luther电影观后感

⑴ 绝对权力的电影剧情

手段高超的窃贼卢瑟打算大做一票之后就金盆洗手，这次的目标是大富豪沙利文的巨宅。在确认宅主夫妇已经远行在外之后，他成功潜入装满珠宝的房间。正当他为自己庆幸时，却从一扇单向窥视镜中看到主卧室里走进来沙利文太太。跟着她的竟然是现任美国总统里士曼。如果两人只是偷情作爱倒也罢了，但接下来发生的竟然是一场砍杀：男伤女死。此事曝光后，卢瑟成为警方怀疑对象，因为全国能从沙利文这样的豪宅盗走珠宝的只有六人，而在当晚，人在华盛顿的只有卢瑟一个。本想一走了之的卢瑟在电视上目睹总统的伪善，再加上警方开始打扰他的女儿，他下定决心，敲开了沙利文的房间。
神偷Luther打算在退休之前做一笔“大买卖”，他趁主人外出之际潜入豪宅，准备捞个盆满钵满。正要大功告成，Luther无意中看到一对醉醺醺的男女走进卧室欲行云雨。其中男主角不是别人，正是当今美国总统Allan Richman。Luther目睹了两人从口角到扭打的全过程，最终以Allan Richman枪杀Sullivan太太收场，而Sullivan先生是总统最大的支持者之一。调查此案的警方很快找到Luther——毕竟有能力盗窃Sullivan家豪宅的贼，全国也没几个。Luther也知道卷入这件事的后果不堪设想，决定潜逃国外。临走前，他最牵挂的是女儿Kate，在Kate长大成人的过程中，Luther却在牢狱里无法陪伴她，因此父女关系甚为疏远。在机场，Luther偶然看到总统冠冕堂皇地作反暴力主题的演讲，愤怒的Luther在一瞬间决定留下来，为正义而战，然而事情的背后并不像他想的那么简单…

⑵ smallville老LUTHER 和LEX是怎么死的（死了没）

Chloe会不会死？
chloe从来没有出现在DC漫画和电影中出现过，不知道编剧最后会怎样安排这个角色的去向。
尽管我很喜欢chloe，但感觉她死的可能性很大，这样也许可以刺激超人和lois走入每日星球报社，或者超人可以从新认识自己的使命。
老luther会不会死？
这个老家伙应该是死定了，就等着看以何种方式死了，joe EL可能最后还要利用一下老luther来启发超人“能力越大，责任越大”的含义，促进ck最后走向超人的关键人物。
电视中，ac和复仇天使，以及那个圣诞老人的出现都在刺激超人明白自己身上担负的责任，相信这个转变快到了，你看ck经常身上穿的蓝T恤红夹克，就感觉他已为日后的超人战衣做适应。
正义联盟中的漫画人物已经出来两个了，不知道会不会有第三个出来，不过，我认为蝙蝠侠是决不会在电视版中出现的，这么一个重量级人物wb只会留在电影版中，会不会有第六季，也要看今夏的电影版反映如何了。
ps：如果chloe不死，在电影版里可能会有解释，真希望如此，太喜欢chloe了！！！
brainiac这个超人最大的敌人可能还会在后面几集中出现，帮助luther父子一块来刺激超人那纯朴的心灵。
lana将走向何处？真没有想到编剧会让lana去学天文学，按照电影版的的设定，lana一只会留在smallville，并且嫁给一个叫bob（好像是这名）的家伙，不过三年后她丈夫就挂了。在电视版里lana后面几集里可能会与lex走到一起，但当明白超人的身份（漫画里超人告诉了lana自己的秘密）和lex的黑暗后将会孤独离去。
再看smallville前面几季时，非常感兴趣的是lex会换几辆车，法拉利、保时捷、美洲虎、奔驰和兰博基尼都开过来了，不过最近一只开的是保时捷，可能是剧组再借不到新款车了。
陨石已经有红、绿、黑、银色了，据说还有一种金色的，不知道会不会出现了
那只叫shelby的狗不知道是不是漫画里的superdog，因为那只superdog叫krypto超人最开始给shelby起的名字
最后祝贺一下allison（chloe的扮演者）获得土星奖的提名

⑶ 光荣之路（乔什卢卡斯主演的）的观后感 800字

最近看了《Glory Road》（为了不和那部伟大的战争片重名，我就不写译名了，反正也容易懂）。啊，好喜欢那张海报。

近期无精打采，所以要看些积极向上的片子。上网看Josh Lucas的简历，看到《Glory Road》，是大名鼎鼎的Disney出品，同样大名鼎鼎的Jerry Bruckheimer Films制作，再加上是Jush Lucas主演，也是豪华阵容了吧，当下决定看看。

结果开始看之后我就端正态度老老实实的了。这是部不容轻视的影片，很有张力和激情，极富感染力。

那是我所不曾了解的历史，关于美国篮球史乃至种族史的伟大人物——Don Haskins。

两度奥克拉荷马州篮球运动员，大学期间得到全额篮球奖学金，全州最好大学球队的队长，NCAA的MVP，高超的球技让他声名显赫。当他膝盖受伤之后，选择和大多数退役运动员一样，做教练。他率领的高中球队在198场比赛中赢了157场。这些足以让他进入名人堂。但是他被人们尊敬和爱戴，却远远不只这些原因。

他在做了成功的女篮教练之后，受聘于寂寂无名的西德州联队(Texas Western)。默默无闻的小型高校，简陋的男生宿舍住房，他都能忍受。但是队中的五名白人球员看不起他们教过女篮的新教练，而且技术一塌糊涂。而挑剔的赞助者拒绝提供引援预算。于是他找来七个天赋极高的黑人新球员。请注意，那是在60年代的美国，种族歧视仍然肆虐整个北美大地，他背负了巨大的压力而毫不退缩。

之后自然是状况连连。黑人球员之间 黑白球员之间，充满了陌生和隔阂；青春萌动的少年，总不安分；不适宜激烈运动的心脏疾病；出战必须过关的学业考试；随意缺勤全队集训……Haskins还要让这些年轻气盛 心高气傲的孩子贯彻他重视基础和纪律的篮球哲学，进行魔鬼训练。他对那个垂著头的孩子说：if you quit now， you quit every day for the rest of your life、

最难的，当然是全队上下一起面对铺天盖地的种族歧视，白人成员也不能幸免。这些歧视，来自观众，来自对手，来自校方，来自赞助商，来自他们所到之处的旁人……球场的咒骂和垃圾投掷物，洗手间的群欧，房间的喷漆诅咒和被划破的行李，家人收到的恐吓信，白人轻蔑的眼神和嘲弄的言语……球员们也曾经畏惧，曾经失去信任如一盘散沙……Haskins的一句话重新让他们抬起头，骄傲地像大众证明自己：Your dignity is inside you,nobody takes it away if you don't give them。

球队在磕磕碰碰中逐渐融合 成长。在总决赛那天，Haskins决定以全部黑人阵容迎战全部白人阵容的对手。当他们终于取得1966 NCAA篮球比赛总冠军的时候，美国篮球世界也掀开了新的时代帷幕，这是历史性的胜利，关乎篮球，关乎追求，关乎信念，关乎种族，关乎Martin Luther King Jr的梦想……而Texas Western在Haskins的率领下赢球场次总数占据历史第四名、甚至获得了11次季后赛冠军。

影片的比赛画面拍的酣畅淋漓而激情四射。看总决赛那段的时候，弟弟说；会不会夸张了一点啊？后来看片尾的纪实录像，确实精彩纷呈，只是电影有点艺术加工，这也在所难免。

强烈推荐末尾的后记以及字幕时的原型访谈和比赛录像。那些人和事在黑白映象中散发历史深厚的力量，一点点渗入你的感官。

忍不住向Don Haskins先生致敬。

还有更多 楼主这里找http://www.douban.com/subject/1457219/reviews
这里也有很多条http://movie.xiaonei.com/commentlist.do?d=init&mid=26742
呵呵实在太长很难贴出来 就给楼主链接了 (*^__^*)

⑷ Driving Miss Daisy 的英语影评

Driving Miss Daisy 为戴茜小姐开车 英语影评

Adapting plays to the movies is always an iffy prospect. If the story is "opened up" too much, with extra characters and locations, it can lose its intimacy. If the story remains too close to its stagebound roots it can become cinematically ll.

But every now and then a stage adaptation comes along that manages to be faithful to the play's best interests and yet open it up just enough to make for a cinematic treat, and such is "Driving Miss Daisy."

Led by riveting performances from Morgan Freeman and Jessica Tandy, this Pulitzer Prize-winning comedy-drama is utterly enthralling, though also quite spare and intimate.

Director Bruce Beresford, an Australian who seemed right at home in America's South with "Tender Mercies" and "Crimes of the Heart," has returned triumphantly to that area in creating this wonderfully delicate masterpiece, largely through the fine performances of his stars.

Tandy is the title character, a wealthy 72-year-old Southern matron, a Jewish woman in the Christian Bible Belt of 1948 as the film begins. After an accident with her car, she is nagged into allowing a driver to be hired by her protective son Boolie (Dan Aykroyd, who is also convincing and never resorts to any of the shtick you might expect).

Boolie hires Hoke (Freeman), a black 60-ish widower and chauffeur whose patience seemingly knows no limits. At first Miss Daisy wants nothing to do with Hoke. She is a stern, stiffnecked woman with pride as big as all outdoors, and she's humiliated by her inability to drive herself. Not one to give up easily, however, Hoke, after sitting around the house with nothing to do for his first week of employment, follows her in the car as she walks to the store one day. Embarrassed, she reluctantly climbs into the back seat.

Thus begins a tenuous relationship that will span the next 25 years in the changing South. And they will change with it.

But this isn't a movie about people who make some remarkable lifestyle switch in the last five minutes. Rather, Alfred Uhry's touching and very funny screenplay, based on his own play, shows the graal change that creeps inside these characters.

Miss Daisy, though she considers herself a liberal Southerner, exclaiming repeatedly, "I am not prejudiced," hangs on to longtime traditions. When she thinks Hoke has taken something from her she says, "These people are always stealing things." And when she has an extra ticket to a dinner honoring Martin Luther King, she doesn't even consider that Hoke might like to attend. During the latter scene she comments that she's glad to see things change. But Hoke mutters, "Things haven't changed all that much."

Needless to say, Morgan Freeman, who continues to grow as one of the American movies' finest actors, and Jessica Tandy, who is certainly one of our national treasures, will be remembered come Oscar nomination time. And Aykroyd will surprise you as a character who ages 25 years in a very natural and realistic manner.

"Driving Miss Daisy," which is rated PG for a single profanity uttered by Aykroyd, is an extremely moving film with some hilarious moments. And though the screenplay obviously offers the humor, it is the actors' inflections and twists on words that give the comedy its real impact.

Beresford has also managed an incredibly authentic look to his period piece. It's fascinating, for example, to notice in the background ring a scene on an old country road that old-style cars are driving by while Hoke and Miss Daisy exchange casual dialogue in the foreground. It would have been much easier to keep all traffic out of the shot, but Beresford goes the extra mile here, as he does throughout the film.

It's easy to see why "Driving Miss Daisy" is on so many national critics' top 10 lists, those who saw the film before 1989 came to a close. This is indeed among the year's very best pictures.

⑸ 肖恩康纳利主演的无意中碰见总统杀人的电影

不是肖恩康纳利主演的，是克林特·伊斯特伍德
片名：绝对权力
又名：一级灭口
英文片名：Absolute Power
国家/地区：美国
类型：惊悚 犯罪
导演：克林特·伊斯特伍德Clint Eastwood
主演：克林特·伊斯特伍德Clint Eastwood 艾德·哈里斯Ed Harris 劳拉·琳妮Laura Linney
分级：美国R
上映时间：1997年2月14日
详细剧情
神偷Luther打算在退休之前做一笔“大买卖”，他趁主人外出之际潜入豪宅，准备捞个盆满钵满。正要大功告成，Luther无意中看到一对醉醺醺的男女走进卧室欲行云雨。其中男主角不是别人，正是当今美国总统Allan Richman。Luther目睹了两人从口角到扭打的全过程，最终以Allan Richman枪杀Sullivan太太收场，而Sullivan先生是总统最大的支持者之一。调查此案的警方很快找到Luther——毕竟有能力盗窃Sullivan家豪宅的贼，全国也没几个。Luther也知道卷入这件事的后果不堪设想，决定潜逃国外。临走前，他最牵挂的是女儿Kate，在Kate长大成人的过程中，Luther却在牢狱里无法陪伴她，因此父女关系甚为疏远。在机场，Luther偶然看到总统冠冕堂皇地作反暴力主题的演讲，愤怒的Luther在一瞬间决定留下来，为正义而战，然而事情的背后并不像他想的那么简单……

⑹ 马丁.路德.金的《我有一个梦想》 写英语读书报告（即读后感） 必须是英文的，500字

NOT JUST A DREAM
Martin Luther King is best known for being an iconic figure in the advancement of civil rights in the United States and around the world, using nonviolent methods following the teachings of Mahatma Gandhi.
We all know about Dr King’s civil rights work, and his I HAVE A DREAM speech. But did we all know that he had two other dreams? WHERE DO WE COME FROM HERE? that explains Dr King’s vision for the end of poverty has been out of print 40 years. He not only focused on Civil Rights, but illustrated a sort of socialist vision for an integrated society. We could have ended poverty a decade ago, except we choose to attach Iraq and blow up a trillion dollars doing it instead of ending poverty. Dr. King provided a snapshot of where Americans were in 1967. Two turning points had been reached. First, his program of nonviolent direct action was clearly winning the struggle against old fashioned southern segregation, and Dr. King was looking toward the next step. He believed that the next logical step toward setting people free was a massive government program addressing the problem of poverty. Second, within the civil rights movement, a "black power" mentality was gaining prominence. Some argued that whites should be excluded from the civil rights movement, and that nonviolence should be abandoned. Dr. King insisted that this approach would only balkanize our country, having disastrous effect, especially on blacks.
He brings us to the question of what African-Americans should do with their new, dearly fought for freedoms found in laws such as the Voting Rights Act of 1965. All Americans black and white must unite in order to fight poverty and create a new equality of opportunity. King is neither a Marxist nor a doctrinaire socialist; he instead advocates for a united social movement that would act within both the Republican and Democratic parties.
He rightly concluded the riots of 1966 and thereafter was "uprisings" against the awful reality that African American equality must a go along with adequate wages, quality schools, and decent houses. All initial aims of the Johnson
1/2
administration. African Americans were impossible without meaningful creation of jobs, quality ecation, and a radical change of the forms and vigorous confrontation with and the elimination over time of American racism. King asserts that capitalism itself would have be hugely revamped so it is more inclusive, and, lastly, American militarism is not only brutal to American y

⑺ 求<白教堂血案><路德><神探夏洛克>三部英剧的高清种子.是电视剧不是电影哦. [email protected]

链接：https://pan..com/s/1rqVo9yc2LaFM9RUxwfOFhA

IdrisElba回归BBC一台Luther受到观众热烈欢迎。这部电视剧在国内好评如潮—这部惊险的犯罪系列剧取景华丽，情节跌宕起伏，人物个性鲜明以及刺激的心理悬疑揭秘让观众大呼过瘾。

因妻子的死而萎靡不振的JohnLuther回到了警务工作。原来的部门撤销了，他被调到了一个新设立的部门。该部门负责调查重大和连环案件，由前任警局投诉科主任MartinSchenk(DermotCrowley—曾出演‘通天塔’，‘荒凉山庄’)领导。

Luther很快地聚集了他的团队，将他的老搭档警探JustinRipley(WarrenBrown—曾出演‘占领’，‘无耻之徒’)从**中解脱出来。

不久他们就接到了第一个案件。一个戴面具的男人徘徊于伦敦的街头，在历史遗址中进行了一场类似祭祀的谋杀，竭力使他的方式成为一个最后的杰作...

在接下来的两个新的特辑中，观众会看到Luther冒着更大的风险并且面临着更艰巨的挑战。

IdrisElba凭借Luther一角获得金球奖的提名并荣获第42届全国有色人种协进奖电视电影、迷你剧或特别戏剧的最佳男演员奖。

第二季还可以看到AliceMorgan（RuthWilson）和MarkNorth（PaulMcGann）的回归，而且他们新增加了一个角色CarolineJones，由KierstonWareing饰演。

⑻ 求电影碟中谍2英文影评

什么观点都行哈？
A good romantic action-adventure movie

In writing a story to fit the action in "Mission: Impossible 2", Screenwriter Robert Towne brought nuance, complexity and irony to the human interaction and to the characters… So greed is the animating force…

Being an amazing filmmaker, John Woo wanted "Mission Impossible 2" to have a lot more emotion and romance… A romantic interest that can engage the hero emotionally, pushing him to exercise his skills… In this case, he's trying to save the life of someone he cares for and loves…The story revolves around three characters… The good guy and the bad guy in love with the same girl…

John Woo's sequences were highly developed, completely mind-blowing, dangerous and exciting… Woo really pushed his elements to the edge, designing action that people have never seen…

Tom Cruise and Thandie Newton looked very charming, proving to have a great chemistry with each other… They also looked very natural… I loved the scene when they meet, and how they meet… The opening scene came from Robert Wise's "West Side Story"… It is boy meets girl, girl looks at boy… No story telling was needed… With high speed and the judicious muting of sound, Woo made it a love-at-first-sight moment, isolating our two heroes in a very lovely way…

Tom's character was a new kind of a hero… A person who really cares about people, and enjoys life… He has a great passion about nature, about love, about everything…

Thandie's romantic life was very busy… She is involved with the character played by Dougray Scott, Ambrose who's the key for the Mission team… He is the one with the information which Thandie's character has to win back… Dougray was a really interesting bad guy, as complex a bad guy as you can get and with an impossible mission...

Dougray's Ambrose becomes disillusioned with being in Ethan's shadow… In deciding to have more power, he turns to the other side… He forms a renegade band of ex-Special Forces people… But Ambrose couldn't even be himself… He includes his identity into Hunt's, when Ethan was not available… So if he needed to be something, he had to be Ethan Hunt…

Ving Rhames' Luther was a balance in the team… He's a computer expert who brought the charm to his character… Outside of Ethan Hunt, he is the only returning member of the IMF team…

"Mission: Impossible 2" gave John Woo the ability to really use his filming style, which is the slow motion on key moments… You can see Cruise slow-motion flipping through the air, walking through flames with a white dove sending a message to the evil, running and jumping out of a hole, climbing dangerous scary high cliff, jousting on a motorcycle, trapped in a gun battle, Kick boxing, and having a really sharp and pointy knife in the eye…