㈠ 求电影《澳大利亚》的英语影评
Australia
Proction year: 2008
Country: Rest of the world
Cert (UK): 12A
Runtime: 165 mins
Directors: Baz Luhrmann
Cast: Ben Mendelsohn, Bill Hunter, Bryan Brown, David Gulpilil, David Wenham, Hugh Jackman, Nicole Kidman
The ambitious, not to say hubristic, title Australia brings to mind the blockbuster novels of James A Michener that took a place (Hawaii, Poland, Texas) and gave us its history from the Stone Age to the present, incorporating in the later stages a romantic tale of the struggles of three or four generations. Baz Luhrmann does something vaguely like this by having a 12-year-old Aboriginal boy steeped in the lore of his people narrate the story, though the setting is confined to the Northern Territory and the time frame a mere three years from the outbreak of war in 1939 to the Japanese air raids on Darwin in 1942. But a condensed TV mini-series is nearer the mark.
Australia is populated by faces made familiar by Australian films of the past 40-odd years - Ray Barrett, Jack Thompson, Bryan Brown, Bill Hunter, Tony Barry, David Gulpilil among them - and in a superficial way it revisits the heroic period of Australian cinema in the 1970s and 80s. That was when Peter Weir, Fred Schepisi, Bruce Beresford and others were exploring - in movies like Picnic at Hanging Rock, The Chant of Jimmie Blacksmith and Gallipoli - such pressing issues as the relationship of white Australians to this mysterious new land, guilt over the treatment of dispossessed natives, the burden of cultural inferiority and the shaping of a national identity. The next wave of film-makers turned away from these big subjects, focusing on comedies and small-scale dramas of suburban life.
Luhrmann's Strictly Ballroom was a major example of this new antiheroic cinema and his next two movies - a Romeo and Juliet set in Latin America and the musical extravaganza of fin-de-siècle Paris, Moulin Rouge - took him into worlds of artifice far removed from everyday life. But Australia isn't really taking up the themes that once made Australian cinema so vital. It's imposing Hollywood styles and forms on the Australian experience and it falls into two distinct parts, the first a western, the second a war movie.
Australian film historian Brian McFarlane coined the term "wallaby western" to describe Outback adventures inspired by the Hollywood horse operas that have been a regular feature of cinema Down Under since the silent days. In Luhrmann's film, Nicole Kidman plays Lady Sarah Ashley, a parodic British aristocrat who flies in September 1939 to Australia, where her errant husband runs a cattle station in the Northern Territory. Meeting her in Darwin to escort her to the farm is "the Drover" (Hugh Jackman), a tough, independent wrangler.
They correspond exactly to the haughty East Coast sophisticate arriving on the American frontier with her fancy city ways and the plainspoken cowboy at home on the range, so often played by Maureen O'Hara and John Wayne. Initially hostile to each other, the pair develop a mutual respect and romance inevitably follows. This occurs when Lady Ashley's husband is found dead (murdered by thugs employed by a rival cattle baron) and to save the station's fortunes, she and the Drover must take a herd hundreds of miles to be shipped out of Darwin.
Two major Wayne westerns are here brought together - Red River and The Cowboys - and in an exciting, melodramatic manner the cattle drive takes place over awesome terrain to music that echoes familiar scores by Dmitri Tiomkin and Elmer Bernstein. A subplot centres on Lady Ashley's protective relationship to the narrator Nullah (affectingly played by Brandon Walters), a half-Aboriginal boy. She attempts to save him from being sent by law to a mission school and raised as a déraciné white child. This parallels the half-Indians torn between conflicting cultures in the western.
The war movie genre forms the second half of Australia. The escalation of hostilities following Pearl Harbor coincides with the deep-dyed villain conspiring to have Nullah taken into custody. As European children are sent south from Darwin for safety, Nullah and other half-Aboriginal orphans are dispatched to a mission island near Darwin that puts them directly in harm's way.
Fortunately, Lady Ashley, having separated, à la Scarlett and Rhett, from the Drover, has left her equivalent of Tara to do her bit for the war effort in Darwin. While they rush around trying to save Nullah, one mini-climax follows another as the Japanese air force attacks the city and their army lands on the orphans' island. At this point, Luhrmann evokes From Here to Eternity, Pearl Harbor, Gone With the Wind (the burning of Atlanta and its aftermath) and wartime anti-Japanese action movies.
It is all absurd, and yet absurdly entertaining, the stylised special effects adding to the weirdly unreal feeling. But you don't go to Baz Luhrmann expecting to find Patrick White, any more than you buy a ticket for South Pacific expecting to experience The Naked and the Dead. Meanwhile, the numinous presence of the Aboriginal shaman, Nullah's grandfather King George (David Gulpilil), and the movie of The Wizard of Oz hover over the picture. Lady Ashley cheers up Nullah on the cattle drive by telling him the story of Dorothy's quest and singing a half-remembered version of Over the Rainbow; later, Nullah sees the movie at an open-air cinema. As Baum's Oz meets Baz's Oz, "dream time" merges into the Hollywood cliche of "living your dream".
The movie ends with Nimrod from Elgar's Enigma Variations accompanying Nullah on walkabout with King George. The world is at war, but Europe and Australia, city and country, past and future are at peace as the Drover and Lady Ashley embrace in their outback paradise. When they marry, will she be called Lady Drover?
㈡ 电影 荆棘鸟 观后感 600字
这算是我看得最长的外国小说，一共500多页。是空前，但不是绝后。因为家里才买了本700多页的小说。这篇小说的文案不吸引人，但是却被第一章吸引住了。我觉得文章的开头非常重要，甚至比结尾还重要，只有开头能够攫住读者的，才能够让人有继续的欲望。这篇小说就是开头吸引了我。真正吸引人的开头不一定要轰轰烈烈，不一定要死去活来，真正有水平的作者，哪怕开头用的是一个很平淡的事情，也可以写得引人入胜，或许这就是妙笔生花吧。
开头平凡到不能再平凡，一个小女孩，梅吉，收到了一个梦寐以求的四岁生日礼物，一个芭比娃娃。梅吉给她起了名字：艾格尼丝。然而还没等梅吉兴奋完，两个淘气的哥哥就跑来蹂躏她的艾格尼丝。梅吉又气又急，只能在一边哭喊着，直到家里的长兄弗兰克出现的时候，才赶跑了两个淘气的弟弟。然而艾格尼丝已经段成几段了。
作者的笔法胜在多人物的细腻描绘上。从梅吉在拆开礼物之前的心理，一直到最后都是相当地细致。当梅吉拆开礼物的时候，那种惊喜甚至有点点难以置信的心理，她一直以为她不会得到这个小娃娃，竟然在生日的时候得到了；两个淘气的哥哥过来抢走了她的艾格尼丝，梅吉那种悲伤无助的心情。弗兰克赶走两个弟弟之后，对妹妹的细心安慰，当梅吉看到被扯得四分五裂的艾格尼丝时那种惊慌的表情。一个场景下来，我几乎是立刻喜欢上了小梅吉，如此纯洁的小女孩，如此温馨的家庭场景。
梅吉的家庭是一个庞大的家庭，前后共有九个儿女，但只有梅吉一个女儿，儿子之中先后又死了两个。所以到最后这个家族还是有七个儿女。这让我颇为汗颜。
全书分成七部，每一部都以一个人物作为中心。但其中最牵动人心的，也是全书的最亮点的是梅吉和神父拉尔夫之间的爱情。
梅吉一家以前是住在新西兰，后来迁往澳大利亚的姑妈玛丽·卡森家，澳洲最大的牧场之一德罗海达，从此便一直在那里生活。而拉尔夫神父跟梅吉其实是忘年恋，认识拉尔夫的时候，梅吉还只是一个七八岁的小女孩。天主教的神父是不能结婚的，所以这段爱情是禁爱，所以这两个人，尤其是梅吉一直陷于欲爱不能的痛苦之中。梅吉一家热爱那片德罗海达的土地，尽管这片土地夺去了他们的父亲和一个兄弟的生命，为了这片土地，梅吉的几个兄弟都没有结婚。而梅吉也只有一儿一女。
拉尔夫一直陪在梅吉身边，看着她成长，直到玛丽·卡森一张遗嘱把德罗海达的一切交给拉尔夫、交给教会，无论梅吉一家是否接受这份遗嘱，拉尔夫都没脸再跟他们一家长期相处。为了教士的忠贞、为了将来，拉尔夫公开了这份遗嘱，然而梅吉的爸爸却没有因此感到气愤，梅吉家族的宽容让拉尔夫无法再在德罗海达呆下去，于是便离开了梅吉。梅吉后来嫁给了新请来的长的很像拉尔夫的牧场工人卢克，并且离开了德罗海达，跟着卢克去昆士兰州闯荡。但是卢克一直沉迷于工作，这让梅吉伤透了心，在她一个人前往大堡礁度假的时候，在那里与拉尔夫度过一生中最浪漫的时光并怀上了他的孩子后，她终于决心离开卢克，回到德罗海达。之后便是开始她的一双儿女的故事。戴恩长得很像拉尔夫，而且最后也成为了一名神父，只可惜年仅26岁便死于一次海上救助。女儿朱丝婷最终也确定在欧洲发展她的演员事业。
书很长，概括主要内容起来还真不容易啊。我好不容易才写到这样“短”，而且也已经是删掉了好多经典的桥段。也好，写太多就“书透”了。
在这本小说里面，最让我思考的不是拉尔夫和梅吉之间的爱情，而是男人是如何对待事业和爱情的。作为一个“来自金星”的人要去揣摩一群“来自火星”的人的心理还真是不容易，所以我也不得不说我一直都没有弄出结果。
说回遗嘱那件事情，拉尔夫为了他的誓言、为了他的事业，他公开了玛丽·卡森临死前写给他的一份遗嘱，这份遗嘱虽然让他在教会获得了很高的地位，但是他付出的代价是离开德罗海达，离开梅吉。就像他后来说的，为了他的事业，他把梅吉给卖了。最后他扶摇直上，最好到了罗马做红衣主教。
虽然是这样，我确信拉尔夫是深爱梅吉的，在德罗海达发生大火之后，拉尔夫连夜赶来，当听到梅吉的父兄在这场大火中死去的时候，他第一句话就是：梅吉呢？梅吉呢？
梅吉难产，而这个时候，让所有人都吃惊的是，拉尔夫居然来了。
而当梅吉一个人去大堡礁度假的时候，他立刻前往大堡礁去找梅吉。在那个没有任何人打扰的小岛上，他们度过了一生中最幸福的时光。
至于卢克，开始我对他还报有希望，希望他能让梅吉幸福。但是当发现他是个情场老手，更发现他冲着梅吉来原因之一是梅吉是德罗海达的唯一女性继承人的时候，我就感觉不妙了。卢克带着梅吉到昆士兰州创业，卢克把梅吉留在穆勒夫妇家中当管家，而自己却迷上了收甘蔗的工作，他常年在外几乎没有怎么跟梅吉一起。男人出去打拼，让妻女留守也是常有的，很难说卢克不爱梅吉，但很确定的是他从来没有关心过梅吉。
这种男人更适合当情人吧。更无语的是，按照穆勒夫人的说法，卢克不仅没有生意头脑，还是个守财奴，不敢听从穆勒夫人的意见买下一块土地来投资。到了最后，估计他一辈子都在割甘蔗，直到割不动了。所以梅吉离开他是相当明智的。
拉尔夫和梅吉是真心相爱，只是神父的身份让他无法成为梅吉的丈夫（我倒觉得忘年恋不是问题）。
全书里面，最让我惊讶的是梅吉的母亲菲奥娜（小说中一直简称为“菲”）。那个优雅、性格沉默温和，在弗兰克离家出走、丈夫和儿子死后心如死灰的人，表面看上去她谁也不关心的人，却是最了解梅吉的人。她和梅吉感情不算很亲密，但是自从菲从女儿手上接过孙子戴恩的时候，她就知道戴恩不是卢克的儿子，而是拉尔夫的儿子。这在很后面才交代了出来，那时候还真是吓了我一跳。她理解梅吉，不仅因为她明白既然梅吉不想跟卢克过日子了，自然就不会跟他再有第二个孩子。更是因为她和梅吉的经历是惊人地相似。她的大儿子弗兰克是她和别人的儿子（她是带着弗兰克嫁给后来的丈夫的），而弗兰克的生父在新西兰是一个有头有脸的有妇之夫，他们也是相爱但注定无法在一起，当她怀上弗兰克的时候，她非常开心，因为菲觉得就算没办法嫁给他，也能从他那里得到一个孩子，也能从他身上“偷”来一个孩子。这个想法跟梅吉怀上拉尔夫的孩子时一模一样。然而她也告诉梅吉，是“偷”来的终究要付出代价，弗兰克身陷囹圄，而仿佛预言一般，戴恩年仅26岁就死了。
荆棘鸟，明知用荆棘刺穿胸膛后，在那首生命绝唱完成之后，自己也会死去，然而它不得不如此，明知事情行不通却仍然要这样做。然而还是菲的那一席话点破了一切：每个人都唱着自己那支小小的曲子，相信这是世界从未聆听过的最动听的声音。难道你不明白吗？咱们自己制造了自己的荆棘丛，而且从不停下来计算其代价。我们所做的一切就是忍受痛苦的煎熬，并且告诉自己，这是非常值得的。
㈢ 10部英美电影的观后感 200字左右
选一部写它的英文影评 The Liz Murray Story Thora Birch stars as ! 参考资料：网络文库 分确实太少了。还要用英语。
㈣ 求一篇英文电影观后感
公主日记 1
<Princess Dairies> is my first English fiction.This book is very funny and imaginable.Make me feel like I am the one of the book.<Princess Dairies> talk about our little girl's dreams.Let us can have a life like "Pricess".I like this book.I hope you guys can have fun of it.
《The pursuit of happyness》当幸福来敲门
After watching it i learned that catch every chance what i meet and be activly to the life.And god will never miss us or give us upLike the actor, he can be such a life in the bottom of society commitment-phobe deced, at least, I was really touched. In order to pay the rent and looked at his son to send the kindergarten fees, looking at his envy ground to looking at a securities broker's figure, looked at him with a securities broker to win the opportunity to communicate with time, sit on the same car, looking at him and they are expecting to speak, he wants to become a securities broker. At last, he finally out of the crowd
海上钢琴师
Leggenda del pianista sull'oceano,la
Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.
What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...
You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end.That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.
How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...
I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
一生与弗吉尼亚号相伴，生于斯,长于斯,死于斯，从未踏上过陆地,即使为了爱情曾尝试过。
没有出生证明,没有户籍身份,说其未曾存在也不为过.
纯洁的心灵和音乐如此的贴近.尘世的浮华,伪装与面具在流动的音乐面前不堪一击.
他的一生,对欲望不以为意,却拥有纯粹的追求;与爱情擦肩而过,却理解更为深刻的美丽，伸手触摸琴键,将人的一生在乐声中灵性的写意出来.在他的眼里,每个人都是一段乐章.
我不认为这是悲剧,即便会流泪。那何尝不是幸福，能够在一生中追求他所追求的.
㈤ 求一篇英文电影的观后感
电影《肖申克的救赎》The ShawShank Redemption 观后感。
Hello, everyone, my topic today is “The ShawShank Redemption”. Prison as a special place for prisoners is part of the society. It’s special because of its depriving the freedom of the prisoners. The prisoners in that situation are more sensitive to freedom than people in other situations. When they lost it, they found that it was so necessary to them that they looked forward to regaining it. By contrast, the people lived in the political society were interested in courting the fame and gain. They lost most of their inherent character. They put their soul into the fence of their own. They gave up the freedom of thinking. They forgot their original dream. The demands of the spirit were materialized to a position or some numbers.
A prisoner spent almost all the life in the prison. When he got the parole, which was applied for many years but without reply, he didn’t feel happy, but sad. He wanted to go to the prison again. He wanted to live in the place he knew. In the prison, he was a key who had knowledge and position. But when he went out of the prison, he found he was only an old man without anything. He couldn’t finish his work quickly because his hands had suffered the arthritis. Unfortunately, he even had no power to struggle. As a result, He chose to suicide because it was the only thing he could do by himself.
Red was a superman in the prison. He could find things that weren’t in the prison at all. But when he went out of the prison, he could do nothing. He lived in the fear and felt so lonely. He loved freedom but he couldn’t realize his value. In this film, Red said, “Hope is a dangerous thing. Drive a man insane. Nothing will take place here. You’d better get used to the idea. These walls here are kinds of funny. At the beginning, you hate them, then you will get used to them. As time passes, you will depend on them. That's institutionalizing.”
In this film, Andy as the symbol of the hope lived in the prison for 20 years. He remained his dream all the time. On one hand, he looked forward to getting freedom. On the other hand, he believed that he was innocent of the murder. The real reason was his profound thought about hope. In his opinion, hope is a good thing, maybe the best thing, and no good things ever die. It makes a strong man save himself, and a great man save another one. According to this idea, the life in prison for 20 years did not made Andy give up the hope, but made him comprehend the meaning of the life. In fact, hope is a mood without ambition but it really exists.
The sky, the sea and the beach compose a romantic picture. When Andy and Red, two weather-beaten friends, saw each other again in the island, all hardship of 20 years made Andy tougher and their friendship get harder as the same.
最好你自己也去看看，根据你的感受修改下会表现更好！这实在是一部很Man的电影，拘于困境，受尽委屈却不屈不挠，对自我的拯救！
㈥ 电影老外观后感
[电影老外观后感]今天法盟和武汉法国领事馆共同组织了,这部名为老外的电影见面会.本来昨天准备去新天地看这部片子的,因为下雨没去,没想到今天竟然看成了.电影讲述了一位来自法国的sohoIT工程师和一位来自武汉但在上海教外国人中文的女生的爱情故事.电影的前半段在上海取景,后半段拯救爱情部分都是在武汉取景的,看到了我们熟悉的江滩,户部巷,黄鹤楼,长江大桥,汉正街,很是惊喜！特别是电影中还出现了不少武汉话,武汉麻将还有在江边卖唱的那些艺人,还有大宝(法国IT工程师)在武汉遇到的两个武汉人开解他是的那些武汉式普通话,感觉特真实！也秀有趣！这是在武汉的汉正街取的景,很是热闹吧！这是大宝在街边打武汉麻将,我还听到有说"这是赖子",好搞笑！这是男女主角,两人发展恋情时.看电影时感觉男主角,Il est tres aimable.他在电影中唱的中文歌让我们在场的人有惊艳的感觉,而且他的中文说得真的很棒.今天有幸看到他的真人,还是蛮帅的,用手机照了几张几个演员的合影,不过效果不太好,就不发上来了.女主角应该不是武汉人,武汉话说得不标准,不过倒是演出了武汉女孩的火爆脾气！感觉这部片子还不错,如果是武汉的朋友推荐看下,一定会找到很多共同点！MSN（）〔电影老外观后感〕随文赠言：【人生舞台的大幕随时都可能拉开，关键是你愿意表演，还是选择躲避。】
㈦ 外国影片观后感
最好自己写。一般先简要介绍一下电影内容，然后就剧情、导演、演员、摄影、音乐等某一方面进行分析评论，最后总结一下。
给你提供几篇英文影评供参考：
http://..com/question/224018772.html
http://..com/question/223725915.html
http://..com/question/226429087.html
http://..com/question/226142095.html
give me最佳答案
㈧ 英文电影的观后感（英文）不要太深奥哦！3篇 谢谢喽！
初恋50 First Dates
What would it feel if I can wake up
everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me
this feeling. Every morning when she woke up, she only rememberred the Sunday
of last year which was her father’s birthday, also the date she had the car
accident which made her only keep memory before Sunday, so she always felt
happy living the same habit as what she did on Sunday a year ago with the kind
set-up by her father and brother. After meeting Henry, she could only remember
who he was on the same day. But after one night, he became a stranger to her.
She couldn’t even recognize he was the one she used to date and love everyday.
Henry tried his best to give her a new different meeting every day so as to win
her smile and regain their “First Date”. Henry made her tapes every morning to
help her remember what happened the day before and the last whole year. Lucy
thus felt grateful with all she had when she woke up everyday. On the same day,
she always had the same deep gratitude to face Henry with her sweet smile.
What a beautiful feeling it is to always
feel thanksgiving and to always appreciate each other’s effort. A touching
story between a memory lost woman and a devoted man taught all of us, normal
people, the essence of love. When two people can thank each other for their
devotion everyday like what they did for each other on first date, love can
forever be refreshed and energetic. On Lucy’s side, people with memory will ask
for more than yesterday and become critical of their partners day by day, while
people without memory will feel grateful for their life and the people around
them everyday.
In the movie, when one day Lucy decided to
break up with Henry to let him rebuild his life by burning all their diaries
and tapes, I cried for Henry’s broken heart. For her, it was just one day
feeling. For him, it was long-term affection and connection. It was easier for
her than him to give up their love. On Henry’s side, people with memory will
always remember the past happiness and treasure it for the rest of their life,
while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a
relationship just after one minute thought. People with fragile mind would
easily ruin a long-term relationship no matter what reason they have. The
torture between Lucy and Henry tells us the fatal factor to do harm to intimacy
between a couple is their fragile mind of balancing emotion and reason. Thus
most of couple lose their trust for each other after experiencing this weakly
testing broke-up.
飓风Taken
What is the right relationship between the
father and the daughter? There is no certain answer. But the love of Brain's to
his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old
girl was kidnapped ring a tour in Paris. Brain got the news and hurried to France
to take his daughter. He found that the gangsters that kidnapped his daughter
were connected with an old friend which made him exetreme angry. He finally
found the place where was holding an auction selling young virgins and broke in
successfully taking his daughter away.
No matter how hard and stressful the
situation was, and how dangerous things he faced, he never went back just
because of the greatest love of a simple father. In the movie, we are all moved
not only his actions of kindness, but also his insistance and the greatest of
all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed
Norton) illusions reaches Crown Prince Leopold (Rufus Sewell), the ruler
attends one of the magician's shows in order to debunk the performance. But
when the prince's intended, Sophie von Teschen (Jessica Biel), assists the
magician onstage, Eisenheim and Sophie recognize each other from their
childhoods, and pretty soon they're totally hot for each other. As the
clandestine romance continues, the prince's best cop (Paul Giamatti) is charged
with exposing Eisenheim, even while the magician gains a devoted and vocal
public following. Before long, Sophie turns up dead, and the logical suspect is
Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead
thriller: A kidnap victim who does not know where she is being held phones a
total stranger who must then stay connected on his cell phone to find her
before she is killed. Joel Schumacher scored earlier with a similarly phone-themed
Larry Cohen story, "Phone Booth." As executed by tone-deaf director
David R. Ellis, however, "Cellular" becomes an unintentionally
hilarious cousin to Brian de Palma's "Raising Cain" and "Snake
Eyes."
Ellis seems to have unwittingly spliced together
two different films with mismatched tones: Kim Basinger as the kidnapee and
Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video
thriller half, while Chris Evans as the rescuer and William H. Macy as a police
officer seem to be in a "Saturday Night Live"-alum action comedy.
Nowhere else is the disjointedness in tone more apparent than when Basinger and
Evans's performances are placed side-by-side ring their conversations: The
scenes keep cutting between an overwrought Basinger wringing out every drop of
melodrama, while a blissfully inept Evans seems to be channeling a cross
between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended
to generate thrills and surprises. He throws in out-of-nowhere
"shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero
slo-mo; and yet, Ellis has no handle on staging any of them competently. Case
in point: "Cellular" is the proud owner of one of the most ineptly
scored chase sequences ever, as if Ellis simply heard a snippet of the song's
lyrics ("...where you gonna run to?") literally and paid no attention
to the inappropriateness of the accompanying music (which just bop, bop, bops
along). (The song is even reprised ring the closing credits, which itself is
misbegotten in conception.)
And yet, for all of its failures as art,
"Cellular" is always entertaining for those very same faults
㈨ 5篇英文电影观后感(观后感中文)！
1.玩具总动员1
最近，我看了一部极具“人情味”的动画片，它的名字就是《玩具总动员》。
它讲述的是：
胡迪是小主人安弟最喜欢的传统牛仔玩偶，他和其他玩具趁主人不在时，便会“活”起来一起玩闹。可是好景不常，最新奇的热门玩具巴斯光年来了，他让胡迪备受冷落。失宠的胡迪为了巩固自己的地位，只好处心积虑地想要赶走巴斯。最后，胡迪和巴斯不幸化敌为友的故事。
看完此片，我想到了那些以前被我丢弃的玩具，它们在黑暗的垃圾桶，废弃堆里，是否会伤心，是否会抱怨？我想是的，因为它们不仅仅是玩具，它们也是有思想的，当你的玩具被你遗忘的时候，他们也会难过的。
或许，你现在觉得那些老玩具已经不潮了，但是你在抛弃他们的时候，没有怀念过曾经与他们在一起度过的美好时光吗？
2.功夫熊猫
还是一贯的梦工场的高水准，画面精致细腻，人物生动传神，故事情节曲折动人，最重要的是它以最简单易解的方式说明白了一个道理，那就是——世界上没有任何捷径和秘籍，唯一的制胜法门就是相信自己。
不想再说更多的剧情，因为它真的很出色。看的过程中，频频出现人们会意的笑声，整个氛围相当的轻松和惬意。这个片子做得非常地道，一点儿也没有是由西方人演绎的感觉，不论是故事还是其中传达的意境，不论是画面还是其中的细节，都是东方式的；唯一特别的可能就是出现的现代的口语，比如ok之类的。
3.美人鱼公主
周日中午没睡午觉，特意看了动画片《美人鱼公主》，相信这部动画片很多人都看过，因为它美丽，浪漫，充满了神秘的气息，而且制作精美，设计巧妙，又尤其美人鱼形象堪称一绝。
美丽的爱丽儿是一条可爱的小美人鱼，她一心向往人类世界，每天都想尽办法游出海面，企图能够接触人类。可是接触人类世界却是人鱼法律所禁止的。她聪明、勇敢、喜欢冒险，常和她最好的朋友小比目鱼胖胖还有音乐大臣赛巴斯丁一起出去探险
个人很喜欢美人鱼这个动画角色，也许每个女人潜意识里都会有些浪漫情结吧（老公经常强调我不浪漫，太现实，喜欢斤斤计较，抓住别人的小辫子不放，虽然我一直没找到机会和辩词来进行反驳，但我心里是从来都没承认过我有这么多的缺点的。），虽然小孩都上幼儿园了，但还是喜欢看这个动画片。
4.《冰河世纪3》——观后感
从两只松鼠的开场到两只松鼠的结束将此故事做了一个引导的作用。
整个故事给人有种从外界进入一个环境美丽但确又有着难以想象的冒险，最后战胜敌人最终boss鲁迪救回朋友到了自己的家园完美结局。整部影片的故事情节很生动，让人的心里有随着故事发展起伏和夸张的似人情感表现出角色的观众的心理舒畅，有让人在观看中找到解放天性，狂放野性奔放的想象力等，除此之外还有里面的角色的拟人行为思想和动作的结合体现给我的感觉是很有趣、很搞笑、很轻松。影片给我的第一感觉是很独特有种让人想进入这样环境的感觉。在影片的画面和音效的完美结合中给人的第一印象是非常有好感。
5.《飞屋环游记》——观后感
本影片在没有冰河时代那种有搞笑和赏心悦目也没有那种惊奇的搞怪夸张幻想在里面，只是很似人的故事情感的塑造了一个人物的思想和被改变到最后的为了救罗素和kevin和查尔斯的战斗让故事有了一个很好的体现人的性情和理想愿望等。他在为了完成心爱人的愿望将他们的房子放到天堂瀑布不懈努力坚强执着 一定要将这件事做完而放弃了kevin被查尔斯抓走而为了房子放弃营救，看出他心里情绪是多么在乎他妻子的愿望不为过之后，看了妻子留给他的……而想通。之后他在回想到与罗素、kevin和狗的生活，这些让他感受到了朋友的重要。他就马上行动去救罗素。他就把所有房子里的东西让自己……在有失去房子他那时的心里和最后罗素坐在房子旁数车的色彩，说明人物已经从过去的悲伤中走了出来，这里可以体现整部片子的人物生活性情的改变，说明我们现实也许要……
㈩ 电影观后感(英语,不少于150词)
提供墨水心电影的英文观后感，202单词，见附件。
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