外國電影的英文影評

⑴ 一個英語作品的讀後感和英文電影的影評，要英語的，初二別太難，80詞左右，急！

讀後感:
The Ugly Duckling withi ts poetic beauty and comedy humor toshow the unique artistic style.The Ugly Duckling is Anderson'snovels,fantasy elements ralative weakening,angmented reality component.The pusuit of better life,but also reveals the lack of confidence in the depression.The Ugly Duckling is famous around the world.Up to now many people still think The Ugly Duckling is perfect and unbelievable.
《丑小鴨》以其詩意的美和喜劇性的幽默展現了獨特的藝術風格。《丑小鴨》是安徒生的中期作品，幻想成分減弱，現實成分相對增強。表現了對美好生活的執著追求，也流露了缺乏信心的憂郁情緒。《丑小鴨》在全世界都非常著名。直到現在許多人覺得《丑小鴨》完美和不可思議。
影評:
"This is a full of feeling,grand,beautiful movie.A real dream,a beautiful new world!"——global screen
Let's come into the Avatar."You're never seen CGI in a movie like this!""Just look like real!"The andience so evaluation.
IF the use of literature to compare,the Avatar is in fact the folk literature,is a fairy tale,but not too much——contemporary fiction movie audiences accustomed to fictional narrative.
"這是一部充滿情懷、宏大、優美的電影，一個真實的夢境，一個美麗新世界！"——《環球銀幕》
讓我們走進《阿凡達》。"你從來沒見過這樣的CGI效果！""就像真的一樣！"觀眾如此評價。
如果用文學來比較，《阿凡達》其實是民間文學，是童話，而不是小說——當代太多電影觀眾習慣於小說式的現代敘事了。
採納哦！因為我只是初一，所以寫了一個小時，看在我這么辛苦的份上，採納吧！

⑵ 急求三篇英文的電影觀後感大神們幫幫忙

英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

⑶ 英語影評，簡單易懂，50到100詞，寫出電影好的方面，還要寫出它不好的方面，初一水平

《Big Fish》
It is a fairy tale talking about family bonds. When the father was young, it was his favorite to tell stories to his little boy. But when the boy grew up, he thought those stories were all fake. As a result, he disliked his father and lived far away from his father. Many years later, the father caught cancer and didn't have much time to live, so the son came back home to look after him. This time the son realized the strong love contained in those fancy stories and the two forgave each other. From this movie, I learned how to deal with generation gap between father and son.

簡單易懂

⑷ 美國電影《弱點》的英文影評和梗概

梗概：

The film tells of a homeless African American boy, Michael och, who was an orphan since childhood and met the kind Mrs. Taoxi. With the help of the latter, he finally became the first selected player of the American National Football League.

影片講述了一個無家可歸的非洲裔男孩邁克爾·奧赫從小就是一個孤兒，遇上了好心的陶西太太，而在後者的幫助下，他終於成為了美國國家橄欖球聯盟的首批被選球員。

評價：

This is a typical American theme film. Although it has its hypocritical side, it really moves people's hearts. It uses an ordinary person's personalized road of success to interpret the level of social development and national feelings.

這是一部典型的美國主旋律電影，盡管有其偽善的一面，但真正做到了打動人心，是用一個平凡人的個性化成功之路來詮釋社會發展水平和國民情懷。

人物

1、莉·安妮·陶西

一位和藹、友善、極有責任心的白人養母。陶西的兒女與邁克爾在同一個學校就讀，她看到邁克爾一人徘徊在街上便把他帶回了家。陶西一家都非常喜歡邁克爾，最後他們決定領養他，讓他成為家庭的一員。

2、邁克爾·奧赫

一個無家可歸的非洲裔男孩邁克爾·奧赫從小就是一個孤兒，一再的從領養家庭中逃走後終於遇上了好心的陶西太太。

⑸ 美國電影《弱點》的英文影評和梗概

觀看《弱點》這部電影時，你可能會誤以為自己進入了另一個美國，那裡共和黨仍掌控著政權。Sandra Bullock飾演的Leigh Anne Touhy是一個比生活還要大的人物，她扮演了一個比Sarah Palin還要白的怪胎角色。她幾乎和Tina Fey模仿阿拉斯加州長的表演一樣滑稽，台詞如「我和檢察官在祈禱小組，我是NRA的成員，而且我總是隨身攜帶槍支」被她以最嚴肅的態度說出。

直到你意識到，我們應當為她加油。Leigh Anne是一個擅長室內裝飾，對懷舊金色飾品情有獨鍾，並且擁有一顆與之相匹配的善良之心的女人。當她注意到學校里一個貧困的黑人孩子實際上無家可歸時，她將他收養並以她那種不妥協的方式，把他塑造成了一位職業級別的美國橄欖球運動員。這個故事是真實的，真實的Michael Oher目前效力於巴爾的摩烏鴉隊，他在高中時被Touhys家庭收養（順便說一句，Leigh Anne的丈夫在這個故事中幾乎不出現，他是一位沉默寡言的男人）。

電影講述的是Leigh Anne如何在1999年通過收養Michael Oher，將其從一個流浪街頭的孩子變成了職業橄欖球運動員的故事。Leigh Anne Touhy是一位有著強烈責任感的母親，她不僅改變了一個孩子的命運，也展示了愛與堅持的力量。電影通過細膩的鏡頭和生動的表演，呈現了Leigh Anne Touhy如何以她的智慧和堅韌，引導Michael Oher走出困境，走向成功。

電影中的Leigh Anne Touhy是一個充滿智慧和善良的角色，她不僅是一位成功的室內設計師，還是一位有著強烈責任感的母親。她的生活哲學是，無論面臨何種挑戰，都要堅持不懈，積極面對。她通過自己的行動和努力，不僅幫助了Michael Oher，也影響了周圍的人，讓他們相信，只要付出努力，就有可能實現自己的夢想。

《弱點》不僅僅是一部關於個人成長和成功的電影，更是一部關於家庭、愛與堅持的故事。Leigh Anne Touhy的無私奉獻和堅定信念，激勵著每一個觀眾，讓我們相信，無論遇到多大的困難，只要有愛，就一定能夠克服。

⑹ 求一篇外國電影《外星人et》 的英文影評

Nearly twenty years since it was first released on the world, Steven Spielberg's 1982 sci-fi/fantasy masterpiece E.T.: THE EXTRA-TERRESTRIAL remains one of the greatest movies ever made. This is one of those films that makes us feel and think at the same time.

Its story of a very benign alien being accidentally left stranded on Earth and protected by a ten year-old boy (Henry Thomas) from government agents is so well known it doen't really have to be discussed. E.T. is, alternately, magical, fantastic, suspenseful, and sometimes even a bit terrifying. And sprinkled throughout the film are singular moments that really stand out as some of the most unforgettable scenes in cinematic history; by this time, I think we know what those are. For me, perhaps the most priceless scene is the introction between E.T. and Gertie (Drew Barrymore), where she screams her head off, It is one of the very few times where I've wanted to laugh and scream at the same time!

Spielberg's film, though scripted by Melissa Mathison, is almost painfully autobiographical, given what the director has said about his childhood. Like Spielberg, Thomas' character goes through life minus a father, even though his mother (Dee Wallace) does her best. He feels isolated and picked upon in school, as Spielberg frequently did. There is also plenty of religious symbolism that probably doesn't need any analysing and was probably unintentional. In any case, looking past the fact that it won four Oscars--for sound, sound effects editing, special effects, and John Williams' legendary music score--and has grossed over $1 billion, E.T. is a masterpiece of the cinema, pure and simple, and it will always be that way.

⑺ 愛麗絲夢遊仙境英語影評(中英對照）

I think the acting and affects are brilliant in the ALICE IN WODERLAND. It is a kids movie and I will recomend this movie for anyone. I like how anybody is legal to see it and it can be considered as a family movie.Alice is a brilliant role model for young tweens and teens. In the film she learns to have confidence in herself and her own decisions, despite family pressures and being unsure in a safe land. She has a strong sense of right and wrong, and holds herself accountable for making things right that she herself feels she had a role in when the situations "went wrong". Brilliant film, a little dark, but when compared to what's on tv and in video games these days, the strong role model messages ride triumphantly into the sunset!!

我認為行動和影響是精採的.這是一個孩子的電影，我會推薦這對任何人的電影。我喜歡任何人 看是合法的.它可作為一個家庭 電影.Alice認為是一個十幾歲的年輕充斥著和光輝的榜樣。在這部影片中，她學會了在自己和她自己的決定有信心，盡管家庭的壓力和被安全地不確定。她有一個正確和錯誤，並認為自己負責的事情作出強烈的權利，她自己覺得她有一個角色的情況時，「出了問題」。輝煌的膠片，有點黑暗，但是當比什麼的在電視和視頻游戲中的這些天，強作用騎勝利走向日落model messages！！

⑻ 電影《奔騰年代》的英語影評

經典歐美電影推薦
以下是本人總結的歐美經典電影大全，排名不分先後，經典不分時間。有的列了主演的名字上去，有的或者因為懶、或者因為不太確定、或者因為不知道就沒有列出。以下片子基本本人都看過，覺得都還不錯，列出以拋磚引玉。

1：羅馬假日--奧黛麗.赫本

2：魂斷藍橋

3：音樂之聲

4：桂河大橋

5：亂世佳人（飄）--費雯麗 、 蓋博

6：教父1、2--馬龍.白蘭度、阿爾帕西諾

7：卡薩布蘭卡

8：沉默的羔羊--朱迪.福斯特

9：與狼共舞

10：未來水世界

11：廊橋遺夢--伊斯特伍德

12：尼爾的芳心----朱迪.福斯特

13：勇敢的心--梅爾吉布森

14：愛國者--梅爾吉布森

15：奪寶奇兵1、2、3--哈里森福特

16：第一滴血1、2、3--史泰龍

17：洛奇1、2、3、4、5、6--史泰龍

18：終結者--施瓦辛格

19：真實的謊言--施瓦辛格

20：費城故事--湯姆.漢克斯

21：阿波羅13號--湯姆.漢克斯

22：阿甘正傳--湯姆.漢克斯

23：畢業生--達斯汀.霍夫曼

24：壯志凌雲--湯姆.克魯斯

25：碟中諜1、2、3--湯姆.克魯斯

26：紐約黑幫--羅納爾蒂尼奧

27：泰坦尼克--羅納爾蒂尼奧

28：人鬼情未了--黛咪.摩爾

29：紅磨坊

30：聞香識女人

31：黑客帝國1、2--基努.李維斯

32：異形1、2、3、4

33：異種1、2

34：科學怪人

35：人猿星球

36：異石

37：埃及艷後

38：死神來了1、2、3、4

39：殺人如麻1、2、3

40：人皮客棧1、2

41：極度驚懼

42：電鋸殺人狂

43：世界大戰

44：空軍一號--哈里森福特

45：天煞（地球反擊戰）

46：生死時速1、2

47：變臉--尼古拉斯.凱奇

48：第六元素

49：星球大戰

50：星戰前傳

51：E.T--巴里莫爾

52：指環王

53：哈里波特

54：蜘蛛俠

55：斷箭--湯姆克魯斯

56：簡.愛

57：呼嘯山莊

58：斷背山

59：殺死比爾1、2

60：007系列

61：賓虛

62：蝙蝠俠

63：亞瑟王

64：超人

65：超人歸來

66：木乃伊1、2

67：加勒比海盜1、2、3

68：大白鯊

69：侏羅紀公園系列

70：X戰警系列

71：小鬼當家系列

72：面具--金.凱瑞

73：肖申克的救贖

74：修女也瘋狂1、2

75：古墓麗影

76：生化危機

77：恐怖地帶

78：飛越瘋人院

79：日內瓦醫生

80：蝴蝶夢

81：本能1、2--莎朗.斯通

82：脫衣舞娘--黛咪莫爾

83：恐怖蠟像館

84：機械戰警系列

85：變形金剛

86：金剛

87：哥斯拉

88：狂蟒之災系列

89：鋼琴課

90：國家機密

91：女角鬥士系列

92：角鬥士

93：匈奴王

94：斯巴達克斯

95：巴黎聖母院

96：悲慘世界

97：獅子王

98：嬰兒外出系列

99：加菲貓

100：冰河世紀

101：風語者

102：獨立日

103：龍卷風

104：雨人

105：愛情故事

106：勇闖奪命島

107：傲慢與偏見

108：珍珠港

109：驚情四百年

110：夜訪吸血鬼

111：這個殺手不太冷

112：英國病人

113：安娜.卡列林娜

114：泰山

115：森林之王

116：金色池塘

117：辛德勒名單

118：西線無戰事

119：霹靂天使1、2

120：佐羅

121：基督山伯爵

122：英俊少年

123：橋

124：查泰萊夫人的情人

125：驚聲尖笑

126：鐵面人

127：美國派系列

128：艷舞女郎

129：拯救大兵瑞恩

130：兵臨城下

131：叢林奇兵

132：神奇四俠

133：達芬奇密碼

134：莎士比亞的愛情

135：國家寶藏

136：野戰排

137：刀鋒戰士

138：驅魔人

139：保鏢