小人物nobody电影观后感

⑴ 英语作文200字20篇电影观后感

e warm winds blew gently. I was very tired and lay down to rest for a little while. Very soon I went into a state of dreaming.
A little girl sleeps in a corner of the garden. She cries and cries until her sound is broken. Suddenly a bright figure appears before the child. A beautiful fairy stands in front of her. She had a wand in her hand. “Why do you cry? What’s the trouble? Perhaps I can help you”, the fairy says. “My mother is dead. I am lonely, and nobody loves me”, answers the girl. “I am a fairy, my home is in the moon. Do you see the light of the moon? How pleasant it is. Would you like to live with me in the moon?”
“Thank you, dear fairy, I want to go with you”.
The fairy leads the girl into a wood where there are many dwarfs. They look very busy. Every one of them has to dig the soil. They are trying to find varieties of seeds. They cultivate the fields with their hands. All day long though they are exhausted, yet they are forced to work on. Otherwise they will be whipped to death. I made up my mind to save all of those dwarfs. The sound of the bell suddenly came to my ears. I had to wake up.
Oh! This is no other than a dream. I will not let it trouble my mind. (264 words)

考试作文2: Title: A Visit to My Uncle (Grandfather,… )
Time Limit: 30 minutes
Word Limit: No less than 120 words
参考范文

⑵ 无姓之人电影是什么意思

《无姓之人》是由雅克·范·多梅尔执导的科幻爱情片，杰瑞德·莱托，萨拉·波莉，黛安·克鲁格等主演。

剧情简介：

在2092年的未来，火星已成了地球人热衷的度假胜地。118岁高龄的尼莫诺巴蒂（杰瑞德·莱托Jared Leto 饰）是最后一位仍未死亡的自然人。记忆混乱的他在一次次的催眠及采访之中不断回忆自己的童年，却在每个人生分岔点都衍生出完全不同的人生。

在这些不同的版本中，有母亲（娜塔莎·雷托 Natasha Little 饰）和父亲（瑞斯·伊凡斯Rhys Ifans 饰）离婚后再婚而变成了尼莫“妹妹”的安娜（黛安·克鲁格Diane Kruger 饰）；

有身患抑郁症婚后情绪不稳的埃莉斯（萨拉·波莉Sarah Polley 饰），还有与他育有三名子女的亚洲女孩吉恩（范林丹 Linh Dan Pham 饰）。

(2)小人物nobody电影观后感扩展阅读：

幕后花絮：

主角的名字叫尼莫·诺巴蒂Nemo Nobody，Nobody不仅仅是主人的姓，而且还有“小人物、没有人”的意思。

影片中安娜一角原本是由爱娃·格林来扮演的，后来换成了黛安·克鲁格。

为了赶去参加戛纳电影节，多梅尔剪出了一个“参赛版本”，不过最后没能赶上末班车，多梅尔带着电影转 参 加了威尼斯电影节。不过导演表示，“戛纳版”和“威尼斯版”是一样的。

⑶ 高分！帮忙写个电影的英语观后感

The Curious Case Of Benjamin Button review

"The Curious Case of Benjamin Button" is a splendidly made film based on a profoundly mistaken premise. It tells the story of a man who is old when he is born and an infant when he dies. All those around him, everyone he knows and loves, grow older in the usual way, and he passes them on the way down. As I watched the film, I became consumed by a conviction that this was simply wrong.

Let me paraphrase the oldest story I know: In the beginning, there was nothing, and then God said, "Let there be light." Everything comes after the beginning, and we all seem to share this awareness of the direction of time's arrow. There is a famous line by e.e. cummings that might seem to apply to Benjamin Button: and down he forgot as up he grew. But no, it involves the process of forgetting our youth as we grow older.

We begin a movie or novel and assume it will tell a story in chronological time. Flashbacks and flash-forwards, we understand. If it moves backward through a story (Harold Pinter's "Betrayal"), its scenes reflect a chronology seen out of order. If a day repeats itself (Harold Ramis' "Groundhog Day"), each new day begins with the hero awakening and moving forward. If time is fractured into branching paths ("Synecdoche, New York"), it is about how we attempt to control our lives. Even time-travel stories always depend on the inexorable direction of time.

Yes, you say, but Benjamin Button's story is a fantasy. I realize that. It can invent as much as it pleases. But the film's admirers speak of how deeply they were touched, what meditations it invoked. I felt instead: Life doesn't work this way. We are an observer of our passage, and so are others. It has been proposed that one reason people marry is because they desire a witness to their lives. How could we perform that act of love if we were aging in opposite directions?

The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest. In the film, Benjamin (Brad Pitt) as an older man is enchanted by a younger girl (Cate Blanchett). Later in the film, when he is younger and she is older, they make love. This is presumably meant to be the emotional high point. I shuddered. No! No! What are they thinking ring sex? What fantasies apply? Does he remember her as a girl? Does she picture the old man she loved?

Pitt will of course be nominated for best actor and may deserve it because of his heroic struggle in the performance. Yes, he had to undergo much makeup, create body language and perform physically to be manipulated by computers. He portrays the Ages of Man with much skill. That goes with the territory. But how did he prepare emotionally? What exercises would the Method suggest? You can't go through life waving goodbye. He is born looking like a baby with all the infirmities old age. He grows younger, until he resembles Brad Pitt, and then a younger Brad Pitt, and then -- we do not follow him all the way as he recedes into the temporal distance.

The film was directed by David Fincher, no stranger to labyrinths ("Zodiac," "Fight Club"). The screenplay is by Eric Roth, who wrote "Forrest Gump" and reprises the same approach, by having his hero's condition determine his life experience. To say, however, that Roth "adapted" the original short story by F. Scott Fitzgerald would be putting it mildly. Fitzgerald wrote a comic farce, which Roth has made a forlorn elegy. Roth's approach makes Benjamin the size of a baby at birth. Fitzgerald sardonically but consistently goes the other way: The child is born as an old man, and grows smaller and shorter until he is finally a bottle-fed baby. Not much is said about Benjamin's mother, which is a pity, because he is 5-feet-8 at birth, and I wonder how much pushing that required.

I said the film is well-made, and so it is. The actors are the best: Taraji P. Henson, Julia Ormond, Elias Koteas, Tilda Swinton. Given the resources and talent here, quite a movie might have resulted. But it's so hard to care about this story. There is no lesson to be learned. No catharsis is possible. In Fitzgerald's version, even Benjamin himself fails to comprehend his fate. He's born as a man with a waist-length beard who can read the encyclopedia, but in childhood, plays with toys and throws temper tantrums, has to be spanked and then disappears into a wordless reverie. "Benjamin" rejects these logical consequences because, I suspect, an audience wouldn't sit still for them.

According to the oddsmakers at MovieCityNews, "The Curious Case of Benjamin Button" is third among the top five favorites for best picture. It may very well win. It expends Oscar-worthy talents on an off-putting gimmick. I can't imagine many people wanting to see the movie twice. There was another film this year that isn't in the "top five," or listed among the front-runners at all, and it's a profound consideration of the process of living and aging. That's Charlie Kaufman's "Synecdoche, New York." It will be viewed and valued decades from now. You mark my words.

有些长,你可以删减一下吧,希望能为你所用

⑷ 求一部英文电影的英文观后感

《勇敢的心》
一个勇敢的男人，一个向往自由，渴望爱情的心。用党内的话来讲，他真可以算作为了民族的事业，为了不灭的爱情，抛头颅撒热血了。佛罗伊德说过人的三大欲望，生的欲望，爱的欲望，被尊重的欲望，这个男人被负着沉重的负担，挺起宽阔的胸膛，去证实自己的存在。抛弃个人英雄主意不谈，欲望是原动力，爱情是导火索，最终向往自由的口号把整个行为推向了新的高度，华莱士仅仅是个符号，自由在引导人民。
华莱士两次深深受到伤害时的举动犹如电击般触动我的心。一幕是在心爱的女人惨遭毒手后，自己已经无力回天，他那有如闪电一样的目光，义愤填膺，气势有如滔滔江水，一发而不可收拾。另一幕出现在盟友背叛他的那一刻，孤独，无助，失望而没有绝望，他抛掉幻想，重新拿起武器，进行着一个人的战斗，向世界讨回自己的公道。

A brave man, a longing for freedom, love hearts desire. Terms of use, then the party, he can be counted as the cause for the nation, in order to immortal love, shed blood of Caesar. Floyd said that three people desire, raw desire, the desire for love, the desire to be respected, the man was a heavy burden of negative, broad chest stood to confirm their existence. Not abandon the idea of personal heroism, the desire is the driving force, love is the fuse, yearning for freedom eventually put the whole conct of the slogan to a new height, Wallace is just the symbol, the people freely in the guide.
Wallace deeply hurt when the two act as if the electric shock-like touch my heart. Favorite scene in the hands of the women were after, have been unable to return to their own days, his eyes like lightning, like, filled with indignation, as the momentum rolling river, far out of control. Another screen appears in the betrayal of his allies at the moment, loneliness, helplessness, despair, disappointed but not that he throw away the illusion, to take up arms again to carry out a people fighting to get their fair world.

⑸ 求 小人物 Nobody 百度云免费在线观看资源

《小人物 Nobody 》网络网盘高清资源免费在线观看

链接: https://pan..com/s/1K1cnKJlHb630lwlhj9k-WQ

一天晚上，Hutch（鲍勃·奥登科克BobOdenkirk饰）位于郊区的家中遭两名小偷闯入。为了避免暴力冲突，Hutch没有为自己或是家人反击。他的儿子Blake（盖奇·芒罗GageMunroe饰）对他感到很失望，他的老婆Becca（康妮·尼尔森ConnieNielsen饰）似乎也因此更加疏远他。这起事件激发了Hutch心中压抑许久的情绪和本能，促使他走上残酷的道路，将揭露他黑暗的秘密和致命的能力。在拳头、枪弹和急速行驶的车阵中，Hutch必须从危险的敌人（阿列克谢·谢列布里亚科夫AlexeySerebryakov饰）手中救出自己的家人，并确保别人不会再把他视作无名小卒。

⑹ 《小人物》(《nobody》)里的插曲有哪些

有：《Nobody》、《Suburban Disruption》、《I'm Gonna Fuck You Up》、《We Need a Cat》、《They Know, I Know, You Know》、《Everyone Dies》、《The Obshak》。

影片讲述一天晚上，哈奇·曼塞尔位于郊区的家中遭两名小偷闯入。为了避免暴力冲突，哈奇没有为自己或是家人反击。他的儿子布莱克·曼塞尔对他感到很失望，他的老婆贝卡·曼塞尔似乎也因此更加疏远他。

这起事件激发了哈奇心中压抑许久的情绪和本能，促使他走上残酷的道路，将揭露他黑暗的秘密和致命的能力。在拳头、枪弹和急速行驶的车阵中，哈奇必须从危险的敌人利安手中救出自己的家人，并确保别人不会再把他视作无名小卒。

哈奇·曼塞尔，在退役后他的生活想一谈死水，工作毫无挑战，他与自己的妻子也早就没有了激情，儿子对他爱答不理，只有女儿和他最亲近。一天，他发现自己女儿的手镯被抢了，于是开启了他的复仇模式，最后还和黑帮进行对抗。

⑺ 一个人坐在轮椅上，说了一句，who said we can't Nobody!这个人是谁。

答：这个人应该是坐轮椅人的对方啊！

⑻ 跪求小人物/杀神NOBODY2021年由 鲍勃·奥登科克主演的百度云资源

《小人物 杀神NOBODY 2021》网络网盘高清资源免费在线观看；
链接:

一天晚上，Hutch（鲍勃·奥登科克BobOdenkirk饰）位于郊区的家中遭两名小偷闯入。为了避免暴力冲突，Hutch没有为自己或是家人反击。他的儿子Blake（盖奇·芒罗GageMunroe饰）对他感到很失望，他的老婆Becca（康妮·尼尔森ConnieNielsen饰）似乎也因此更加疏远他。这起事件激发了Hutch心中压抑许久的情绪和本能，促使他走上残酷的道路，将揭露他黑暗的秘密和致命的能力。在拳头、枪弹和急速行驶的车阵中，Hutch必须从危险的敌人（阿列克谢·谢列布里亚科夫AlexeySerebryakov饰）手中救出自己的家人，并确保别人不会再把他视作无名小卒。

⑼ 小人物 Nobody讲的什么故事(张宏伟赵竑)

一位帮助了被黑帮分子侵扰的女子的路人不料成为了毒枭的报复对象。

⑽ 只因女儿猫被偷懦夫父亲灭整个黑帮什么电影

《小 人 物》是一部由鲍勃·奥登科克主演的电影。于2021年2月26日在北美上映。
影片讲述一个住在郊区的父亲平平无奇，毫不引人注意。但随后两个贼 闯入他家，引起了他内心的无 名怒火，唤醒了他奋力想遗忘的旧日暗 黑秘密。