iceage英語電影經典句子

㈠ 英語影評40詞左右

迪斯尼動畫片《海底總動員》（Finding Nemo）

也是我最喜歡的一部迪斯尼動畫片~~很不錯，尤其是尼莫和多莉，特可愛~
挺有意義的影片~

簡介：「Finding Nemo」 tells the story of clownfish Marlin and his only son Nemo. I like the bbing of Nemo, is a boy and he is very lovely and I think Nemo is full of naughty. He likes risking very much.

感想：In my opinion, Finding Nemo is similar from The Lion King. They』re all telling us to treasure the love for parents. I like the Finding Nemo in the same way I like his coward father, Marlin and Naughty Nemo.

㈡ 求電影《冰河世紀》英文簡介

20,000 years before, our planet is entering an ice age. All kinds of animals begin immigrating to the south, seeking more warm climates. Sid, a sloth who never stops talking is left behind sleeping while everyone else begins the journey to the south. Awaking, he meets Manny, a mammoth who travels to the north, and decides to follow him. When a humans camp is attacked by tigers, a woman takes her baby and jumps on a river. Before she drowns, the baby is rescued by Manny and Sid. The two animals decide to search for the father and return the baby to him. Diego, one of the tigers that attacked the humans, comes also claiming the baby.

兩萬年以前,地球正邁入冰河世紀，奇形怪狀的動物們都湧向南方，希望能夠找到一個溫暖的地方.希德,一隻多舌樹獺被拋在了隊伍的後面因為在大家都在南遷的時候他正在睡覺.當他醒來的時候她遇上了曼菲德,一隻正向北方挺進的猛獁象,於是決定跟隨他.當一個人類的營地被一群劍齒虎攻擊的時候,一個女人抱著孩子跳進了河裡.在她溺死之前那個孩子被曼菲德和希德就起來了.這兩個傢伙決定去尋找孩子的爸爸然後歸還給他.迭哥,攻擊人類老虎中的一員，為了這孩子也加入了他們的隊伍.

㈢ 尋求動畫片《Ice Age》的英文介紹

我幫樓下的翻譯吧：
Twenty thousand years ago , the earth covered with glaciers everywhere, regardless of where the animals are fleeing in all directions to escape the impact of the new ice age. In this critical moment, we met any time have never seen the most bizarre groups: one to speak very quickly, covered with ll sloth Sid (Sid), a moody woolly mammoth Manny (Manny), a saber-toothed tiger only violent Tiago (Diego), which three out of tune with animals of the blue, and is very reluctant to come together, just because they want to return a human baby to his father's side.
They confront boiling lava pits, hidden ice cave, cold weather, and a secret, even evil conspiracy. This three prehistoric animals not only act as a baby nurse, even after the ice and icebergs all 1000 panic and dangers to escort him home. These "sub-zero" of the animals became the world's first heroes!

呵呵 謝謝哈 我對數字一向很不敏感= =

㈣ 誰能幫我寫篇ice age(冰河世紀1)的小影評。要英文的!!!!!

你節選一下吧 當3D動畫在好萊塢成為主流動畫以後，現在已經納入迪斯尼公司的皮克斯工作室一直以來都是3D動畫的頭塊招牌，由它出品的每部作品幾乎都能夠獲得成功。而作為迪斯尼死對頭的夢工廠則憑借《史萊克》成功上位，開始與迪斯尼公司在3D動畫上展開PK大戰。與這兩位3D動畫業的巨頭相比，福克斯下屬的藍天工作室便只能算小弟了，不過在2002年憑借《冰河世紀》獲得成功後，藍天工作室以一種慎重的態度打磨自己的3D動畫事業，慢工出細活，隨後推出的《機器人》和《冰河世紀2》都廣受歡迎，在票房上狠賺了一大筆。藍天工作室似乎正以一種上升的勢頭，漸漸成為3D動畫的第三股勢力。

影片《冰河世紀2》以一個冰川消融的危機開始了動物們遷移逃難的故事，最後還按排了一隻船來拯救他們，整個套用「諾亞方舟」的典故，在影片中確實有著相當多類似的模仿秀，有些心領神會，有些並不清楚，但是錯過多少都無關緊要，因為在這部動畫片中有足夠多的笑料來刺激我們的笑腺神經。故事由不相乾的兩條線組成，一條線是那隻犬齒松鼠斯科萊特無比執著地追求著松果，另一條線便是樹獺希德、劍齒虎迭哥和毛象曼尼三兄弟的逃難路程。應該說《冰河世紀2》這樣的故事情節很是老套，而且有些鬆散，算不得有多少精妙之處。而且作為一部可以適合多年齡層觀眾的動畫影片，影處還被賦於了許多粗淺的說教，比如防止地球暖化的環保理念，如何克服恐懼戰勝自我，還有自我身份的認定等等。作為一部需要輕松閱讀的動畫影片，這些思考的東西都只是一種點綴，只是為了避免讓影片被人認為過於空洞。

影片《冰河世紀2》的最重要功能並非說教而在於娛樂，所以不必將影片用一種嚴肅的視角來審視，只需要輕松地從這中尋求到單純的快樂。在影片中與主線故事並無多大瓜葛的犬齒松鼠斯科萊特可能算是最討人喜歡的角色，它秉承著首集中的執著精神，繼續瘋狂地追逐著松果卻免不了被設計成功敗垂成，令人扼腕嘆息卻又忍俊不禁，狂張的肢體幽默配以一根筋的個性著讓觀眾著迷。而同樣作為首集中的三位主人公此番卻因新角色的加入而刪減了戲份，因此搞笑的程度也減弱了不少，出彩的笑點更多是由母毛象艾莉和負鼠活寶兄弟所製造。影片的觀影過程中搞笑段子層出不窮，影院中幾乎不時有笑聲傳中，應該承認這一次的中文配音還是比較成功的，將一些幽默對白配得相當本土化。

從技術層面上來講，藍天工作室也有了長足進步，我們可以看到動畫造型更加的細致化。實際上這也並不值得過多褒獎，藍天工作室在3D動畫製作上的進步並沒有領先的優勢，這樣的進步是整個3D動畫技術的普遍發展。《冰河世紀2》更值得贊賞的是它在一個較為老套的故事裡將娛樂功能發揮到了極致，緊緊吸引住了觀眾眼球，盡管這樣一部動畫電影難以深深印入觀眾的腦海，成為一部經典，但讓觀眾在電影院中享受了每一分鍾的快樂便已足夠值回票價，哪怕走出影院就忘個精光彩奪目。

㈤ 四部英語原聲電影（動畫片） 每部摘抄三句經典台詞 急電...

《GARFIELD加菲貓》
1. Money is not everything. There's MasterCard.
鈔票不是萬能的, 有時還需要信用卡。
2. One should love animals. They are so tasty.
每個人都應該熱愛動物, 因為它們很好吃。
3. Save water. Shower with your girlfriend.
要節約用水, 盡量和女友一起洗澡。
4. Love the neighbor. But don't get caught.
要用心去愛你的鄰居, 不過不要讓她的老公知道。
5. Behind every successful man, there is a man. And behind every unsuccessful man, there are two.
每個成功男人的背後, 都有一個女人. 每個不成功男人的背後, 都有兩個。
《Gone with The Wind 亂世佳人》
1.Land is the only thing in the world worth working for, worth fighting for, worth dying for. Because it's the only thing that lasts.
土地是世界上唯一值得你去為之工作, 為之戰斗, 為之犧牲的東西,因為它是唯一永恆的東西。
2.I wish I could be more like you.
我要像你一樣就好了。
3.Whatever comes, I'll love you, just as I do now. Until I die.
無論發生什麼事,我都會像現在一樣愛你,直到永遠
4.I think it's hard winning a war with words.我認為紙上談兵沒什麼作用。
5. Sir, you're no gentleman. And you miss are no lady.
先生,你可真不是個君子,小姐,你也不是什麼淑女。
《Shawshank Redemption肖申克的救贖》
1.You know some birds are not meant to be caged, their feathers are just too bright.
你知道，有些鳥兒是註定不會被關在牢籠里的，它們的每一片羽毛都閃耀著自由的光輝。
2.There is something inside ,that they can't get to , that they can't touch. That's yours.
那是一種內在的東西, 他們到達不了,也無法觸及的,那是你的。
3.Hope is a good thing and maybe the best of things. And no good thing ever dies.
希望是一個好東西,也許是最好的,好東西是不會消亡的。
《The Lion King獅子王》
1. Everything you see exists together in a delicate balance.
世界上所有的生命都在微妙的平衡中生存。
2. I laugh in the face of danger.
越危險就越合我心意。 3. I'm only brave when I have to be. Being brave doesn't mean you go looking for trouble.
我只是在必要的時候才會勇敢，勇敢並不代表你要到處闖禍。
4. When the world turns its back on you, you turn your back on the world.
如果這個世界對你不理不睬，你也可以這樣對待它。
5. It's like you are back from the dead.
好像你是死而復生似的。
6. You can't change the past.
過去的事是不可以改變的。
7. Yes, the past can hurt. But I think you can either run from it or learn from it. 對，過去是痛楚的，但我認為你要麼可以逃避，要麼可以向它學習。
8. This is my kingdom. If I don't fight for it, who will?
這是我的國土，我不為她而戰斗，誰為呢?
9. Why should I believe you? Everything you ever told me was a lie.
我為何要相信你?你所說的一切都是謊話。
10. I'll make it up to you, I promise.
我會補償你的，我保證。

㈥ 冰河世紀觀後感英文30詞內

冰河世紀觀後感英文如下：

The movie was totally funny and the graphics was superb.Especially,Sid the Sloth was the funniest of all and his voice was also funny.

My favorite characters were Diego and Soto because of their Saber tooth and they were so superb in the movie.Manny and Scrat were also funny.

All the Scrat scenes were so funny.The last scene was also cool.The baby was very cute and that is also favorite character.

翻譯：

這部電影非常有趣，畫面也非常棒。尤其是樹懶希德是最有趣的，他的聲音也很有趣。

我最喜歡的角色是迭戈和索托，因為他們的劍齒虎，他們在電影中表現得非常出色。曼尼和斯克拉特也很有趣。

所有的場景都很有趣。最後一幕也很酷。這個嬰兒非常可愛，這也是他最喜歡的角色。

㈦ 冰河世紀英語小影評

Hello，I am a film critic on the 6th, I think the Ice Age film very good. It taught us to friendship with each other. We have to unite. Well, anything can be overcome.My favorite is the protagonist of a tiger. I would like to learn from the tiger's courage, in the face of Sham Shui Po, the courage to save his own companions. He made me feel deep. I should be brave to overcome difficulties.This is my understanding of the film, thank you.
大家好，我是6號影評，我認為冰河世紀非常好。它教我們互相友愛。我們必須團結起來。那麼，什麼問題都可以克服。我最喜愛的主角是一隻老虎。 我要學習虎的勇氣，面對深水 ，勇氣拯救自己的同伴。 他讓我感受深刻。我要勇於克服困難。這是我對這部電影的認識，謝謝大家。

㈧ 急需一篇冰河世紀的觀後感（英文）

《冰河時代3》的成功是流水生產線的必然結果——觀後感
和第二集相比，《冰河時代3》雖然在觀賞性上有所提高，但這個系列電影總體質量上還是呈下滑的趨勢，希望製作方就此打住，還是另外進行新的創意吧，不過人家肯定不會聽我的，圈錢運動還會如火如荼地進行的。拋開電影本身主題思想的優劣和劇情安排的合理與否，單從技術層面上講，人家這錢賺得叫人心服口服。可以說以《冰河時代3》為代表的一大批好萊塢動畫電影所創造的光怪陸離色彩紛呈的童話世界用「嘆為觀止」形容一點都不過分，但是我看《冰河時代3》最大的感觸不僅在此，我更折服於好萊塢動畫電影的製作理念，在強大的技術支持下這種理念幾乎達到了化境。

由於動畫電影普遍具有擬人化和奇幻色彩，在創作上幾乎不受時間、空間、角色的限制，地球上甚至宇宙間的任何物種都可以進入動畫電影中，並且開口說話，進行人類所能進行的一切活動。從這個角度上講，動畫電影的取材無比寬泛，相對於真人電影，人們對其劇情合理性的要求也寬松很多。但是這並不意味著編導們就可以胡說八道，人家不胡來，基本上還要給你把故事講圓滿了，叫你看了笑了輕鬆了，人家把錢拿走，完事。《冰河時代3》令人很直觀地看到好萊塢動畫編導們講故事的幾大法寶，說白了，就是一條製作流水線，按照這個套路生產基本上沒跑，差也差不到哪裡去。

法寶一：角色的成人性
《冰河時代》系列都以對堅果無比執著的松鼠作為影片的一個重要線索，這幾乎成了這個系列電影的一個招牌，《冰河時代3》也不例外，只不過又安排進了一個雌性松鼠。首先，在這只母松鼠的造型上，我們看到的是一個成熟美女的形態，雄松鼠看雌松鼠那色迷迷的神情，以及兩只松鼠的結合和矛盾的產生，無不是按照成人的思想和生活演進的。這樣的創作手法，在好萊塢的動畫電影中幾乎隨處可見。動畫電影本來的主要觀眾是兒童，但是正因為在這些「兒童形象」中加入了成人的表現要素，在形式與內容的巨大反差下，產生了很強的娛樂趣味，因而影片也變得老少咸宜了。反觀我們的動畫電影，在很大程度上，都局限在兒童的世界裡，不敢大膽地引進成人思維，使得我們的動畫片看起來都很「弱智」，只適合兒童觀看，大人們要是成天盯著《海爾兄弟》看，恐怕要被人當「弱智」了。當然這種情況近年來有所改觀，但是還是放不開手腳。

法寶二：題材的廣泛性
好萊塢的那幫大仙們，憑著天馬行空的想像力，幾乎把世間萬物都納入了他們的創作之中，小到《霍頓與無名氏》中的微生物，大到《冰河時代》中的恐龍猛獁象，從《尋找尼姆》中的深海汪洋到《WALL-E》中的浩瀚宇宙，從《馬達加斯加》中美國紐約中央公園到《獅子王》中廣袤的非洲草原，從阿拉伯傳說《阿拉丁》到中國故事《花木蘭》等等，可以說只要你能想到的領域，幾乎都被好萊塢動畫涉及。這樣一來，只要技術許可，好萊塢動畫的題材就無窮無盡，而技術保障又恰恰是最不是問題的問題。正是這種題材創造上的廣泛性，保證了好萊塢動畫電影永遠充滿了神奇，永遠都有你想不到的故事出現，而且這些題材的廣泛性足以包容全球文化，這個咱就得佩服美國文化的軟實力和其背後強大的技術支持了。而我們國內的動畫電影總是逃不出傳統的題材，一部《大鬧天空》幾十年來一直成為一個難以逾越的高峰，這不是榮耀，而恰恰是悲哀。有人會說我們的動漫技術不成熟，這個是事實，那麼我們在3D領域沒有優勢，在平面動畫方面技術上應該不成問題了吧？日本的好多優秀動畫電影都是平面的，可見內容永遠大於形式。《灰太狼與喜洋洋》似乎叫我們看到了一絲曙光，但願這不是曇花一現。

法寶三：內容的娛樂性
當然好萊塢動畫最大的賣點就是它娛樂性。就拿《冰河時代3》中的樹獺希德來講，這是一個油嘴滑舌、見風使舵但有一顆善良的心靈的市井小混混形象，他幾乎就是《冰河時代》系列的靈魂人物，也是這個系列的最大的娛樂點。他有著普通人類的一切弱點，但是又有著普通人類的基本人性，正是這種草根性，保證了影片整體上的親民性，所以人們再怎麼給電影挑刺，你看完了都得笑一笑，你一笑，錢沒了，那電影就算成功了。有意思的幾乎好萊塢所有的動畫電影中都有一兩個類似希德的角色，比如《史萊克》系列中的驢子、《花木蘭》系列裡的木須龍、《獅子王》系列中的大猩猩和後來出現的那個那兩個活寶——丁滿和彭彭，這些角色的出現極大的增強了影片的娛樂色彩，有的甚至反客為主，成為人們心目中印象極深的「主角」。這就要歸功於好萊塢動畫製作者善於製造和販賣娛樂的能力了，這種能力幾乎已經工業化，形成了生產流水線。角色的基本套路已經確定，只要創造一個角色按照這個套路走，基本就成功了。只要逗樂了大家，你還能說什麼？你看得不就是一個樂呵嗎？

法寶四：情節的擬人性
個人覺得這一點幾乎是動畫電影的靈魂，擬人化這個工作做好了，出來的東西就可能是精品。《冰河時代3》中出現了一個類似於堂吉訶德式的人物——鼬鼠巴克，這個角色身上體現的是人類身上更深層次的東西，那就是一種追求，一種具有自我犧牲精神的追求，雖然角色荒誕，但是我們又不能不承認這種精神確實在人類身上可以找到。好萊塢動畫最值得稱道地方在於，能把某些道理在嬉笑怒罵的娛樂之中講出來，叫你笑過之後，還得回味，而不是機械地說教。叫我至今印象深刻的地方是在《獅子王》中，刀疤望著逃離的小辛巴的影子，陰沉地對土狼（如果我沒記錯的話）說：「殺了他！」——這一情景活脫脫地是一副動畫版的黑社會老大的樣子，叫人玩味無窮。在《霍頓與無名氏》中，最後的結局表明真理往往是掌握在少數人手上，片中的宏觀世界和微觀世界最終歸於美好，但是現實中卻往往難以達到這樣一種皆大歡喜的結果，因此使得影片整體上的內涵更加深刻。《WALL-E》中更是把人類的末世情節和對愛的渴望淋漓盡致地運用到了機器人的身上，觀看本片幾乎成了一次心靈升華的過程。反觀我國的動畫電影，總是免不了說教，更可笑的是我們進行傳統文化教育、品德情操教育、愛國主義教育也往往是臨時的說教，而不懂得潛移默化寓教於樂才是王道。

除此之外就是在動畫技術上的領先性，這個是有目共睹的，無需再說。

《冰河時代3》不能算一部經典的動畫片，但它有著好萊塢動畫電影的所有特點，動畫效果逼真、老少咸宜、溫情脈脈、娛樂十足。可以說好萊塢動畫電影產業已經形成流水線作業規模，只要劇本搞定，技術保障是毫無問題的。近幾年來好萊塢的動畫電影，盡管質量上有高低，但幾乎鮮有徹底失敗的例子。因為從流水線上出來的東西，都具備上述幾個為人們所認可的特點，只是在這幾個特點的整合上有高低之分，但這足以保證未出場已經穩操勝券了，剩下的不過是賺錢多少的問題了。

因此《冰河時代3》拍得未必多成功，但賺錢賺得高明，這種高明之處需要中國動畫電影人多多學習。

"Ice Age 3" and the inevitable result of success is the assembly line - Feedback

And compared to Episode II, "Ice Age 3" In the view of somewhat improved, but the overall quality of this series of films on the downward trend is still hope that procers stop there, or another bar for new ideas, but the people will certainly not listen to me, means for misappropriating campaign will be carried out in full swing. Cast aside the theme of the film itself, the merits and the plot arrangements, reasonable or not, just from the technical level, painfully convinced people that make money. It can be said of "Ice Age 3" is represented by a large number of Hollywood animated film created by the bizarre color scene of the fairy tale world of "amazing" to describe is not at too much, but I see "Ice Age 3" the greatest feeling, not only in Here, I am more impressed by the Hollywood animated film proction concepts with strong technical support of this concept has almost reached Transformation. As animated films generally have anthropomorphic and fantasy colors, almost from the creation time, space, role constraints, Earth and even the universe can be of any species into the animated film, and to speak, human beings can be carried out in all its activities. From this point of view, extremely broad drawn animated films, as opposed to live-action film, it is reasonable for its story demands much more relaxed. But this does not mean that they can be written and directed nonsense, others do not mess things up, basically you should be given to the successful stories in, and tell you to read the laugh easily, and people put money away, bin. "Ice Age 3" It is very intuitive to see that the Hollywood animated story books written and directed several major magic weapon, put it plainly, is a proction line, according to the routine proction, virtually no run, where the poor are poor not to go. Magic one: the role of alt sexual

, "Ice Age" series are extremely persistent in pairs of squirrel nuts, as the film an important clue, which is almost become a sign of this series of films, "Ice Age 3" is no exception, but also arranged into a female squirrel. First of all, only on the mother squirrel shape, we see is a mature form of beauty, male squirrel to see female squirrel that Indecent expression, as well as the combination of two squirrels and contradictions of having no not according to alt the evolution of thought and life. This creative approach, in the Hollywood animated film almost everywhere. Animated films have been the main audience is children, but precisely because of these "image of the child," which incorporates elements of the alt's performance, in the form and content of great contrast given rise to a strong entertainment tastes, and thus film has become young and old salt Yi had. In contrast to our animated feature films, to a large extent, are confined to the children's world, not daring to introce alt thinking, makes our animation looks very "mental handicap" and is only suitable for children, alts all day long if staring at "Haier Brothers" Look, I am afraid we have to be as "mental handicap" had. Of course, this situation has improved in recent years, but still can not relax hands and feet. Magic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a Don Quixote-like figure similar toMagic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a similar to the Don Quixote-like figure - weasel Buck, this role is to embody a deeper level of what the human body, it is a pursuit, a kind of self-sacrifice the spirit of the pursuit, although the role of absurd, but we must admit that this spirit can be found in humans did. The most commendable parts of Hollywood animation is able to in the subject of ridicule in some token of entertainment among the speak out, tell you to laugh over later, have to aftertaste, rather than mechanically preaching. Impressed me so far are found in "The Lion King", the Scar Simba looking to escape the shadow of a small, murky against coyotes (if I remember correctly) said: "Kill him!" -- This scenario is an animated version of Huo Tuotuo to underworld boss looks like and tells the people pondering infinity. In "Horton and Anonymous", the final outcome shows that truth is often rests in the hands of the few in the film world and the micro-macro eventually attributed to a better world, but in reality are often difficult to achieve such a happy outcome, thus making video more profound meaning as a whole. "WALL-E" has even more in the end of the world of human desire for love plot and vividly applied to the robot's shoulders, watching film seems to have become a spiritual sublimation process. In contrast China's animated films, were always going to preach, even more ridiculous is that we have the traditional culture and ecation, moral sentiments of ecation, patriotic ecation is often temporary preaching, rather than know how to nurture learning fun, is kingly. In addition is the leading technology of animation, this is for all to see, no talk. "Ice Age 3" can not be considered an animated classic, but it has all the characteristics of the Hollywood animated films, animation realistic, young and old, sentimental, entertainment full. Can be said that the Hollywood animated film instry has formed the scale of pipeline operations, as long as the script without getting technical support is without question. In recent years, Hollywood's animated films, even though there are high or low quality, but almost a complete failure few examples. Because out of things on the line, all with a few of the above-mentioned characteristics of the people recognized only in the integration of these features have a level of points, but it is not sufficient to guarantee that appeared certain to win, and the rest is just profit how much money a problem. Therefore, "Ice Age 3" They are not necessarily more successful, but the money earned clever, this genius of animated film, the Chinese people need to learn as much as

㈨ 冰河世紀2的10個英語句子

冰河世紀2:消融 Ice Age: The Meltdown(2006)
劇情簡介：
While Skrat the Saber Toothed Squirrel is still ineffectually trying to regain his precious acorn, the misfit trio of Manny the Mammoth, Sid the Sloth and Diego the Sabretooth Tiger have settled down in an isolated valley with numerous other animals. However, the trio discover that the ice wall surrounding the valley is barely holding back a massive body of water behind it and it's melting state threatens to break and flood the valley. With their one chance of survival being a boat at the other end of the valley, the trio follow the desperate exos there. Along the way, they meet Ellie, a female mammoth who is convinced she's a opossum like her brothers. While the strange group continues the trek, they must learn to get along even as Manny struggles to find some connection to this strange female who may be the only other one of his kind.