⑴ 電影《簡愛》中羅切斯特與簡·愛關於"平等"的對白
你以為因為我窮，低微，矮小，不美，我就沒有靈魂沒有心嗎？你想錯了！ 我的靈魂和你一樣，我的心也和你完全一樣。 這是我的心靈在跟你的心靈說話，就好像我們兩人已經穿越了墳墓，站在上帝的腳 下，我們是平等的。 因為我們是平等的!
女人一般被認為是極其安靜的，可是女人也和男人有一樣的感覺；她們像她們的兄弟一樣，需要運用她們的才能，需要有一個努力的場地；她們受到過於嚴峻的束縛、過於絕對的停滯，會感到痛苦正如男人感到的一樣；而她們的享有較多特權的同類卻說她們應該局限於做做布丁、織織襪子、彈彈鋼琴、綉綉口袋，那他們也未免太心地狹窄了。
生命太短暫了,不應該用來記恨.人生在世,誰都會有錯誤,但我們很快會死去.我們的罪過將會隨我們的身體一起消失,只留下精神的火花.這就是我從來不想報復,從來不認為生活不公平的原因.我平靜的生活,等待末日的降臨.--海輪·彭斯
⑵ 「平等」的英文翻譯
equalization 例句與用法 1. hi the past 50 years , great success has been achieved in equality of opportunities in ecation our country has been seeking , and on the whole there is an equal tendency 半個世紀以來，我國在追求教育機會均等方面取得了巨大的成就，整體上教育呈現出平等化趨勢，但目前仍然存在著地區之間、城鄉之間、性別之間、民族之間、階級(階層)之間、群體之間教育機會的不均等問題。 2. the countermeasures are as follows , to consummate the system of law in order to strengthen the system of law in order that the exam and employing can be fully under the guidance of the law , to intensify the flack of the system and publicity of information , to set entrance conditions scientifically so as to realize the equality of employing chance of all persons , to reform the procere of employing in order to get the rationalization of exam and employing process , to take multi - kind of assessment technique in order to select the best one , to strengthen the management of the exam and employing , realizing all the process are fully supervised by the public 然後運行系統分析法對這些問題進行了系統評價,得出了相應的完善我國考錄制度的對策。應當完善法律體系,實現考錄工作法制化;應當加大宣傳力度,實現考錄信息公開化;應當科學設置條件,實現考錄機會平等化;應當實行程序改革,實現考錄過程合理化;應當加強實踐探索,實現考試內容科學化;應當貫徹擇優原則,實現測評技術多樣化;應當加強隊伍建設,實現考官組成多元化;應當加大管理力度,實現約束監督正常化。
麻煩採納，謝謝!
⑶ 大家提供一些英文電影裡面的經典對話，讀起來要2至5分鍾。不要太難。謝謝了。
《簡•愛》
"I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automaton?- a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!- I have as much soul as you,- and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;- it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,- as we are!"
「我告訴你我非走不可！」我回駁著，感情很有些沖動。「你難道認為，我會留下來甘願做一個對你來說無足輕重的人？你以為我是一架機器？——一架沒有感情的機器？能夠容忍別人把一口麵包從我嘴裡搶走，把一滴生命之水從我杯子里潑掉？難道就因為我一貧如洗、默默無聞、長相平庸、個子瘦小，就沒有靈魂，沒有心腸了？——你不是想錯了嗎？——我的心靈跟你一樣豐富，我的心胸跟你一樣充實！要是上帝賜予我一點姿色和充足的財富，我會使你同我現在一樣難分難舍，我不是根據習俗、常規，甚至也不是血肉之軀同你說話，而是我的靈魂同你的靈魂在對話，就彷彿我們兩人穿過墳墓，站在上帝腳下，彼此平等——本來就如此！」
⑷ 關於一部美國電影（關鍵詞：校園 女巫 人權平等）
提供個網站是HBO 歷史節目預告
http://epg.tvsou.com/programjw/TV_86/Channel_369/W6.htm
⑸ 跪求外國電影里經典的台詞。要英文的。外加翻譯
1. If God intended everybody to be the same, he'd have given us all braces on our legs. 如果上帝要
讓人人都一樣的話，他會給每人一雙腳撐。
2. There must be something can be done. 一定會有辦法解決的。
3. Anyway, I guess you could say me and Mama was on our own. 總之，我想你可以說，我和媽媽無依無靠
。
4. Mama says,"Stupid is as stupid does. " 媽媽說，「做傻事的才是傻瓜」。
5. Jenny and mewas like peas and carrots. 珍妮和我形影不離。
6. I was getting yelled at. 我給罵得狗血噴頭。
7. You stick with me. 你們跟緊我。
8:he had a lot to live up to. 他很有榮譽感。
9. Look alive out there . 那邊好象不錯。
10. Life was likea box of chocolates. You never know what you're going to get. 人生就像一盒各式各
樣的巧克力，你永遠不知道下一塊將會是哪種。
11. Mama always had a way of explaining things so I could understand them. 媽媽總有辦法讓我明白她
的意思。
12. Jesus loves you more than you will know。 「耶穌對你也特別垂青」
13. I'd kinda like to see that. 我倒想瞧一瞧。
14. You said it all. 你說得很好。
15. Who's the baby killer?這怪人是誰？
16. I should have known it was going to be some bullshit hassle!我早該知道大家會爭吵！
17. That uniform is a trip, Forrest. 這件制服不錯，福雷斯。
18. How she discovered ways to expand her mind. 她如何發現了新的思想。
19. Things got a little out of hand. 所有的事都亂套了。
20. A promise is a promise. 要信守諾言。
21. I paid my respect to Bubba himself. 我也去看望了布巴本人。
22. I got it all figured out. 我已經安排好了。
23.We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and
swum up like rivers, fears we have hidden in like this wretched cave. I want all this marked on my
body. We are the real countries, not the boundaries drawn on maps with names of powerful men. I
know you will come and carry me out into the palace of winds, that's all I've wanted- to walk in
such a place with you, with friends, on the earth without maps.
我們都將死去，我們將與愛的人和不同種族的人一起充實而熱烈的死去。我們咽下
彼此的味道；交換彼此的身軀，浮游於愛河之上；恐懼時我們躲藏起來，正如這凄
涼的洞穴。我要所有這些都鐫刻在我的身體上。我們才是真實的國家，並非畫在地
圖上的邊界所示的，以掌權者命名的國家。我知道你定會回來抱著我，屹立風中。
那就是我所要的--與你漫步在如此的土地上，與朋友們，在一個沒有地圖的地球上。
24.I don't wanna be someone who comes between two best friends. I just, I can't stand seeing what
this is doing to you guys, and I don't wanna be the cause of that. So, I don't think we can see
each other anymore. I'm gonna go to my mom's in Chicago, I'm gonna stay there for awhile. I think
this could've be something really amazing, but y'know this is probably for the best. Y'know? I'm
gonna miss you. Good-bye, Chandler.
我不想在你們兩個哥們兒之間左右為難，我，我不能忍受你們因我反目成仇。我想，我們不會再見了，我也不能
再在這兒呆了。我知道原本我們會有令人欣羨的愛情，但也許這樣結束更好，你知道，我會想念你的，再見，錢
25. If God had gifted me with some beauty and much wealth, I should have made it as hard for you
to leave me, as it is now for me to leave you. I am not talking to you now through the medium of
custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit;
just as if both had passed through the grave, and we stood at God's feet, equal — as we are! '
如果上帝賜予我財富和美貌，我會使你難於離開我，就像現在我難於離開你。上帝沒有這么做，而我們的靈魂是
平等的，就彷彿我們兩人穿過墳墓，站在上帝腳下，彼此平等——本來就如此！」
26.Stupid is as stupid does. (蠢人做蠢事，也可理解為傻人有傻福)
27. Miracles happen every day. (奇跡每天都在發生)
28. If you are ever in trouble, don』t t ry to be brave, just run, just run away.
你若遇上麻煩，不要逞強，你就跑，遠遠跑開)
29. Death is just a part of life, something we』re all destined to do.
死亡是生命的一部分，是我們註定要做的一件事
30. I don』t know if we each have a destiny, or if we』re all just floating around accidental？like on a breeze.(我不懂我們是否有著各自的命運，還是只是到處隨風飄盪)
⑹ 有沒有什麼英語電影是關於男女平等的
有的! 比如莎里茲.塞隆的<<北方風雲>> 朱麗亞.羅伯茨的<<永不妥協>>
以及Reese Witherspoon 的<<律政俏佳人>>,<<NANA世上的另一個我>>都帶有一定的女權色彩和男女平等思想.
還有一些比較經典但是同時有些極端的:<<Baise-moi>>,<<末路狂花>>
⑺ 電影米爾克中的英文演講~~~
My name is Harvey Milk, and I want
to recruit you. I want to recruit
you for the fight to preserve your
democracy. Brothers and sisters, you
must come out. Come out to your
parents. I know that it is hard and
will hurt them but think about how
they will hurt you in the voting
booth! Come out to your friends, if
they indeed are your friends. Come
out to your neighbors, to your
fellow workers. Once and for all,
break down the myths, destroy the
lies and distortions. For your sake.
For their sake. For the sake of the
youngsters who are becoming scared
by the votes from Dade to Eugene. On
the Statue of Liberty it says "Give
me your tired, your poor, your
huddled masses yearning to be free."
In the Declaration of Independence
it is written "All men are created
equal and are endowed with certain
inalienable rights." For Mr. Briggs
and Mrs. Bryant and all the bigots
out there, no matter how hard you
try, you cannot erase those words
from the Declaration of
Independence. No matter how hard you
try, you cannot chip those words
from off the base of the Statue of
Liberty. That is what America is.
Love it or leave it.
⑻ 高分！幫忙寫個電影的英語觀後感
The Curious Case Of Benjamin Button review
"The Curious Case of Benjamin Button" is a splendidly made film based on a profoundly mistaken premise. It tells the story of a man who is old when he is born and an infant when he dies. All those around him, everyone he knows and loves, grow older in the usual way, and he passes them on the way down. As I watched the film, I became consumed by a conviction that this was simply wrong.
Let me paraphrase the oldest story I know: In the beginning, there was nothing, and then God said, "Let there be light." Everything comes after the beginning, and we all seem to share this awareness of the direction of time's arrow. There is a famous line by e.e. cummings that might seem to apply to Benjamin Button: and down he forgot as up he grew. But no, it involves the process of forgetting our youth as we grow older.
We begin a movie or novel and assume it will tell a story in chronological time. Flashbacks and flash-forwards, we understand. If it moves backward through a story (Harold Pinter's "Betrayal"), its scenes reflect a chronology seen out of order. If a day repeats itself (Harold Ramis' "Groundhog Day"), each new day begins with the hero awakening and moving forward. If time is fractured into branching paths ("Synecdoche, New York"), it is about how we attempt to control our lives. Even time-travel stories always depend on the inexorable direction of time.
Yes, you say, but Benjamin Button's story is a fantasy. I realize that. It can invent as much as it pleases. But the film's admirers speak of how deeply they were touched, what meditations it invoked. I felt instead: Life doesn't work this way. We are an observer of our passage, and so are others. It has been proposed that one reason people marry is because they desire a witness to their lives. How could we perform that act of love if we were aging in opposite directions?
The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest. In the film, Benjamin (Brad Pitt) as an older man is enchanted by a younger girl (Cate Blanchett). Later in the film, when he is younger and she is older, they make love. This is presumably meant to be the emotional high point. I shuddered. No! No! What are they thinking ring sex? What fantasies apply? Does he remember her as a girl? Does she picture the old man she loved?
Pitt will of course be nominated for best actor and may deserve it because of his heroic struggle in the performance. Yes, he had to undergo much makeup, create body language and perform physically to be manipulated by computers. He portrays the Ages of Man with much skill. That goes with the territory. But how did he prepare emotionally? What exercises would the Method suggest? You can't go through life waving goodbye. He is born looking like a baby with all the infirmities old age. He grows younger, until he resembles Brad Pitt, and then a younger Brad Pitt, and then -- we do not follow him all the way as he recedes into the temporal distance.
The film was directed by David Fincher, no stranger to labyrinths ("Zodiac," "Fight Club"). The screenplay is by Eric Roth, who wrote "Forrest Gump" and reprises the same approach, by having his hero's condition determine his life experience. To say, however, that Roth "adapted" the original short story by F. Scott Fitzgerald would be putting it mildly. Fitzgerald wrote a comic farce, which Roth has made a forlorn elegy. Roth's approach makes Benjamin the size of a baby at birth. Fitzgerald sardonically but consistently goes the other way: The child is born as an old man, and grows smaller and shorter until he is finally a bottle-fed baby. Not much is said about Benjamin's mother, which is a pity, because he is 5-feet-8 at birth, and I wonder how much pushing that required.
I said the film is well-made, and so it is. The actors are the best: Taraji P. Henson, Julia Ormond, Elias Koteas, Tilda Swinton. Given the resources and talent here, quite a movie might have resulted. But it's so hard to care about this story. There is no lesson to be learned. No catharsis is possible. In Fitzgerald's version, even Benjamin himself fails to comprehend his fate. He's born as a man with a waist-length beard who can read the encyclopedia, but in childhood, plays with toys and throws temper tantrums, has to be spanked and then disappears into a wordless reverie. "Benjamin" rejects these logical consequences because, I suspect, an audience wouldn't sit still for them.
According to the oddsmakers at MovieCityNews, "The Curious Case of Benjamin Button" is third among the top five favorites for best picture. It may very well win. It expends Oscar-worthy talents on an off-putting gimmick. I can't imagine many people wanting to see the movie twice. There was another film this year that isn't in the "top five," or listed among the front-runners at all, and it's a profound consideration of the process of living and aging. That's Charlie Kaufman's "Synecdoche, New York." It will be viewed and valued decades from now. You mark my words.
有些長,你可以刪減一下吧,希望能為你所用
⑼ 求美國電影，關於平等的
丹澤爾 華盛頓的 《最佳辯手》
還有艾爾 帕西諾的《驚爆內幕》