电影冰河世纪2观后感英文

① 冰河世纪英文电影读后感

很少这么认真的看一部动画电影，但冰河世纪给了我太多感动。
人类在这部电影里多少扮演着一个残酷的角色，给所有的动物们都带来了痛苦，无论是善良的长毛象曼弗瑞德，还是扮演了大反派的剑齿虎，他们都因人类失去了同伴。
在这短短的旅程里，这些动物给了我太多感动。
因为人类失去家人的曼弗瑞德是那么疼爱小婴儿，在他的眼里我从未读到任何仇恨，而无论对于希德、还是迪亚戈，在危险的时候他总会挺身而出，虽然大多时候他总是在抱怨他们是麻烦。
树獭希德绝对是一个搞笑的角色，他总是不停的说，惹麻烦，出状况。但在强瓜是，当他看到小婴儿的期盼的目光时，那搞笑的功夫片段，却触动了我。
至于迪亚戈绝对是我最爱的角色，尤其是他为救曼弗瑞德受伤以后，对曼弗瑞德说“这就是团队”后，慢慢闭上眼，我真的以为他死了，眼泪唰的一下就流了出来，怎么也止不住。而当在最后一刻，出现在大家面前时，我不知道该用什么话来形容我那一刻的心情。
这是一部在冰河时期的电影，但我感觉不到任何寒冷，这里充满了温暖，一点一点的融化了所有的冰雪。

② 冰河世纪英文影评

20th Century Fox's film, a cartoon, in the 2000 exhibition of investment and issue 5 million dollars in 1000 cartoon "frozen planet AE (Titan AE)." The film lost in a rigidly playing stereotypical myth of the heroic old routines, whether it is the story or script style screen, "Frozen planet AE" failed to keep up with a new era, the box office only Qianqiancancan more than 1,000 2 million. This almost makes Fox the same period were a number of large proction of a new style cartoon film distribution companies, such as Disney, DreamWorks and SONY, completely expelled from the millennium cartoon film market.

But 20th Century Fox is not fuel-efficient lights. Two years of meticulous planning, "Ice Age" will be in March 2002, leading the company to return to Fox Lung Poon Huju cartoon film market. In order to not repeat the "frozen planet AE" mistake at the same time, avoid overcharging floating in the stunt effects, 20th Century Fox drastic rection in the "frozen planet AE" unsatisfactory performance of the Fox CG proction group, in turn won 99 opening of the Academy Awards best cartoon film director Chris--(Chris Wedge), and its outstanding proction team - blue sky studio (Blue Sky Studios). Such great abolition of its own subsidiaries, the Fox It is a "burn his bridges, and determined to win."

July 2000, "Ice Age" major animation proction in New York, started work indoors. July 2001 "Ice Age" trailers to the release of the film become the focus of Hollywood films. In this short notice for a few seconds the screen, showing an appearance not cheap to the strange squirrel to a hiding in the ice on the pineal, has led to the avalanche tragedy, in the face of icicle and ice bombarded RUF murder and folders thrilling scenes, the strange squirrel bring it had not forgotten the pineal fled, Enron is not easy landing, as it ran Jiaotu Mammoth to be a giant foot pressure top! Although this film trailers and the story has nothing to do with the main theme, but one vivid cartoon image exaggerated by the greatly appreciated. Trailers success proves that director Chris. Wei blue sky with the success of the proction group portfolio, but also to Fox once again become the focus of observers, strengthened them to return cartoon market confidence. The integration of the proction team, its strength should not be denied small
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感谢您为 Google 翻译提供翻译建议。我们会利用您的建议在将来更新我们的系统时提高翻译质量。 20th Century Fox's film, a cartoon, in the 2000 exhibition of investment and issue 5 million dollars in 1000 cartoon "frozen planet AE (Titan AE)." The film lost in a rigidly playing stereotypical myth of the heroic old routines, whether it is the story or script style screen, "Frozen planet AE" failed to keep up with a new era, the box office only Qianqiancancan more than 1,000 2 million. This almost makes Fox the same period were a number of large proction of a new style cartoon film distribution companies, such as Disney, DreamWorks and SONY, completely expelled from the millennium cartoon film market.

But 20th Century Fox is not fuel-efficient lights. Two years of meticulous planning, "Ice Age" will be in March 2002, leading the company to return to Fox Lung Poon Huju cartoon film market. In order to not repeat the "frozen planet AE" mistake at the same time, avoid overcharging floating in the stunt effects, 20th Century Fox drastic rection in the "frozen planet AE" unsatisfactory performance of the Fox CG proction group, in turn won 99 opening of the Academy Awards best cartoon film director Chris--(Chris Wedge), and its outstanding proction team - blue sky studio (Blue Sky Studios). Such great abolition of its own subsidiaries, the Fox It is a "burn his bridges, and determined to win."

July 2000, "Ice Age" major animation proction in New York, started work indoors. July 2001 "Ice Age" trailers to the release of the film become the focus of Hollywood films. In this short notice for a few seconds the screen, showing an appearance not cheap to the strange squirrel to a hiding in the ice on the pineal, has led to the avalanche tragedy, in the face of icicle and ice bombarded RUF murder and folders thrilling scenes, the strange squirrel bring it had not forgotten the pineal fled, Enron is not easy landing, as it ran Jiaotu Mammoth to be a giant foot pressure top! Although this film trailers and the story has nothing to do with the main theme, but one vivid cartoon image exaggerated by the greatly appreciated. Trailers success proves that director Chris. Wei blue sky with the success of the proction group portfolio, but also to Fox once again become the focus of observers, strengthened them to return cartoon market confidence. The integration of the proction team, its strength should not be denied small

③ 冰河世纪2的读后感

忘记过去才能更好地拥抱未来－－-再谈“冰河世纪2”
几周前抱着陪太子读书的心态看了“冰河世纪2”。
没有期待的时候往往却能收获意外的惊喜，这是影片结束后的第一感受。
早就想写篇观后感，因为懒，拖到现在。昨日偶然看到山海一色转贴的关于此片的评论，决定狗尾续貂，加个小夜班，再谈点个人感受。

看的是碟片，麒麟出品的DVD9，画质清晰，效果良好，唯一的遗憾是中文字幕翻译得稍有出入，有些甚至是低级错误。如欲收藏此片，建议还是再等些时日吧。

“冰河世纪2”是继“狮子王1”，“怪物史瑞克1”后的又一部后现代动画佳片。整部片子轻松愉快，浪漫温馨而又不缺乏剧情张力，关乎生命，信念，友情，爱情甚至尊严与死亡，适合下到6岁上到60岁的所有观众。尤其精彩的是剧中人物的对白，诙谐幽默，充满睿智，在笑声的同时会有感悟和感动，极好地兼顾了好影片应该具有的娱乐性及思想性。
电影主角，据说是延续了“冰河世纪1”（很惭愧，1还没看过，找时间补上这一课），依然是毛象MANNY，树獭SID和剑齿虎DIEGO，当然不能忘了那只执着的小松鼠，2中还加入了更有趣的3个新人物，两只对生活充满激情，顽皮且桀骜不逊的小地鼠，一头一直以为自己是地鼠的母毛象ELLIE。
电影情节很简单，一个正在融化的冰川将引发大的洪水，淹没动物们生活的山谷。在洪水来临前，动物们必须离开山谷，逃往诺亚方舟以求自保。电影就围绕着逃离过程中发生在几位主角身上的故事展开和深入。

看完电影，甚至更认为这是部哲理片，反映了不同的人性，不过是借了动物的可爱外型。
MANNY，看似是世界上最后一头毛象，有着典型的男人心态和处世方式。因为唯一，所以倍感孤独，强烈渴望着群体归宿感，无比向往的就是他口中的“ONE BIG HAPPY FAMILY”。
而ELLIE，这头从小被地鼠妈妈收养，和地鼠生活在一起，从而坚定主观地认定自己也是地鼠的母毛象，身上集中体现了女人的口是心非与难以琢磨。
在逃离中，从这两个家伙的巧遇，到争吵冲突，互相不能忍受，无法理解直至最后尽释前嫌，携鼻同行，整个过程绝对是青涩男女的经典爱情写照，让人莞尔的同时或许会对流逝的青春岁月凭添些感伤。
当危险已过，ELLIE打算跟着大群突然出现的毛象们一同前行的时候，MANNY想挽留，在ELLIE的注视下，嗫嗫嚅嚅说出的却是“I HOPE YOU FIND WHAT YOU ARE LOOKING FOR”。ELLIE失望地转身，MANNY惆怅地回头，似乎看到两个有情人因矜持与含蓄从此将天各一方。
峰回路转，在睿智的SID的鼓励下，MANNY放下了“男人”的面子，拔足狂奔，追赶上ELLIE，鼓足勇气说“I STAY WITH YOU NOT BECAUSE I HAVE TO， BUT BECAUSE I WANT TO“。
WANT TO 与HAVE TO，一词之差，却也可误尽天下恋爱中的苍生。建议恋爱中的男人们观看此片，仔细领会，以便能真正了解WHAT WOMAN REALLY WANTS，呵呵。

SID，这只饶舌的树獭，是剧中我最喜爱的一个角色。话虽多且好管闲事，却开朗，睿智，热心，幽默还深谙鼓励之道，绝对是一个集体中不可或缺的人物。
起初因自觉没受到大家应有的尊重，企图以跳冰崖来证明自己的勇敢，从而获取群体的认同。在后来逃离山谷的一路中，他以自己的人格魅力和凝聚力受到了大家的承认和尊重。
这里面涉及到了一个哲学问题，人作为独立个体，是否有绝对的尊严。
人的尊严来源于自我认识及自我肯定。虽然作为独立个体，可人是社会动物，人对自己的认识和肯定其实很大程度是受其所处的外界环境的影响。他人对自己的评价和判断极大地影响了人的自我感受，应该说人没有绝对的尊严，人的尊严来源于认同和肯定。
这一问题我在SID身上得到了比较明确的答案。
DIEGO，这只有些自大的，由于不会游泳从而对水有巨大心理障碍的剑齿虎，在剧中并没有太多出彩的表现。不过和SID有关害怕感觉的那段对话让我记忆深刻。
SID认为害怕并非不良反应，它与生俱来，是天性，是NATURE。而DIEGO却坚持害怕仅是为猎物，为弱者所备，JUST FOR PREY。他是只老虎，是捕捉者，强者，不会也不应该懂得什么叫害怕。SID对次的回答很妙，“如果你不会游泳，你就会成为水的猎物”，话外之意不言而喻。
在SID生命的紧急关头，面对滔滔洪水，DIEGO的害怕和恐惧毕露无疑，庆幸的是，他克服了，从中学会了游泳，换来双赢的结果。
本性的东西，比如恐惧，又比如欲望，需要回避还是面对？需要压抑还是宣泄？我们的传统文化似乎更愿意选择避而不谈，似乎不谈不想不面对就意味着不存在。这样的掩耳盗铃和自欺欺人在最近的李银河事件中更是表现得淋漓尽致。其实，本性就是本性，与生俱来！非要扯上道德，谁又比谁更高？！
最后说说给我感触最深的人物，那只执着追寻松果的小松鼠。
电影的开篇与结尾均放在了这只松鼠身上。在所有动物逃命的过程中还间插了不少小松鼠置自己性命与不顾，坚忍不拔，呕心沥血追寻那颗松果的情节，滑稽可笑，却让我倍感心酸。
有多少人会像这只松鼠一样，一辈子坚持自己的梦想，即使微不足道如一颗松果，无论何种变故，无论他人的眼光，矢志不渝，永不言放弃？
淡忘了曾经有过的梦想，在现实中妥协，在选择中放弃。
那些有坚定梦想，穷毕生追求梦想的人将是我膜拜的图腾。即使只是只松鼠，我依然自惭形秽，自觉卑微。

松鼠为抓住那颗松果从万丈冰崖上坠落。濒临死亡的时刻，看到了天堂。金色的大门，门中间镶嵌着松果形状的饰物，天使在一旁唱着圣歌，天堂里，满地松果，让他喜不自胜，一个个拿起，拥入怀中，满足狂喜陶醉，历经生死后的获得。画面华丽，感人至深。再抬头，空中挂着一颗巨大的松果，闪着金光，仿佛是上帝对那些穷一生追求一个梦想而不得的人所给予的安慰与酬劳。
他伸手企及，指尖即将触碰之际，被一股无名的巨大力量生生拖开，死死抓住天堂的门，手指万般无奈下还是一个个松开。彼时画面的视觉冲击力直穿心脏。
松鼠获救了，被热心的SID救回人间。天堂的美妙，重返人间的懊恼，让那只可怜的小松鼠热血上涌，跳起来追着SID一顿乱打。
配合着片中出现过的动感十足的非洲鼓声，影片在这样滑稽而出人意料的场面中落下了帷幕。

对于那些坚持梦想的人而言，人间也许真如地狱？向往的是否总在天堂？
而濒临死亡的体验是否真如法国那些“败德知识分子”所说般美妙无比，人希望追求的极致快乐是否真在不断的死亡体验中才能得以实现？
这些问题也许在影片中都能找到答案。

随心所欲，用SID对MANNY说的那句话作为结束语吧，忘记过去才能更好地拥抱未来！

④ 冰河世纪观后感英文30词内

冰河世纪观后感英文如下：

The movie was totally funny and the graphics was superb.Especially,Sid the Sloth was the funniest of all and his voice was also funny.

My favorite characters were Diego and Soto because of their Saber tooth and they were so superb in the movie.Manny and Scrat were also funny.

All the Scrat scenes were so funny.The last scene was also cool.The baby was very cute and that is also favorite character.

翻译：

这部电影非常有趣，画面也非常棒。尤其是树懒希德是最有趣的，他的声音也很有趣。

我最喜欢的角色是迭戈和索托，因为他们的剑齿虎，他们在电影中表现得非常出色。曼尼和斯克拉特也很有趣。

所有的场景都很有趣。最后一幕也很酷。这个婴儿非常可爱，这也是他最喜欢的角色。

⑤ 急需一篇冰河世纪的观后感（英文）

《冰河时代3》的成功是流水生产线的必然结果——观后感
和第二集相比，《冰河时代3》虽然在观赏性上有所提高，但这个系列电影总体质量上还是呈下滑的趋势，希望制作方就此打住，还是另外进行新的创意吧，不过人家肯定不会听我的，圈钱运动还会如火如荼地进行的。抛开电影本身主题思想的优劣和剧情安排的合理与否，单从技术层面上讲，人家这钱赚得叫人心服口服。可以说以《冰河时代3》为代表的一大批好莱坞动画电影所创造的光怪陆离色彩纷呈的童话世界用“叹为观止”形容一点都不过分，但是我看《冰河时代3》最大的感触不仅在此，我更折服于好莱坞动画电影的制作理念，在强大的技术支持下这种理念几乎达到了化境。

由于动画电影普遍具有拟人化和奇幻色彩，在创作上几乎不受时间、空间、角色的限制，地球上甚至宇宙间的任何物种都可以进入动画电影中，并且开口说话，进行人类所能进行的一切活动。从这个角度上讲，动画电影的取材无比宽泛，相对于真人电影，人们对其剧情合理性的要求也宽松很多。但是这并不意味着编导们就可以胡说八道，人家不胡来，基本上还要给你把故事讲圆满了，叫你看了笑了轻松了，人家把钱拿走，完事。《冰河时代3》令人很直观地看到好莱坞动画编导们讲故事的几大法宝，说白了，就是一条制作流水线，按照这个套路生产基本上没跑，差也差不到哪里去。

法宝一：角色的成人性
《冰河时代》系列都以对坚果无比执着的松鼠作为影片的一个重要线索，这几乎成了这个系列电影的一个招牌，《冰河时代3》也不例外，只不过又安排进了一个雌性松鼠。首先，在这只母松鼠的造型上，我们看到的是一个成熟美女的形态，雄松鼠看雌松鼠那色迷迷的神情，以及两只松鼠的结合和矛盾的产生，无不是按照成人的思想和生活演进的。这样的创作手法，在好莱坞的动画电影中几乎随处可见。动画电影本来的主要观众是儿童，但是正因为在这些“儿童形象”中加入了成人的表现要素，在形式与内容的巨大反差下，产生了很强的娱乐趣味，因而影片也变得老少咸宜了。反观我们的动画电影，在很大程度上，都局限在儿童的世界里，不敢大胆地引进成人思维，使得我们的动画片看起来都很“弱智”，只适合儿童观看，大人们要是成天盯着《海尔兄弟》看，恐怕要被人当“弱智”了。当然这种情况近年来有所改观，但是还是放不开手脚。

法宝二：题材的广泛性
好莱坞的那帮大仙们，凭着天马行空的想象力，几乎把世间万物都纳入了他们的创作之中，小到《霍顿与无名氏》中的微生物，大到《冰河时代》中的恐龙猛犸象，从《寻找尼姆》中的深海汪洋到《WALL-E》中的浩瀚宇宙，从《马达加斯加》中美国纽约中央公园到《狮子王》中广袤的非洲草原，从阿拉伯传说《阿拉丁》到中国故事《花木兰》等等，可以说只要你能想到的领域，几乎都被好莱坞动画涉及。这样一来，只要技术许可，好莱坞动画的题材就无穷无尽，而技术保障又恰恰是最不是问题的问题。正是这种题材创造上的广泛性，保证了好莱坞动画电影永远充满了神奇，永远都有你想不到的故事出现，而且这些题材的广泛性足以包容全球文化，这个咱就得佩服美国文化的软实力和其背后强大的技术支持了。而我们国内的动画电影总是逃不出传统的题材，一部《大闹天空》几十年来一直成为一个难以逾越的高峰，这不是荣耀，而恰恰是悲哀。有人会说我们的动漫技术不成熟，这个是事实，那么我们在3D领域没有优势，在平面动画方面技术上应该不成问题了吧？日本的好多优秀动画电影都是平面的，可见内容永远大于形式。《灰太狼与喜洋洋》似乎叫我们看到了一丝曙光，但愿这不是昙花一现。

法宝三：内容的娱乐性
当然好莱坞动画最大的卖点就是它娱乐性。就拿《冰河时代3》中的树獭希德来讲，这是一个油嘴滑舌、见风使舵但有一颗善良的心灵的市井小混混形象，他几乎就是《冰河时代》系列的灵魂人物，也是这个系列的最大的娱乐点。他有着普通人类的一切弱点，但是又有着普通人类的基本人性，正是这种草根性，保证了影片整体上的亲民性，所以人们再怎么给电影挑刺，你看完了都得笑一笑，你一笑，钱没了，那电影就算成功了。有意思的几乎好莱坞所有的动画电影中都有一两个类似希德的角色，比如《史莱克》系列中的驴子、《花木兰》系列里的木须龙、《狮子王》系列中的大猩猩和后来出现的那个那两个活宝——丁满和彭彭，这些角色的出现极大的增强了影片的娱乐色彩，有的甚至反客为主，成为人们心目中印象极深的“主角”。这就要归功于好莱坞动画制作者善于制造和贩卖娱乐的能力了，这种能力几乎已经工业化，形成了生产流水线。角色的基本套路已经确定，只要创造一个角色按照这个套路走，基本就成功了。只要逗乐了大家，你还能说什么？你看得不就是一个乐呵吗？

法宝四：情节的拟人性
个人觉得这一点几乎是动画电影的灵魂，拟人化这个工作做好了，出来的东西就可能是精品。《冰河时代3》中出现了一个类似于堂吉诃德式的人物——鼬鼠巴克，这个角色身上体现的是人类身上更深层次的东西，那就是一种追求，一种具有自我牺牲精神的追求，虽然角色荒诞，但是我们又不能不承认这种精神确实在人类身上可以找到。好莱坞动画最值得称道地方在于，能把某些道理在嬉笑怒骂的娱乐之中讲出来，叫你笑过之后，还得回味，而不是机械地说教。叫我至今印象深刻的地方是在《狮子王》中，刀疤望着逃离的小辛巴的影子，阴沉地对土狼（如果我没记错的话）说：“杀了他！”——这一情景活脱脱地是一副动画版的黑社会老大的样子，叫人玩味无穷。在《霍顿与无名氏》中，最后的结局表明真理往往是掌握在少数人手上，片中的宏观世界和微观世界最终归于美好，但是现实中却往往难以达到这样一种皆大欢喜的结果，因此使得影片整体上的内涵更加深刻。《WALL-E》中更是把人类的末世情节和对爱的渴望淋漓尽致地运用到了机器人的身上，观看本片几乎成了一次心灵升华的过程。反观我国的动画电影，总是免不了说教，更可笑的是我们进行传统文化教育、品德情操教育、爱国主义教育也往往是临时的说教，而不懂得潜移默化寓教于乐才是王道。

除此之外就是在动画技术上的领先性，这个是有目共睹的，无需再说。

《冰河时代3》不能算一部经典的动画片，但它有着好莱坞动画电影的所有特点，动画效果逼真、老少咸宜、温情脉脉、娱乐十足。可以说好莱坞动画电影产业已经形成流水线作业规模，只要剧本搞定，技术保障是毫无问题的。近几年来好莱坞的动画电影，尽管质量上有高低，但几乎鲜有彻底失败的例子。因为从流水线上出来的东西，都具备上述几个为人们所认可的特点，只是在这几个特点的整合上有高低之分，但这足以保证未出场已经稳操胜券了，剩下的不过是赚钱多少的问题了。

因此《冰河时代3》拍得未必多成功，但赚钱赚得高明，这种高明之处需要中国动画电影人多多学习。

"Ice Age 3" and the inevitable result of success is the assembly line - Feedback

And compared to Episode II, "Ice Age 3" In the view of somewhat improved, but the overall quality of this series of films on the downward trend is still hope that procers stop there, or another bar for new ideas, but the people will certainly not listen to me, means for misappropriating campaign will be carried out in full swing. Cast aside the theme of the film itself, the merits and the plot arrangements, reasonable or not, just from the technical level, painfully convinced people that make money. It can be said of "Ice Age 3" is represented by a large number of Hollywood animated film created by the bizarre color scene of the fairy tale world of "amazing" to describe is not at too much, but I see "Ice Age 3" the greatest feeling, not only in Here, I am more impressed by the Hollywood animated film proction concepts with strong technical support of this concept has almost reached Transformation. As animated films generally have anthropomorphic and fantasy colors, almost from the creation time, space, role constraints, Earth and even the universe can be of any species into the animated film, and to speak, human beings can be carried out in all its activities. From this point of view, extremely broad drawn animated films, as opposed to live-action film, it is reasonable for its story demands much more relaxed. But this does not mean that they can be written and directed nonsense, others do not mess things up, basically you should be given to the successful stories in, and tell you to read the laugh easily, and people put money away, bin. "Ice Age 3" It is very intuitive to see that the Hollywood animated story books written and directed several major magic weapon, put it plainly, is a proction line, according to the routine proction, virtually no run, where the poor are poor not to go. Magic one: the role of alt sexual

, "Ice Age" series are extremely persistent in pairs of squirrel nuts, as the film an important clue, which is almost become a sign of this series of films, "Ice Age 3" is no exception, but also arranged into a female squirrel. First of all, only on the mother squirrel shape, we see is a mature form of beauty, male squirrel to see female squirrel that Indecent expression, as well as the combination of two squirrels and contradictions of having no not according to alt the evolution of thought and life. This creative approach, in the Hollywood animated film almost everywhere. Animated films have been the main audience is children, but precisely because of these "image of the child," which incorporates elements of the alt's performance, in the form and content of great contrast given rise to a strong entertainment tastes, and thus film has become young and old salt Yi had. In contrast to our animated feature films, to a large extent, are confined to the children's world, not daring to introce alt thinking, makes our animation looks very "mental handicap" and is only suitable for children, alts all day long if staring at "Haier Brothers" Look, I am afraid we have to be as "mental handicap" had. Of course, this situation has improved in recent years, but still can not relax hands and feet. Magic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a Don Quixote-like figure similar toMagic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a similar to the Don Quixote-like figure - weasel Buck, this role is to embody a deeper level of what the human body, it is a pursuit, a kind of self-sacrifice the spirit of the pursuit, although the role of absurd, but we must admit that this spirit can be found in humans did. The most commendable parts of Hollywood animation is able to in the subject of ridicule in some token of entertainment among the speak out, tell you to laugh over later, have to aftertaste, rather than mechanically preaching. Impressed me so far are found in "The Lion King", the Scar Simba looking to escape the shadow of a small, murky against coyotes (if I remember correctly) said: "Kill him!" -- This scenario is an animated version of Huo Tuotuo to underworld boss looks like and tells the people pondering infinity. In "Horton and Anonymous", the final outcome shows that truth is often rests in the hands of the few in the film world and the micro-macro eventually attributed to a better world, but in reality are often difficult to achieve such a happy outcome, thus making video more profound meaning as a whole. "WALL-E" has even more in the end of the world of human desire for love plot and vividly applied to the robot's shoulders, watching film seems to have become a spiritual sublimation process. In contrast China's animated films, were always going to preach, even more ridiculous is that we have the traditional culture and ecation, moral sentiments of ecation, patriotic ecation is often temporary preaching, rather than know how to nurture learning fun, is kingly. In addition is the leading technology of animation, this is for all to see, no talk. "Ice Age 3" can not be considered an animated classic, but it has all the characteristics of the Hollywood animated films, animation realistic, young and old, sentimental, entertainment full. Can be said that the Hollywood animated film instry has formed the scale of pipeline operations, as long as the script without getting technical support is without question. In recent years, Hollywood's animated films, even though there are high or low quality, but almost a complete failure few examples. Because out of things on the line, all with a few of the above-mentioned characteristics of the people recognized only in the integration of these features have a level of points, but it is not sufficient to guarantee that appeared certain to win, and the rest is just profit how much money a problem. Therefore, "Ice Age 3" They are not necessarily more successful, but the money earned clever, this genius of animated film, the Chinese people need to learn as much as

⑥ 冰河世纪2观后感100字

《冰河世纪2》是一部很有趣的电影，说的是生活在冰河世纪里的动物们在逃难过程中发生的又惊险又有趣的事情。
树獭希德、猛犸象曼尼、剑齿虎迪哥，它们是好朋友，愉快地和动物们生活在一起。希德因自卑想自杀，曼尼和迪哥救了希德。它们看到冰川开始融化了，要淹没陆地，便告诉动物们，兀鹰也给了一些提示，动物们开始逃难了。
曼尼三人走进森林后遇见猛犸象爱利，可爱利从小就和负鼠一起生活，认为它也是一只负鼠。在一次海洋生物攻击中，爱利终于知道自己是一只猛犸象。这时候发生了火山喷发，经过决定，爱利绕着走。曼尼三人直走，经过重重困难过了火山地带，它们到处找爱利，却没人知道爱利在哪里。负鼠告诉曼尼爱利被困在洞穴里了，曼尼赶紧去救它，可是打不开洞穴。这时，攻击它们的海洋生物来了，曼尼用智慧打败了海洋生物并救出了爱利，但它们没法赶上船。它们互相帮助，互相鼓励，终于到达了安全的地方。
这部电影让我学会了：别人有困难时要学会帮助别人，与朋友互相帮助，团结友爱。并从中得出：要爱护我们的地球，保护环境，不要让真的冰河世纪来到地球上。

在周五的班会课上，我们看了一部名叫《冰河世纪》的动画电影，这部片幽默风趣、十分搞笑。这部片讲了猛犸象曼尼、树獭席德和剑齿虎迭哥拯救动物们的故事。让我给大家讲讲吧！
当动物们正高兴的迎来温暖的日子时，长毛象曼尼、树獭席德和剑齿虎迭哥却发现了一个重大的问题——冰川正在大面积的融化，冰山正在崩塌，一切都在融化之中。于是，得知了这个消息的动物们都纷纷逃离那里。在途中，自称是世界上最后一头长毛象曼尼居然碰到了一头名叫爱丽的母长毛象，但是她却一致认为自己是一只负鼠，再加上她那胡搅蛮缠的活宝负鼠兄弟，他们们开始了艰辛的旅程，一路沿着危险的地表和恶劣的天气，终于成功的活了下来。
这部片十分好看。我看完了以后笑了半天。尤其是那只拿着松果的松鼠，太搞笑了。而且还令我十分感动，电影中的那只剑齿虎原本是不敢碰水的，当他的朋友遇难时，他鼓起了勇气救了他们，他的勇气，来自于他的友情，他的友情使他变得勇敢，这让我深深的体会到了友情的力量。
这部片十分经典，希望大家都来看一下！

⑦ 冰河世纪1观后感英文 初二100词

具体如下：

《冰川时代》是一部2002年蓝天动画工作室制作的完全数字化的动画电影，由20世纪福克斯电影公司发行，是《冰川时代》系列中的第一部，由克里斯·韦奇与卡洛斯·沙尔丹哈联袂执导。

该片描述在冰河纪这个充满惊喜与危险的蛮荒时代，因为一名突如其来的人类弃婴，让三只性格迥异的动物不得不凑在一起，尖酸刻薄的长毛象，粗野无礼的巨型树獭，以及诡计多端的剑齿虎，这三只史前动物不但要充当小宝宝的保姆，还要历经冰河与冰山各种千惊万险护送他回家。

电影由奥斯卡最佳动画得主克里斯·韦奇与卡洛斯·沙丹哈联袂执导，克里斯·韦奇是蓝天动画工作室的创始人之一，卡洛斯也是工作室的核心主创人员。蓝天工作室一流的设备和技术创造了许多生动活泼的角色，例如电影《兔子》和《冰原历险记》都是这个工作室的得意作品。

克里斯·韦奇以《兔子》一片获得2000年的奥斯卡金像奖最佳动画短片，电影所呈现的逼真的光影效果，使该片在视觉、氛围和真实感上都令人耳目一新。卡洛斯·沙丹哈也曾为多部电影及电视剧担任动画监制，电影《搏击俱乐部》的动画监制就由他担任，其中血肉横飞的数码特效被影迷推为经典。

电影最初打算由福克斯动画工作室制作2D动画，并由唐·布罗斯和加里高德曼执导。但是随着CGI动画的兴起，与电影《泰坦A.E》票房上的惨败，福克斯传统上的动画部门几乎解散，因此CGI动画部门的克里斯·威居和卡洛斯，接替了他们俩的工作，开始了新的创作。

⑧ 《冰河世纪2》英文版

下载的网站：http://221.7.128.134/nnvod220060407/冰河世纪II融解.rm