超級太陽鴨電影英文影評

③ 求一部電影的英文影評

選擇影片的時候按照得獎情況來判斷，是聰明而省力的做法。但是在評委目光所不能及的角落裡，一樣有多張膠片在閃閃發光。很多影迷可能會立即舉出《肖申克的救贖(THE SHAWSHANK REDEMPTION)》作為例證，而在我看來，還有一部片子也和《肖申克的救贖》一樣偉大而動人。

影片《生命因你而動聽》英文原名為Mr. Holland』s Opus，這是我見過最貼切而典雅的譯名之一。它還被譯做《春風化雨1996》——想一想《肖申克的救贖》當年被為莫名其妙地翻譯為《刺激1995》，則兩片難兄難弟的情形可想而知。

在所有的學科中，有一樣東西最沒有實用價值，也最難教，這就是美。因為美不能被寫在教案上，擁有它與否不能改變麵包數量的多寡。而且，一個人進了美的殿堂後，往往變得拙嘴笨舌，或者自私無比，他很難退出來拉著你的手，帶你進去一起參觀，告訴你如何去欣賞。

幸運的是，我們有《生命因你而動聽》里的霍蘭德先生。聽古典音樂打瞌睡？那麼他會在鍵盤上敲擊出爵士樂來刺激你萎靡的精神，然後一點點告訴你，這曲子和巴赫的名曲之間的關系。告訴你，你喜歡的流行音樂和那些你所畏懼的嚴肅音樂之間的傳承關系。

喜歡演奏卻沒有天分？吹單簧管就像個肺癆患者一樣四下走風變音？來，看看霍蘭德先生是怎麼教他的女學生的：他搶走了樂譜，告訴女孩說曲子都在心裡，不需要再看了。當女學生依然毫無進展時，他問女孩子一個非常奇怪的問題：「你最喜歡自己臉上的哪一部分？」女學生回答是頭發，因為她父親說她的頭發像是日落黃昏。於是，霍蘭德先生在女學生耳邊低語：「那麼，吹奏日落吧！」這一次，女學生真的做到了。

而在一開始，霍蘭德先生只想著盡快結束他的教學生涯，以完成他的作曲，成為一名偉大的作曲家。但是他最終沒有那麼做，卻成為一名中學音樂教師，一生如此。他用音樂改變了無數學生的命運。更重要的是，他教會了他們什麼是音樂之美，使生命不再是一個枯燥乏味的循環，而是閃爍著音樂的點點燭光。

生命如歌，如果說美也可以被教授和傳承，霍蘭德先生告訴了我們其中的一個原因：憑著愛。

Choose award-winning film in accordance with the situation to determine when it is intelligent and labor-saving approach. But in the eyes of the judges can not and corner, the same multiple-exposure film at the glittering. Many fans may immediately give "The Shawshank Redemption (THE SHAWSHANK REDEMPTION)" as an example, and in my opinion, there is also a film and "The Shawshank Redemption" as a great and touching.

The movie "Life is sweet of you" in English formerly known as Mr. Holland's Opus, which is most appropriate and elegant I've ever seen one of the translation. It is also translated do "Dead Poets Society 1996" - think "The Shawshank Redemption" as the year has been inexplicably translated as "to stimulate 1995", then the two fellow sufferers of the situation can be imagined.

In all disciplines, there is one thing most lacking in practical value, but also the most difficult to teach, this is beautiful. Because the U.S. can not be written in the lesson plans, the have it or not, can not be changed to the amount of bread. Moreover, a person entered the hall, after the United States often become clumsy Zuiben tongue, or selfish and extremely difficult for him to come out holding your hand, take you into the tour together, to tell you how to enjoy.

Fortunately, we have the "Life is sweet of you," Mr. Holland Lane. Fall asleep listening to classical music? Then he would hit a jazz Jianpanshangqiao to stimulate your spiritual malaise, and then a little bit to tell you that this song, and the relationship between Bach's music. To tell you, you like pop music and that you are afraid of the transmission of the relationship between serious music.

Like to play but not gifted? Blowing clarinet like a tuberculosis patient looked away as the wind changed tone? Come to see Mr. Holland taught him how female students: he stole music, telling girls that song in my heart, do not need to look at the. When the female students made no progress, he asked the girls a very strange question: "What is your favorite part of his face, what?" The answer is the hair of female students, because her father said her hair is like a sunset. As a result, Mr. Holland ears of female students whisper: "Well, playing the sunset bar!" This time, female students actually did.

In the beginning, Mr. Holland was only thinking to end his teaching career as soon as possible in order to complete his compositions became a great composer. But he eventually did not do it, it became a secondary school music teacher, and his case. He used music to change the fate of countless students. More importantly, he taught them what is the beauty of music, so that is no longer a boring life cycle, but the music, little candles flicker.

Life Cantabile, if America can also be teaching and tradition, Mr. Holland told us one reason: With Love.

④ 求電影eight blow的英文影評，謝謝了（30分）

南極大冒險 Eight Below (2006)英文影評(141篇):
http://www.imdb.com/title/tt0397313/usercomments
不好意思啊，這是我別人那裡看來的，不過應該會對你有幫助吧

⑤ 求如下電影的英文影評

音樂之聲
Trapp (Georg Ludwig von Trapp) Baron April 4, 1880 was born in the coastal town Zadar Croatia (Zadar), or at the time of the Austro-Hungarian Empire. Navy father was a colonel, he would also like to dedicate themselves to the cause of the Navy, the Royal Navy took part in the college. When he was a young naval colonel, was appointed U6 submarine command. A time of war, a French submarine were to sink the submarine's trap. In 1918, King Joseph I of the Navy for his major upgrade. After the war, Austria lost its coastline, the Navy no longer needed. Colonel Trapp not only lost their jobs in 1924 also lost his wife, he left to take care of the child 7.
Maria was born on January 26, 1905. In about two years old when her mother died, she became the table regardless of her foster mother, who lived in the Vienna suburb of a small house. She was a strict ecation, finished high school after three years, four years into the National Teachers College. Maria was a socialist and atheist, but at the university, a famous priest started to teach her cloth, has changed the lives of Maria and beliefs. Maria Teresa joined the Salzburg Shan monastery and became a nun. Maria decided to leave the monastery a year, Baron Trapp family house for female teachers, to take care of one of his daughter suffering from rheumatic fever.
A year later, the children's father, asking them to try to keep Maria, who even suggested that he should marry her. "I do not know if she likes me!" Baron replied. As a result the children to ask their Maria. Maria said: "Yes, I like him." They engaged. She never return to the monastery for nuns, in November 26, 1927 married Baron. The addition of a trap and two daughters.
In 1935, Schwarz with the priest into their lives. His music so that they become a hobby. They are natural and fresh and sweet voice singing them in the 1935 Salzburg Festival of Music and Drama choir won the first game. They have been in the Great Depression to lose all the money, since they were invited to do the European Tour.
In 1938, Hitler invaded Austria, Telapuning can lose material properties, but also to retain dignity. They left the house on the outskirts of Salzburg and all property, to the United States.
In September 1938, they arrived in New York. No. 10 on the way a child is born. Schwartz also with the priest and their counterparts in the United States, under his guidance, they became a singing career, family trap chorus graally become famous. After World War II, a trap set up a charity music: Trapp Family Austrian Relief Agency, Austria for the motherland sent numerous food and clothing.
In 1941, the trap in a village in Vermont and bought a large farm, and here they miss the scenery is similar to Salzburg, Austria. They named their house, "a loyalty."
May 30, 1947, the death trap, was buried in the backyard of a house where the family cemetery. When they ended the more than 20 years, more than 30 countries singing career, they put their big-Austria into the wooden inn. Unfortunately, in December 1980, which was destroyed in a fire. They immediately decided to rebuild. The new wooden trap design is modern, but still retains the flavor of the past. March 28, 1987 Maria died, was buried in the cemetery next to her husband.
The film in that year to become the highest in the history of film has broken box-office record of the musical, this classic has been huge for the 38th Oscar for Best Picture, Best Director, Best Music, Best Sound, clips of the five Best Picture Award , Have been translated into 30 languages in the world exhibition, film is still wonderful music widely sung. The translation of the film in different localities: in Hong Kong, China, which has been translated as "The Sound of Music to hear"; in Taiwan is a translation of "The Sound of Music"; in Portugal, is the "soul music"; to be in Spain "Laughter and Tears"; Argentina translation is "against the spirit of the new rich"; in Germany, its name is "My Song, My Dream" ... ... have been translated into different, but the music sounds the same, people love it can be seen Evident.
阿甘正轉
In the film, with the South American accent, impaired intellectual Forrest Gump looked full of Jenny's wild, as if the United States and the master of Faulkner's famous novel, "Sound and the Fury" in Bangui is a distant relative of the fool. But the two apparently have a fundamental difference: The Decline and Fall of Bangui is only a symbol of the family, is a real imbecile; Forrest Gump and the "Fool" is almost a representative of the times by the lack of all the virtues: honesty and trustworthiness, serious work, courage Fearless, Chongqing Light Choi, on the other hand is that these virtues have become stupid, this is some of today's social situation of a great irony.
Forrest Gump and the love of Jennifer is a symbol of degradation, she has been infected with almost all of the bad habits, such as drug abuse, sexual liberation and so on, her final died of a virus - in fact insinuate that the HIV virus. Forrest Gump and not at all, always loved her in his films constitute a kind of specious blame at the same time, but also reflects his innocence and goodness.
Forrest Gump as a soldier, with his seemingly simple, but in reality is more simple-minded and special talents, as well as physical powerful weapons, again and again to win the survival and development. This is a good God reward the hopes and at the same time, it includes a keynote: forward, to run. It is said that this run will bring hope to people. In fact, there is indeed hope that this unique film has won so many viewers, and even attracted only light-hearted entertainment like film audience, it shows their hope and the hope that the Kui Li.
Forrest Gump image to subvert the normal world, the image of a hero, with the traditional concept, with a strong anti-traditional, anti-mainstream. Forrest Gump experience many "wise men" to be outshone, I think the director is like Forrest Gump through Image irony to the community, reflect the social status quo, such as the alienation of the people, and so on

⑥ 求一片電影的英文影評100詞左右

什麼專業的啊，好羨慕你啊，我很喜歡電影，也喜歡英語

⑦ 求《precious》 電影英文影評~

I should start out by emphasizing that I disagree with much of the criticism the film has been receiving. A common disparagement condemns the movie as "emotionally manipulative" and "superficially inspirational", much like other films that fall into the category of the "inspirational dramas" depicting stories of indivials overcoming obstacles and hardships that many people seem to hate. Well, I personally found that the film portrays a reality far too bleak and dismal and brutal for it to possibly be considered "inspirational"; in addition, while the film ends on somewhat of a high note, even that is laced with misery and becomes the lesser of two evils for the protagonist. Another criticism of the film – and of the book it is based on – is from the opposite end of the spectrum, and blames the film for portraying TOO bleak a situation to the point of exploitation. I personally found the scenario portrayed in the film to be strikingly realistic, and I think that people who are too ignorant to realize that such a grim existence can feasibly be led in 21st century America need a serious wake-up call.

One aspect of the film that deserves all the praise in the world is its cast, specifically the performances of its lead actresses and the surprising and unexpected quality of these performances considering the particular thespians involved. First and foremost, we have the breakout role of Gabourey "Gabby" Sidibe, portraying the overweight, twice-pregnant and illiterate protagonist, Precious. The performance is a revelation both because of how convincingly Sidibe reacts to and interacts with her brutal day-to-day existence, but also because of how completely removed it is from the first-time actresses' actual life. It's always impressive to see a performer convincingly convey difficult and profound emotions that they probably would never feel themselves in their real lives, but for a first-time actress to convey these emotions is particularly incredible. Precious' life is populated by three prominent alt characters; two of which see past her daunting exterior and genuinely want to help her, and one who does the exact opposite. Mariah Carey plays a social worker who takes a personal interest in Precious' case and, in the film's most dramatically gut-wrenching scene, makes a genuine attempt to bridge the gap between the teenager and her monstrous mother. Carey has only ever acted in two or three other films, including the atrocious vanity project "Glitter", but in this role, she de-glams, puts on a convincing and raspy accent and actually manages to deliver a surprisingly well rounded and convincing performance. Paula Patton plays another alternate mother figure in Precious' life, her teacher at her alternate school who takes a particularly personal interest in Precious, to the point of letter her stay at her home when she has nowhere else to go. Unlike Mariah Carey, Patton never did anything to totally remove my confidence in her acting abilities, but then again, she's never actually given what can really be considered a "good" performance, which is what makes her tender and genuine turn in this film most impressive. But the scene-stealer is without a doubt Mo'Nique, probably one of my LEAST favorite "comedic" performers who totally redeems herself and manages to deliver a frighteningly convincing performance, incredibly transforming herself into Precious' villainous, sadistic and purely evil mother. It is an incredible and difficult and extremely brave performance, and is even more impressive considering that it's coming from the star of "Phat Girlz".

The performances are rich and incredible enough to hold up dramatic scenes, but not the narrative as a whole, which, as I mentioned before, suffers from a series of bad directorial choices made by director Lee Daniels. The film's biggest flow is emotional inconsistency: in an attempt to portray Precious' inner feelings, Daniels injects strangely conceived fantasy sequences at key dramatic moments in which Precious imagines herself as a glamorous and famous personality. While the intention of these sequences is clear, their abruptness just totally jolts the audience out of the emotional flow of the film, and they just seem out of place. For a similar reason, Daniels chooses to set grim and dramatic scenes to oddly inappropriate songs and musical cues, which once again just feel forced and out of place, and interrupt the emotional resonance of the scenes. Other than that, the film just seems poorly done at times, or simply unfinished: the cinematography is inconsistent and often features zooms and loss of focus that don't feel like stylistic choices but rather just like mistakes. In addition, the editing is quite disjointed at times, and many cuts interrupt musical cues in the middle or otherwise are just so sudden and jumbled that they completely ruin the dramatic flow. Finally, I just felt that while many separate scenes work wonderfully and are emotional and genuinely gut-wrenching, they are just too loosely connected for the film to actually carry a consistent dramatic arc throughout, as it jumps between Precious' brutal home life to her newfound support in her classroom to her day-to-day activities to her inner fantasies. For example, a major dramatic reveal near the end of the film end sup completely ignored and thus irrelevant to the dramatic arc. As I mentioned earlier, the performances are absolutely spectacular, but the inconsistencies in the film's tone and its jumbled and odd editing take away from what otherwise could have been a genuinely affective film.

有好幾部電影都叫precious，你看看是不是這部，要是不對的話，把電影的年份和主演告訴我

⑧ 求一篇 電影 英文影評！

If you've ever been poor, this movie may be hard to watch. It depicts poverty in America in gut wrenchingly accurate ways. I've been as poor as Chris Gardner, and, like him, I've been poor among very rich people in the Bay Area while trying to work my way up.

Chris Gardner is a loving father and failing businessman. He is chosen for a competitive internship at Dean Witter, a stock brokerage. The internship, which offers Chris a very long shot at a better life, doesn't pay any salary. Chris has to live without a salary for six months while risking just about everything for that long shot gamble.

Chris is really smart. He can solve a Rubrik's cube in minutes. But, he's poor. Poverty, like an octopus, keeps trying to suck him down to the bottom, and make him stay there.

His car is towed. His wife walks out on him, leaving him with a five year old son. He is arrested for unpaid traffic tickets. He becomes homeless. He has to rely on a homeless shelter.

All this while, he must appear for work in the morning in a suit and tie, and be ready to charm some of the wealthiest and most powerful people in the Bay Area. These people take wealth so much for granted that two of them stiff him for cab fare.

Having lived through similar experiences, I cringed throughout this movie. My stomach hurt. I winced. I cried. I hugged my knees to my chest.

The movie is very accurate, but painful to watch. I hope a lot of rich people, who think that they understand poverty, see it.

This movie will be politically controversial. First of all, it doesn't touch the race issue with a ten foot pole. For example, when Chris appears to stiff a taxi driver for fare (it was really the rich white guy who failed to pay), the taxi driver never uses the "n" word. In real life, I think he probably would have.

Is the movie afraid to talk about race, or does it not want to? I don't know, but I know that some will protest the movie's not shoving race in the movie goer's face. I'm not one of those people. The movie's approach to race -- treating it as almost incidental -- worked for me. As a poor white person, I can tell you that poor white people face the same obstacles Chris did.

Second, does the movie sell the message that if you work hard, you will succeed, no matter what, and does that message tell the truth about success in America? I think that the movie is open to interpretation. Some will see it as an indictment of poverty in America. The scene of carefree rich people driving past the line to get into a homeless shelter is pretty devastating. Other people will become angry because they believe that the movie's depiction of hard work leading to rewards, in some cases, is too facile. I disagree, but that's what you'll hear.

Third, is this movie meant to chastise black men who abandon their children? Chris is a role model exactly because he moves heaven and earth to be a good father to his son. This will be debated back and forth.

The movie has a big philosophical statement to make, that has been lost on many reviewers, for example, Richard Schickel in TIME.

Chris is shown running throughout the movie. Remember the title of the movie: "The PURSUIT of Happiness." Chris places emphasis on "pursuit." Jefferson, when he penned the Declaration of Independence, did not promise Americans happiness, but only the right to pursue it. Chris says, at one point in the movie, paraphrase, "I am happy right now. It is a fleeting moment." We experience happiness in eyeblinks. The rest of the time we, like Chris, are chasing after it.

⑨ 求一篇英文電影的英文影評

Pride & Prejudice (2005)
傲慢與偏見 凱拉奈特莉版
The story is based on Jane Austen's novel about five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.
Jane Austen's tale of love and economics reaches us once more with the energy of a thorough novelty. "Pride and Prejudice" has been a favorite novel of mine since I first read it and I've seen Laurence Olivier and Greer Garson, Colin Firth and Jennifer Ehle and now Matthew MacFadyen and Kiera Knightly. Amazingly enough I've never been disappointed. The material seems to be full proof. Colin Firth's Darcy, in many ways, is the Darcy I've always imagined. He's been an actor I've followed feverishly since his glorious Adrian LeDuc in "Apartment Zero", Matthew MacFadyen was totally new to me but he managed to create that sense of longing that makes that final pay off so satisfying. Kiera Knightly is a ravishing revelation. I must confess, I didn't remotely imagined that she was capable of the powerful range she brilliantly shows here. The other big surprise is Joe Wright, the director, in his feature film debut which is more than promising, it's extraordinary. The photography, the art direction and the spectacular supporting cast, in particular Donald Sutherland and Brenda Blethyn, makes this new version of a perennial classic a memorable evening at the movies