電影第九區不是英文

① 《諜影重重3》《第九區》《非常嫌疑人》《心靈捕手》《光榮戰役》求以上任意一部電影的英文影評。

《第九區》

Well, that wasn't supposed to happen. "District 9" was supposed to be another tired Man Versus Scary Alien late summer crapfest. Actually, when you think about the plot, it really should be a crapfest. "District 9" has absolutely no business being A Good Film. But, yet, here it is and here we are. We: the late summer movie going audience desperately seeking out... something... anything; one last eensy weensy morsel of precious, precious entertainment to use as an excuse to get out of the wretched heat of a mid-August sun . It: not content to be just A Good Film -- but, rather, A Great Film. And, on certain levels, maybe even An Important Film.

Whatever you think you know about "District 9" is, probably, wrong. "Well," you say, "It's about a reporter that discovers..." No. Wikus (Sharlto Copley), the main character, is not a reporter. He's a government bureaucrat. "OK, fine" you contend, "he discovers the atrocities that are occurring in District 9 and fights to help..." Nope. Wikus is well aware of what's happening in the district and, at first, is part of a team that's making things a bit worse. "Well, there are big scary evil aliens, right?" Evil? No. Scary? Not really, ornery might be a better adjective. Aliens? Yes!

You see, "District 9" plays out quite realistically -- if, you know, a giant alien spaceship visited Earth. Twenty years ago a spacecraft appears over Johannesburg, South Africa, and, for awhile, absolutely nothing happens. Finally, a mission to the hovering ship is implemented and around one million sick and malnourished aliens are found. They're brought down to the city, a large scale humanitarian effort takes place. Samaritans from around the world arrive to help feed and shelter the visitors. What happens next? Well, what always happen when the news of the day shifts to another story? Except for the government and a Nigerian gang who both have interest in their weapon technology, they're forgotten. (Remember those Iran elections the media cared so much about? Oh, yeah, you might not because Michael Jackson died.)

The aliens are far from evil -- writer and director Neill Blomkamp describes them as worker bees after the queen bee has died: a bit lost and without a purpose -- just neglected and, in terms of their life on Earth, quite poor. They live in a slum and absolutely no one wants them here -- especially the human residents of the slum. Wikus Van De Merwe is in charge -- a job he was given by his father-in-law -- of a relocation effort of the aliens from District 9 to the even less desirable District 10. Under South African law, each alien must be served an eviction notice. This is why Wikus and his team are in the district; to serve and have each alien sign a of his eviction notice.

Image &; Columbia Tristar Marketing Group, Inc.

Wikus does, eventually, take an interest in the aliens' well being. But not because Wikus has a sudden influx of morality or righteousness -- his motives are strictly selfish. There's a lot of selfishness at play in this film and not a lot to like about human behavior. The most genuine character in the film is named Christopher Johnson -- you may be surprised who Christopher Johnson turns out to be.

It next to impossible to ignore -- considering the film's South African setting -- the underlying comparisons of the aliens' plight to that of apartheid. Blomkamp -- a South African native -- draws on his own experiences of his home country and transforms black and white racial tension to human and aliens on a surprisingly low 30 million dollar budget. This isn't a particularly scary film, but it is gory (Christ, is it gory) and it has something to say. The thing is: even if you completely ignore "District 9"'s themes, there are aliens and a lot of things explode -- people seem to enjoy that. As stated: "District 9" shouldn't really be a good film; it shouldn't be a great film. It is. "District 9" is the best film of the summer -- possibly, so far, the year.

2
Shot and set in Blomkamp's native South Africa, "District 9" imagines a present-day scenario in which humans and aliens are forced into an uneasy co-existence and, predictably, bring out the violent worst in each other. As scripted by Blomkamp and Terri Tatchell, the result reps a remarkably cohesive hybrid of creature feature and satirical mockumentary that elaborates on the helmer's 2005 short "Alive in Jo'burg," borrows plot points from 1988's "Alien Nation" and takes its emotional cues from "E.T."

The film's faux-verite visual style, however, is very much a thing of the present, blending handheld HD camerawork with ersatz news coverage (complete with CNN-style text scrolls) and talking heads, plus actual archival footage from local news agencies, so as to suggest an urgent dispatch from the front lines of an interspecies war.

The introctory 15 minutes are swiftly paced, making modest demands on the viewer to keep up with the jiggly aesthetic and the particulars of the premise: Twenty years ago, an enormous spaceship came to rest over Johannesburg, now a sun-scorched urban wasteland. Since then, the ship's inhabitants, referred to as "prawns" -- four-legged insectoid beings that walk upright, secrete black goo and speak in subtitled grunts and gurgles -- have been moved into the titular ghetto and placed under the control of Multi-National United, a private corporation bent on cracking the secrets of the aliens' ultra-powerful weapons.

Into the fray strides Wikus van der Merwe (Sharlto Copley), an annoyingly chipper, boastful MNU operative overseeing the transfer of aliens to the more remote District 10. Blithely navigating cameramen through the creatures' filthy shack homes, Wikus accidentally comes into contact with an icky substance that, within hours, begins altering his DNA.

In the script's most ingenious gambit, the contaminated Wikus is suddenly coveted by MNU, as well as by a gang of Nigerian thugs and witch doctors who won't win the filmmakers any prizes for ethnic sensitivity. Forced into hiding, Wikus teams up with an intelligent, green-skinned prawn, Christopher Johnson (voiced by Jason Cope), and his kid, Little CJ, who's kinda cute in a hideous sort of way; together, they seek a way to reverse Wikus' alien metamorphosis and help the refugees return to their planet.

Rather than plunge the viewer immediately into unrelieved carnage and chaos, the film opens on a note of anxious uncertainty and tense humor as it probes the varying degrees of hostility in human-prawn relations. Though compelling throughout, "District 9" never becomes outright terrifying, largely because Blomkamp is less interested in exploiting his aliens for cheap scares than in holding up a mirror to our own bloodthirsty, xenophobic species.

That said, he doesn't skimp on the viscera; it's hard to watch the grisly climactic battle, with its parade of high-tech weaponry and exploding body parts, and not think of the horror cheapies Jackson was making pre-"Lord of the Rings." The pic does take a sentimental turn toward the end, with an excess of alien reaction shots that feel at odds with the much more authentic passion Blomkamp lovingly invests in his grotesque setpieces.

Copley makes the most of the only substantial human role -- and not an especially likable one at that -- with a twitchy, blustery, shifty-eyed performance of ferretlike intensity. Dropping F-bombs in Afrikaans-accented English, he ably conveys not only Wikus' physical transformation but also his mental deterioration and subsequent moral awakening; it's to the pic's credit that when Wikus is shown on the battlefield, his half-mutated body covered with festering wounds and alien protrusions, he has never seemed more profoundly human.

Lensed primarily on the Red-One camera, the film looks and sounds terrific, its seeming improvisation masking the obviously exhaustive planning required in all departments. The interactions between the aliens (a combo of f/x and old-fashioned prosthetics) and the humans are handled as confidently as anything in the "Transformers" movies and are arguably more impressive for d.p. Trent Opaloch's off-the-cuff shooting style. Clinton Shorter's percussive score is effective but at times over-reliant on the loud wailing/crooning that has become a too-easy signifier of Africa and other foreign locales.

3

第九區 英文影評 District 9 Movie Review

Throw another prawn on the barbie

I suppose there』s no reason the first alien race to reach the Earth shouldn』t look like what the cat threw up. After all, they love to eat cat food. The alien beings in 「District 9,」 nicknamed 「prawns」 because they look like a cross between lobsters and grasshoppers, arrive in a space ship that hovers over Johannesburg. Found inside, huddled together and starving to death, are the aliens, who benefit from a humanitarian impulse to relocate them to a location on the ground.

Here they become not welcomed but feared, and their camp turns into a prison. Fearing alien attacks, humans demand they be resettled far from town, and a clueless bureaucrat named Wikus van der Merwe (Sharlto Copley) is placed in charge of this task. The creatures are not eager to move. A private security force, headed by van der Merwe, moves in with armored vehicles and flame-throwers to encourage them, and van der Merwe cheerfully destroys houses full of their young.

Who are these aliens? Where did they come from? How did their ship apparently run out of power (except what』s necessary to levitate its massive tonnage?). No one asks: They』re here, we don』t like them, get them out of town. There doesn』t seem to be a lot to like. In appearance, they』re loathsome, in behavior disgusting and evoke so little sympathy that killing one is like — why, like dropping a 7-foot lobster into boiling water.

This science-fiction fable, directed by newcomer Neill Blomkamp and proced by Peter (「The Lord of the Rings」) Jackson, takes the form of a mockumentary about van der Merwe』s relocation campaign, his infection by an alien virus, his own refuge in District 9 and his partnership with the only alien who behaves intelligently and reveals, dare we say, human emotions. This alien, named Christopher Johnson — yes, Christopher Johnson — has a secret workspace where he prepares to return to the mothership and help his people.

Much of the plot involves the obsession of the private security firm in learning the secret of the alien weapons, which humans cannot operate. Curiously, none of these weapons seem superior to those of the humans and aren』t used to much effect by the aliens in their own defense. Never mind. After van der Merwe grows a lobster claw in place of a hand, he can operate the weapons, and thus becomes the quarry of both the security company and the Nigerian gangsters, who exploit the aliens by selling them cat food. All of this is presented very seriously.

The film』s South African setting brings up inescapable parallels with its now-defunct apartheid system of racial segregation. Many of them are obvious, such as the action to move a race out of the city and to a remote location. Others will be more pointed in South Africa. The title 「District 9」 evokes Cape Town』s historic District 6, where Cape Coloureds (as they were called then) owned homes and businesses for many years before being bulldozed out and relocated. The hero』s name, van der Merwe, is not only a common name for Afrikaners, the white South Africans of Dutch descent, but also the name of the protagonist of van der Merwe jokes, of which the point is that the hero is stupid. Nor would it escape a South African ear that the alien language incorporates clicking sounds, just as Bantu, the language of a large group of African apartheid targets.

Certainly this van der Merwe isn』t the brightest bulb on the tree. Wearing a sweater vest over a short-sleeve shirt, he walks up to alien shanties and asks them to sign a relocation consent form. He has little sense of caution, which is why he finds himself in his eventual predicament. What Neill Blomkamp somehow does is make Christopher Johnson and his son, Little CJ, sympathetic despite appearances. This is achieved by giving them, but no other aliens, human body language, and little CJ even gets big wet eyes, like E.T.

「District 9」 does a lot of things right, including giving us aliens to remind us not everyone who comes in a spaceship need be angelic, octopod or stainless steel. They are certainly alien, all right. It is also a seamless merger of the mockumentary and special effects (the aliens are CGI). And there』s a harsh parable here about the alienation and treatment of refugees.

But the third act is disappointing, involving standard shoot-out action. No attempt is made to resolve the situation, and if that』s a happy ending, I』ve seen happier. Despite its creativity, the movie remains space opera and avoids the higher realms of science-fiction.

I』ll be interested to see if general audiences go for these aliens. I said they』re loathsome and disgusting, and I don』t think that』s just me. The movie mentions Nigerian prostitutes servicing the aliens, but wisely refrains from entertaining us with this spectacle.

《心靈捕手》

In essence, Good Will Hunting is an ordinary story told well. Taken as a whole, there's little that's special about this tale -- it follows a traditional narrative path, leaves the audience with a warm, fuzzy feeling, and never really challenges or surprises us. But it's intelligently written (with dialogue that is occasionally brilliant), strongly directed, and nicely acted. So, while Good Will Hunting is far from a late-year masterpiece, it's a worthwhile sample of entertainment.

Like Scent of a Woman, which was released around this time of the season five years ago, Good Will Hunting is about the unlikely friendship that develops between a world-weary veteran and a cocky young man. The formula for the two films is similar -- both of the principals learn from each other as they slowly break down their barriers on the way to a better understanding of life and their place in it -- but the characters are different. Al Pacino's Slade was a larger-than-life indivial; Robin Williams' Sean McGuire is much more subtle. And Matt Damon's Will Hunting uses pugnaciousness to supplant the blandness of Chris O'Donnell's Charlie.

Will is a troubled indivial. As a child, he was the frequent victim of abuse. An orphan, he was in and out of foster homes on a regular basis. Now, not yet 21 years old, he has accumulated an impressive rap sheet. He has a short temper and any little incident can set him off like a spark in a tinder box. But he's a mathematical genius with a photographic memory and the ability to conceive simple solutions to complex problems. While working as a janitor at MIT, he delights in anonymously proving theorems on the math building's hall blackboards. Then, one evening, his anonymity is shattered when Professor Lambeau (Stellan Skarsgard) catches him at work. Will flees, but Lambeau tracks him down. Unfortunately, by the time the professor finds him, Will is in jail for assaulting a police offer.

The judge agrees to release Will under two conditions: that he spend one day a week meeting with Lambeau and that he spend one day a week meeting with a therapist. Eventually, once several psychologists have rejected the belligerent young man, Sean McGuire, a teacher at Bunker Hill Community College, agrees to take the case. After a rocky start, the two form a rapport and Will begins to explore issues and emotions he had walled up behind impregnable armor. And, as Will advances his self-awareness in sessions with Sean, he also learns about friendship from his buddy, Chuckie (Ben Affleck), and love from a Harvard co-ed named Skylar (Minnie Driver).

The script, by co-stars Matt Damon and Ben Affleck, is not a groundbreaking piece of literature, and occasionally resorts to shameless manipulation. The characters are well-developed, however, and there are times when the dialogue positively sparkles. At one point, Will comments that a session with Sean is turning into a "Taster's Choice Moment." Later, Will gives a brilliant, breathless diatribe against the NSA that has the rhythm of something written by Kevin Smith. (Note: Since Smith co-executive proced Good Will Hunting, it's not out of the question that he had some input into this scene.)

Director Gus Van Sant (Drugstore Cowboy, To Die For) culls genuine emotion from his actors, and this results in several affecting and powerful scenes. There's an edginess to some of the Sean/Will therapy sessions, and the offscreen chemistry between Matt Damon and Minnie Driver (who became romantically linked while making this film) translates effectively to the movie -- the Will/Skylar relationship is electric. Likewise, the companionability of Damon and Affleck is apparent in the easygoing nature of Will and Chuckie's friendship. Many of the indivial scenes are strong enough to earn Good Will Hunting a recommendation, even if the overall story is somewhat generic.

Matt Damon, who recently starred as the idealistic young lawyer in The Rainmaker, is solid (although not spectacular) as Will. Minnie Driver (last seen in Grosse Pointe Blank) adds another strong performance to a growing resume (and it's refreshing that she was allowed to keep her British accent rather than having to attempt an American one). The outstanding performance of the film belongs to Robin Williams, whose Sean is sad and wise, funny and somber. Arguably the best dramatic work in the actor's career (alongside what he did in The Fisher King), Williams' portrayal could earn him a Best Supporting Actor Oscar nomination. Adequate support is provided by Ben Affleck (Chasing Amy) and Stellan Skarsgard (Breaking the Waves).

Like most of what comes before it, the ending of Good Will Hunting is completely predictable. But meeting expectations and following a familiar path aren't always bad things in a movie, provided the film accomplishes those goals with a modicum of style and an attention to detail. Good Will Hunting does both, and, as a result, earns a rating commensurate with the "good" in the title.

2
When I saw this movie, I decided that this movie reminded me of an old Pilgrim movie (wait, I'm not through). In the old Pilgrim or any sea-faring movie, there was usually a scene in which the flour barrel was opened, and found to be teeming with vermin of one sort or another. There was plenty of good flour in there, but you had to get past/through the vermin. I feel that there is a tremendous movie underneath the vermin in this movie (the blatant profanity; the obigatory love scene though it was toned down; and the violence of a basketball court fight). Once you get past the vermin, you can enjoy the sensitivity of this movie. It was worth seeing. On a Christian level, there's little to say good about this film. Robin Williams made a good counselor, but Jesus is still the best there is at healing wounds.

3
Foul language and sexual content—fabulous theme and acting. A christian friend told me that if I could get past the langauage, this is a superb and powerful film. I agree. The language and filthy content is overboard even considering the ghetto-like environment. I would suggest, however, that Jesus would hang out with people like these. Moreover, I found the themes of friendship, love and facing one's past and emotional confusion to be inspiring indeed. Robin Williams definitely deserves his Academy Award for best supporting actor, and this is a very well written movie.

② 對電影《第九區》的英文評價……80詞左右

1.《第九區》是啟示錄,眺望地球以外的,更是對人類自身的審視.難得的是,在冠冕堂皇的文藝外殼下,其科幻內核閃閃放光.《第九區》無論在形式上還是內容上,都具備觀看價值.
District 9 is a revelation,overlooking the earth,outside the review about the human.Rare is that under the grandiose artistic shell,its sparkling science kernel.District 9 both in form and content,all have to watch the value.
2.影片沒有循舊轍,而是辟出新路,放棄對外來文明的恐懼心理,反其道而行之.雖然有《黑衣人》等科幻珠玉在前,但是《第九區》嚴肅、深沉的敘事風格與前者的插科打諢或使勁用力截然不同,這讓《第九區》具備了經典的氣質.
The film did not follow the old quote,but for a new road,out of fear of external cultures,on the contrary.Although there are "men in black" science fiction "pearls before,but" district 9 "serious,deep narrative style very different from the former gag or tried hard,this let" district 9 "with the classic temperament.

③ 求：電影《第九區》簡介…

《第九區》主角是一位MNU（列國聯盟）的遷移辦事人員。他在強迫貧民窟外星難民拆遷的過程中，意外感染到外星人的流體並變異，之後被抓捕當作實驗體，最後逃脫並展開逃亡。這部電影被認為是尼爾·布洛姆坎普從他的2005年短片《約堡外星人》(Alive in Joburg)演繹而來。《約堡外星人》講述外星人和地球居民在約堡的沖突。約堡實際上就是約翰內斯堡。此外，不少人認為該片影射南非當年的種族隔離政策。《第九區》的片名則是來自傳聞中美國的專門負責處理外星人事務51區。而男主角變成外星人的情節則參考了卡夫卡的《變形記》。此片除了取得票房上的成功外，亦被提名為第82屆奧斯卡金像獎的最佳電影及最佳改編劇本。情節概要 故事開始在1982年，在南非約翰內斯堡上空突然出現了一艘巨大的外星人長程采礦船停留於該處，人們惶恐不安，而又分外好奇。根據報道顯示，這艘飛船的一塊命令模塊偶然掉落在地球後導致其擱淺。經過長達三個月的等待後，太空船仍沒有動靜，而登上船艦的探索小組發現了艙內約有100萬名身體狀況欠佳的節肢動物狀外星物種，而這些外星人在尋求庇護。在被接送下來後，入住非洲的外星人中有部分人從事犯罪和破壞活動，從而導致了政府對其進行人口控制的需求。南非政府將他們限制在約翰內斯堡的一個貧民窟中，內部代號第九區。由於他們長得像一種南非的巨型蟋蟀「城鎮大蝦」（Parktown Prawn），因此被當地人稱為「大蝦」。來到20年後的現在，經過數年的繁衍後，外星人的數量已一發不可收拾。一個名叫Multinational United的機構（列國聯盟，簡稱MNU）要去執行外星人遷移計劃，而主角威庫斯（沙爾托·科普雷飾）為此次任務的負責人，他的任務是要讓外星人簽下移居同意書。威庫斯在拜訪外星人的時候，不小心感染到外星人的能源—「流體」，因而慢慢演化為外星人。在演化的過程中，威庫斯被MNU所抓到並且在他身上做實驗，由於威庫斯已擁有外星人的DNA，而從外星人繳來的武器必須以他們的DNA才可以啟動，威庫斯無疑已經成了解開外星人武器技術的秘密鑰匙，這也使得他成了全世界追捕的對象，因為他象徵著MNU武器實驗中最有價值的關鍵所在。威庫斯在受到了同類無盡的排斥和不友好的對待後，最後唯有匿藏在第九區內。拍攝 《第九區》在非洲的貧民窟實地拍攝。片中的許多人類使用的武器都是真實存在的。例如南非部隊使用的20毫米反坦克步槍NTW-20，白色的CR-21突擊步槍，PAW-20榴彈發射器。主角威庫斯使用的外星反重力槍則脫胎於游戲《半條命2》。背景設定 影片中的外星人社會是一個蜂巢社會。評價 截至2009年09月30日，知名評論網站爛番茄里，基於228篇評論，高達90%的影評給予正面的評價，而在IMDb上更獲得8.6的高分。主要角色 沙托·卡普利飾 魏克斯·凡·得·莫威（Wikus van de Merwe） 傑森·寇普飾 克里斯多佛·強森（Christopher Johnson）以及所有開口外星人角色 凡妮莎·海沃飾 塔妮雅（Tania） 禁止上映 西非奈及利亞政府在本片上映前曾提出強烈抗議，指其詆毀奈及利亞國家形象，將奈及利亞人醜化成食人生番、罪犯和娼妓。該國當局除下令全國禁映、將影片沒收，同時要求索尼電腦娛樂電影公司公開道歉。希望幫到你啦~

④ 《第九區》英語概要，少點哦。<做英語電影海報，求大師>

In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor. In 2010, the munitions corporation, Multi-National United, is contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.

⑤ 急求電影第九區的英文影評只要150字就好了！！！

A South African Futuristic Greek Tragedy

After "District 9" was over, I had to run from the theater to the hotel and take a long, long shower. "District 9" is a first. We've never seen anything quite like it. A metaphor for a world that's becoming faster and faster a huge melting pot where nothing truly melts. The have and the have not. New ghettos, new forms of life and we have to learn to live with it or, or what? Neill Blomkamp, the 30 year old director, is someone who's exploded into the film scene and I'm sure he'll stay for a long time to come. A commercial director with a refined artistic mind. Accessible without being condescending a real find and who found him? Peter Jackson. A man that I suspect is creating a Hollywood overseas, a Hollywood for the thinking man. I urge you to see "District 9" and get used to those aliens, they stand for something that is already here.

⑥ 《第九區》是一部外星人電影，第九區英文怎麼寫

District Nine

⑦ 電影《第九區》是真實故事嗎

電影《第九區》不是真實故事。

《第九區》是2009年索尼出品的一部科幻電影，由尼爾·布洛姆坎普導演，沙爾托·科普雷、詹森·庫伯等聯袂出演主演。影片於2009年11月26日在中國內地上映。電影講述了維庫斯感染了某種神秘病毒，正逐漸變成一個外星人，為了不淪為研究的對象遭受非人的實驗，他只有逃往唯一安全之地第九區。

相關信息：

1990年，一艘巨大的飛船出現在地球上空，人們惶恐不安，卻又分外好奇。經過一段時間緊張的等待，外星飛船始終沒有動靜。人類終於小心翼翼靠近它，強行走進艙內，結果發現了不計其數的外星人。他們形容醜陋，宛如蝦子，而且健康狀況極差，虛弱無力。

原來這是一群來自外星的難民，他們最終被地球人接納，並隔離在南非約翰內斯堡的一片區域內生活，此地名為「第九區」。經過長達20年的繁衍，外星難民的數量擴張至180萬之多，且和周邊人類的矛盾沖突不斷，越來越多的人類呼籲將「大蝦」趕出地球。

⑧ 電影《第九區》講的是一個什麼故事

差不多在30年前，外星生物終於與地球有了第一次親密接觸，當人類戰戰兢兢地等待著對方可能會施予的來勢兇猛的侵略與襲擊、或者是科技方面飛躍性的進步時，卻始終沒能達成所願。

原來這些外星生物因為自己所在的星球遭受了戰火的摧殘，已然成為最後一批倖存者，他們來到地球並不是為了侵略和聯姻，而是要尋求庇護。在全世界的重要國家首腦經過了會晤之後，他們一致決定在南非的第九區為這些外星生物建立一個勉強湊合出來的臨時避難所，集中管理這些人類眼中的「異類」。

然而隨著時間的推移，這些在地球落腳的外星生物的忍耐力也在慢慢被磨光，過於艱苦的生存環境，讓他們越來越難以抑制住憤怒的情緒。

控制和管理外星人的任務，已經被政府承包給了一家被稱為「跨國聯合組織」 （MNU）的私人公司，不過他們顯然對外星人的福利和待遇並不感興趣，如果他們能夠掌握隨著外星人一起抵達地球的武器工程，就能收獲想像不到的巨大利潤。

不過MNU的每一次嘗試都以失敗告終，因為如果想要激活武器網，就必須提取外星人的DNA。MNU的行為致使外星人與人類之間的關系越來越緊張，已經處在了一觸即發的邊緣地帶。

尤其是當MNU的場地管理員威庫斯·范·德·馬維（沙爾托·科普雷飾）感染了一種神秘的病毒之後，他的身體也隨著DNA的重組發生了驚人的變化，使得威庫斯很快就成了全世界追捕的對象。

因為他同時也象徵著MNU的武器實驗中最有價值的關鍵所在，威庫斯無疑已經成了解開外星人武器技術的那把秘密的鑰匙。

受到了同類無盡的排斥和不友好的對待，對於威庫斯來說，這個世界上似乎只有一個地方能夠為他提供一處安身之地了，那就是第九區。

(8)電影第九區不是英文擴展閱讀：

影片《第九區》是2009年索尼出品的一部科幻電影，由尼爾·布洛姆坎普導演，沙爾托·科普雷、詹森·庫伯等聯袂出演主演。影片於2009年11月26日在中國內地上映。

角色介紹

1、懷可·范·德·梅里

演員 沙爾托·科普雷

影片男主角，MNU的一名文職人員，同時也是公司總監的女婿，懷可代表的是一個最普通的地球人對外星難民的態度，對外星人充滿鄙視，看不起他們，甚至可以說也很殘忍，根本沒把他們當人看，會有如兒戲一般地焚燒外星人「超生」的卵。

但隨著懷可接觸了外星物質後開始逐漸變成外星人，他這才一點點地從外星人的角度來看待他們的遭遇，內心的良知也在不停被喚醒，終於在歷盡各種磨難後，懷可在關鍵時刻做出了正義的選擇，實現了對自己的救贖。

2、庫巴斯·溫特

演員 戴維·傑姆斯

MNU旗下士兵的指揮官，是MNU手中數一數二的儈子手，心狠手辣。如果說懷可只是看不起外星人，那麼庫巴斯則是打心眼裡憎惡他們，他可以毫不猶豫地槍殺掉看不順眼的外星人。庫巴斯同樣也看不起懷可，所以當懷可的身體開始發生變異後，庫巴斯自然是非常樂意的充當起了追捕懷可的角色。

3、蒙德里安·史密特

演員 路易斯·密奈爾

MNU的總監，同時也是懷可的岳父。皮耶代表的是地球上的高層力量對外星人的態度：外星人唯一有價值的就是他們的尖端科技和武器，除此之外，它們有如可以隨意宰殺的畜生。

懷可在身體發生變異後，他的這位岳父不但沒有做任何要救他的表示，反而把他當成一件珍貴的標本，允許科學家進行各種試驗，並對他進行解剖。

4、克里斯托弗·約翰遜

演員 傑森·庫珀

是外星人中的領軍人物，事實上影片中的外星人背景交代甚少，我們只能從只言片語中推斷在他們的星球也發生了什麼事，導致整個民族進行了大遷徙，但正如地球上一樣，大多數的外星人只是普通的「人」而已，他們可能不是科學家也不是士兵，不知道戰斗也不知道有關尖端科技的情況。

而克里斯托弗則是其中相當於科學家或者船長那樣的人，有證據表明他是第一個從母船上下來的外星人。也正是他一直在暗中努力再次啟動母船，飛回自己的星球。但懷可的出現讓他的計劃被打亂，兩人的軌跡也就此交織在了一起。

⑨ 美國電影第九區這部電影是什麼劇情

《第九區》電影劇情簡介：某年某月某日，一艘外星飛船突然發現在南非開普敦上空，各國軍隊蜂擁而至，他們進入飛船以後發現這些外星人似乎已經非常虛弱，而且沒有敵意，後來經過科學家研究發現這些外星人的社會結構類似地球上的螞蟻，但是他們似乎已經失去了蟻後，對人類構不成威脅。後來聯合國決定在南非開普敦設立一個外星人聚居區，再後來因為外星人繁殖太多了，所以聯合國決定搬遷外星人聚居區，由於任務過於龐大，所以聯合國把外星人口統計的工作外包給了一家公司（這家公司也順便負責拆除違建）。主角是這家公司的員工，負責統計外星人口，在一次人口統計工作中陰差陽錯接觸到了外星不明液體，一條手臂開始變成外星人的手臂，公司不知道因為什麼原因沒有對其提供幫助，反而開始抓捕主角，並且在新聞上說主角強奸了一名外星人，最後主角被公司抓到了，公司把他帶去一個武器測試場，原來公司在偷偷的研究外星武器，但是由於外星武器有生物鎖，人類根本無法操控，主角的手臂正好可以操控武器，所以公司要抓他。武器測試完之後，公司決定解剖主角，但是主角跑了出來，並且找到了擁有外星不明液體的外星人，外星人說只要有這種液體他們就可以逃出地球，於是主角決定幫助外星人去公司搶液體，最終外星人成功逃出地球，但是主角又被公司抓到了。電影結束。