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电影木乃伊归来观后感

发布时间:2021-07-24 07:33:17

A. 《木乃伊归来》

最初安苏娜不是还为了伊莫顿自杀了吗?所以我们可以理解为:那个女的并不完全是安苏娜,借尸还魂。另外主角的伟光正形象总要有反派来衬托,所以编剧就...

B. 跪求<木乃伊归来2 >的英文影评

Mummy Returns,

The United States, 2001
U.S. Release Date: 5/4/01 (wide)
Running Length: 2:08
MPAA Classification: PG-13 (Violence)
Theatrical Aspect Ratio: 2.35:1
Seen at: UA Riverview, Philadelphia
Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Adewale Akinnuoye-Agbaje, Freddie Boath, Oded Fehr, The Rock, Patricia Velazquez
Director: Stephen Sommers
Procers: Sean Daniel, James Jacks
Screenplay: Stephen Sommers
Cinematography: Adrian Biddle
Music: Alan Silvestri
U.S. Distributor: Universal Pictures

The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million, Universal had already put two additional Mummy films into the hopper, awarding the series the "franchise" label. The Mummy Returns, which re-unites nearly the entire cast from the 1999 movie, is the first of these two proctions. The other, a prequel called The Scorpion King, will be released either later this year or next year, depending on how Universal arranges its release schele.

Stephen Sommers' 1999 feature was an enjoyable, if overlong, romp recounting the struggles of an adventurer and his companions to stop the apocalyptic agenda of an ancient Egyptian priest. While not entirely successful, The Mummy nevertheless boasted an infectious blend of high adventure, low-scare horror, and special effects that transformed it into a crowd-pleaser capable of sating the early summer audience until The Phantom Menace came along a few weeks later. Now, Rick O'Connell (Brendan Fraser), Evie O'Connell (Rachel Weisz), Jonathan Carnahan (John Hannah), Ardeth Bay (Oded Fehr), and (of course) Im-Ho-Tep (Arnold Vosloo) are all back. Joining them are a couple of notable newcomers: Rick and Evie's son, Alex (Freddie Boath), and the dreaded Scorpion King (WWF mainstay, The Rock).

The story for The Mummy Returns is a meager and muddled affair peppered with deus ex machina contrivances. A cult of power-mad Egyptologists (is there another kind?) have concocted a plan by which they can obtain world domination. First, they must resurrect Im-Ho-Tep, the mummy from the first film. Since they are being led by the ancient priest's re-incarnated girlfriend, Anck-Su-Namun (Patricia Velazquez), this proves to be surprisingly easy. Then, with his powers restored, Im-Ho-Tep heads off to do battle with the mythical Scorpion King, whose tomb lies in a pyramid at the center of a hidden oasis. In order to find that oasis, Im-Ho-Tep needs an artifact which happens to be in the possession of Alex O'Connell. And, when the boy is kidnapped, that brings his parents, his uncle Jonathan, and their old friend, Ardeth Bay, into the conflict. This results in a lot of chasing around the globe and a climax that features a special effects-laden battle between a large force of humans and an army of decaying, dog-faced creatures.

The fundamental problem underlying The Mummy Returns is the reason that the movie exists in the first place. This is not the byproct of the creative process; it's an off-shoot of Universal Pictures' greed. The sequel was made not because the filmmakers had a compelling story to tell, but because The Mummy made so much money that a second installment became mandatory. This thought process results in countless pointless and derivative sequels - a class in which The Mummy Returns unquestionably belongs. The plot is just a flimsy excuse to bring back old friends and stick them in a series of cliffhangers. It's low-rent Raiders of the Lost Ark, with high-quality special effects filling in for character development and intelligible storytelling.

Some of the action sequences in The Mummy Returns are fun and the visual effects are more polished and less noticably "fake" than in the previous film. Unfortunately, all of this can't obscure the fact that there is basically no plot. The clash of armies at the end has no purpose beyond showing off the effects mavens' skills at the computer. (In terms of style, it's reminiscent of the war in The Phantom Menace, albeit without the same strong story motivation.) The Mummy Returns has opportunities to do interesting things (at one point, there's a chance to force Im-Ho-Tep and Rick into an uneasy alliance, but that is neatly bypassed). Like the Indiana Jones movies, The Mummy Returns tries to blend low-key humor with a non-stop series of cliffhangers. However, while some of the jokes are funny, the action sequences are only sporadically satisfying, owing primarily to their often preposterous resolutions. And, while Rick possesses a certain charm, he's no Indiana Jones.

Brendan Fraser and Rachel Weisz rekindle the cute chemistry that existed between their characters in The Mummy. Freddie Boath makes an effective addition to the cast, primarily because he's not as annoying as most movie kids. John Hannah is back as the fatuous Jonathan. Arnold Vosloo's Im-Ho-Tep is subtly diminished, perhaps because he now has to share the spotlight with two other villains. Patricia Velazquez has an expanded role here from the one she essayed in the first film. And the part of The Scorpion King doesn't challenge The Rock's thespian abilities - all he has to do is snarl and look tough - things he is familiar with from his day job.

The Mummy Returns offers one surprise - an unexpectedly poignant dramatic moment in which we feel a surge of sympathy for one of the characters. Unfortunately, it's for one of the bad guys, which makes the ending a downer. Overall, the film probably offers what fans of The Mummy are expecting. The thinner, unnecessarily long storyline notwithstanding, this is essentially more of the same. It's hollow, lightweight entertaininment - not unpleasant, but far from the summer's definitive action/adventure flick.

C. 谈谈你对<木乃伊归来>的感受如何

LZ看得比我仔细多了,我也喜欢古埃及文化,对18,19王朝了解比较多,但对印贺特普就知之甚少了,呵呵
当时看这部片子就觉得编剧导演完全没有古埃及的相关知识,根本在瞎掰,看得我一头雾水,强烈鄙视

D. 电影木乃伊归来看的前后顺序

1。木乃伊
2。木乃伊归来
3。木乃伊:龙之诅咒
蝎子王是木乃伊归来的前传,讲的是那个蝎子王的事情,跟另3部没什么关系,主演也不是Brendan Freser,不看也没影响,因为蝎子王的事木乃伊归来开头会有讲到

E. 电影木乃伊剧情介绍

一共两部《木乃伊》《木乃伊归来》
还有没太大关系的前传《蝎子王》,这不算第三部

一部
故事发生的时间是一九二一年,一支探险队在埃及发现了古埃及王子因霍特的木乃伊,因霍特因为受到法老的诅咒,因而被作为祭品而活活埋葬。与此同时,在因霍特的墓穴中,也发现了特霍斯的神秘卷轴,据说这种卷轴能够重新赋予死去的人以生命。一天晚上,探险队中得一位年轻队员无意中大声朗读了这份卷轴,然后突然发起狂来,他突然意识到他的这种行为将把因霍特变成活人。十年之后,这个木乃伊假扮为一个现代埃及人,试图重新与他失去的爱人团聚。他的爱人也是一名年轻美貌的再生的古埃及公主。

F. 木乃伊归来的五百字观后感

木乃伊归来观后感
今天,我终于有时间有心情有耐性来看这部叫做木乃伊归来的电影-----
我发现我不喜欢这部电影;
不是因为电影不够好看,
而是,在这里我喜欢的木乃伊开始变得猥琐;
在第一部里,无论伊莫顿和安苏娜犯的是什么错误都是可以被人理解的;
因为,爱是无敌的,没有人能全胜;
可是,在木乃伊归来的时候......
既然已经相聚为什么要征服世界呢?
看到魔蝎大帝的时候居然说自己是仆人,我以为那只是班尼的专利;
安苏娜可以为他死,转世以后还能这样的寻找他,说不想失去他第二次,可是居然不去救他......
难道说3000年以后忽然在面对死亡的一刻发现了自己不爱了么?
原本不过两个男人各自为了心爱的女人活下来而不得不成为敌人、不得不消灭对方;
忽然之间,有了善与恶......好人、坏人 一眼可以分出-----
我以为木乃伊不是童话;
我以为木乃伊是现实的;
我以为应该是成年人的样子,没有绝对的错和对 、没有真正的善良和邪恶;
可是,我错了;
是编剧的选择,还是爱原本就不具有任何力量;
随时可以为了爱情死亡;
也随时可以为了爱情背叛?

G. 木乃伊归来电影

一共三部,第三部就是蝎子王传奇
http://www.gougou.com/search?search=%E6%9C%A8%E4%B9%83%E4%BC%8A%E5%BD%92%E6%9D%A5&id=0

H. 木乃伊归来读后感

木乃伊归来观后感
今天,我终于有时间有心情有耐性来看这部叫做木乃伊归来的电影-----
我发现我不喜欢这部电影;
不是因为电影不够好看,
而是,在这里我喜欢的木乃伊开始变得猥琐;
在第一部里,无论伊莫顿和安苏娜犯的是什么错误都是可以被人理解的;
因为,爱是无敌的,没有人能全胜;
可是,在木乃伊归来的时候......
既然已经相聚为什么要征服世界呢?

I. 如何评价电影《木乃伊》和《木乃伊归来》

故事发生的时间是一九二一年,一支探险队在埃及发现了古埃及王子因霍特的木乃伊,因霍特因为受到法老的诅咒,因而被作为祭品而活活埋葬。与此同时,在因霍特的墓穴中,也发现了特霍斯的神秘卷轴,据说这种卷轴能够重新赋予死去的人以生命。一天晚上,探险队中得一位年轻队员无意中大声朗读了这份卷轴,然后突然发起狂来,他突然意识到他的这种行为将把因霍特变成活人。十年之后,这个木乃伊假扮为一个现代埃及人,试图重新与他失去的爱人团聚。他的爱人也是一名年轻美貌的再生的古埃及公主

J. 关于电影《木乃伊归来》里的内容。

木乃伊系列第三部的背景当时设定不是埃及了,最初是玛雅文明,后来改为了中国。编剧毕竟制定了这么一个剧本,看来要为埃及片画上句号。

麻烦采纳,谢谢!

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