龍貓電影英文影評

❶ 以電影《龍貓》為題的英語作文初中水平

"My Neighbor Totoro" is Studio Ghibli and Tokuma launched in 1988 an animated film by Hayao Miyazaki directed. Film is a description of the height of Japan's economic development before the existence of the natural beauty, the only child to see the magical world and rich imagination. Satsuki film about the hero after his mother is ill in hospital, with her father and year-old sister Ada to live countryside. They feel for where the environment is very strange, also we found some interesting things.

❷ 求《風之谷》和《龍貓》的英文介紹

龍貓 My Neighbor Totoro (となりのトトロ, Tonari no Totoro?), is a 1988 Japanese anime film written and directed by Hayao Miyazaki and proced by Studio Ghibli. The film follows the two young daughters of a professor and their interactions with friendly wood spirits in postwar rural Japan. The movie won the Animage Anime Grand Prix prize in 1988. The movie was originally released in the U.S. in VHS format with the title, My Friend Totoro. Streamline Pictures proced an exclusive b for Japan Airlines' trans-Pacific flights in 1988. Troma Films, under their 50th St. Films banner, distibuted the b of the film co-proced by Jerry Beck. It was released on VHS and DVD by Fox Video. Troma's and Fox's rights to this version expired in 2004. The film was re-released by Disney on March 7, 2006. It features a new b cast. This DVD release is the first version of the film in the United States to include both Japanese and English language tracks, as Fox did not have the rights to the Japanese audio track for their version. In 1958, the Kusakabe family reunites when a university professor and his two daughters, Satsuki and Mei, move into an old house in rural Japan to be closer to the hospital where his wife is recovering from an illness. The daughters find that the house is inhabited by tiny animated st creatures called soot sprites—small house spirits seen when moving from light to dark places. When the girls become comfortable in their new house and laugh with their father, the soot spirits leave. While she is playing outside one day, the younger daughter, Mei, sees two white, rabbit-like ears in the grass. She follows the ears under the house where she discovers two small magical creatures, who lead her through a briar patch, and into the hollow of a large Camphor Laurel tree. She meets and befriends a larger version of the same kind of spirit, which identifies itself by a series of roars she interprets as "Totoro" (in the original Japanese b, it stems from Mei's mispronunciation of the Japanese pronunciation of the word "troll"). Her father later tells her that this is the "keeper of the forest". One rainy night the girls are waiting for their father's bus and grow worried when he does not arrive on the bus they expect him on. As they wait, Mei eventually falls asleep on Satsuki's back and Totoro appears beside them, allowing Satsuki to see him for the first time. He only has a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken along for her father. Totoro is delighted at both the shelter and the sounds made upon it by falling raindrops. In return he gives her a bundle of nuts and seeds. A bus-shaped giant cat halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, their father』s bus arrives. The girls plant the seeds. A few days later they awaken at midnight to find Totoro and his two miniature colleagues engaged in a ritual dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout and then grow into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. In the morning, the tree is gone, but the seeds have indeed sprouted. Mei, believing her mother's condition has worsened, sets off on foot to the hospital and gets lost. Desperate to find her sister, Satsuki returns to the camphor laurel tree and pleads for Totoro's help. Delighted to be of assistance, he summons the Catbus, which rescues Mei, then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital to discover that she is doing well. They deliver an ear of corn that Mei believes will speed her mother's recovery, and then return home on the Catbus. When the Catbus departs, it fades away from the girls' sight. The closing credits show Mei and Satsuki's mother returning home and feature scenes of Satsuki and Mei playing with other human children, with Totoro and his friends as unseen observers. 風之谷 Nausicaä of the Valley of the Wind (風の谷のナウシカ, Kaze no Tani no Naushika?) is a 1984 post-apocalyptic Japanese animated film, written and directed by Hayao Miyazaki, based on his manga of the same name. The film has environmentalist undertones and was presented by the World Wide Fund for Nature when it was released in 1984. While created before Studio Ghibli was founded, the film is considered to be the beginning of the studio, and is often included as part of the Studio's works, including the Studio Ghibli Collection DVDs. Among its numerous awards, it won the Animage Anime Grand Prix prize in 1984. The story takes place 1,000 years after the "Seven Days of Fire", an event which destroyed human civilization and most of the Earth's original ecosystem. Scattered human settlements survive, isolated from one another by the Sea of Decay (腐海, fukai?). Literally translated as the Rotting Sea, Sea of Fungus, Sea of Corruption or Toxic jungle in the English version, the Sea of Decay is a jungle of giant plants and fungi swarming with giant insects, which seem to come together only to wage war. Everything in the Sea of Decay, including the air, is lethally toxic. The main protagonist, Nausicaä, is a charismatic young princess of the peaceful Valley of the Wind. Although a skillful fighter, Miyazaki's Nausicaä is humane and peace-loving. She has an unusual gift for communicating with the giant insects (particularly with the Ohmu, gigantic, armored, caterpillar- or isopod-like insects who are the most intelligent creatures in the Sea of Decay. Their eyes turn red with rage and blue when calm). She is also noted for her empathy toward animals, humans, and other beings. An intelligent girl, and inspired by the mentor figure Yupa, a wandering samurai type possessed of great wisdom, Nausicaä frequently explores the Sea of Decay and concts scientific experiments in an attempt to define the true nature and origins of the toxic world in which she lives. Her explorations are facilitated by her skill at "windriding"; flying with an advanced jet assisted glider craft. Yupa is searching for the mythological man in blue who, according to the legend, will appear surrounded by a sea of gold and reunite the people and nature. One day, an airship crashes onto the cliffs near the Valley of the Wind. Nausicaä tries to rescue a shackled girl of her age from the burning wreck, but the girl dies after revealing that she is Princess Lastelle from the kingdom Pejite and that the cargo of the airship must be destroyed. The airship is from Tolmekia and the cargo turns out to be the embryo of a kyoshinhei (Giant Warrior in the English version), one of the lethal, giant biological weapons used in the ancient war. It is later revealed that the Warrior embryo was unearthed by Pejite, but it was stolen by the more powerful state of Tolmekia (Torumekia in the manga). While transporting the Warrior and Lastelle (as a hostage) back to their realm, the Tolmekians were attacked by insects and later crash-land in the Valley. The next day, the Tolmekians, under the leadership of princess Kushana, invade the Valley to kill the Valley king and to secure and revive the Warrior. Kushana explains that the God Warrior will be used to burn the Sea of Decay, although Obaba, a blind elder Valley woman, warns that attempting so will only anger the Ohmu and lead to more deaths and turn the valley into part of the Sea of Decay. Kushana attempts to return to Tolmekia, with Nausicaä and several others as hostages. Before their departure, Nausicaä reveals to Yupa a hidden garden of jungle plants which are not toxic because they are growing in sand and water from a deep, untainted well. Nausicaä explains that the jungle is only toxic e to the toxic soil that covers the surface of the earth, even in the Valley; she has been trying to find the cause and a possible cure for her people, including her now-dead father. Since she has to depart, however, she has shut down the water flows which keep the plants alive. The airships are attacked by a Pejitan gunship and several of the ships are destroyed. Nausicaä and another hostage make their way to a gunship that the Tolmekians took, but before they can leave, Kushana joins them. They are forced to make an emergency landing in the Sea of Decay. There, Nausicaä communicates with several Ohmus and discovers that the pilot of the Pejitan gunship is still alive. With the help of her glider, Nausicaä rescues the pilot from a swarm of enraged insects. However, the plane crashes and, along with Nausicaä and the Pegitan pilot, ends up in a strange, non-toxic world that is below the Sea of Decay. Nausicaä realizes the plants in the Sea of Decay purify the polluted topsoil, procing clean water and sand which remains hidden in the undergro

❸ 看《龍貓》的總結和感想（英文）

翻譯結果
看 龍貓 的總結和感想
The summary of watching totoro and feeling

❹ 動畫電影《龍貓》的深度影評

988年4月，日本東京的電影院同時貼出兩張電影海報，一張是宮崎駿的《龍貓》，另一張是高畑勲的《螢火蟲之墓》，上映日期赫然都是4月16日。觀眾傻眼了，宮崎駿和高畑勲都是吉卜力的主力干將，在同一天上映公司的兩部動畫，這不明擺著腦袋被夾了節奏么？難道剛成立時間不長的吉卜力，現在就起內訌了？
而此時在吉卜力的辦公室，一貫工作起來不要命的宮崎駿卻難得地放鬆了下來，他倒一杯茶給大自己幾歲的高畑勲，說道：「你猜，觀眾們是先笑了再哭呢，還是先哭後笑呢？」
幾天後兩部動畫同時上映。想著看吉卜力笑話的人卻驚訝的發現，很多人在看了其中的一部後，接著又買了另一部動畫的票。據統計，當時有40萬人次同時看了這兩部動畫，而他們普遍表示，兩部動畫看下來，一會兒想哭一會兒想笑，整個人都感覺不好了。

兩部動畫一起看，無論誰先誰後，都會讓觀眾格外體會到平靜生活的不易。其實兩部動畫放在一起不僅僅是一個宣傳噱頭，更是以《龍貓》的和平反襯《螢火蟲之墓》的戰爭，以《螢火蟲之墓》的殘酷凸顯《龍貓》的美好，將反戰這一主題表現地更加入木三分。但作為一個淚點相對較低的人，《螢火蟲之墓》對我來說實在過於殘酷，如此美好的生命就這樣被現實殘忍地撕裂毀滅，讓我很難再拾起勇氣看第二遍。而《龍貓》則恰恰相反，如此溫暖，如沐春風，我甚至忘了自己看過幾遍。

並不是要比較兩部動畫孰高孰低，而是對我而言，更喜歡平和的影像。生活是由涓涓細流匯成，戰爭這樣殘酷的驚濤駭浪，大多數人都沒經歷過，所以看《螢火蟲之墓》，更多是以獵奇的心態，迎接直接的悲劇力量沖擊，直到被沖擊地落荒而逃。《龍貓》魅力在於從平凡的生活中提取出的點點滴滴，不猛烈，卻沁人心脾，不知不覺見你就被這種溫和的力量潤物無聲了。我總是帶著笑開始看這部動畫，而到聽完歡快的片尾曲《我的鄰居龍貓》後，卻突然感覺眼角有淡淡的濕潤。
這部如夢如幻的作品自始至終洋溢著夏天的勃勃生機，孩子們的喜怒哀樂中都夾雜著河邊青草的氣息，清爽如風。它甚至沒有完整地講述一個故事，因為它本身就如同站在樹端吹著塤的龍貓，是宮崎駿編織的一個關於童年的夢，這個夢，我們都曾做過。

《龍貓》中幾乎沒有什麼沖突，在宮崎駿的作品中算得上別具一格。玉米快要成熟的季節，父親帶著兩個女兒來到鄉下的房子里，等待快要出院的母親。就這么簡單，所有的故事都是圍繞著這兩個四歲和十二歲的小女孩展開的。打掃房子，上學，種樹，看望媽媽，迷路，或許，這些簡簡單單的事情在我們少年的暑假中也都做過。然而，也就是因為這些事情的似曾相識，才讓我們對兩個小女孩的故事感到親切又回味無窮。甚至連龍貓的出現都不令人驚訝，我們不是也曾夢到過么，有一個巨大且法力無邊的朋友，帶著我們在茂密的森林裡穿梭，在翠綠如茵的玉米地上空飛行。人最快樂的事情之一就是重溫以前的美夢，何況是童年時沒有任何雜質的純真的美夢。所以電影結束時，不要急著離開，長大之後，童年美好的夢早被我們遺忘，電影幫我們把它找了回來，閉上眼睛，是不是又聞到河邊的青草和泥土的味道？

宮崎駿說：「在我們鄉下，有一種神奇的小精靈，他們就像我們的鄰居一樣，居住在我們的身邊嬉戲、玩耍。但是普通人是看不到他們的，據說只有小孩子純真無邪的心靈可以捕捉他們的形跡。如果靜下心來傾聽，風聲里可以隱約聽到他們奔跑的聲音。」可是恐怕現在被鋼筋水泥和電子玩具包裹的孩子們已經喪失了與精靈交流的能力。宮崎駿一直在作品中展現人類與自然的沖突，雖然《龍貓》里沒有對抗，只有田園般的美好，但他也在這里寄託了自己的理念：只有干凈如孩童般的心靈，才能毫無慾念地感受自然的美好，實現人與自然的和諧。所以他的作品中主角總是少年，這位已過古稀之年的老人，依然有一顆少年般的心。
龍貓在電影中只出現了四次，第一次是小梅鑽進樹洞時，第二次是姐妹兩個雨中站牌下等車時，第三次是院中的橡樹發芽時，第四次是小月尋找迷路的小梅時。它就像西方的孩子們心目中的聖誕老人一樣，並不頻繁地出現，而出現就為你帶來快樂。雖然再也回不到童年，但看完電影，在群星閃爍的夜晚，我們也會盼望，在遠處的樹梢上看到一隻吹著塤的龍貓，那是夢，也是快樂。

❺ 《龍貓》英文觀後感

篇幅比較長 樓主可以刪去一些Totoro" is Hayao Miyazaki works one of my favorite one, which he's a medium-term work, adhering to the style of his usual clear and natural, large tracts of green to use, so that the screen is full of vitality, However, e to technical reasons, but not later, "Princess Mononoke," such a high pixel, the slightest lack of texture.
If no one wins in the visual animation other works but in the end everyone's favorite to win, it must be included in this work the content and ideas touched our heartstrings. "My Neighbor Totoro" is such a work, he was a childhood filled with pure animation, hitting the depths of my heart fall asleep in his childhood. In fact, strictly speaking, "My Neighbor Totoro" is not speaking in ideological content of a work, his childhood memories just collected pieces, like life in general gentle dip me. His charm is not a cognitive shock, but the emotional resonance. Do you have rural living experience? If so, then you must be happy, because there is broad room for you to Sahuan; If not, then "My Neighbor Totoro" will be able to evoke a deep longing for you, but do not regret the whole animation is not because it is Living in the countryside until it has a playful element of the. Do you have like a film, like the millet sister's parrot to repeat the words loudly announce to the new things with your presence? Do you, like the little sisters, the stakes of a rotten smile on a half-day? With shouting, to the unknown, "Phantom" announcement of your guts? At this point, you must have smiled and thought of my own childhood!
What is childhood? If you have doubt, that the "My Neighbor Totoro" where the millet will tell you. Childhood is a sister Paoyuan looked, but could not make cars, Wu Zhao small hand is badly needed; childhood is a rush to see the chestnut has to climb up, the clumsy thump like Dengzhe calf; childhood bent on stealing chestnuts demanded that the squirrel wrangling; Childhood is taking a bath, play loud protest against the sister's child, cried millet are not afraid of the childish. Of course, there is that childhood, shy but kind-hearted little boy, as well as stories and legends in the good wizard and the ghost children to eat. Childhood have always believed the words of the old people looked curious surprise every day.
My Neighbor Totoro, this story is only innocent children to see the wizard, large and simple and honest, the children will not be afraid of his claws and huge body, which also made the photograph of the rain, waiting for his father's picture is full of warmth. Childhood grief and disputes are a result of share of pure and beautiful, the little sisters would quarrel with her mother's illness; will confused, disorderly house, a fit of anger in each half; will be well-intentioned neighbors come to help grandma cook ; will eventually bury the hatchet, with a smile waiting for tomorrow's sun.
After reading "My Neighbor Totoro" really good memory of that to worry about the future, what felt strange childhood. We can boldly rolling in the grass, you can do, like millet, crying aloud. It was only some carefree child crying, then no matter regardless of to vent their grievances with their own.
Can not help but sigh, Hayao Miyazaki is really good at summing up a life master! 《龍貓》是宮崎駿作品裡我的最喜愛的一部，這是他中期的一部作品，畫風上秉承了他一貫的清晰自然，大片大片的綠色使用，讓畫面充滿了生機，但由於技術上的原因，卻沒有後來的《幽靈公主》那麼高的像素，質感上稍有欠缺。
如果一部動畫在視覺上沒有勝出其他作品但最終贏得大家的喜愛，那一定是這部作品所包含的內涵和思想觸動了我們的心弦。《龍貓》就是這樣一部作品，他是一部洋溢著童年純真的動畫，撞擊著我內心深處沉沉睡去的童年時光。其實嚴格說來，《龍貓》並不是一部講思想講內涵的作品，他只是把童年的記憶片斷收集起來，像生活一般溫和地浸染著我。他的魅力不是認知上的震撼，而是情感上的共鳴。你是否有鄉間生活的經歷呢？如果有，那你一定是快樂的，因為那裡有廣闊的天地讓你去撒歡；如果沒有，那《龍貓》一定可以勾起你深深的嚮往，但是不用遺憾，整部動畫並不是因為是在鄉村生活才那麼具有童趣的。你是否有像片中的小米一樣鸚鵡學舌地重復著姐姐的話，大聲地向新事物宣布著你的存在？你是否也像片中的小姐妹一樣，對一根爛了的木樁笑上半天？用大聲叫嚷來對未知的「鬼怪」宣示你的膽量？此刻，你一定微笑著想起了自己的童年！
童年是什麼？如果你曾疑惑，那《龍貓》里的小米會告訴你。童年是看著姐姐跑遠，卻下不了車，舞著小手的急切；童年是急著看栗子卻爬不上來，撲騰般蹬著小腿的笨拙；童年是一意孤行地要求偷栗子的是松鼠的執拗；童年是洗澡時，大聲的抗議姐姐的戲虐，大叫著小米不怕的孩子氣。當然童年還有那個害羞卻善良的小男孩以及故事和傳說中善良的精靈和吃小孩的鬼怪。童年總是相信老人們的話好奇的看著每天都有的驚喜。
龍貓，這個傳說只有純真的孩子才能看到的精靈，龐大而憨厚，孩子們不會畏懼他的利爪和巨大的身軀，這也讓那幅雨中等候爸爸的畫面充滿了溫馨。童年的憂傷和爭執也因那份純潔而美好，片中的小姐妹會為媽媽的病吵架；會把屋子弄得亂亂的，賭氣地各佔一半；會有好心的鄰居老奶奶來幫忙做飯；會最終言歸於好，笑著等待明天的太陽。
看完《龍貓》真的好懷念那個不用擔憂未來，對什麼都感到新奇的童年。我們可以大膽的在草地上翻滾，可以像小米那樣放聲的哭泣。那是無憂無慮的孩子才會有的哭聲，那麼不管不顧地發泄著自己的委屈。
不禁感嘆，宮崎駿真是一位善於總結生活的大師！

❻ 宮崎駿的《龍貓》英語觀後感100詞左右 蟹蟹啦

宮崎駿的《龍貓》英語觀後感100詞左右，見附件。

❼ 宮崎駿 龍貓 的英文介紹，不要翻譯器翻譯的。

My Neighbor TOTORO（1998）

龍貓(1988)

Logo: this strange creature, perhaps still living in Japan.

宣傳語：這種奇怪的生物，說不定仍生活在日本。

簡介

Two young girls, Satsuke and her younger sister Mei, move into a house in the country with their father to be closer to their hospitalized mother.

Satsuke and Mei discover that the nearby forest is in habited by magical creatures called Totoros (pronounced toe-toe-ro).

為了照顧住院的母親，女孩月和她的妹妹小梅隨父親一起搬到了鄉下，很快兩姐妹發現附近的森林中住著名為龍貓的神奇生物。

They soon befriend these Totoros, and have several magical adventures.

她們與龍貓逐漸親近，並發生了許多奇異而有趣的故事

The film is full of fairy tale colour and the warmth of family, the success of the audience into a fantastic fairy tale world, it is a rare and excellent work.

這部影片充滿了童話色彩和親情的溫馨，把觀眾成功的帶入了一個夢幻般的童話世界裡，它是一部不可多得的佳作。

(7)龍貓電影英文影評擴展閱讀：

1、獲獎記錄

宮崎駿獲得1989年每日電影獎及大藤信郎獎

影片獲得1989年日本電影藍絲帶獎的特別賞

影片獲得1988年 《電影旬報》 十佳電影的榜首

2、創作背景

該片最初是一個60分鍾左右的中篇企劃，難以單獨公映。為了配合《龍貓》，吉卜力決定同時推出由高畑勛執導的中篇作品《螢火蟲之墓》。

但是最終做出來的兩部作品都是時長90分鍾左右的長篇企劃。1988年4月16日，兩部題材和風格完全不同的動畫電影同日上映。

3、影片評價

新華網：該片優美的畫面充滿著農村田園的清新氣息，片中卻不乏各種驚心動魄的場面。雖然讓觀眾有點緊張但這也是該片牽動人心的魅力所在。

無論是大人還是小孩都能在影片中產生心靈共鳴。

可謂是老幼皆宜。在宮崎駿神來之筆的點綴下，龍貓可以當軟床睡，當魔術師膜拜的軟萌「寵物」，還會陪五月、梅採摘山果子。

每一個橋段都透著大自然對人類的呵護之情，捍衛了觀眾們的童真年代。

❽ 龍貓英文介紹!

It is a very passive pet,very tameble,it is not too many in the world,even in danger in some period,it has the strong curiosity which is look like fairly cute.and it is very easy to feed

❾ 龍貓的英文簡介，急需！！！

He is a lovely Japanese cat~~

剛才去找了一下，沒找到英文的，以下是中文information ,你了解一下，然後可以自己用語言組織一下寫成英文的.

《龍貓》My Neighbor Totoro

《龍貓》是宮崎駿的在STUDIO GHIBLI的第三部電影，因為這部平靜而溫馨的電影使得龍貓這個可愛的生物在全世界都家喻戶曉。《龍貓》十分適合一家老小齊齊觀看的。

「在我們鄉下，有一種神奇的小精靈，他們就像我們的鄰居一樣，居住在我們的身邊嬉戲、玩耍。但是普通人是看不到他們的，據說只有小孩子純真無邪的心靈可以捕捉他們的形跡。如果靜下心來傾聽，風聲里可以隱約聽到他們奔跑的聲音。」

這是宮崎駿幼年時在家鄉聽到的傳說，年少的他也曾經認真地在小徑上等待，在草叢間尋找吧。長大後，他投身於動畫製作，心中始終念念不忘鄉下渡過的那段美好的時光，始終念念不忘這個為小孩子們編織的精巧的夢。在這種情緒的感召下「龍貓」問世了。

小女孩五月和妹妹阿明跟隨爸爸一起搬入了鄉下的新居，「龍貓」的故事也在一片如畫的田園風光中展開。由於爸爸經常要去醫院探望有病的媽媽，兩個女孩只得自己去認識周圍這嶄新的環境，鄉下天空是那麼藍、空氣是那麼好，沒有車水馬龍的喧囂聲，沒有了高高厚厚的水泥牆。在大自然的懷抱里，兩個孩子體會到了以前從未感受過的欣喜。

於是在庭院里看見了搬家的小龍貓，看到了神秘高聳的老橡樹，還有樹洞里那一窩大大小小的龍貓。雖然像小山似的肥大，但一點兒也不讓人害怕，胖胖的龍貓啊，你願意交個朋友嗎？

雨中，在公交車站看到了等車的你，依舊是胖胖的，矗立在雨中，爸爸的雨傘是不是能完全遮住你呢？還有那呼嘯狂奔的貓BUS，坐在上面飛奔的感覺一定很好吧？

媽媽病情變化，不能回家。妹妹也走失在樹林里，五月唯一能做的就是去找老橡樹，去拜託龍貓。坐在貓BUS上狂奔，奔過田野、奔過山崗，在這一刻孩子們感受到了樹的呼吸，聽到了風的歌聲。就像那次和龍貓初遇，就像那粒種子破土變成大樹參天，這一切一切也許只是小孩子心底純真的夢，亦真亦幻，倒映出美好的心聲。

宮崎駿熱愛描寫自然，熱衷於為孩子們編織夢想，整部「龍貓」帶有其一貫的魔幻現實主義風格，利用一些自然景物切入到主角的意識流之中，讓觀者的心得到最真切的共鳴。宮崎駿說道：

「日本這國家恩澤於四季多變，充滿了豐富美麗的自然景色。而《龍貓》就是選取了充滿了大自然氣色的鄉間作背景。

「澄清的小河、森林、田地，住在其中 的人、鳥、獸、昆蟲，夏天的悶熱、大雨、突然掛起的勁風、恐怖的黑夜…… 這些東西全都顯出日本的美態。我覺得保護這些可以讓生物蓬勃地生長的自然環境很重要。

「這個故事中場出現的古怪生物龍貓，在很久以前便悠然地住在森林的深處，從未在人前露面。「這些年來，大自然看來受到很大的破壞，不過身邊的花草樹木、小河都仍是相互存在著。花、小石、昆蟲等，其中有些外形不大美觀的，不過也可以嘗試用手觸摸並細心觀察。」

有機會去鄉下看一看麥穗的舞蹈，聽一聽風的歌聲，坐在木籬上靜心傾聽，說不定你也可以聽到身旁的龍貓的呼吸。

❿ 宮崎駿的《龍貓》英語觀後感100詞左右

宮崎駿的《龍貓》英語觀後感100詞左右，見附件。