if they're wrong, even if that one thing is going to be the ruin of them, if you can beat that last bit out of them... they ain't fighters at all.
Maggie Fitzgerald: You're gonna leave me again?
Frankie Dunn: Never.
Frankie Dunn: I think someone should count to 10.
Eddie Scrap-Iron Dupris: [after hitting someone] 110. Get a job, punk.
Maggie Fitzgerald: Momma, you take Mardell and JD and get home 'fore I tell that lawyer there that you were so worried about your welfare you never signed those house papers like you were supposed to. So anytime I feel like it I can sell that house from under your fat, lazy, hillbilly ass. And if you ever come back, that's exactly what I'll do.
Maggie Fitzgerald: I saw your last fight, Shawrelle. Spent so much time face down I thought the canvas had titties.
Father Horvak: What's confusing you this week?
Frankie Dunn: Oh, it's the same old "one God-three God" thing.
Father Horvak: Frankie, most people figure out by kindergarten it's about faith.
Frankie Dunn: Is it sort of like Snap Crackle and Pop, all rolled into one big box?
Father Horvak: You're standing outside my church, comparing God to Rice Krispies?
Eddie Scrap-Iron Dupris: Frankie likes to say that boxing is an unnatural act, that everything in boxing is backwards: sometimes the best way to deliver a punch is to step back... But step back too far and you ain't fighting at all.
Eddie Scrap-Iron Dupris: She's getting pretty good.
Frankie Dunn: Yeah, real fast. It's almost as if someone's been helping her.
Eddie Scrap-Iron Dupris: Oh, I don't know. Maybe she's just got what it takes.
Frankie Dunn: She's got my speed bag, is what she's got.
[walking away]
Eddie Scrap-Iron Dupris: Now, how'd she get that?
Ref #1: Is this your fighter?
Frankie Dunn: This is my fighter.
Frankie Dunn: What's she sayin'?
Eddie Scrap-Iron Dupris: Wants to know what you're readin'.
Frankie Dunn: It's Yeats.
[turns to Maggie]
Frankie Dunn: Keep your head back.
Eddie Scrap-Iron Dupris: Why don't you talk a little Yeats to her? Show her what a treat that is.
Frankie Dunn: Mo cuishle means my darling. My blood.
Frankie Dunn: [to Maggie] All right. I'm gonna disconnect your air machine, then you're gonna go to sleep. Then I'll give you a shot, and you'll... stay asleep. Mo cuishle means "My darling, my blood."
Father Horvak: Frankie, I've seen you at Mass almost every day for 23 years. The only person comes to church that much is the kind who can't forgive himself for something.
[repeated line]
Frankie Dunn: I don't train girls.
Frankie Dunn: How many times do I got to tell you that bleach is bleach. Why can't you just buy the cheap stuff, you always have to buy the expensive stuff.
Eddie Scrap-Iron Dupris: It smells better, Frankie.
Frankie Dunn: Bleach smells like bleach.
Maggie Fitzgerald: I'm 32, Mr. Dunn, and I'm here celebrating the fact that I spent another year scraping dishes and waitressing which is what I've been doing since 13, and according to you I'll be 37 before I can even throw a decent punch, which I have to admit, after working on this speed bag for a month may be the God's simple truth. Other truth is, my brother's in prison, my sister cheats on welfare by pretending one of her babies is still alive, my daddy's dead, and my momma weighs 312lbs. If I was thinking straight I'd go back home, find a used trailer, buy a deep fryer and some oreos. Problem is, this the only thing I ever felt good doing. If I'm too old for this then I got nothing. That enough truth to suit you?
Frankie Dunn: What you learn tonight?
Maggie Fitzgerald: Always protect myself.
Frankie Dunn: What's the rule?
Maggie Fitzgerald: Always protect myself.
Eddie Scrap-Iron Dupris: Anybody can lose one fight, anybody can lose once, you'll come back from this you'll be champion of the world.
Danger Barch: Anyone can lose one fight.
Frankie Dunn: I want you to jab, right in the tits, until they turn blue and fall off.
Frankie Dunn: How many eyes do you need to finish this fight?
Maggie Fitzgerald: One's enough.
Maggie Fitzgerald: She's tough, I can't go inside, I can't get close enough to hit her.
Frankie Dunn: You know why that is?
Maggie Fitzgerald: Why?
Frankie Dunn: Cause she's a better fighter than you are, that's why. She's younger, she's stronger, and she's more experienced. Now, what are you gonna do about it?
Maggie Fitzgerald: [Next round starts. Maggie knocks her out in few seconds]
Frankie Dunn: Girlie, tough ain't enough.
Eddie Scrap-Iron Dupris: There is magic in fighting battles beyond enrance
[Eddie has his feet up on the desk]
Frankie Dunn: You got big holes in your socks.
Eddie Scrap-Iron Dupris: Oh, they're not that big.
Frankie Dunn: Didn't I give you money for some new ones?
Eddie Scrap-Iron Dupris: These are my sleeping socks. My feet like a little air at night.
Frankie Dunn: How come you're wearing them in the daytime, then?
Eddie Scrap-Iron Dupris: 'Cause my daytime socks got too many holes in them.
Frankie Dunn: So is Jesus a Demigod?
Father Horvak: There are no Demigods, you fucking Pagan!
Eddie Scrap-Iron Dupris: I have HBO.
Frankie Dunn: You wouldn't start training to be a ballerina at 31 now, would you?
Maggie Fitzgerald: Already been workin' it for three years.
Frankie Dunn: And you can't hit a speed bag? What kind of training is that?
Maggie Fitzgerald: I never had any, boss.
Frankie Dunn: Well, I hate to say it, but it shows.
Maggie Fitzgerald: We're flying?
Frankie Dunn: Would you rather drive?
Maggie Fitzgerald: You're askin' me?
Frankie Dunn: Would you rather fly or would you rather drive?
Maggie Fitzgerald: So, I finally get to decide something?
Frankie Dunn: That's what I'm saying.
Maggie Fitzgerald: Fine. Fly there, drive back.
Frankie Dunn: That's the stupidest thing I ever heard of. How the hell we gonna do that?
Maggie Fitzgerald: You said it was up to me.
Maggie Fitzgerald: I've got nobody but you, Frankie.
Frankie Dunn: Well, you've got me.
Maggie Fitzgerald: Working the bag, boss.
Frankie Dunn: I'm not your boss and that bag's working you.
Eddie Scrap-Iron Dupris: Seems there are Irish people everywhere, or people who want to be.
Danger Barch: [of a water bottle] How'd you get all the ice in here through this little tiny hole?
Maggie Fitzgerald: You got any family, boss?
Frankie Dunn: What?
Maggie Fitzgerald: You're spending so much time with me. I didn't know if you had any.
Frankie Dunn: Well, I've got a daughter, Katie.
Maggie Fitzgerald: Well that's family.
Frankie Dunn: We're not exactly close.
Maggie Fitzgerald: How much she weigh?
Frankie Dunn: What?
Maggie Fitzgerald: Trouble in my family comes by the pound.
Danger Barch: Oh, look, I'm Shawrelle! I'm humping the canvas!
Maggie Fitzgerald: Did you see the fight?
Eddie Scrap-Iron Dupris: Of course I did. You had her cold, Maggie.
Maggie Fitzgerald: I shouldn't have dropped my hand. I shouldn't have turned. Always protect myself... how many times did he tell me that?
Maggie Fitzgerald: I can't be like this, Frankie. Not after what I've done. I've seen the world. People chanted my name. Well, not my name, some damn name you gave me. They were chanting for me. I was in magazines. You think I ever dreamed that'd happen? I was born two pounds, one-and-a-half ounces. Daddy used to tell me I'd fight my way into this world, and I'd fight my way out. That's all I wanna do, Frankie. I just don't wanna fight you to do it. I got what I needed. I got it all. Don't let 'em keep taking it away from me. Don't let me lie here 'till I can't hear those people chanting no more.
Frankie Dunn: [Reads a script from a book in Gaelic]
Eddie Scrap-Iron Dupris: What the hell kind of language is that?
Frankie Dunn: What do you want?
Eddie Scrap-Iron Dupris: I just thought you should know you got a fighter out there not talking to another manager.
Frankie Dunn: Not talking to another manager?
Eddie Scrap-Iron Dupris: And not just any manager. Mickey Mack.
Frankie Dunn: You came in here to tell me Big Willie is not talking to Mickey Mack.
Eddie Scrap-Iron Dupris: Not a word. Neither one of him.
Frankie Dunn: [Frustrated] I'm tryin' to read here.
Eddie Scrap-Iron Dupris: Well, if you think that more important.
Danger Barch: [Repeated line; yelling] And I challenge the "Motor City Cobra", Thomas "Hit Man" Hearns to fight me for the Welterweight Championship of the whole world!
Maggie Fitzgerald: [first meeting] Mr. Dunn?
Frankie Dunn: Hmm. I owe you money?
Maggie Fitzgerald: No sir.
Frankie Dunn: I know your mama?
Maggie Fitzgerald: Don't rightly know, sir.
Frankie Dunn: Then what is it you want?
Eddie Scrap-Iron Dupris: The body knows what fighters don't: how to protect itself. A neck can only twist so far. Twist it just a hair more and the body says, "Hey, I'll take it from here because you obviously don't know what you're doing.... Lie down now, rest, and we'll talk about this when you regain your senses." It's called the knockout mechanism.
British referee: Ten minutes, luv.
Maggie Fitzgerald: Man says he loves me.
Frankie Dunn: Well, he's probably not the first one to say that.
Maggie Fitzgerald: First since my daddy.
Frankie Dunn: Hm.
Maggie Fitzgerald: I win, you think he'll propose?
Frankie Dunn: You win, *I'll* propose.
Eddie Scrap-Iron Dupris: Boxing is an unnatural act. Cos everything in it is backwards. You wanna move to the left, you don't step left, you push on the right toe. To move right, you use your left toe. Instead of running from the pain--like a sane person would do, you step into it.
⑼ 百萬寶貝經典台詞
1.MoCuishle(愛爾蘭語/高盧語)： my darling，my blood -- 我的摯愛，我的血肉。
2.我遇見他的時候，他已經是拳擊界最好的助手。從60年代起就開始訓練和管理，從來沒讓人失望過。有時候什麼都做不了，傷口太深，離骨頭太近，也許你的靜脈已經斷裂，或者你不能讓止血葯滲入裡面。他有各樣的方法來解決不同層次的肌肉拉傷。弗蘭基知道如何解決每一個問題。
3.拳擊是關於尊嚴，贏得你自己的，同時也剝奪別人的。
4.很多人會說對於一個拳手，最重要的莫過於熱情，弗蘭基卻說，帶給我一個只有熱情的選手，我會告訴他什麼叫鼻青臉腫。
5.她從密蘇里州西南而來，家住在靠近一個破舊小鎮的山上，就在杉樹和橡樹中，一個在遙遠和再見之間的地方。在她的成長過程中，她只知道一件事，自己是個垃圾。她現在離家1800公里遠，但感覺卻還如同在山上一個樣。
6.如果在拳擊里存在魔法，那麼就是一種在戰斗中超越忍耐力，超越肋骨斷裂，超越腎臟穿孔，還有關節分開的魔法。這是一種你會為一切冒險的魔法，但是別人都不會看到。
7.拳擊是一種不自然的運動，因為一切都是相反的。你想要向左移動，你不用向左移步，你用力推自己的右腳趾，用自己的左腳趾向右移動，不像想正常人那樣躲避疼痛，你要迎接它。關於拳擊的一切都是相反的。
8.Tough ain't Enough.
9.為了別人無法了解的夢想賭上一切。
10. Winners are simply willing to what losers won』t.
11每天都有人死去的，弗蘭基。拖地的時候，刷碗的時候。
你知道他們最後一個念頭是什麼嗎？「我從沒有過機會。」
因為有你，麥琪得到了屬於她的機會。
如果她今天就死去，你知道她最後一個念頭是什麼嗎？
「我覺得我乾的不錯。我會覺得我心安理得的。」
⑽ 誰有《百萬寶貝》的英文影評啊
Clint Eastwood always explores the darker side of human nature and the ality of man. His dark hero of Unforgiven, William Munny, tries to repent only to be thrust back into that violent world he knows so well. His regretful Frank Horrigan of In The Line Of Fire and his womanizing Steve Everett of True Crime also want redemption.
Eastwood's Frankie Dunn of Million Dollar Baby is the most conflicted, weathered, and vulnerable he's ever played. When he weeps in a darkened church it's like watching a house of cards begin to fall. This is a man whose had a regretful past and can't run away from the curve balls life has thrown at him. Frankie Dunn is like most of us where we eventually get punished for our good deeds.
The funny thing is that Million Dollar Baby is not a boxing movie despite the way it's being advertised like a female version of Rocky. Yes, Hilary Swank's Maggie trains to be a boxer under the guidance of Clint Eastwood's Frankie Dunn. Yes, Morgan Freeman is Scrap, Frankie's tough friend and ex boxer. Yes, the bulk of it takes place in a boxing gym. Yes, there are numerous boxing matches. Despite all this it's still not a boxing movie.
When you see it you'll be surprised by the utter humanity in the piece. This film runs very deep and you will care for the three main characters. Eastwood gives us something we rarely get in films today. He gives us real people.
The film is about the triumph of the human spirit, the emotional world we try to hide from that eventually sucks us all in, our compassionate hearts, and the difficult decisions we face when it comes to those we care about. It's about friendship, trust, and the bonds of the heart that are unavoidable. It is a true masterpiece.
Hilary Swank is all fire and guts as Maggie. Her intensity and commitment has guided her to another Academy Award. She knows she's poor, she accepts it, and she pushes forward despite her limitations. This is not to say she can't be hurt. We watch her eyes well up a few times and truly feel her pain despite the fact that she is as tough as they come. Morgan Freeman, who finally won a long overe and well deserved Oscar, plays Scrap with the perfect combination of toughness and compassion. He knows the situation from every angle and his narration of the film rings true.
See this film. It deserves it's accolades because it's about real characters and it's directed with honesty, warmth, and true pain. Clint Eastwood gets better with age and his films reflect the days of real movie making. The sets are simple, the characters are complex, and the story moves in a pace closer to real life than any other director could reach. Eastwood has been called the Hemingway of Film making. You don't get more real than that. It was great seeing this natural storyteller take home his second Oscar for Best Director and Picture.
"Million Dollar Baby" has great characters, but it doesn't glorify them. It has a wonderful story, but it never tries to impress you. The photography, score and direction is superb, but never distracting. What this movie is, if I have to call it something, is passion. Passion for film-making, passion for storytelling, passion for its characters, passion for its actors, and passion for its story and the means at which it will go to tell it. Amazing.
Frankie Dunn (Clint Eastwood) owns a messy boxing gym which is populated, mostly, by downbeat losers who he spends some time training. He runs it with his friend and former student Eddie Scrap-Iron Dupris (Morgan Freeman), who now lives contently at a room in the gym. One day a young woman named Maggie (Hilary Swank) walks in, looking for a manager and trainer. Frankie shafts her immediately ("girly, tough ain't enough"). Frankie has bigger things on his hands. He's managing a fighter who has a shot at a title bout.
But Frankie is old and weathered and not an appealing manager, so the fighter leaves him. Frankie is broken by this; it is another in a long line of rejections and separations. We can tell that, at this time in his life, he only gets really close with those he's training (Scrap is the only exception). We can tell that his loneliness – and a bit of persuasion from Scrap – cause him to agree to teach Maggie. Teach, that is the agreement, not manage. But, by the end of the film he will have devoted his life to her.
So the rest of the story follows these two people. There is no real 'plot' that you could describe in a trailer because it is constantly changing…it is not the inspiring underdog story you may think of it as. No, what it's 'about' is these characters, and how they react to the circumstances around them, which change with each scene.
Narrating the story is Scrap, speaking like he's looking back to a time long ago when everything has passed. His voice seems flat, deadpan, but there is a working of subtle sorrow in it. Scrap is a sad human being, he sees himself as the result of missed opportunities in the past, and so he spends his time helping the others, offering them his wise advice, with a tone of deadpan humor and even cockiness. Scrap knows what should be done, and what will happen regardless, and he is sort of okay with everything, in a sort of passive way. But the man also knows what's right and he has a deep, inner strength which is displayed in one scene in particular where you just have to cheer. It is an intriguing character, and personally I think it's Freeman's best performance.
And Eastwood's best too. He is an elderly man; some might say too elderly to still be working. After all, most people are retired by his age. But if you had to guess when you're watching this film, you would never, ever say the man is seventy-four. You would say something closer to the sixties, because the man has such amazing energy and dedication, and above all, he has talent. It's been forty long years since "A Fist Full of Dollars" and film has come a long way, and so has this man. At seventy-four, passed all those years as an action hero, nearing what's could be the end of his career, Eastwood has made his best movie. I really, really hope he has time to make many more.
As for Swank, well, she must have found something big that she shared with her character, because this is not acting, it is existing. Swank is Maggie. That's all there is too it. This could be the movie she will be remembered for.
So, "Million Dollar Baby" is a masterpiece. I saw it last night when it opened in my city, and everyone else was seeing "White Noise", and I was shaking my head. Everyone who is even remotely interested in movies should see this one, just so they can know how movies are supposed to be made. I'm trying to think, and there is not a single thing here where Eastwood went wrong. The acting, directing, writing, score, cinematography…they all accomplish precisely what they're supposed to with sublime perfection. Many of these aspects will certainly receive Oscars and all of them should.
You may cry through this film, you may cheer. Whatever the case, you will love it.