后窗电影观后感英文

Ⅰ 电影《后窗》(英文<Rear Window>)，请看懂的来说说到底真实剧情是什么

恕直言，文化差异如阅历不同，不必去费心纠结，一千读者就有一千个哈姆雷特，蒙娜丽莎的表情本身就是艺术。
谋杀还是误会，一线之差。重要的永远是属于自己的当下，这就是自己的后窗。
无论你在休假还是在工作，你永远是在自己的生活中。
此答案为友情提供，仅供参考。

Ⅱ 求2篇英语电影观后感，高中英语作文，至少150字！急急急！谢谢啦！

Rear Window 《后窗》
L.B.Jefferies, a photographer working at a magazine, broke his left leg six week ago, so he has to stay at his two-room apartment days and days. The reason of this accident is that he stood in the middle of the racing track for taking wonderful photos. Obviously, he is responsible and he loves his job. He has nothing to do but look out the window and watch the daily life of his neighbors in these days.
Lisa, a pretty girl who loves Jefferies very much, wants to marry him, but Jefferies doesn't want to. He thinks Lisa is perfect but not what he wants. She is wealthy, smart, beautiful, fashionable and patrician, while he is only a poor, ordinary man. Besides, he only wants to find someone who could go anywhere and do anything with him, but Lisa wants him leave the magazine and stay there with her. Their wishes are opposite, and they both don't intend to compromise, so it seems very far for them to get married.
As far as I can see, Lisa really loves Jefferies or she won't takes so much time to persuade him, and tries to add some fun in his boring life in those days. She is so successful and charming and there must be many gentlemen pursuing her, but she only loves that poor photographer. In fact, Jefferies also likes her, but he just wants her more ordinary. When I am watching the movie, I really hope Jefferies takes Stella’s advice and then marries with Lisa. Fortunately, it was a happy ending.

Pride and Prejudice《傲慢与偏见》
After watching this movie, the most I like is its ending. At the very beginning, I thought Lizzy and Mr. Darcy were very suitable. We knew that Mr. Darcy fell in love with Lizzy at the second time he saw her, but Lizzy didn't liked him because of his pride. Personally saying, I like Darcy from the beginning to the end even when he only showed his unpleasant personality. Though many inhabitants thought he was overbearing, I still found some advantages of him. Well-ecated, handsome, pride but not showing his wealth, and so forth. He was quite different from Mr. Bingley. Mr. Bingley was agreeable and unreserved, and so being liked by everyone while Darcy's pride was disliked by all. Certainly, Mr. Bingley was easy to get along well with, and Darcy was hard to approach since he didn't like to talk with strangers. But they both were nice men. Mr. Bingley showed his admiration to Jane while Mr. Darcy hid his love to Lizzy in his heart secretly. For me, Darcy's hidden love was more impressive. He did much for Lizzy. Not only changed his personality, but also helped her solve her family's problem. His true love made me moved.

Ⅲ 后窗的英文赏析

我怎么感觉没什么好看的啊.
there is 懂吧?
perfect 作形容词, 最常见的, 懂吧?
there's no ... 常见吧? 比如 there's no "ctrl + z" in your life.
still 懂吧? 再举一个 我的现状. 本来是 there's no pretty girl in my office. 一年之后. there's still no pretty girl in my office...
现在可以理解这句话了吧?

Ⅳ 求一段英语影评翻译，不要机器，谢谢

这个电影老得掉渣了！！通常讲述剧情都是用现在式，当然您也可以把它改为过去式。

No matter how good a film is, it cannot survive without the affirmation from its audience.

In the first half of the film “Vertigo”, Scottie happens to play the role of an audience in Elster’s “movie”.Scottie has a few traits of a qualified movie fan. Firstly, he has ample time. Just getting over from the shadow of acrophobia, he is in a state of semi-retirement, so he has a prerequisite of becoming an audience; secondly, Scottie has a strong sense of curiosity. As an outstanding policeman, he possesses an excellent ability and a strong desire for observing inexplicable occurrences around him. Besides, in my opinion, Hitchcock has chosen Stewart as the leading actor of “Vertigo” instead of the romantic and humorous Cary Grant or the sincere and kind Henry Fonda, it’s because he wants to utilize the curious youth image portrayed by Stewart in the film “Rear Window”. Thirdly, and the most important point, Scottie easily generates emotional identification to Elster’s “movie”. At the beginning of the film, Scottie has indirectly caused the death of a fellow policeman. A self-condemned conscience creates a pressing need for Scottie to have an opportunity to rescue someone, so as to unload a moral burden and walk out of the traumatized shadow. At the same time, both he and “Madeleine” are troubled by their memories and nightmares; they have to confront these fears in order to get salvation. Scottie falls in love with this mysterious woman in the course of tracking her; he believes that this love affair is their healing process, that’s why when he tries to persuade Madeleineto confront her nightmares in the church, he applies the word “we” instead of “you.

Ⅳ 后窗电影解析

电影《后窗》解析：希区柯克通过模拟男主人公主观视角的方式推动和拉近镜头来拍摄邻居家的一场场电影。每个窗口都可以看作是一出戏，邻居被放大到了屏幕正中，并且会随着窥视者起和放下望远镜而放大和缩小，观众就是男主人公，同时也暗指我们这些看电影的人。

该影片是1954年8月1日美国上映的一部恐怖、悬疑、剧情类电影，影片全长约为112分钟左右，影片在豆瓣上评分为8.7分，可以在乐视TV、哔哩哔哩，腾讯视频上进行在线观看。

影片讲述了：一个雨夜，杰弗里斯看到拉尔斯提着箱子外出数次。次日，杰弗里斯又看到拉尔斯用报纸包裹一把锯和一把刀。杰弗里斯起了疑心，他怀疑拉尔斯杀害了安娜并分尸抛弃。然而，杰弗里斯并未目击案发过程，也未见到尸体。那么真相究竟如何呢？杰弗里斯的推测只是他的臆想吗？为了证实他的推测，杰弗里斯要如何寻找证据呢？

Ⅵ 后窗的影片评价

《后窗》是悬疑影片的代表作之一。该片成功地制造出恐怖与悬念的气氛，形象地发掘出个人内心深处隐藏着的偷窥心理与欲望（时光网评） 。影片包含了希区柯克擅长的所有技巧和手法，也是“偷窥”主题表现得最淋漓尽致的一部电影。该片不仅让观众看到生活和人性隐秘的一面，也给后来的许多电影导演提供了一个可以模仿的范本（《时代周报》评） 。
《后窗》把偷窥与谋杀进行饶有兴味地组合，是希区柯克后期作品的典范。平凡生活背后的谋杀，带着些微阴暗面的幽默，精巧的故事设计，出人意料难以预测的结局，都深深打上了希区柯克作品的烙印。影片开头一大段偷窥的描绘悠闲自得，丝毫没有大部分惊险影片的凌厉之气。接下来的情节峰回路转跌宕起伏，所有的线索都等待着观众去推想。此外，杰弗瑞用闪光灯拖延间的情节设计也显示出了导演心思的巧妙（新浪网评） 。
《后窗》是世界最伟大的电影之一（《旧金山编年史》评） 。它是一部机关重重的电影，但是观众又很难发现任何机关（《阿波罗电影导航》评） 。该片不仅包含对于窥视欲的思考，还涉及了对于爱情的深刻理解。在电影中，观众可以看到寂寞的单身女人和音乐家，一对年轻恩爱的夫妻以及每天争吵的推销员夫妇，还有不断为结婚扯皮的杰弗瑞和丽莎。该片其实是一部爱情婚姻三部曲：未婚的人孤寂幽幻，新婚的人欢乐甜蜜，经受长久婚姻折磨的人则兴味索然（新浪网评） 。
在《后窗》中，希区柯克将自己凝练的风格和坚持以电影语言叙事的方法发扬广大。开篇的第一个场景虽然没有任何文字方面的描述，但是观众却通过电影镜头了解到主人公的身份是一个摄影记者。这样的表现手法是最纯粹的电影叙事手法，然而凝练的风格不等于简单和单调。对于《后窗》中男主人公对面公寓楼里居民的活动，希区柯克数次通过镜头从全景到细节逐一展现，而大多数情节却和影片的故事主线——养伤的摄影家发现并追查一起杀妻案毫无关联。这部电影并没有快节奏的讲述一个惊险的犯罪故事，因为电影的主题除了谋杀案之外，还有男主人公在现实生活中的“偷窥”。尽管只有少量的镜头，但希区柯克却将不下十个小故事讲述的兴味盎然，展现出一幅浓缩了的社会图景（新浪网评） 。

Ⅶ 急用关于希区柯克的电影《后窗》的1500字的影评，要求格式完整一点啊

一分都不给，谁会打那么长的东西给你啊

Ⅷ 请用一句话（英语）评论下列十部电影

《大象》
它以一种难以想象的时间－空间语言挑战了传统电影的现实主义
参考资料
http://..com/question/64750270.html?si=1
《黑暗中的舞者》
You don't need eyes to see.
In a world of shadows, she found the light of life.
参考资料
http://ke..com/view/412703.html?wtp=tt
《城市之光》
清醒与迷惘、梦境与现实、贫穷与富裕、自私自利与自我牺牲。
参考资料
http://ke..com/view/30200.htm
《后窗》
See It! - If your nerves can stand it after PSYCHO! (1962 re-release)
The most UNUSUAL and INTIMATE journey into human emotions ever filmed!!! (1962 re-release)
It only takes one witness to spoil the perfect crime. (1999 re-release)
Seeing isn't always believing. (1983 re-release)
Suspense Of Screaming Proportions!
《后窗》干净清晰的剧情让我们很容易就被吸引。
——芝加哥太阳时报
尽管年代久远，但《后窗》依然是世界最伟大的电影之一。
——旧金山编年史
《后窗》是一部机关重重的电影，但你又很难发现任何机关。
——阿波罗电影导航
希区柯克先生的这部电影没什么意义可言，他对人性的看法既显肤浅又显幼稚，但是，他或多或少揭示出了城市生活的孤独，证实了一种病态窥视欲望的存在。
——纽约时报
参考资料
http://ke..com/view/359830.html
理发师陶德
歌舞很棒，表演也非常完美，不过蒂姆•波顿似乎把他的幽默感放错了地方。
——《纽约媒体》
影片从头到尾没有一丝瑕疵，恐怖、怪诞的幽默以及间歇性的惊吓，至于约翰尼•德普，则一如既往地那么优秀。
——《滚石》
有史以来最高雅的一部变态杀人狂电影。
——《西北使者》
波顿使影片流畅而生动，和今年上映的其他优秀之作（包括歌舞片）相比，都不逊色。
——《今日美国》
《理发师陶德》是部恐怖片，也是一部歌舞片，它甚至已经接近于一部杰作了。
——《纽约时报》
参考资料
http://ke..com/view/1260359.htm

碧海蓝天
Between what you know and what you wish, lies the secret of... [The Big Blue]
N'y Allez Pas, Ça Dure Trois Heures! [version longue]
The sea has a secret. [Australian poster]
Danger...Like Passion...Runs Deep

参考资料
http://ke..com/view/328104.htm

华氏911

作为纪录片，摩尔不能像好莱坞大片那样用煽情的故事、恢宏的音乐来得到观众的认可，他只能用事实说话，用真实打动大家。
参考资料
http://ke..com/view/207005.htm
我私人的爱达荷/不羁的天空
Wherever, whatever, have a nice day.
whatever it takes to have a nice day
It's not where you go, it's how you get there
参考资料
http://ke..com/view/901595.html
亚特兰提斯
“光线”、“运动”、“嬉戏”、“精神”等主题词，从各个方面将涌动的海洋的深邃、博大、激烈、温柔等各个侧面分别进行了展现，如同跳动的音符，在人们眼前营造出一个色彩斑斓、动感十足的海底世界。
参考资料
http://ke..com/view/8054.htm
剪刀手爱德华
The story of an uncommonly gentle man
Innocence is what he knows. Beauty is what she sees.
Edward Was Here
His story will touch you, even though he can't
The Director Of "Batman" & "Beetlejuice" Invites You To Meet His Newest Creation:
Edward lived alone where he could hurt no one and no one could hurt him. Until the day the Avon Lady came calling...
参考资料
http://ke..com/view/187288.htm

Ⅸ 英语作文，电影《初恋50次》观后感，谢谢

RearWindow《后窗》L.B.Jefferies,,brokehisleftlegsixweekago,sohehastostayathistwo-roomapartmentdaysanddays.ngwonderfulphotos.Obviously,.nthesedays.Lisa,,wantstomarryhim,butJefferiesdoesn'twantto..Sheiswealthy,smart,beautiful,fashionableandpatrician,whileheisonlyapoor,ordinaryman.Besides,,.Theirwishesareopposite,andtheybothdon'tintendtocompromise,.AsfarasIcansee,'ttakessomuchtimetopersuadehim,.,.Infact,Jefferiesalsolikesher,buthejustwantshermoreordinary.WhenIamwatchingthemovie,’sadviceandthenmarrieswithLisa.Fortunately,itwasahappyending.PrideandPrejudice《傲慢与偏见》Afterwatchingthismovie,themostIlikeisitsending.Attheverybeginning,IthoughtLizzyandMr.Darcywereverysuitable.WeknewthatMr.,butLizzydidn'tlikedhimbecauseofhispride.Personallysaying,sonality.,.Well-ecated,handsome,pridebutnotshowinghiswealth,andsoforth.HewasquitedifferentfromMr.Bingley.Mr.,'spridewasdislikedbyall.Certainly,Mr.,'tliketotalkwithstrangers.Buttheybothwerenicemen.Mr...Forme,Darcy'shiddenlovewasmoreimpressive.HedidmuchforLizzy.Notonlychangedhispersonality,'sproblem.Histruelovemadememoved.

Ⅹ 有没有希区柯特电影的观后感一篇！

观看影片《后窗》有感

前几天我观看了《后窗》这部电影，这是一部悬疑类的影片，导演希区柯克是古典电影时期一位伟大的创造者。他的影片《后窗》更是这一时期的经典之作，影片一开始便通过第一人称的视角对故事的主人公透过窗外所能看到的视线范围做了一次整体的展现，这一镜头界定并说明了故事发生的场景。

影片初始导演向观众所描绘的是一幅日常的生活场景，从中映照出了复杂的人生百态。描绘的悠闲自得，丝毫没有大部分悬疑影片由始至终显现的那种凌厉之气，于无声处等待惊雷、等待故事的发展。接下来的情节峰回路转跌宕起伏，让人一刻也无法转移视线，所有的线索都等待你去推想，而你所有的推想又都不能肯定，从丽莎到庭院寻找证据开始，双方才开始间接的接触，而已经和主人公习惯了躲在窗子后偷窥的观众，也不得不面对即将发生的直接接触了。随着剧情的发展我们这些观众和远远在窗子这边的杰弗瑞一样，也只能眼巴巴看着丽莎冒险、遇险、搏斗而帮不上一点忙。这一系列场景也是影片最为扣人心弦的场面，同时也是整部电影的精华所在。

《后窗》粗看似乎只是一部平常的悬疑侦探片，而深入其内部我们才发现这实际上正是"看电影"的寓言。当杰弗瑞拉开公寓后窗的窗帘，也就预告着一部电影的上演。坐在轮椅上的杰弗瑞也就是一名电影观众，他对窗外情景的体验也就是一名电影观众的体验：身体被固定着，对窗外（电影上）发生的一切都无能为力，只能观看、评论、推测、同情、兴奋……
通过一个个的画格，杰弗瑞捕捉着邻居们的表演，邻居们也成为演员。每一个住家好像都在上演着一场小电影，不仅有演员，有故事，甚至有镜头的变换，从远景镜头（肉眼观察）到近景镜头（望远镜观察）再到特写镜头（相机长焦镜头）一应俱全。
但是，如果电影观众混淆了电影和现实的界限，试图闯入电影的表演，失去了旁观者的身份，那么麻烦也就来了。

影片的结尾是让人深思的，杰弗瑞捡了一条命，但另一条腿却也摔断了，要比影片开始时更为虚弱可怜。他决定不再窥视，拉下了后窗的窗帘，而电影也就闭幕、散场了。从来没有一个导演能够拍摄如此激动人心的电影，同时又对电影的激动人心做如此辛辣、深刻的自嘲。

另外，我认为电影的主人公始终怀疑对窗住户有人谋杀，并向自己的侦探朋友提供线索，但其朋友始终不信他的推测，并对主人公的推测产生怀疑与不屑。而主人公却没有轻易放弃自己对案件的侦查。最终，揭开了事情的真相，证明了自己推测的正确，破获了整个案件。从这方面也让我体会到，我们做事应该有主见，不应该随波逐流或是盲目相信权威，而应该在充分思考和谨慎分析后再对事情做出自我的判断。一但决定就应该坚持自己的主张，不应该轻易放弃或妥协。所以，我觉得从这方面来讲主人公的这种精神还是值得我们学习的
http://www.ccme.com/blog/u/504/archives/2008/200851415462.html
《后窗惊魂》观后感
《后窗惊魂》讲的是一个禁足少年凯尔在家无所事事，以偷窥邻居为生活乐趣，无意中发现邻居竟是个杀人恶魔，后将其手刃的故事。整个故事还是比较精彩的，值得一看。
作为悬疑片，有几个场面确实精彩。平静的父子开车回家，讨论着生活中的趣事，忽然前面的车闪开，迎面一辆大货车把两人的车撞飞，这突如其来的变故，让观众惊愕不已。另一个场面凯尔的朋友罗尼去邻居家车库探秘，忽然车库门自己关上了，罗尼传来的视频和声音非常惊恐，像是被人发现要置他于地，凯尔立刻前去救他，惊动了警察，警察来后在邻居家里却没有发现罗尼。凯尔回家后，担心罗尼已经被害，这时接到罗尼手机发来的图片，像是罗尼在凯尔家被杀。凯尔正伤心至极，罗尼忽然从壁橱里出来，说跟他这是个玩笑。这个玩笑开的很烂，却把气氛搞得超级惊悚。看电影时心脏砰砰砰的跳，挺赞的铺垫。
但是整个故事还是深度不够，有很多地方没有好好挖掘。开头凯尔父子在非常美丽的湖边闲适的钓鱼，后忽然变故，父亲车祸而亡。父亲的去世对凯尔的影响没有很深刻的表现出来。又或者父亲的死与后来的凶手有什么关联，但后续的故事与父亲没有任何关系了。仅仅因为老师提到凯尔的父亲，凯尔就把老师打伤然后被软禁，作为故事的起源有点儿小题大做。
凯尔的美女邻居在影片中仅仅是个花瓶，没有实质上推动故事的发展，是个可有可无的角色，败笔。
作为一个不足18岁的少年，看到邻居家里的密道、手术台、死尸，没有被吓到，面对杀人无数的恶魔，能够冷静、果断地将其杀死，真是有点儿夸张了。这不是超人么？要不长大了也是个冷血杀人的主。
邻居杀了无数女人，而且都是红头发，这似乎是线索，但影片没有挖掘邻居的杀人动机，只单纯的点出他就是个杀人恶魔，感觉故事讲的不完整。

anyway，大洪的高清系统够震撼，看惊悚片确实吓到一片人啊。