1. 英文影片中的經典演講獨白
這是莎士比亞著名作品《哈姆雷特》中的名句
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them. To die: to sleep;
No more; and by a sleep to say we end
The heart-ache, and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: aye, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveler returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
翻譯為
生存或毀滅, 這是個必答之問題:
是否應默默的忍受坎苛命運之無情打擊,
還是應與深如大海之無涯苦難奮然為敵,
並將其克服。
此二抉擇, 就竟是哪個較崇高?
死即睡眠, 它不過如此!
倘若一眠能了結心靈之苦楚與肉體之百患,
那麼, 此結局是可盼的!
死去, 睡去...
但在睡眠中可能有夢, 啊, 這就是個阻礙:
當我們擺脫了此垂死之皮囊,
在死之長眠中會有何夢來臨?
它令我們躊躇,
使我們心甘情願的承受長年之災,
否則誰肯容忍人間之百般折磨,
如暴君之政、驕者之傲、失戀之痛、法章之慢、貪官之侮、或庸民之辱,
假如他能簡單的一刃了之?
還有誰會肯去做牛做馬, 終生疲於操勞,
默默的忍受其苦其難, 而不遠走高飛, 飄於渺茫之境,
倘若他不是因恐懼身後之事而使他猶豫不前?
此境乃無人知曉之邦, 自古無返者。
所以,「理智」能使我們成為懦夫,
而「顧慮」能使我們本來輝煌之心志變得黯然無光, 像個病夫。
再之, 這些更能壞大事, 亂大謀, 使它們失去魄力。
2. 求含英文演講片段的電影或美劇！
公主日記1、2里都有上台演講致辭的片段。是美音的。
還有，穿prada的惡魔（穿普拉達的女王）里1小時32分時也有是上台演講致辭的片段。
要是長大段獨白的話，可以選社交網路。
望採納回答。
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長一點的你可以找奧巴馬的演講啊。天天美劇里有下載的。
3. 求：適合學生表演的英語電影片段。。要經典或者搞笑的！
4. 有沒有比較好模仿的英語電影演講片段
呵呵，不錯哦，挺不錯的呢斯蒂芬
5. 適合演講好的英語電影
國王的演講 用自己的心去看
6. 英語電影片段，演講用
肖申克的救贖經典
Fear can hold you prisoner, hope can set you free. A strong man can save himself, a great man can save another.
懦怯囚禁人的靈魂,希望可以令你感受自由。強者自救,聖者渡人。
Prison life consists of routine, and then more routine.
監獄生活充滿了一段又一段的例行公事。
These walls are kind of funny like that. First you hate them, then you get used to them. Enough time passed, get so you depend on them. That's institutionalized.
這些牆很有趣。剛入獄的時候,你痛恨周圍的高牆;慢慢地,你習慣了生活在其中;最終你會發現自己不得不依靠它而生存。這就叫體制化。
I find I'm so excited. I can barely sit still or hold a thought in my head. I think it the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
我發現自己是如此的激動,以至於不能安坐或思考。我想只有那些重獲自由即將踏上新征程的人們才能感受到這種即將揭開未來神秘面紗的激動心情。我希望跨越邊境，與朋友相見握手。我希望太平洋的海水如同夢中一樣的藍。我希望。
I guess it comes down to a simple choice: get busy living or get busy dying.
人生可以歸結為一種簡單的選擇:不是忙著活,就是忙著死。
There's not a day goes by I don't fell regret. Not because I'm in here, or because you think I should. I look back on the way I was then, a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can』t. That kid's long gone and this old man is all that's left. I got to live with that. Rehabilitated? It's just a bullshit word. So you go on and stump your form, sonny, and stop wasting my time. Because to tell you the truth,I don't give a shit.
我無時無刻不對自己的所作所為深感內疚,這不是因為我在這里(監獄),也不是討好你們(假釋官)。回首曾經走過的彎路,我多麼想對那個犯下重罪的愚蠢的年輕人說些什麼,告訴他我現在的感受,告訴他還可以有其他的方式解決問題。可是,我做不到了.那個年輕人早已淹沒在歲月的長河裡,只留下一個老人孤獨地面對過去。重新做人?騙人罷了!小子,別再浪費我的時間了,蓋你的章吧,說實話，我不在乎。
Some birds aren't meant to be caged, that's all. Their feathers are just too bright...
有的鳥是不會被關住的，因為它們的羽毛太美麗了！
7. 英文電影中有哪些演講
《The King's Speech》
In this grave hour, perhaps the most fateful in history, I send to every household of my peoples, both at home and overseas, this message, spoken with the same depth of feeling for each one of you as if I were able to cross your threshold and speak to you myself.
For the second time in the lives of most of us, we are at war.
Over and over again, we have tried to find a peaceful way out of the differences between ourselves and those who are now our enemies; but it has bee in vain.
We have been forced into a conflict, for which we are called, with our allies to meet the challenge of a principle which, if it were to prevail, would be fatal to any civilized order in the world.
It is a principle which permits a state in the selfish pursuit of power to disregard its treaties and its solemn pledges, which sanctions the use of force or threat of force against the sovereignty and independence of other states.
Such a principle, stripped of all disguise, is surely the mere primitive doctrine that might is right, and if this principle were established through the world, the freedom of our own country and of the whole British Commonwealth of nations would be in danger.
But far more than this, the peoples of the world would be kept in bondage of fear, and all hopes of settled peace and of security, of justice and liberty, among nations, would be ended.
This is the ultimate issue which confronts us. For the sake of all that we ourselves hold dear, and of the world order and peace, it is unthinkable that we should refuse to meet the challenge.
It is to this high purpose that I now call my people at home and my peoples across the seas, who will make our cause their own.
I ask them to stand calm and firm and united in this time of trial.
The task will be hard. There may be dark days ahead, and war can no longer be confined to the battlefield, but we can only do the right as we see the right, and reverently commit our cause to God. If one and all we keep resolutely faithful to it, ready for whatever service or sacrifice it may demand, then with God's help, we shall prevail.
《國王的演講》
在這個庄嚴時刻
也許是我國歷史上最生死攸關的時刻
我向每一位民眾
不管你們身處何方
傳遞這樣一個消息
對你們的心情 我感同身受
甚至希望能挨家挨戶 向你們訴說
我們中大多數人將面臨第二次戰爭
我們已多次尋求通過和平方式
解決國家間的爭端
但一切都是徒勞
我們被迫捲入這場戰爭
我們必須接受這個挑戰
如果希特勒大行其道
世界文明秩序將毀於一旦
這種信念褪去偽裝之後
只是對強權的赤裸裸的追求
為了捍衛我們珍視的一切
我們必須接受這個挑戰
為此崇高目標
我呼籲國內的民眾
以及國外的民眾以此為己任
我懇請大家保持冷靜和堅定
在考驗面前團結起來
考驗是嚴峻的
我們還會面臨一段艱難的日子
戰爭也不只局限於前線
只有心懷正義才能正確行事
我們在此虔誠向上帝祈禱
只要每個人堅定信念
在上帝的幫助下
我們必將勝利
8. 求關於最喜歡的電影的英語演講5分鍾左右
There are so many movies I've loved that the entire list would be nearly book-length. It's tough to pick just a few, but I'll give it a try.
Before I start any kind of numbered list, I have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. It isn't fair to list it with others. While I'll still refer to #1 on the list below as my favorite as follow.
Movie:d'Amélie Poulain, Directed by :Jean-Pierre Jeunet.
Jean-Pierre Jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.Every single character,including Amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of Dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.Amelie is like the angel who repairs the missing links in their lives and finds a root of her own.The "All's Well that Ends Well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.
For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to proce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.
I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.
Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.
The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.
Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.
這個影片「天使愛美麗」的觀後感，從導演及音樂、攝影方面闡述了對該電影的喜愛之情。文章字數為4500字左右，根據演講人語速5分鍾內應該無問題，我也可以再刪減內容，希望能幫到你。
9. 征英語原聲電影中經典演講片段或獨白.(請列出電影名)
http://4english.cn/movies/index.htm
10. 什麼英文電影里有比較精彩的演講
《新東區高中》
《魔戒》3
建議你去買幾本瘋狂英語來看上有好多
最近他們又出了個10周年電影特輯，有蠻多你想要的類型的東西