joker電影英文影評

❶ 蝙蝠俠之黑暗騎士影評求翻譯成英文。。謝謝

全是自己打的：
The battle between bat and the Joker is the battle between two edges of humanity. Joker does have the right point, but Batman always wins.
The existance of the Joker could be seen as the marginal edge of the evil of humanity, instead of the representation of the evils, since he has been trying to examine the validity of the other indivials.
However he based on the wrong theory, which leads to the invalidity of his conclusion. Seeing the fact that the real criminals mping the detonator that could save their lives by killing others, while the real civilians still fighting each other to decide whether to press the button, there's a strong contrast rooted deep inside down the heart of the audiences.
In a civilized society, a man who always operate under their own principles without breaking them can always win. It's not a battle of life and death. The Joker could drag Harvery Dent down to his level, but he could never corrupt Batman. As a matter of fact, the real justice can never be destroyed.

我是蝙蝠迷，握手。

❷ 我記得有一個英文故事關於小丑的

樓主的這個問題……不好答。就我所知有兩個割嘴角的小丑，而且也是電影（漫畫）中出現的。這里就列出來看看能不能幫到樓主了。
1、《針》一部電影，Richard·Stitches·Grindle是一名專門參加孩子生日派對的小丑，他為了生活每天都必須微笑以詼諧幽默的話語逗孩子開心，直到一次他參加了一群非常頑劣孩子的生日party，這次聚會讓他「喪命」，多年後當年的孩子已經長大，在一次聚會上，小丑不邀而至為的是報復這群年輕人。（這段信息來源於網路。是自己無意間發現的。）
2、《蝙蝠俠2：黑暗騎士》同樣是一部電影（個人非常喜歡的），裡面是整個DC宇宙中，蝙蝠俠最強大的對手Joker(小丑)。同樣是以割開面頰出名。但是該部作品中的小丑是一個徹徹底底的瘋子。希望的是和蝙蝠俠永遠爭斗下去（該片沒有涉及很快樂，反而透出小丑的那股瘋狂與無奈）。
希望對樓主有所幫助。

❸ 求一個 蝙蝠俠暗夜騎士 這部電影的一個短的英文簡介，比較簡潔就好謝謝了

When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, the caped crusader must come to terms with one of the greatest psychological tests of his ability to fight injustice.

❹ 蝙蝠俠里的小丑是JACK還是JOKER

《蝙蝠俠》第一部中的小丑是有名有姓的，叫傑克.奈皮爾。
這次的《黑暗騎士》中的小丑是個身分成謎的人，戈登警官說過小丑「沒有，指紋、DNA和牙科紀錄都沒有符合的，穿的是戲服，口袋裡只有小刀和綳帶，沒有名字，沒有其他身份證明」，到最後也不知道小丑過去的身份。

JOKER是撲克牌中的鬼牌，在英文中的小丑就是JOKER。

這兩部電影是由兩個導演的導的，是兩個不同的系列，彼此沒有聯系，所以劇情和人物設定上彼此不同。

❺ 急！！！！剪刀手愛德華影評 英文 1500字左右的 原創的最好 好的話追加100分

簡介：The director Tim Burton wages a valiant battle to show us new and wonderful things. In a Hollywood that placidly recycles the same old images, Burton uses special effects and visual tricks to create s ...

The director Tim Burton wages a valiant battle to show us new and wonderful things. In a Hollywood that placidly recycles the same old images, Burton uses special effects and visual tricks to create sights that have never been seen before. That is the good news. The disappointment is that Burton has not yet found the storytelling and character-building strength to go along with his pictorial flair.

That was true even of his "Batman," which was 1989's box office champion, but could have been a better film, I believe, if there had been anyone in it to inspire our emotional commitment. Even comic characters can make us care. Unlike Richard Donner's original "Superman," which actually had a heart beneath its special effects, Burton's "Batman" occupied a terrain in which every character was a grotesque of one sort of another, and all of their actions were inspired by shallow melodramatic motivations.

That movie was stolen by a supporting character - Jack Nicholson's Joker - and now comes "Edward Scissorhands," another inventive effort in which the hero is strangely remote. He is intended, I think, as an everyman, a universal figure like one of the silent movie clowns, who exists on a different plane from the people he meets in his adventures. One problem is that the other people are as weird, in their ways, as he is: Everyone in this film is stylized and peculiar, so he becomes another exhibit in the menagerie, instead of a commentary on it.

The movie takes place in an entirely artificial world, where a haunting gothic castle crouches on a mountaintop high above a storybook suburb, a goofy sitcom neighborhood where all of the houses are shades of pastels and all of the inhabitants seem to be emotional clones of the Jetsons. The warmest and most human resident of this suburb is the Avon lady (Dianne Wiest), who comes calling one day at the castle - not even its forbidding facade can deter her - and finds it occupied only by a lonely young man named Edward (Johnny Depp).

His story, told in a flashback, is a sad one. He was created by a mad inventor (Vincent Price), who was almost finished with his task when he died, leaving Edward with temporary scissors in place of real hands. One look at Edward and we see that scissors are inconvenient substitutes for fingers: His face is a mass of scars, and he tends to shred everything he tries to pick up.

The Avon lady isn't fazed. She bundles Edward into her car and drives him back down the mountain to join her family, which includes daughter Kim (Winona Ryder) and husband Bill (Alan Arkin).

The neighbors in this suburb are insatiably curious, led by a nosy neighbor named Joyce (Kathy Baker). The movie then develops into a series of situations that seem inspired by silent comedy, as when Edward tries to pick up a pea.

Successful satire has to have a place to stand, and a target to aim at. The entire world of "Edward Scissorhands" is satire, and so Edward inhabits it, rather than taking aim at it. Even if he lived in a more hospitable world, however, it is hard to tell what satirical comment Edward would have to make, because the movie makes an abrupt switch in his character about two-thirds of the way through. Until then he's been a gentle, goofy soul, a quixotic outsider. Then Burton and his writer, Caroline Thompson, go on autopilot and paste in a standard Hollywood ending.

You know what that is. The hero and the villain meet, there is a deadly confrontation, and no prizes for guessing who wins.

Except in pure action films, situations used to be solved by dialogue and plot developments. No more. Now someone is killed, and that's the solution, and the movie is over. In "Edward Scissorhands," the villain is a neighborhood lout named Jim (Anthony Michael Hall), who doesn't like guys with scissors for hands, and picks on Edward until finally there is a trumped-up fight to the finish up at the castle.

This conclusion is so lame it's disheartening. Surely anyone clever enough to dream up Edward Scissorhands should be swift enough to think of a payoff that involves our imagination.

All of Burton's movies look great. "Pee-wee's Big Adventure" was an unalloyed visual delight, and so was "Beetlejuice," and "Batman" gave us a Gotham City that was one of the most original and atmospheric places I've seen in the movies. But shouldn't there be something more? Some attempt to make the characters more than caricatures? All of the central characters in a Burton film - Pee-wee, the demon Betelgeuse, Batman, the Joker or Edward Scissorhands - exist in personality vacuums; they're self-contained oddities with no connection to the real world. It's saying something about a director's work when the most well-rounded and socialized hero in any of his films is Pee-wee Herman.

❻ 為什麼說希斯萊傑的小丑演得好

希斯·萊傑參考康拉德·維德在1928年電影《笑面人》中的劇照完善了小丑的外貌，詭異中帶著幽默。

同年9月，澳大利亞電影組織（AIF）以萊傑的名義創立獎學金。而萊傑的前妻米歇爾·威廉姆斯將成為該項獎學金的首批捐贈者之一。該項獎學金的獲獎者將得到一萬美金獎金、往返機票和赴美工作的機會。

❼ 如何理解《小丑》(Joker)的結局

理解《小丑》(Joker)的結局：

由托德·菲利普斯（ToddPhilips）執導，傑昆·菲尼克斯（JoaquinPhoenix）主演的《小丑》（JOKER）在觀影者和影評人中掀起激烈的爭議。一些人稱贊菲尼克斯的精湛演出對蝙蝠俠最大的對手進行了豐滿的詮釋。

而另一些人則抨擊這部電影美化了暴力，縱容了這個心理變態的殺人犯。本周觀看了《小丑》（JOKER）後，我認為這部電影比評論家們所表達的要深刻和復雜得多。這個版本的小丑故事暴露了我們社會的分裂。

審視了抑鬱症帶給人的黑暗陰影，也揭示出許多人所感受到的生活空虛和無意義。這是一個警世的故事，講述的是當愛、對他人的同情和真理被拋到一邊時，我們的社會可能會製造出一些壞人。《小丑》的來由簡而言之。

《小丑》是DC漫畫系列中最著名的反派，亞瑟·弗萊克（ArthurFleck）變成小丑所經歷的蛻變和扭曲。小丑這個標志性的反派角色在銀幕上有很多版本，其中《蝙蝠俠:黑暗騎士》（TheDarkKnight）中希斯·萊傑（HeathLedger）的表演最為矚目。

然而，這是小丑首次沒有和蝙蝠俠同台登場，作家托德·菲利普斯（ToddPhilips）和斯科特·西爾弗（ScottSilver）欲通過電影對他的生命進行研究，來向我們展示一個像亞瑟這樣的精神病患者如何變成小丑。

一個殺人不眨眼的犯罪頭目。我認為亞瑟瘋狂墮落成小丑的過程可以分為三個階段，每一個階段都浮現出我們今天所面臨的問題。

❽ 蝙蝠俠：暗夜騎士 JOKER why so serious

那大概是：
How about a life ? Wanna know how I got this scar ? My father was a drinker...and a fined! In one night,he goes crazier than usual.Mummy gets the kitchen-knive to defend herself,he doesn't like that...not one bit.So,me watching,he takes the knive to her,laughing he does it.He turns to me,and he said:"Why so serious,son?"He comes to me with the knive,"Why so serious,son?"Sticked the blade in my mouth,"Lei's put a smile on that face!And,why so serious?"隨後便是殺掉黑幫。

❾ 求小丑2019劇情介紹，要英文版

The Joker is an agent of chaos - a gleefully violent sadist whose motivations remain mysterious, unknowable. Director Todd Phillips' new film seeks to strip away all mystery from the character and make his motivations very knowable. And in that much, at least, he succeeds. Meet Arthur Fleck

JOAQUIN PHOENIX (As Arthur Fleck/Joker) My mother always tells me to smile and put on a happy face. She told me I had a purpose - to bring laughter and joy to the world.

傑昆·菲尼克斯（飾演亞瑟·弗萊克/小丑）：我媽媽總是告訴我要微笑，裝出一副開心的樣子。她告訴我我有一個目標——為這個世界帶來歡笑和快樂。

❿ 蝙蝠俠前傳2：黑暗騎士的觀後感、【英文！簡單就OK了、】

It
takes
me
3
hours
to
watch
this
film.It
is
the
sixth
of
the
batman
series.The
movie
has
a
subtle
insight
into
human
nature.
In
Gotham
City,
the
Joker
robs
a
mob-owned
bank
with
his
accomplices,
whom
he
tricks
into
killing
each
other.
Batman
and
Gordon
contemplate
including
new
district
attorney
Harvey
Dent
in
their
plan
to
eradicate
the
mob,
as
he
could
be
the
public
hero
Batman
cannot
be.
However,
Batman
wonders
if
Dent
can
be
trusted.
Bruce
runs
into
Rachel
and
Dent,
who
are
dating,
and
after
talking
to
Dent
he
realizes
he
is
sincere
and
decides
to
host
a
fundraiser
for
him.
Underworld
gangsters
meet
to
discuss
both
Batman
and
Dent.
Lau,
a
Chinese
mafia
accountant,
informs
them
that
he
has
hidden
their
money
and
fled
to
Hong
Kong
in
an
attempt
to
preempt
Gordon's
plan
to
seize
the
mobsters'
funds.
The
Joker
arrives
unexpectedly,
offering
to
kill
Batman
in
return
for
half
of
the
mob's
money,
an
offer
the
mobsters
refuse.
In
Hong
Kong,
Batman
captures
Lau
and
delivers
him
to
the
Gotham
City
police,
where
Lau
agrees
to
testify
against
the
mob.
In
retaliation,
the
mobsters
hire
the
Joker
to
kill
Batman
and
Lau.
The
Joker
issues
an
ultimatum
to
Gotham,
stating
that
if
Batman
does
not
reveal
his
identity
to
the
public,
people
will
die
each
day.
Dent
announces
at
a
press
conference
that
he
himself
is
Batman
and
is
arrested
as
part
of
a
plan
to
draw
the
Joker
out
of
hiding.
Later
that
night,
Dent
and
Rachel
disappear.
At
the
police
station,
Batman
interrogates
the
Joker,
who
reveals
that
their
police
escorts
were
on
Maroni's
payroll,
and
have
placed
them
in
warehouses
rigged
with
explosives
on
opposite
sides
of
the
city
—
far
enough
apart
so
that
Batman
cannot
save
them
both.
Batman
leaves
to
save
Rachel,
while
Gordon
and
the
police
head
after
Dent.
With
the
aid
of
a
smuggled
bomb,
the
Joker
escapes
police
custody
with
Lau.
Batman
arrives
to
save
Rachel
but
instead
finds
Dent.
Batman
successfully
saves
Dent,
but
the
ensuing
explosion
disfigures
Dent's
face.
Gordon
arrives
at
Rachel's
location
too
late,
and
she
is
killed.
In
the
hospital,
Dent's
grief
drives
him
to
madness.
The
Joker
burns
Lau
to
death
atop
a
pile
of
the
mob's
money.
Then
the
Joker
goes
to
the
hospital
and
convinces
Dent
to
exact
revenge
on
the
corrupt
cops
and
mobsters
responsible
for
Rachel's
death,
as
well
as
Batman
and
Gordon.
Dent
goes
on
a
personal
vendetta
confronting
Maroni
and
the
corrupt
cops
one
by
one,
deciding
their
fates
with
the
flip
of
a
coin.
The
Joker
announces
to
the
public
that
anyone
left
in
Gotham
at
nightfall
will
be
subject
to
his
rule.
Authorities
begin
evacuating
people
by
ferry.
The
Joker
places
explosives
on
two
of
the
ferries—
one
ferry
with
convicts,
the
other
with
civilians—telling
the
passengers
the
only
way
to
save
themselves
is
to
trigger
the
explosives
on
the
other
ferry;
otherwise,
he
will
destroy
both
at
midnight.
Meanwhile,
the
Joker's
plan
to
destroy
the
ferries
fails
after
the
passengers
on
both
decide
not
to
destroy
each
other.
Batman
locates
and
subes
the
Joker.
Batman
leaves
in
search
of
Dent.
At
the
remains
of
the
building
where
Rachel
died,
Batman
finds
Dent
holding
Gordon
and
his
family
at
gunpoint.
Dent
judges
the
innocence
of
Batman,
himself,
and
Gordon's
son
through
three
coin
tosses.
As
a
result
of
the
first
two
flips,
he
shoots
Batman
and
spares
himself.
Before
Dent
can
determine
the
boy's
fate,
Batman,
tackles
him
and
they
both
fall
over
the
side
of
the
building
—
Dent
appears
dead.
Batman
and
Gordon
realize
that
the
morale
of
the
city
would
suffer
if
Dent's
murders
became
known.
Batman
persuades
Gordon
to
preserve
Dent's
image
by
holding
"Batman"
responsible
for
the
murders.
And
a
manhunt
for
Batman
begins.