盗梦空间电影观后感英语150

A. 观英文电影《盗梦空间》有感英语作文

The film of the dreams, actually mixed into the subconscious dream man, the protagonist and his companions sneak into people's dreams and steal secrets under their subconscious. They also can be implanted into the people's subconscious mind, which completely changed the man's life.
There is a scene play, a lot of people after being sedated, a long time to sleep in a dream. Every day they wake up, to them it is a dream. Because they have the dream as reality, and reality itself has become a dream. Like "The Matrix", living in a world sense, the real - but the mind of the image only. In reality we are helpless, it seems that some people just vassal. Our dream is to focus thoughts, can achieve the dream of the other side. Walk in the perception of edges, Living.
When the protagonist and his wife, after decades of staying dream edge, it has been totally not tell the difference between reality and dreams. Only the dreamer in a dream to die, to wake up from a dream. So the protagonist and his wife chose threw themselves. The protagonist's wife, but after the return to reality, the reality is still a deep suspicion of one dream, and ultimately committed suicide. Boundless dreams, actually endless pain. When the dream has become a reality, it will no longer have the truth.
Life empty dream, Shaohua white first instant. Wake up, everything seems to had been there, and blurred. Us through the years, we have been persistent in all, our sense of import, hidden in the depths of dreams. Each person is a unique world, they had emotions, we took their memories, sinks in reality - the share of "dream." Wake up those who are worldly? Thoughts endless, endless dream, consciousness, and perhaps this is the true world, the source of everything. But we think that the material is the basis of it.
Dream continues, life goes on. Dream within a dream, if you are among them, but still unaware?

B. 盗梦空间的英文观后感100字左右,句子尽量简单,

When i finished reading it,i got an idea.
It`s don`t addiction unreal,we should spend more time with our family.
InCobb is a powerful man.He can control the dream of others and even the man.
But he is lost,because his wife.She is a weak woman.She addiction in her dream.Cobb in order to save her,lie to her helpless.But unexpected this give her life.So,he lost in it.
But in the end.he finished the save.He has a happy family,his father and his kids.
That's all,thank you.
是不是有点长了～没问题吧

C. 盗梦空间影评

盗梦空间的影评是：

《盗梦空间》是一部很聪明的电影，丰富的细节、错综复杂的叙事，将观众带入一个潜意识的迷宫。诺兰创造了一个超现实主义的惊悚世界，有点类似于荣格学说。

在真实与非真实的多重层面上对观者构成了挑战。快速剪接和敏捷叙事把超现实的世界表现得酣畅淋漓，将虚拟影像技术呈现人脑的意识做到了登峰造极。

《盗梦空间》的幕后制作：

《盗梦空间》是诺兰执导的第七部电影，也是他在科幻电影领域的首次试水，这部融合了《记忆碎片》的感官错乱和《黑暗骑士》的拍摄规模的影片拥有1.6亿美元的前期预算。

在拍摄中，诺兰坚持使用摄影机完成拍摄，电脑在他那里基本可以算是一文不值，这种操作方式在好莱坞简直就是让人无法相信的。实现这些都是多亏瓦雷·菲斯特和克里斯·科伯德的帮忙，他们一位是诺兰的御用摄影师，一位是邦德电影的特效总监。

两个人一起帮助诺兰实现了老式电影技法的回归。影片的拍摄足迹遍布全球，单单主要场景的拍摄就涉及四大洲6个国家。在拍摄过程中，摄制组的演职人员可谓历尽艰险。

经历了摩洛哥丹吉尔的酷热炙烤，又体验了加拿大卡尔加里的大雪纷飞。拍摄地还包括了东京，巴黎和洛杉矶，视觉效果团队为了做好一组车辆动作镜头，运用了人工降雨等手段完成了货运火车横扫市中心的情节。

D. 《盗梦空间》英文观后感

Inception digs deep into the subconscious of the human mind, all which seemed impossible became possible. From the start, its foreshadows were all about dreams, which left the ending spinning on and on.

假如楼主觉得字多了，以下可以不要。。我也只是在废话。。（悲剧的发现自己不会写观后感）
The multi-layered plot focused on the emotional journey of its main character, while at the same time perfectly connecting with packs of action and mystery.

E. 盗梦空间英文观后感，加中文翻译，200词左右，高中水平

Dom
Cobb
is
a
skilled
thief,
the
absolute
best
in
the
dangerous
art
of
extraction,
stealing
valuable
secrets
from
deep
within
the
subconscious
ring
the
dream
state,
when
the
mind
is
at
its
most
vulnerable.
Cobb's
rare
ability
has
made
him
a
coveted
player
in
this
treacherous
new
world
of
corporate
espionage,
but
it
has
also
made
him
an
international
fugitive
and
cost
him
everything
he
has
ever
loved.
Now
Cobb
is
being
offered
a
chance
at
redemption.
One
last
job
could
give
him
his
life
back
but
only
if
he
can
accomplish
the
impossible-inception.
Instead
of
the
perfect
heist,
Cobb
and
his
team
of
specialists
have
to
pull
off
the
reverse:
their
task
is
not
to
steal
an
idea
but
to
plant
one.
If
they
succeed,
it
could
be
the
perfect
crime.
But
no
amount
of
careful
planning
or
expertise
can
prepare
the
team
for
the
dangerous
enemy
that
seems
to
predict
their
every
move.
An
enemy
that
only
Cobb
could
have
seen
coming.
Dom
Cobb是一个熟练的小偷，在提取危险艺术绝对最好，盗取秘密深藏在潜意识的梦想中，当精神最为脆弱的。科布的罕见的能力使他在这个危险的新世界的商业间谍活动梦寐以求的球员，但这也使他成为了国际通缉犯，失去了他所爱的一切。现在我们是提供一个赎罪的机会。最后一份工作能给回他原本的生活，只要他能完成不可能的任务开始。而不是完美的抢劫，Cobb和他的专家团队要拔出相反：他们的任务不是去偷一个想法但是一厂。如果他们成功了，它可以完美的犯罪。但没有仔细的规划或专业知识可以准备为危险的敌人，似乎预示了他们的一举一动团队。一个敌人，只会看见我们。

F. 求 盗梦空间 的英文观后感，100多词左右，要稍微看得懂的

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious ring the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.

G. 盗梦空间的英文观后感100字左右，句子尽量简单，初中水平

When i finished reading it,i got an idea.
It`s don`t addiction unreal,we should spend more time with our family.
In<<Inception>>Cobb is a powerful man.He can control the dream of others and even the man.
But he is lost,because his wife.She is a weak woman.She addiction in her dream.Cobb in order to save her,lie to her helpless.But unexpected this give her life.So,he lost in it.
But in the end.he finished the save.He has a happy family,his father and his kids.
That's all, thank you.
是不是有点长了～～没问题吧

H. 谁帮我翻译一下下面盗梦空间的观后感啊好的加积分~麻烦高手们了~

有些时候我们醒着，却像是在梦中；有些时候我们梦着，却也许是现实中向往的美好，想永远不要醒来……

I. 盗梦空间英语影评

The First Reviews of InceptionPosted on Monday, July 5, 2010 at 5:57 pm by George
Warner Bros. Pictures recently lifted the embargo on Inception reviews. We be updating this article as more reviews pour in.

The reviews so far are unanimously positive:

Film School Rejects (A+):
I will say this now, without reservation and fully confident that many will agree; Inception is easily the best big budget film of the year thus far. I’ll go further and say that it’s one of the most beautiful, well written, and fully realized high dollar films of the last five years. Inception, is close to perfection.

CHUD (10/10):
Inception is a masterpiece. Making a huge film with big ambitions, Christopher Nolan never missteps and manages to create a movie that, at times, feels like a miracle. And sometimes it doesn’t even feel like a movie; while presented in woefully retro 2D, Inception creates a complete sense of immersion in another world. The screen before you is just another layer of the dream.

Awards Daily:
Imagine a film being made in 2010 where you have absolutely no idea where it is going or how it will end. These were the worlds created by revolutionary filmmakers, like Stanley Kubrick, Woody Allen, David Cronenberg and David Lynch. With Inception we have a film and a filmmaker that has broken new ground and very nearly reinvented the form and he did it all without 3-D. Nolan gets there on the power of the story – and his vision was realized with the aid of the usual suspects – Wally Pfister’s cinematography, Hans Zimmer’s unbelievable score – the art direction, the visual effects – see it on IMAX and it will blow your mind. I am sure more than a few will discover that seeing the movie IN an altered state will also blow your mind, not that I’m advocating that.

Cinematical:
Further, its sublime combination of theoretical and humanistic elements puts it in the company of films like, yes, The Matrix, but more accurately dense, character-driven concept movies like Synecdoche, New York, itself arguably one of the best and most important (if also impenetrable) of the last decade. But it’s also the kind of movie that transcends any easy comparisons, and resists previous standards of achievement, innovation, or impact, which is why it’s difficult to pinpoint the last time I felt quite so passionately about every single part of a cinematic experience. And that may ultimately be the film’s greatest achievement: to consume and possess its audience with that passion, whether you’re as inspired and excited as I am, or disappointed, confused or frustrated as many will no doubt also be.

JoBlo (10/10):
At 148 minutes, INCEPTION is hardly a quick film but it moves with such speed and efficiency that you never “feel” the length. Even when it’s over, the movie stays with you, begging for conversation, discussion, debate and, eventually, another viewing. I’m sure it’ll even pop up in your dreams. Nothing wrong with that. We should all be dreaming a little bit bigger.

Empire (5/5):
Like The Matrix mated with Synecdoche, New York — or a Charlie Kaufman 007. To paraphrase Casino Royale’s Vesper Lynd, it’s a meaningful pursuit in a summer of disposable entertainments. With physics-defying, thunderous action, heart-wringing emotion and an astonishing performance from DiCaprio, Nolan delivers another true original: welcome to an undiscovered country.

Indie Wire (5/5):
As intricate as the script is—Nolan worked on it for a decade—the movie is not just a feat of cinematic wizardry, even though it comes close to the level of technological derring-do carried off by the likes of Stanley Kubrick. (Indeed Nolan works in repeated homages to the late great auteur beyond the obvious use of moving sets on gimbles to allow athletic Gordon-Levitt to bounce weightless and walk on walls and ceilings.) The movie also has heart. So that even if you do get confused (as I did in the James Bond snow section, filmed in the Canadian Rockies), the emotional through-line pulls you along. It’s as simple as The Wizard of Oz: The Extractor wants to go home.

Box Office Magazine (5/5):
In terms of sheer originality, ambition and achievement, Inception is the movie of the summer, the movie of the year and the movie of our dreams. Director Christopher Nolan’s heist film about a group of dream extractors who can invade a person’s subconscious to steal-or plant-vital information may remind you of James Bond, The Matrix, or even Nolan’s own Memento, when in fact it’s unlike any other. A bold, inventive, audacious entertainment, Inception charts a new course for motion pictures and sets the bar very, very high. Matrix-style business should be in order, even though audiences will have to pay strict attention to get the full experience (perish the thought). Simplistic moviegoers who like their blockbusters cooked in predictability may not get it but Nolan fans and those who like their action married to new ideas will flock to multiplexes for repeated viewings.

Variety:
If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most inventive dreamers, given the evidence of his commandingly clever “Inception.” Applying a vivid sense of proceral detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian’s “Rififi,” that challenges viewers to sift through multiple layers of (un)reality. As such, it’s a conceptual tour de force unlikely to rank with Batman at the B.O., though post-”Dark Knight” anticipation and Leonardo DiCaprio should still position it as one of the summer’s hottest, classiest tickets.

In Contention (3.5/4):
Moreover, this could be the film to solidify the director’s place among the modern masters. “The Dark Knight” made its mark on pop culture, yes, but “Inception” doesn’t carry the (however unfair) stigma of being based on pulp fiction. It could leave a footprint far more important on the instry: the fulfilled promise, perhaps thanks to a thinly rewarding summer movie season, that expensive, thoughtful, original filmmaking can pay dividends.

The Hollywood Reporter:
Following up on such ingenious and intriguing films as “The Dark Knight” and “Memento,” Nolan has outdone himself. “Inception” puts him not only at the top of the heap of sci-fi all-stars, but it also should put this Warner Bros. release near or at the top of the summer movies. It’s very hard to see how a film that plays so winningly to so many demographics would not be a worldwide hit.

Hit Fix:
…”Inception” is an exhilarating cinematic experience that suggests there is still room, even in the blockbuster world, for big ideas and dangerous emotions, and that may be the single most thrilling thing about it..

Comingsoon.net has the harshest review so far. Silas Lesnick feels that the film spends too much time on the setup, and is not a fan of the way Nolan applied real-world logic to the world of dreams. That said, Lesnick still gives Inception 7/10:

Coming Soon (7/10):
What is most infuriating about “Inception” is how close it gets to being something really great. Instead, we’re left with “Solaris” (but never as existential or as meditative) meets “On Her Majesty’s Secret Service” (but never as fun or thrilling). Compared to most of this year’s releases, “Inception” should still impress and, at the very least, inspire some worthwhile discussion, but it’s hardly the heady blockbuster summertime savior that audiences have been waiting for.

J. 《盗梦空间》英文观后感！！！要原创

Dom Cobb (Leonardo DiCaprio), along with point man Arthur (Joseph Gordon-Levitt), is on an extraction mission within the mind of a powerful Japanese businessman Saito (Ken Watanabe); a form of corporate espionage through dreams. Pain is felt in dreams, but death results in awakening. Cobb carries a totem in the form of a spinning top which originally belonged to his deceased wife Mal (Marion Cotillard), to determine whether he is dreaming or awake, which spins unceasingly or topples, respectively. The extraction fails e to the intervention of Mal, whose memory haunts Cobb's mind and sabotages his missions. Saito reveals that he is in fact auditioning the team to perform the act of inception: using dreams to implant an idea. He promises to have murder charges against Cobb cleared so that he can return to the U.S. and visit his children, in return for the mission's success.
The target is Robert Fischer (Cillian Murphy), son of Saito's terminally ill corporate rival, Maurice Fischer (Pete Postlethwaite). The objective is to convince Fischer to break up his father's empire. Cobb recruits Eames (Tom Hardy), a forger who can change appearance inside dreams, Yusuf (Dileep Rao), a sedative chemist, and Ariadne (Ellen Page), a student whom he and Arthur train as an architect to design dream worlds. When the elder Fischer dies in Sydney, Saito and the team share the flight with Robert Fischer back to Los Angeles and drug him. They enter Yusuf's dream, a rainy downtown area, and kidnap Fischer. However, they come under attack by Fischer's trained unconscious mind projections, and Saito is badly injured. Due to the strength of the sedatives and multiple dream layers, death will result in the person going into limbo, a world of unconstructed dream space, for a seemingly indefinite time. Cobb reveals to Ariadne that he spent years with Mal in limbo, where they shaped their own world and lives. After waking, Mal remained convinced she was dreaming and committed suicide, persuading Cobb to do so by incriminating him in her death, but he instead fled the U.S. and the murder charges.
Eames changes into Peter Browning (Tom Berenger), Fischer's godfather, to extract information from him. The team then enter a van and are sedated into Arthur's dream, a hotel, where the team convinces Fischer that the kidnapping on the first level was orchestrated by Browning and that he must enter his godfather's mind to determine his motives. They in fact enter into a third level of Eames's dream, where Fischer must break into a snowy mountain fortress to reveal the planted idea. To wake and protect the team, a member stays behind at each level with synchronized kicks: Yusuf driving the van off a bridge, Arthur crashing an elevator containing the team's bodies in a zero gravity sequence, and Eames detonating explosives in the mountain fortress.
Fischer is killed by Mal and goes into limbo. Ariadne and Cobb follow him down and confront her. There Mal attempts to convince Cobb to stay in limbo by making him question reality, referring to events that occurred while he was awake. Cobb reveals that he had originally planted the idea in Mal's mind to wake, making him indirectly responsible for her suicide. She attacks him, but Ariadne shoots her. Cobb remains in limbo to locate a now dead Saito, while Fischer and Ariadne return to the mountain fortress where he comes to the conclusion that his father wanted him to be his own man. Cobb eventually locates an aged Saito and tells him that they need to return to reality. He suddenly wakes on the plane to find everyone up and well. Saito honors their arrangement; Cobb enters the United States and finally returns home to his children. Cobb spins his totem top to test reality, but is distracted by the reunion.