關於經典電影的論文英文名

1. 求一些經典歐美經典電影的簡介和他的英文名~~

gone with wind

2. 求各國經典電影的英文和中文名字(主要是美英) 越多越好

星球大戰前傳1：魅影危機
外文片名：Star Wars: Episode I - The Phantom Menace
星球大戰前傳2：克隆人的進攻
外文片名：Star Wars: Episode II - Attack of the Clones
星球大戰前傳3：西斯的復仇
英文名：REVENGE OF THE SITH
指環王：護戒使者
英文片名：The Lord of the Rings:The Fellowship of the Ring
指環王：雙塔奇兵 The Lord of the Rings:The Two Towers
指環王：王者歸來 The Lord of the Rings:The Return Of The King
阿甘正傳:Forrest Gump
勇敢的心:Braveheart
終結者1：The Terminator 簡稱T1
終結者2 ：末日審判Terminator 2：Judgment Day
終結者3 :Terminator 3：Rise of the Machines
終結者：救世主：Terminator Salvation
黑客帝國：The Matrix
黑客帝國2：重裝上陣：The Matrix Reloaded
黑客帝國3：革命：The Matrix Revolutions
2001太空漫遊 2001: A Space Odyssey，Two Thousand and One: A Space Odyssey
教父The Godfather
天堂電影院(義大利)： Nuovo cinema Paradiso
楚門的世界:The Truman Show
辛德勒的名單:Schindler's List
拯救大兵瑞恩Saving Private Ryan

決戰中的較量(兵臨城下)Enemy at the Gates
太多了 樓主先在http://..com/question/102477310.html?an=0&si=1這里找你要的經典電影 然後網路里搜一下就知道了

3. 外國電影名，越多越好（中文和英文名）

1、《Fast & Furious》

《速度與激情》（Fast & Furious）是羅伯·科恩等執導，於2001年至2017年范·迪塞爾、保羅·沃克（已故）、喬丹娜·布魯斯特、米歇爾·羅德里格茲等主演的賽車題材的動作犯罪類電影，截至2018年，一共拍了八部。之後兩部續集正式定檔，《速度與激情9》和《速度與激情10》分別於2020年4月10日和2021年4月2日上映。

4. 英語論文中的電影名、書名、文章名、歌名、詩名如何標注英語論文題目中的電影名如何標注斜體還是引號

斜體即可.

5. 中國經典電影的英文名

《Farewell My Concubine》———再見了,我的小老婆(《霸王別姬》)

《Be There or Be Square》———在那裡或者是平等的(《不見不散》)

《Seventeen Years》———十七年(《回家過年》)

《So Close to Paradise》———天堂如此之近(《扁擔,姑娘》)

《Ashes of Time》———時間的灰燼(《東邪西毒》)

《All Men Are Brothers: Blood of the Leopard》———四海之內皆兄弟:豹
子的血(《水滸傳》,《水滸傳》有個英文譯名就是《四海之內皆兄弟》)

《Chinese Odyssey 1: Pando-ra,s Box》———中國的奧德賽1:潘多拉寶盒
(《大話西遊之月光寶盒》)

《Chinese Odyssey 2: Cin-derella, A》灰姑娘(《大話西遊之仙履奇緣》)

《Funeral of the Famous Star》———明星的葬禮(《大腕》)

《Treatment》———治療(《刮痧》,如果美國法律這么認為就好了)

《Dream Factory》———夢工廠(《甲方乙方》)

《Steel Meets Fire》———鋼遇上了火(《烈火金剛》)

《Third Sister Liu》———第三個姐姐劉(《劉三姐》)

《Red Firecracker, Green Firecracker》———紅鞭炮,綠鞭炮(《炮打雙
燈》)

《Breaking the Silence》———打破沉默(《漂亮媽媽》)

《Emperor's Shadow》———帝國的陰影(《秦頌》)

《In the Mood for Love》———在愛的情緒中(《花樣年華》)

《Woman-Demon-Human》———女人-惡魔-人類(《人鬼情》,失戀中的譯者)

《From Beijing with Love》———從北京帶著愛(《國產007》)

《Fatal Decision》———重大選擇(可惜FATAL有致命的意思,致命的抉擇？
《生死抉擇》)

《In the Heat of the Sun》———在炎熱的太陽下(《陽光燦爛的日子》,原文
的"陽光燦爛"可有寓意啊。譯文讓JEWAYS想起中學語文第幾課來著———祥子拉
著人力車在街上走)

《Keep Cool》———保持冷靜(《有話好好說》)

《Far Far Place》———很遠很遠的地方(《在那遙遠的地方》,想起LONG
LONG AGO)

《Sixty Million Dollar Man》———六千萬美元的男人(《百變星君》)

《Flirting Scholar》———正在調情的學者(《唐伯虎點秋香》)

6. 想要一些電影的中英文名

<肖申克的救贖
The Shawshank Redemption>

<辛德勒的名單Schindler's List >

<功夫熊貓
Kung Fu Panda>

<阿甘正傳Forrest Gump >

<霸王別姬Farewell My Concubine>

<天使愛美麗Amelie >

<天堂電影院
Nuovo cinema Paradiso>

<羅馬假日Roman Holiday >

<美麗人生La Vita e bella >

<海上鋼琴師 The Legend of 1900>

<亂世佳人 Gone with the Wind>

<剪刀手愛德華 Edward Scissorhands>

<獅子王 The Lion King>

<放牛班的春天 Les Choristes>
<無間道 Infernal Affairs>
<沉默的羔羊 The Silence of the Lambs>

<千與千尋 Spirited Away>

找了很久的`希望可以幫到你``

7. 急需英語經典電影的英文介紹!!!(詳細的好!)

這是1933年版《金剛》電影的介紹，希望對你交作業有幫助

The greatest and most famous classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Co-procers and directors Merian C. Cooper and Ernest B. Schoedsack (both real-life adventurers and film documentarians) conceived of the low-budget story of a beautiful, plucky blonde woman (Fay Wray) and a frightening, gigantic, 50 foot ape-monster as a metaphoric re-telling of the archetypal Beauty and the Beast fable. [Fay Wray mistakenly believed that her RKO film co-star, 'the tallest, darkest leading man in Hollywood,' would be Cary Grant rather than the beast. Later in her life, she titled her autobiography "On the Other Hand" in memory of her squirming in Kong's grip.]

The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), the hero (Bruce Cabot in a part originally offered to Joel McCrea), the voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires. However, the primitive, giant ape must also struggle against the forces of urban civilization and technology when it is exploited for profit and returned for display in New York City ring a time of economic oppression.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot ring the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.

The following scenes for the 1938 re-release, that were excised by censors after the Proction Code took effect in 1934, were restored in recent editions of the film:

the Brontosaurus' killing of three victims (instead of five in the original)
the giant spider scene
Kong's stripping/peeling of Fay Wray's clothing while holding her unconscious in his palm
Kong's chewing of a New York victim and his drop of a woman from the Empire State Building
This remarkable film received no Academy Awards nominations - it would have won in the Special Effects category if there had been such a category. The film contained many revolutionary technical innovations for its time (rear projection, miniature models about 18 inches in height, and trick photography, etc.), and some of the most phenomenal stop-motion animation sequences and special effects ever filmed (by chief technician Willis O'Brien, famed for his first feature film The Lost World (1925)). A wildly dramatic musical score by Max Steiner enhanced the action of the story.

The film has numerous memorable moments, including Kong's battle with a giant snake in a misty cavern, his struggle against a flying pterodactyl, the screaming beauty (Fay Wray, known as the "Queen of Scream") held captive in Kong's giant clenched palm, and the finale with the defiant Kong atop the Empire State Building while circling aircraft shoot him down. In director John Guillermin's inferior remake King Kong (1976), starring Jessica Lange, the great ape takes his last stand atop one of the towers of the World Trade Center.

King Kong launched the "giant beast" subgenre of science-fiction, inspiring the 1950's atomic mutant creature features and the Japanese giant movie monsters like Godzilla, Gamera, Rodan, etc. Godzilla and King Kong actually faced off in the Japanese film King Kong Vs. Godzilla (1962, Jp.) (aka Godzilla vs. King Kong in Japan). Various other Kong-related films are summarized in the following list:

Son of Kong (1933)
Mighty Joe Young (1949)
Konga (1961)
King Kong Vs. Godzilla (1962, Jp.)
King Kong Escapes (1967, Jp.)
King of Kong Island (1968)
King Kong (1976)
A*P*E (1976, Kor.)
Queen Kong (1976, UK)
King Kong Lives (1986)
The Mighty Kong (1998, animated)
Mighty Joe Young (1998)
[Oscar-winning The Lord of the Rings trilogy director Peter Jackson shot a remake of the classic 1933 film as King Kong (2005), with Jack Black (as Carl Denham), Adrien Brody (as Jack Driscoll), Naomi Watts (as Fay Wray), and Andy Serkis (and CGI) employed for the 25-foot tall monstrous ape.]

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The film begins with the title card from an Old Arabian Proverb:

And the Prophet said, 'And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.'
The scene is 1932 at the Hoboken docks in New Jersey ring a Depression-era winter. A dock night watchman is approached and asked about the nearby moored steamer: "Say, is this the moving picture ship?" The watchman confirms that the ship is going on a "crazy" voyage, and knows of the brash reputation of Carl Denham (Robert Armstrong), a fearless and arrogant adventure filmmaker and movie procer, who is preparing for a film expedition: "...that crazy fella that's a runnin' it....They say he ain't scared of nothing. If he wants a picture of a lion, he just goes up to him and tells him to look pleasant." Everybody around the dock is talking about the unusually large cargo and number of crew members - "three times more than the ship needs." The well-dressed man, Charles Weston (Sam Hardy), a theatrical agent, is invited on board the vessel by First Mate Jack (John) Driscoll (Bruce Cabot) and is told: "Come on board. Denham's gettin' wild. I hope you got some good news for him."

In the captain's cabin, trusted skipper-Captain Englehorn (Frank Reicher) confers with Denham and suggests that he sail immediately by the next day's light, before the fire marshal can discover his illegal cargo of ammunition, explosives and gas bombs, one of which is strong enough "to knock out an elephant." They must also get to their destination to finish filming before the monsoon season starts. Weston and Driscoll enter and Denham demands to know if the agent has located an actress to star in his top-secret film: "Somebody's interfered with every girl I've tried to hire. And now all the agents in town have shut down on me. All but you, you know I'm square." Weston believes Denham has a "reputation for recklessness that can't be glossed over." Weston also objects to Denham's secretiveness - not even the skipper and first mate know where they are going. The agent hasn't found a girl because his conscience won't let him ask a young girl to take on such an unknown project:

I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
No ingenue actress will commit to a long sea voyage to an unknown destination, with an all-male crew. Denham argues that there's more danger in New York for most women: "Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me." "Yeah, but they know that kind of danger," thick-headed Jack pipes up. Denham complains that he needs to have a heroine in his picture to provide romance and a love interest:

Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want.
Undaunted but frustrated, the entrepreneurial, jungle filmmaker promises them he will make the "greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back." He leaves to find a girl for his picture by himself, vowing: "even if I have to marry one." A cab drops him off outside the Woman's Home Mission where women are in a breadline, but he doesn't see any potential prospects. Nearby, he notices a hungry, out-of-work, and broke girl reaching for an apple from a fruit market on the streets of New York. The street vendor catches the girl and threatens to call the police. After paying off the irate proprietor with a buck to rescue her, she swoons into his arms. When he takes a good look at her, he impulsively decides that she has the kind of beauty that he is looking for - perfect for the starring role in his documentary movie.

Denham takes the starving young girl by taxi to a Bowery restaurant, buys her a meal, and over a cup of coffee asks her about herself. She is orphaned with no family, although she says: "I'm supposed to have an uncle someplace." She also worked as a film extra at a studio on Long Island before it closed. She identifies herself as Ann Darrow (Fay Wray) and he enthusiastically offers the down-and-out, destitute woman a job: "I've got a job for you. Costumes on the ship won't fit you. Broadway shops are still open. I can get some clothes for you there." To encourage the beautiful girl to go along, he entices her with a promise of lifting her out of obscurity:

It's money and adventure and fame. It's the thrill of a lifetime and a long sea voyage that starts at six o'clock tomorrow morning.
Ann hesitates with fear in her voice, fearing that she will be made Denham's mistress: "No wait. I - I don't understand. You must tell me. I do want the job so, but I can't..." Denham chivalrously reassures her by explaining his position: "Oh, I see. No, you've got me wrong. This is strictly business....Listen, I'm Carl Denham. Ever hear of me?" His fearless, courageous, daredevil reputation is even known by Ann: "Yes. Yes! You make moving pictures in jungles and places." Ann is told that she has been picked to be the leading lady in his new film, and their voyage leaves at 6 am to a place "a long way off." Ann agrees to the voyage, after Denham offers final assurances that sex isn't involved: "I'm on the level. No funny business...Just trust me and keep your chin up." They shake on it.

The next day, the all-male crew sets sail on a long six-week journey on the S. S. Venture bound for the South Pacific. The good-looking and brawny, but disgruntled First Mate Driscoll meets Ann on deck and unpleasantly marks her as "that girl Denham picked up last night." The males on board are angry and distrustful at the prospect of having such a tempting, attractive, and charming woman along on such a dangerous voyage: "I've never been on one with a woman before." Women are a "nuisance" on board ships, according to him.

During the voyage, Ann prepares to practice and rehearse a scene for the film director on the deck, "to see which side of my face looks best and all that." Driscoll really believes her life is in jeopardy and is feeling protective of her safety: "This is no place for a girl," he tells her. The First Mate is chauvinistic, but apologetic: "You're all right, but, but, but women, women just can't help being a bother. Made that way, I guess."

Denham strolls into their company, and sees Ann fondly petting the ship's pet monkey - a miniature foreshadowing of the regal Beast in the film. He comments, sardonically: "Beauty and the Beast, eh?" Ann excuses herself to put on one of her costumes for the film test to be directed by Denham. While waiting for Ann to reappear, Driscoll confronts Denham and asks what lies ahead: "When do we find out where we're going?...And you going to tell us what happens when we get there?"

Possibly feeling threatened by Driscoll's growing crush on his actress-heroine, Denham suspects that the crew member has been emasculated and gone "soft" and "sappy" over Ann's Beauty. Denham equates the first mate to the Beast in his Hollywood script - already robbed of his virile masculinity e to his concern for Ann's vulnerable presence:

Denham: Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll: Love affair! You think I'm gonna fall for any dame?
Denham: I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll: Now who's goin' sappy? Listen, I haven't run out on ya, have I?
Denham: No, you're a pretty tough guy, but if Beauty gets you, ya...(He breaks his train of thought and turns away with a self-deprecating smile.) Huh, I'm going right into a theme song here.
Driscoll: Say, what are you talkin' about?
Denham: It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.

8. 求外國經典電影的25個中英文名字，謝謝，

1.巴頓將軍/鐵血將軍巴頓 Patton (1970)
2.發條橙子/發條桔子 Clockwork Orange, A (1971)
3.最後一場電影 Last Picture Show, The (1971)
4.教父 Godfather, The (1972)
5.日以繼夜 Day for Night (1972)
6.我記得，想當年/當年事 Amarcord (1973)
7.教父II Godfather: Part II, The (1974)
8.飛越瘋人院/飛越杜鵑窩 One Flew Over the Cuckoo\'s Nest (1975)
9.計程車司機/計程車司機/的士司機 Taxi Driver (1976)
10.拿出你的手帕 Get Out Your Handkerchiefs, France (1977)
11.安妮·霍爾 Annie Hall (1977)
12.獵鹿人/越戰獵鹿人 Deer Hunter, The (1978)
13.現代啟示錄 Apocalypse Now (1979)
14.鐵皮鼓 Blechtrommel, Die (1979)
15.克萊默夫婦 Kramer vs. Kramer (1979)
16.普通人 Ordinary People (1980)
17.象人 Elephant Man, The (1980)
18.憤怒的公牛/蠻牛/狂牛 Raging Bull (1980)
19.佩比、露西、伯姆和其他姑娘們 Pepi, Luci, Bom and the Other Girls (1980)
20.火戰車/火之戰車 Chariots of Fire (1981)
21.甘地傳 Gandhi (1982)
22.外星人E.T. E.T. the Extra-Terrestrial (1982)
23.芬妮與亞力山大 Fanny och Alexander (1982)
24.美國往事/四海兄弟/義薄雲天 Once Upon a Time in America (1984)
25.莫扎特傳/阿瑪迪斯 Amadeus (1984)
26.為什麼我命該如此 What Have I Done to Deserve This (1984)
27.走出非洲/遠離非洲/非洲之旅 Out of Africa (1985)
28.巴西 Brazil (1985)
29.野戰排/前進高棉/殺戮戰場 Platoon (1986)
30.鬥牛士 Matador (1986)
31.末代皇帝 Last Emperor, The (1987)
32.征服者佩爾 Pelle erobreren (1987)
33.十誡 Dekalog (1987)
34.慾望的法則 Ley del deseo, La (1987)
35金甲部隊/全金屬外殼 Full Metal Jacket (1987)
36.雨人/手足情未了 Rain Man (1988)
37.瀕臨崩潰邊緣的女人 Mujeres al borde de un ataque de nervios (1988)
38.天堂電影院/星光伴我心/新天堂樂園 Nuovo cinema Paradiso (1989)
39.光榮/光榮戰役 Glory (1989)
40.教父III Godfather: Part III, The (1990)
41.與狼共舞 Dances with Wolves (1990)
42.好傢伙/四海好傢伙/盜亦有道 Goodfellas (1990)
43.人鬼情未了 Ghost (1990)
44.捆著你，困著我/捆著我，綁著我 ?átame! (1990)
45.終結者2/魔鬼終結者2/未來戰士2 Terminator 2: Judgment Day (1991)
46.沉默的羔羊 Silence of the Lambs, The (1991)
47.高跟鞋 Tacones lejanos (1991)
48.聞香識女人 Scent of a Woman (1992)
49.辛德勒的名單 Schindler\'s List (1993)
50.因父之名 In the Name of the Father (1993)
51.基卡 Kika (1993)
52.阿甘正傳 Forrest Gump (1994)
53.肖申克的救贖/刺激1995/月黑高飛 Shawshank Redemption, The (1994)
54.燃情歲月/秋日傳奇 Legends of the Fall (1994)
55.這個殺手不太冷/終極追殺令/殺手萊昂 Léon (1994)
56.低俗小說/黑色追緝令/危險人物 Pulp Fiction (1994)
57.毒太陽 Burnt by the Sun (1994)
58.七宗罪/火線追緝令 Se7en (1995)
59.勇敢的心/英雄本色/驚世未了緣 Braveheart (1995)
60.廊橋遺夢/麥迪遜之橋 Bridges of Madison County, The (1995)
61.猜火車/迷幻列車 Trainspotting (1996)
62.英國病人 English Patient, The (1996)
63.給我一個爸 Kolya (1996)
64.美麗人生/一個快樂的傳說 Vita è bella, La (1997)
65.泰坦尼克號/鐵達尼號 Titanic (1997)
66.角色 Karakter (1997)
67.顫抖的慾望 Carne trémula (1997)
68.海上鋼琴師 Leggenda del pianista sull\'oceano, La (1998)
69.楚門的世界 Truman Show, The (1998)
70.拯救大兵瑞恩/雷霆救兵/拯救大兵雷恩 Saving Private Ryan (1998)
71.羅拉快跑/疾走羅拉 Lola rennt (1998)
72.細細的紅線/紅色警戒 Thin Red Line, The (1998)
73.野獸良民/美國X檔案 American History X (1998)
74.格鬥俱樂部/斗陣俱樂部/搏擊會/搏擊俱樂部 Fight Club (1999)
75.美國麗人/美國心·玫瑰情/美國大美人 American Beauty (1999)
76.關於我母親的一切/論盡我母親/關於我的母親/我的母親 Todo sobre mi madre (1999)
77史崔特先生的故事/路直路彎 The Straight Story (1999)
78.角鬥士/神鬼戰士/帝國驕雄 Gladiator (2000)
79.西西里的美麗傳說/真愛伴我行/瑪蓮娜 Malena (2000)
80.跳出我天地/舞動人生/芭蕾之夢 Billy Elliot (2000)
81.夢之安魂曲 Requiem for a Dream (2000)
82.愛情是狗娘/狗男女的愛/人、愛、狗 Amores perros (2000)
83.兄弟連 Band of Brothers (2001)
84.美麗心靈 A Beautiful Mind (2001)
85.天使愛美麗/艾蜜莉的異想世界/阿梅麗的奇妙命運 Fabuleux destin d\'Amélie Poulain, Le (2001)
86.無主之地 No Man\'s Land (2001)
87.坎大哈 Safar e Ghandehar (2001)
88.穆荷蘭大道 Mulholland Dr. (2001)
89.鋼琴家/戰地琴人/鋼琴戰曲/鋼琴戀曲 The Pianist (2002)
90.對她說/悄悄告訴她/對她有話兒 Hable con ella (2002)
91.大魚/大魚老爸/大智若魚 Big Fish (2003)
92.最後的武士 The Last Samurai (2003)
93.冷山 Cold Mountain (2003)
94.野蠻人入侵 The Barbarian Invasions (2003)
95.百萬寶貝 Million Dollar Baby (2004)
96.杯酒人生/並肩前行 Sideways (2004)
97.飛行者/神鬼玩家 The Aviator (2004)
98.深海長眠/出海/長眠地中海/安樂死之謎 Mar adentro (2004)
99.不良教育/毀滅性教育/聖.教.欲 Mala ecación, La (2004)
100.盧安達飯店 Hotel Rwanda (2004)