影片《木乃伊》是一部1999年環球影業出品的美國冒險電影，由斯蒂芬·索莫斯編劇並執導，布蘭登·費舍、蕾切爾·薇茲、約翰·漢納、凱文·J·奧康納和阿諾德·沃斯洛等聯袂出演。影片一定程度上是1932年同名恐怖片的重拍片。影片於1999年5月7日在美國上映[1] 。
電影講述1920年，美國探險家歐康納受雇於英國圖書館員和她那當埃及學家的兄弟，來到埃及探險，不幸將千年木乃伊「釋放」成活人，隨後開始了一段刺激驚險之旅。
中文名 木乃伊 外文名 Momia, La 其它譯名 盜墓迷城 出品公司 阿爾法維爾影業 發行公司 環球影業 製片地區 美國 導 演 斯蒂芬·索莫斯 編 劇 斯蒂芬·索莫斯 製片人 肖恩·丹尼爾 類 型 動作 主 演 布蘭登·費舍，蕾切爾·薇姿 片 長 124分鍾 上映時間 1999年5月7日 票 房 4億1593萬3406美元 對白語言 英語 / 阿拉伯語
Ⅱ 求木乃伊1的影評
Mummy Returns
http://www.reelviews.net/movies/m/mummy2.html
The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million, Universal had already put two additional Mummy films into the hopper, awarding the series the "franchise" label. The Mummy Returns, which re-unites nearly the entire cast from the 1999 movie, is the first of these two proctions. The other, a prequel called The Scorpion King, will be released either later this year or next year, depending on how Universal arranges its release schele.
Stephen Sommers' 1999 feature was an enjoyable, if overlong, romp recounting the struggles of an adventurer and his companions to stop the apocalyptic agenda of an ancient Egyptian priest. While not entirely successful, The Mummy nevertheless boasted an infectious blend of high adventure, low-scare horror, and special effects that transformed it into a crowd-pleaser capable of sating the early summer audience until The Phantom Menace came along a few weeks later. Now, Rick O'Connell (Brendan Fraser), Evie O'Connell (Rachel Weisz), Jonathan Carnahan (John Hannah), Ardeth Bay (Oded Fehr), and (of course) Im-Ho-Tep (Arnold Vosloo) are all back. Joining them are a couple of notable newcomers: Rick and Evie's son, Alex (Freddie Boath), and the dreaded Scorpion King (WWF mainstay, The Rock).
The story for The Mummy Returns is a meager and muddled affair peppered with deus ex machina contrivances. A cult of power-mad Egyptologists (is there another kind?) have concocted a plan by which they can obtain world domination. First, they must resurrect Im-Ho-Tep, the mummy from the first film. Since they are being led by the ancient priest's re-incarnated girlfriend, Anck-Su-Namun (Patricia Velazquez), this proves to be surprisingly easy. Then, with his powers restored, Im-Ho-Tep heads off to do battle with the mythical Scorpion King, whose tomb lies in a pyramid at the center of a hidden oasis. In order to find that oasis, Im-Ho-Tep needs an artifact which happens to be in the possession of Alex O'Connell. And, when the boy is kidnapped, that brings his parents, his uncle Jonathan, and their old friend, Ardeth Bay, into the conflict. This results in a lot of chasing around the globe and a climax that features a special effects-laden battle between a large force of humans and an army of decaying, dog-faced creatures.
The fundamental problem underlying The Mummy Returns is the reason that the movie exists in the first place. This is not the byproct of the creative process; it's an off-shoot of Universal Pictures' greed. The sequel was made not because the filmmakers had a compelling story to tell, but because The Mummy made so much money that a second installment became mandatory. This thought process results in countless pointless and derivative sequels - a class in which The Mummy Returns unquestionably belongs. The plot is just a flimsy excuse to bring back old friends and stick them in a series of cliffhangers. It's low-rent Raiders of the Lost Ark, with high-quality special effects filling in for character development and intelligible storytelling.
Some of the action sequences in The Mummy Returns are fun and the visual effects are more polished and less noticably "fake" than in the previous film. Unfortunately, all of this can't obscure the fact that there is basically no plot. The clash of armies at the end has no purpose beyond showing off the effects mavens' skills at the computer. (In terms of style, it's reminiscent of the war in The Phantom Menace, albeit without the same strong story motivation.) The Mummy Returns has opportunities to do interesting things (at one point, there's a chance to force Im-Ho-Tep and Rick into an uneasy alliance, but that is neatly bypassed). Like the Indiana Jones movies, The Mummy Returns tries to blend low-key humor with a non-stop series of cliffhangers. However, while some of the jokes are funny, the action sequences are only sporadically satisfying, owing primarily to their often preposterous resolutions. And, while Rick possesses a certain charm, he's no Indiana Jones.
Brendan Fraser and Rachel Weisz rekindle the cute chemistry that existed between their characters in The Mummy. Freddie Boath makes an effective addition to the cast, primarily because he's not as annoying as most movie kids. John Hannah is back as the fatuous Jonathan. Arnold Vosloo's Im-Ho-Tep is subtly diminished, perhaps because he now has to share the spotlight with two other villains. Patricia Velazquez has an expanded role here from the one she essayed in the first film. And the part of The Scorpion King doesn't challenge The Rock's thespian abilities - all he has to do is snarl and look tough - things he is familiar with from his day job.
The Mummy Returns offers one surprise - an unexpectedly poignant dramatic moment in which we feel a surge of sympathy for one of the characters. Unfortunately, it's for one of the bad guys, which makes the ending a downer. Overall, the film probably offers what fans of The Mummy are expecting. The thinner, unnecessarily long storyline notwithstanding, this is essentially more of the same. It's hollow, lightweight entertaininment - not unpleasant, but far from the summer's definitive action/adventure flick.
http://www.tiscali.co.uk/entertainment/film/reviews/the_mummy_returns.html
http://www.plume-noire.com/movies/reviews/themummyreturns.html
http://www.moviefreak.com/reviews/m/mummyreturns_1.htm
Ⅲ 木乃伊有關的電影有哪些（不是說英文的）
木乃伊1、2、(3)
這兩部電影名氣太大，就不羅嗦了。
木乃伊魔咒
這部拍攝於1960年代的恐怖片經典或許能讓觀眾稍滿足一下對古埃及傳說的好奇心。當一群來自歐洲的古埃及學家發現埃及王子雷的墳墓時，贊助商美國實業家亞歷山大堅持將發現的所有寶藏和石棺運回英國巡迴展覽； 當石棺運至英格蘭境內後，一位心懷不軌的壞蛋發現了喚醒木乃伊的方法，讓這位沈睡千年的埃及王子在維多莉亞時代的倫敦覺醒，開始追殺所有褻瀆他神聖墓地的人，有誰能阻擋木乃伊無邊的魔力呢？
盧浮魅影
在新世紀來臨前的黎明，在羅浮宮里一個被邪惡勢力附身的古埃及木乃伊，誕生了一個鬼魅：貝佛果(Belphegor)，騷擾這座史上收藏最豐富的美術館之一，於是羅浮宮里開始鬼影幢幢，監視攝影機拍攝到詭異畫面、古埃及的收藏品接連失蹤、怪事持續發生…，到底這座人類文明的殿堂能否全身而退？這是史上第一部進入羅浮宮實地拍攝的電影。
死亡軍團
安娜·德特是乍特的女祭師，是混亂和邪惡之神，據她的追隨者說她有能夠復活死者和獲得永生的強大力量。安娜·德特的強大力量威脅到了喬治亞的統治，所以她被放逐了，而今天，古埃及大女祭祀Aneh-Tet從她的4000年的睡眠里醒過來，她要重回人間統治世界...
魔繭復活
半個世紀前，德教授率領考古隊在埃及帝王谷發現了一個罕有的金字塔「太洛斯」。更碰上一股邪惡的恐怖力量，為了令邪靈不致為禍人間，德教授不惜引爆搜索現埸，與邪靈同埋於沙漠深處。
德教授的孫女珊美其後自組搜索隊，決定重新征服「太洛斯」，但同樣遇上邪惡力量，各隊員更是死的死，瘋的瘋。從此，「太洛斯」的陰影一直潛伏在她的心中。豈料一天，珊美收到英國國家博物館的宣傳品，即將舉行的展覽竟是「太洛斯」！經歷了幾千年的沉睡，終於重現人間。
奪寶奇兵1：法櫃奇兵
劇情介紹：
印地安納．瓊斯是一所大學的考古學教授，一天，美國軍方找到他，他們破譯了一份關於
Ⅳ 電影《木乃伊》第一部觀後感
雖然是含有恐怖元素的探險類電影,<木乃伊>卻顯得精緻許多,情節緊湊,畫面也一直保持統一,一直是那片純凈又迷人的金黃色.它們將埃及那種神秘又致命的美麗表現得充滿張力,令人神往,至少我是這樣.
我跟影片的主角伊芙琳不一樣,我沒有探險家的父母,沒有潛心研究古籍的定力與耐心,甚至沒有足夠的熱情可以不顧後果地去探尋.所以我只是坐在這里,像發了毒誓的凡爾納只有在自己的幻想中去旅行.去發掘生命的奇跡.
而伊芙琳不是,她踏上了那片迷人的土地,她觸摸到了那些古老的遺跡,她深入了風暴的中心,因此她成為了傳奇,盡管那些只是虛擬,我也心甘情願地相信.我看著她在那些危險中成長起來.一開始她只是想探險,她把這些當做游戲,而當她真的看見了實現童年夢想的可能性時她便再不肯說放棄.她的勇氣牽引她去完成那些不可能的任務,去尋找"黃金金經".這個時候那些熱情讓她變得無所畏懼.而後是責任讓她堅持,是她打開了亡靈書,是她喚醒了邪惡的大祭司,是她帶來了世界的災難所以也要由她去負擔後果盡管她還不知道用什麼樣的方式,她只知道不可以放棄.再後來她學會了犧牲自己雖然自己心裡已經裝滿了恐懼.角色的成長往往是讓觀者最感欣悅的事情,這一點<木乃伊>做得很成功.想起安妮的一句話"女人是會隨著時間的流轉而逐漸變得堅硬和實用起來的."
其實排除掉片中大量惡心情節外,故事內容是相對輕松的.女主角平時不中用的哥哥,帶了一大串護身符信仰各種教派,關鍵時刻甚至連"菩薩保佑"都搬出來的怕死的小角色都不乏幽默.所以我無法理解將該片冠以"恐怖片"的行為.而影片中真正恐怖的是那些被貪念控制的卑微的心.因為執著於黃金而死掉的人們其實才是最大的悲劇.正像瑞克說的,伊芙琳只是喜歡那本"黃金金經"而不在乎它是不是用黃金做的.也許正因如此,他們才能活著走出那片充滿誘惑的沙漠.
帶著他們的財富,親情,友情,還有愛情.
有人跟我說<木乃伊歸來>做為續集還算合格,可是女主角的人格魅力卻大不如前.確實那個只有單純得甚至愚鈍的心眼的伊芙琳變得風情萬種,變得嬌俏可人了.不復再有第一部的純粹,那麼將這些看成一種蛻變不是更好嗎?!她不單是一個考古學家,她還是一個妻子是一個母親.瑞克不僅是一個老道的探險家他還成為了一個父親.他身上也有了多的責任,在他抱著兒子拚命奔跑,要在日出之前趕到太陽神廟的時候這種蛻變顯得尤其灼眼.甚至於吊而啷當的喬納森也必須成為一個長輩,一個孩子的舅舅,盡管他做的不怎麼好.可是這些變化終究還是讓我們驚喜,讓我們有理由去記起.這個未完的傳奇.
在每次重看這樣的電影時都會發現新的東西.這次我發現一個擁有知識的女性在男人中散發的吸引力.當伊芙琳講述那些古老的傳說時,所有人都只看著她,都陷在遠古的幻想中.這個時候沒有人可以看輕她.她帶他們看到了不一樣的世界.以女性的眼光審視的世界,一個遠古的充滿故事的世界,他們只有嘆服,他們無法抗拒她的魅力.那些故事讓她變得厚重又輕盈,讓她成為另一個迷,雖然只是瑞克解開了,可是每個人都會敬重這個帶著故事的女人.
也許是因著考古學家的夢想,也許是出於對這一題材的熱愛,又或者只是單純的執念,總之我很喜歡這部電影,它帶來的不只是驚奇,還有綺麗的夢境,讓我不放棄去尋找生命中的聖地,不再忽視那些突兀的美麗.
Ⅳ 跪求<木乃伊歸來2 >的英文影評
Mummy Returns,
The United States, 2001
U.S. Release Date: 5/4/01 (wide)
Running Length: 2:08
MPAA Classification: PG-13 (Violence)
Theatrical Aspect Ratio: 2.35:1
Seen at: UA Riverview, Philadelphia
Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Adewale Akinnuoye-Agbaje, Freddie Boath, Oded Fehr, The Rock, Patricia Velazquez
Director: Stephen Sommers
Procers: Sean Daniel, James Jacks
Screenplay: Stephen Sommers
Cinematography: Adrian Biddle
Music: Alan Silvestri
U.S. Distributor: Universal Pictures
The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million, Universal had already put two additional Mummy films into the hopper, awarding the series the "franchise" label. The Mummy Returns, which re-unites nearly the entire cast from the 1999 movie, is the first of these two proctions. The other, a prequel called The Scorpion King, will be released either later this year or next year, depending on how Universal arranges its release schele.
Stephen Sommers' 1999 feature was an enjoyable, if overlong, romp recounting the struggles of an adventurer and his companions to stop the apocalyptic agenda of an ancient Egyptian priest. While not entirely successful, The Mummy nevertheless boasted an infectious blend of high adventure, low-scare horror, and special effects that transformed it into a crowd-pleaser capable of sating the early summer audience until The Phantom Menace came along a few weeks later. Now, Rick O'Connell (Brendan Fraser), Evie O'Connell (Rachel Weisz), Jonathan Carnahan (John Hannah), Ardeth Bay (Oded Fehr), and (of course) Im-Ho-Tep (Arnold Vosloo) are all back. Joining them are a couple of notable newcomers: Rick and Evie's son, Alex (Freddie Boath), and the dreaded Scorpion King (WWF mainstay, The Rock).
The story for The Mummy Returns is a meager and muddled affair peppered with deus ex machina contrivances. A cult of power-mad Egyptologists (is there another kind?) have concocted a plan by which they can obtain world domination. First, they must resurrect Im-Ho-Tep, the mummy from the first film. Since they are being led by the ancient priest's re-incarnated girlfriend, Anck-Su-Namun (Patricia Velazquez), this proves to be surprisingly easy. Then, with his powers restored, Im-Ho-Tep heads off to do battle with the mythical Scorpion King, whose tomb lies in a pyramid at the center of a hidden oasis. In order to find that oasis, Im-Ho-Tep needs an artifact which happens to be in the possession of Alex O'Connell. And, when the boy is kidnapped, that brings his parents, his uncle Jonathan, and their old friend, Ardeth Bay, into the conflict. This results in a lot of chasing around the globe and a climax that features a special effects-laden battle between a large force of humans and an army of decaying, dog-faced creatures.
The fundamental problem underlying The Mummy Returns is the reason that the movie exists in the first place. This is not the byproct of the creative process; it's an off-shoot of Universal Pictures' greed. The sequel was made not because the filmmakers had a compelling story to tell, but because The Mummy made so much money that a second installment became mandatory. This thought process results in countless pointless and derivative sequels - a class in which The Mummy Returns unquestionably belongs. The plot is just a flimsy excuse to bring back old friends and stick them in a series of cliffhangers. It's low-rent Raiders of the Lost Ark, with high-quality special effects filling in for character development and intelligible storytelling.
Some of the action sequences in The Mummy Returns are fun and the visual effects are more polished and less noticably "fake" than in the previous film. Unfortunately, all of this can't obscure the fact that there is basically no plot. The clash of armies at the end has no purpose beyond showing off the effects mavens' skills at the computer. (In terms of style, it's reminiscent of the war in The Phantom Menace, albeit without the same strong story motivation.) The Mummy Returns has opportunities to do interesting things (at one point, there's a chance to force Im-Ho-Tep and Rick into an uneasy alliance, but that is neatly bypassed). Like the Indiana Jones movies, The Mummy Returns tries to blend low-key humor with a non-stop series of cliffhangers. However, while some of the jokes are funny, the action sequences are only sporadically satisfying, owing primarily to their often preposterous resolutions. And, while Rick possesses a certain charm, he's no Indiana Jones.
Brendan Fraser and Rachel Weisz rekindle the cute chemistry that existed between their characters in The Mummy. Freddie Boath makes an effective addition to the cast, primarily because he's not as annoying as most movie kids. John Hannah is back as the fatuous Jonathan. Arnold Vosloo's Im-Ho-Tep is subtly diminished, perhaps because he now has to share the spotlight with two other villains. Patricia Velazquez has an expanded role here from the one she essayed in the first film. And the part of The Scorpion King doesn't challenge The Rock's thespian abilities - all he has to do is snarl and look tough - things he is familiar with from his day job.
The Mummy Returns offers one surprise - an unexpectedly poignant dramatic moment in which we feel a surge of sympathy for one of the characters. Unfortunately, it's for one of the bad guys, which makes the ending a downer. Overall, the film probably offers what fans of The Mummy are expecting. The thinner, unnecessarily long storyline notwithstanding, this is essentially more of the same. It's hollow, lightweight entertaininment - not unpleasant, but far from the summer's definitive action/adventure flick.
Ⅵ 木乃伊3英文觀後感
木乃伊3英文觀後感453篇：
http://www.imdb.com/title/tt0859163/usercomments
自己選擇一下，也可以將多篇整理合成一篇。
Ⅶ 關於木乃伊的英文介紹
《魚游到了紙上》是新教材六年制第九冊的新增課文。課文記敘的是作者在西湖玉泉看魚時，發現了一位舉止特別的青年，經過多次觀察，作者不僅發現他所畫的魚活靈活現，還發現了他是一位聾啞人，所以欽佩之情油然而生，在敘事的同時也表達了自己的思想情感。教學時如果能把握好課文的脈絡，順著作者發現這位舉止特別的聾啞青年及其愛魚愛到了忘我的境界這條線，就能逐步體會作者的思想感情，從而讓學生悟出要把自己的意思表達出來就離不開典型的事例和材料這樣一個道理。而這些典型材料恰恰源於自己身邊發生的事，只有平時留心觀察和積累，寫起文章來才能做到內容真實感人。因此，教學本文，要先理解課文內容，在此基礎上歸納總結寫法。可採用以下的步驟：
一、整體入手，了解全文每一篇文章拿到手上，都必須先大概了解內容，目的是讓學生精學課文之前對全文有一個初步印象，掃清閱讀中生字、新詞的障礙，並理清作者思路，文章寫作順序。所以可以讓學生帶著問題去自讀、輪讀或范讀。教師設問：課文講了發生在什麼地方的事？主要人物是誰？課文的主要內容是什麼？
二、緊扣課題，理清主線題目是文章的眼睛，課題就是統率全文的靈魂。「魚游到了紙上」正是青年刻苦練習、勤於觀察的結果。在弄清了這個句子的意思以後，從課文中再找一找與它類似的句子，比較每一次出現的語句有什麼不同，每一次是在什麼情況下出現的，再設問為什麼魚游到了紙上，使學生初步明確「游到紙上」和「先游到心裡」的關系。可用「因為……所以……」的句式表明二者的關系，這樣為深入理解課文找到突破口，也為下面理解「從哪裡看出遊到了紙上」和「從哪裡看出先游到了心裡」作了鋪墊。
三、精講重點詞句，體會作者感情變化為了讓長文短教，就要讓學生透徹地理解重點詞句，這樣就會有事半功倍的效果，還可以在體會句子內涵的同時，使學生情感的閘門大開，心靈也會受到觸動，以達到與作者產生共鳴的效果。幾個重點句子處理方法如下：
一句：「我認識了一位舉止特別的青年。」「舉止」是什麼意思？「舉止特別」是什麼意思？從哪些地方表現了青年的舉止特別？通過以上幾個問題的討論，便能直插重點，也是全文的難點，就是那位青年人看魚如醉如痴，忘卻了周圍的一切，從而引出「忘我的境界」，這樣對「忘我」一詞的理解就不空洞了。再輔以朗讀指導，加深印象。這也是作者留心觀察的一個著眼點，把一個專心、認真看魚的青年形象呈現在我們眼前。
二句：「金魚游到他的紙上了！」①這話是誰說的？用什麼口氣說的？作者擠進去又會用什麼口氣說？什麼叫贊嘆？②你認為這句話是什麼意思？從哪裡看出魚畫得活靈活現？青年人用了什麼方法畫魚？這句話出自一個小姑娘之口，但代表了所有人的心聲，而對問題②的理解，更有助於加深學生對這句話所包含的贊嘆之情的理解。由於青年人愛魚愛到了忘我的境界，畫魚時又是那麼專注、勤奮，以至於受到所有圍觀的群眾一致誇贊，小姑娘驚奇地大叫，說明所畫的魚栩栩如生，非同一般。至此，青年人忘我的觀察魚的原因也有了交待，作者自己對這位青年人的觀察也就興致更濃。「他好像和游魚融為一體」的秘密何在？由此引發作者更強烈的好奇心，想盡快了解清楚，可見作者的觀察是有目的的、積極的。至此學習第三句「他好像和游魚融為一體了」的理解就迎刃而解了。接著引導學生聯想青年人可能在想什麼，作者從中可以知道什麼，進一步為理解下文作鋪墊。
三句：「魚游到了你的紙上」與「先游到了我的心裡」。這是作者從青年人的廠徽上發現他是個聾啞人，敬佩之情油然而生。為了進一步了解他，作者與青年進行了筆談，這是筆談中的兩句話。前一句是作者對青年人的稱贊，後一句則是青年人的回答。首先理解前一句，設問，如：作者的話是什麼意思？表達了作者的什麼感情？重點挖掘後一句的含義，可以順著這樣的思路啟發學生：「心」是指什麼？為什麼魚先游到了青年的心裡？游字說明魚的特徵在青年腦海中形成什麼樣的印象？「先」是指什麼先？先字點明了這兩句話的關系是什麼？
明晰了兩句話的意思以及弄清它們之間的聯系，就更明確了這位聾啞青年由於勤奮觀察、刻苦練習，才達到了忘我的境界。那麼作者感情也是伴隨著對青年人的觀察一步步深入而變化的。
四、把握時機，有機滲透寫法每一堂課教學都應該有一個重點、難點，難點的突破，便是這堂課最大的收獲，如果能在這時將讀寫結合，課文對學生的寫作起的作用就更大。
理解了《魚游到了紙上》的內容，體會到了作者感情的變化就是課堂上的一大收獲。此時，讓學生根據作者感情的變化給課文分段，是寫法滲透之一，然後說說每段之間有什麼聯系。因為作者經常去玉泉看魚，所以發現了這位舉止特別的青年人，再經過多次留心觀察，發現青年人愛魚愛到了忘我的境界，畫魚十分刻苦細致。在觀察中進一步發現他是聾啞人，才採取筆談的方式深入了解。為了表達自己對聾啞青年的欽佩之情，作者就以「愛魚愛到了忘我的境界」為線索，把材料加以整理、篩選，才寫成了《魚游到了紙上》這篇文章。最後，因勢利導，鼓勵學生要像作者那樣做生活的有心人，只要用心去發現，善於發現，並把觀察的事物記錄下來，注意積累，那麼作文時就有取之不勁用之不竭的材料。
Ⅷ 美國電影《木乃伊》一句英文翻譯
Deadth is only beginning
在第一部中，伊莫頓死的時候用埃及語說的，而伊芙把她用英語翻譯過來-"Deadth ......is only beginning"
昨天才看完這3部電影哈！