❶ 求电影《剪刀手爱德华》英语影评
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
这个评的很全面完整，语言也很到位
❷ 剪刀手爱德华观后感123
很好的一部影片，爱德华是一个未完成的机器人，意外地被佩格带回家，可是他根本就不适应这个繁华的人世，他那畏畏缩缩的身体，四处躲避的眼神，透露出他对这个世界的未知和害怕，当他第一眼看到佩格的女儿，从他的眼神中可以看出他喜欢这个女孩，也正因为这份喜欢，或者说是爱吧，最终让他们都痛苦，爱德华一直默默地为金（佩格的女儿）付出，即使知道别人要他去偷东西，他还是硬着头皮去了，只是为了她，而后当他逃回城堡，金的前男友想要杀死他，他只是一味忍让，没有还手，金的前男友打了金，此时的他不再容忍，杀死了金的前男友，自此故事差不多结束了，以后爱德华一直住在古堡里，每年他都会制造出雪花，以此表达他对金的爱，一个无法收到回报的爱，当两个不同世界的人相爱了，分开也是难免的。
电影结束时飘落的雪花，让人无限遐想，也让我为那份爱而感动。
片中Jonny Deep的眼神让人难忘，太传神了。
❸ 剪刀手爱德华 英文影评50字
剪刀手爱德华的简短英文影评，见附件。
如果看不到附件，请用电脑访问。
❹ 《剪刀手爱德华》观后感 作文
大家知道约翰·德尼普吗？当然，大家肯定对他不陌生，他就是《查理与巧克力工厂》中，大型巧克力工厂的主人----威利旺卡的扮演者。如果大家认识约翰·德尼普的话，那就一定不会对《剪刀手爱德华》这部影片感到陌生吧。
我觉得，《剪刀手爱德华》这部影片可以说是我看过的电影中看过的最感人的一部作品了。《剪刀手爱德华》讲述的是一个名字叫爱德华的机器人，他的父亲是一位伟大的发明家，他发明了许多东西。有一天，他突发奇想，要造一个机器人来当自己的儿子，很显然，机器人被成功发明出来了，但是，由于时间关系，发明家暂时没有造出爱德华的手，所以就用剪刀七凑八凑，凑成了一双剪刀手，发明家还给这个机器人起了一个好听的名字，爱德华，这位发明家用自己的三分之二的寿命来研制并教会爱德华如何做好一个人，就在圣诞节那一天，这个发明家终于把这双正常的手研制出来了，不巧的是，就在发明家要为爱德华装上这双手的时候，发明家就老死了，就这样，爱德华拥有了一双不同寻常的剪刀手。在许多年过后，爱德华居住的古堡被世人发现了，一位名字叫做佩格的雅芳销售代表误入了爱德华的古堡，而佩格就把爱德华接到自己的家里，本来，爱德华应该享受一个平凡的生活，但是，因为自己拥有一双剪刀手，所以，许多佩格的邻居经常光顾自己的家里……
剩下的我就不说了，有待大家去找电影看去。
❺ 关于《剪刀手爱德华》的英语影评，
Once upon a time, an inventor lived in an old castle isolated on top of a hill. He created many ingenious devices and one day, he decided to create a man whom he call Edward. The good-natured scientist took care of him like if he was his own son, but he was old and died before he could complete him. Left all alone with scissors instead of human hands, Edward remains in the castle until he is befriended by Peg, a woman from the neighbouring town who feels pity for his loneliness and decides to bring him to her home. His difference quickly becomes an obstacle which prevent him from being fully accepted as a member of society. Soon, the unsuspecting Edward, becomes the focus of much gossip and awakes either curiosity, hilarity, anger or fear amongst the whole neighbourhood. Also, his innocence and good nature make him an easy victim for the unscrupulous. His artistic talent are exploited by all. And as he falls in love with Peg's daughter, she abuses his kindness and tricks him into helping her and her boyfriend burglar a house. His initial naivety leaves place to feelings of frustration, reject and revolt at people's ways. Edward also comes to realise, that he can be dangerous to others, that he is unable to even touch others without inadvertently harming them because of the sharpness of the blades he has instead of hands. Soon false rumours start spreading. People begin to fear him and wish him away. This is a wonderful tale about love and kindness, but also about rejection and estrangement. It shows the limits of people's tolerance for what is different from them and how strangers, those who stray from the norm, commonly named 'misfits', awake mockery or fear from a society which will use them and ultimately reject them, thus breaking their innocence and goodness. Though a harsh satire of people's vices, such as deceit, gossip, jealousy, hypocrisy, as well as a tragic witness to the pain and frustration linked to being unable to be accepted as one is by others, the tone is still infused with an ever constant sweetness, gentleness and innocence. The acting is impeccable. Depp's performance as Edward is truly touching and Keaton and Price's characters are full of gentleness. Their good-nature shows humanity at its best while some other characters efficiently show its least pleasant aspects. The photography is quite beautiful and is thematically based on a strong contrast between Edward's universe, the dark noiseless castle, strongly influenced by the gothic visual style, with the town, filled with bright colours and voices. The apparently gloomy castle is in fact a shelter from the seemingly happy outside world, which is in fact, much darker and sinister underneath its bright colours. The music is simply great, Danny Elfman being one of the most talented contemporary composer. His style is at times moving, soft, wild, silly, weird and crazy. He has worked on many musical soundtracks since, but this one is probably the most beautiful he ever created.
❻ 剪刀手爱德华观后感
最可怜的莫过不可以拥抱心爱的人，哪怕是牵手都不可以。
❼ 剪刀手爱德华影评 英文版
取你看的懂得部分写吧……
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
❽ 剪刀手爱德华英文版影评
一次心灵之旅——观《剪刀手爱德华》
看完这个故事，很震撼，还有一点心痛。
这应该是部很老很老的片子了，但对于我，却是第一次完整地看。它讲述了一个离奇而又感人的爱情故事，让我们一起走进这个故事。
影片在大雪纷飞中开始了，一位老奶奶给小孙女讲故事，由此引出了我们的主人公——爱德华。爱德华并没有直接登场，接下来出场的是派格—— 一位雅芳推销员，在她推销商品连续吃了四次闭门羹后，车子反光镜映出了古堡，于是她造访了古堡并发现了孤独生活在此的爱德华，出于对他的同情，派格把他带回了自己的家。
你一定会奇怪爱德华怎么会有一双剪刀手呢？影片逐步为我们揭开答案。实际上爱德华并不是真正意义上的人类，它是由独居在古堡的类似于科学怪人发明家制造而成的具备一切人类功能的模拟人，剪刀手只是没装手前的代替，但也正可悲在这一点，就在发明家要给爱德华安装手的那一刻，发明家却突然去世了，只留下了仍然带着剪刀手的爱德华……不禁想起鲁迅的那句名言：悲剧就是把美毁给别人看。
这个故事的大框架和《泰坦尼克号》很像，都是由年老后的女主角讲述她年轻时候的爱情，并且都是很感人但结局并不完美的爱情故事，也正由于这不完美，才使得爱情本身变得那么刻骨铭心。
让我们继续着爱德华在派格家的生活。不适应，那是肯定的。穿衣吃饭那些对我们再简单不过的事对爱德华而言却是那么困难，他总是会不小心剪破衣服或者怎么努力也不能把食物送入口中，还有水床，当他的“手”碰到床时一株水喷射而出时他惊慌的样子让人感到很好笑，同时也不免觉得辛酸。让我高兴的是，爱德华的剪刀手在修剪方面有着惊人的魔力，修剪树木、为狗狗剪毛甚至为人理发，它是如此的神奇。于是爱德华以灵巧异常的剪刀手和温和的性格博得了人们的欢迎。
在来说说爱德华的爱情。从来到派格家的第一天，爱德华就不由自主地爱上了照片中的漂亮女孩，也就是派格的女儿金。他们的见面是以惊吓作为开始，然后是爱德华心甘情愿的被所爱的人利用去偷东西从而引发了噩运并使爱德华最终不得不返回古堡与爱人分离。而金也在生活中逐渐爱上了善良的爱德华。但这本是一个不能成就的爱情。在偷盗事件之后，在爱德华被金的男友欺负边走边发泄之后，这里的居民终于了修女的话：他不是天使，而是个魔鬼，他们再也容不下他了。
爱德华在享受爱情的同时是无比痛苦的，他甚至不能拥抱自己所爱的人，他的剪刀手使他总是在救人时伤害人。影片的结尾，爱德华在冰雪纷飞中用一樽鞭打爱意的冰雕献给他深爱的女孩。
当女主角依然老去，我们仍然愿意相信爱德华还活着，因为漫天的雪就是最好的见证。
或许，没有结局的结尾是最好的。
该片由Johnny Depp和Winona Ryder主演，获第四十五届英国电影学院奖最佳制片导演奖。
我非常喜欢演爱德华的演员，他是个天才！我意外的是，他居然是那个“加勒比海盗”。
感谢该片让我经历了一场心灵之旅。
❾ 剪刀手爱德华影评英文 600字 最好有中英文对照，原创，谢谢啦，很急，下礼拜就要交了
这是一个悲伤的电影，从一开始就注定是一个悲剧。我并不常常喜欢用注定这个词，或者是be destined
to.但是你看，自从Edward走出古堡，一切就只能以悲剧收场。一切都充满隐喻，直到我看到最后Edward用剪子剪碎身上的衣服，这多像一个完满的隐喻。
我不知道导演想要表达的是什么，但是我在里面看到的是满眼的苍凉，好像一整片荒漠一样的世界。容不下一个简单的纯粹的Edward。
Edward有一个热闹的到来，众人的目光，热切而灼人。Edward为别人修整庄园，为别人剪出可种不可思议的发型，他不收钱，他也从来都不为了什么，他只是单纯的喜欢，只是单纯的想要这样做而已，用他的剪刀手，好像这就应该是他生来的使命。
热闹的聚会，排队等候的人群，他以为自己就这样让所有的人开心，所有的人满意，让所有的人接受自己了。当他听着各种各样的恭维或讽刺，当他的剪刀手上穿着各种各样的蔬菜站在烧烤架旁边，当他在人群里勉强的装出很灿烂的微笑。阳光很灿烂，天空很蓝。他以为一切都很美好。
可是大家是不能理解的，在这个世界上生活得太久的我们只会以我们的自以为是去看他，把他当作一个天才或者一个怪胎，可是不是的，他什么名号也当不起，他只是一个最最纯净的灵魂而已。
他不懂得人世间的利害关系，也不懂得人世间的亲情友情爱情，他不知道该怎样爱该怎样关怀，当他举着自己明晃晃的剪刀手的时候，他的无助和慌乱，我也只能在屏幕前心疼得不知所措而已。
这就是他的爱，被划伤的Kevin，被划伤的Kim，伤痕累累的自己。
他不知道什么是爱。他只是知道Peggy如果有一个专柜的话一定会很开心，他只是知道轻轻地对Kim说Because you asked me
to.眼神清澈。
这就是一切了，他还能怎样呢？他没有资本爱，没有未来，他能说的不是I love you, too.而只是，I
can’t.只能是一句goodbye.
It’s reality.
现实就是这样了，有些东西是注定不能在这样的社会里生存下去的。Edward能怎样呢？他还不是只能怯畏的举起自己的剪刀手。他能见剪出漂亮的发型，剪出精美的园艺，剪掉自己身上的衣服，可是他却始终剪不掉，剪不掉别人对他的误解，剪不掉和这整个世界的格格不入，剪不出梦想的形状。
Edward在电视里接受采访的时候，有观众问if you had regular hands, you
would be like anyone else. Peggy帮他回答说，No matter what, Edward will always be
special.
但是我想也许不是的，Edward is
special只是因为他有一双丢不掉的剪刀手，而我们在成长的过程中往往这样轻易的放弃，放弃自己曾经傻傻地执着的坚持的东西，放弃童年的梦想，丢掉自己的不被世人接受的剪刀手，然后再也剪不出那些神奇的形状。
所以没有剪刀手的Edward就不再是Edward 了。
我想Edward自己也是知道的，不然在听到这样的问题的时候，if you had
regular hands, you would be like anyone else.这样被认定为尖锐的问题的时候，他不会只是淡淡地说一句Yes, I
know.
我们每一个人，都曾经是一个小小的Edward，有一双大大的剪刀手，它不常常受我们的控制，它笨拙得不能握手，它有时会伤害别人，可是它也是一双神奇的剪刀手，它剪得出这世界上最美的形状，剪得出大雪纷飞。
后来呢？
后来我们在流言蜚语里成长，穿上衬衫，穿上裤子，穿上别人的期望。我们装模作样的成长，丢掉自己的剪刀手，为了生存，和大家变得一样。
我们有了一双真的手，我们用这双手和自己不喜欢的人握手拥抱，玩弄各种各样我们新学会的花样。不用顾忌，不用谦恭的小心翼翼，不用温顺的微笑。
成长真是一个疼痛的社会化过程。
可是你还记得自己曾经的那个Edward吗？他小小的脆弱的身子，他不小心划在自己身上的伤痕，他安静的眉眼，他的简单倔强，横冲直撞，他率性而为，他有时不小心伤害别人，他常常懵懂又无助。
你还记得吗？你心里还有一点点他的影子吗？
结局只能是这样，要不然就像我们一样，丢掉自己的剪刀手，丢掉那一部分不能被人接受的自我，要不然，就像Edward，用自己的剪刀手剪碎身上的衣服，扔掉所有的光环和伤害，剪掉这个世界强加给你的与自己格格不入的一切外壳，然后逃走。
你还记得自己心中的那个小小的Edward吗？阳光的背后，你的脚下Edward小小的怯懦的影子就这样一点一点被吞没了。
❿ 剪刀手爱德华读后感，英文版，80词左右，要自己写的，差不多初一的水平就好，只限今天，好的有悬赏
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world. 取你看的懂的..纯手打.求采纳.谢谢- -