『壹』 英語電影片段，演講用
肖申克的救贖經典
Fear can hold you prisoner, hope can set you free. A strong man can save himself, a great man can save another.
懦怯囚禁人的靈魂,希望可以令你感受自由。強者自救,聖者渡人。
Prison life consists of routine, and then more routine.
監獄生活充滿了一段又一段的例行公事。
These walls are kind of funny like that. First you hate them, then you get used to them. Enough time passed, get so you depend on them. That's institutionalized.
這些牆很有趣。剛入獄的時候,你痛恨周圍的高牆;慢慢地,你習慣了生活在其中;最終你會發現自己不得不依靠它而生存。這就叫體制化。
I find I'm so excited. I can barely sit still or hold a thought in my head. I think it the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
我發現自己是如此的激動,以至於不能安坐或思考。我想只有那些重獲自由即將踏上新征程的人們才能感受到這種即將揭開未來神秘面紗的激動心情。我希望跨越邊境，與朋友相見握手。我希望太平洋的海水如同夢中一樣的藍。我希望。
I guess it comes down to a simple choice: get busy living or get busy dying.
人生可以歸結為一種簡單的選擇:不是忙著活,就是忙著死。
There's not a day goes by I don't fell regret. Not because I'm in here, or because you think I should. I look back on the way I was then, a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can』t. That kid's long gone and this old man is all that's left. I got to live with that. Rehabilitated? It's just a bullshit word. So you go on and stump your form, sonny, and stop wasting my time. Because to tell you the truth,I don't give a shit.
我無時無刻不對自己的所作所為深感內疚,這不是因為我在這里(監獄),也不是討好你們(假釋官)。回首曾經走過的彎路,我多麼想對那個犯下重罪的愚蠢的年輕人說些什麼,告訴他我現在的感受,告訴他還可以有其他的方式解決問題。可是,我做不到了.那個年輕人早已淹沒在歲月的長河裡,只留下一個老人孤獨地面對過去。重新做人?騙人罷了!小子,別再浪費我的時間了,蓋你的章吧,說實話，我不在乎。
Some birds aren't meant to be caged, that's all. Their feathers are just too bright...
有的鳥是不會被關住的，因為它們的羽毛太美麗了！
『貳』 一個三分鍾的英語演講，主題是自己最喜歡的電影。
How to Learn English Well？
Some people think that if we want to learn English well we must learn English grammar well first of all. Others believe we can't learn English well unless we keep in mind as many English words and phrases as possible.
In my opinion，grammar rules，new words and phrases are very important，but they are not enough. Fox example， some of my classmates are quite good at grammar and have learned by heart a lot of English words and phrases， yet they can't express themselves in English when they meet foreign friends.
The best way to learn English well， I think， is to learn and use English all the time. Don't be afraid of being laughed at. We'd better do a lot of listening， speaking， reading and writing. If you can form the habit of thinking and writing in English all day， you are sure to grasp the spirit of English and will be able to read works in English within a short period of time.
Only in this way that I suggest， can we learn English well. So I think this is the best way.
『叄』 幫我選擇幾部適合英語演講的電影
歌舞青春
不錯，尤其是第三部男主角在
畢業典禮
上的演講，很感人。這系列電影也很好，積極向上，也很健康純情
『肆』 有哪些著名的英語演講視頻可以分享
電影《國王的演講》片段，影片講述了英國國王喬治六世在二戰前為國民發表演講的故事。1939年，英國被迫向德國宣戰，喬治六世決定在聖誕節期間通過廣播向國民發表演講鼓舞士氣。但是他患有嚴重的口吃，經過自己的不斷努力和妻子、羅格的幫忙，他終於成功地給國民以力量。
『伍』 求關於英語演講的視頻
是inconvenient truth 一本書名
『陸』 誰知道有什麼比較經典的英文演講視頻
電影《聞香識女人》里，最後的那段演講很不錯，去看看吧。
採納哦
『柒』 求英語演講視屏或英文電影片段，5~20分鍾，要求有英文字幕
給你個網址，這兒特別多，自己下載一下。
http://www.hxen.com/englishvideo/yanjiang/
『捌』 推薦中英字幕的英語演講視頻
如果你是中學生，把九年義務教育的磁帶拿出來，跟著課本一句一句來
如果你是大學生，把國家統一發的CD和課本放一起，對著讀
如果你不是學生，下一些比如，實習醫生格雷，GOSSIPGIRL，這樣的，她們的發言很漂亮，而且很實在，可以拿來用的，而且很好看，又正宗美國發音
下美國電影也好，但是千萬別跟著朗讀阿甘正傳，會出大問題的，哇咔咔
當然，不是學生，可以下一些李陽瘋狂英語，音頻和文本都一起下，一句一句來，也很好提高的
我電腦里沒有這個，以前報過瘋狂口語，上課啟發挺大
建議你，讀的時候，特別注意R的讀音，讀飽滿，這樣就不會差到哪兒去了
跟讀的時候，要一句一句模仿到一模一樣，才讀下一句，如果一個小時只都的會一句話，也別傷心，剛開始誰都這樣
關鍵是你要模仿到完全一樣，不然讀的不好，以後越說越錯，丟大人
也許你一個禮拜只學好了十句話，但是別擔心，一個月吧頂多，你的口語一定很棒
學口語與材料沒很大關系，貴在堅持~~~~~~~~~~~~
『玖』 求英語演講的PPT 最好是講電影的
童鞋，留下郵箱，要不我怎麼給你呀？
『拾』 求關於最喜歡的電影的英語演講5分鍾左右
There are so many movies I've loved that the entire list would be nearly book-length. It's tough to pick just a few, but I'll give it a try.
Before I start any kind of numbered list, I have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. It isn't fair to list it with others. While I'll still refer to #1 on the list below as my favorite as follow.
Movie:d'Amélie Poulain, Directed by :Jean-Pierre Jeunet.
Jean-Pierre Jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.Every single character,including Amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of Dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.Amelie is like the angel who repairs the missing links in their lives and finds a root of her own.The "All's Well that Ends Well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.
For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to proce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.
I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.
Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.
The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.
Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.
這個影片「天使愛美麗」的觀後感，從導演及音樂、攝影方面闡述了對該電影的喜愛之情。文章字數為4500字左右，根據演講人語速5分鍾內應該無問題，我也可以再刪減內容，希望能幫到你。