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help电影观后感英文

发布时间:2022-07-01 22:10:45

英文电影观后感 高手进(要英文的)

Life is like a box of chocolates, results are often surprising
If you do not insist on the struggle of life do not never know what will happen next, which were last seen Lieutenant Dan felt vicissitudes of life. Finally with the help of his Forrest Gump and his shrimp together. Graally found their confidence and enjoyment of life. Calm when sitting in the ship's side with two hands on the Agam said, "had never told you thank you, you saved my life." Then jump into the water to swim with the two arms heartily. You can feel his pleasure. Finally, he and Forrest Gump's shrimp big success, became a rich man on the magazine cover. In the film's end, Agam, and beloved Janet got married, filled with metal made of two legs Lieutenant Dan, carrying his fiancee, or an Oriental. (Will not be a Chinese person) to attend their wedding. Dan looked very spirit, and said his leg is a "rigged spacecraft materials used." He seems to have found the courage to live by. This is Forrest Gump gave him the courage and conditions.

Life or a short is also a short, saying that a long and long. Boundless, the Dow could not finish. Forrest Gump's experience, but also like a legend. He looks silly, there is a strong running legs, has been kept running, do not know why. Like his mother say, "Life is like a box of chocolate, you do not know where the next one out of what that smell is." The Forrest Gump always said "Stupid is as stupid does." Silly on the way according to stupid to do. Could it be his motto.

No man is born that is silly. Everyone has their own unique mettle and talent. Every people has its own way of doing things and life. Important to have the same indomitable spirit of Forrest Gump. In order to "stupid people have stupid fu."

Finish watching this film, and I'm enjoying. Which, like Forrest Gump in the running when the scenery is really cultivate people's hearts. Many languages, like the film as thought-provoking motto. Told colorful content. Many of the practice of some humorous Forrest Gump. In the humorous atmosphere, but also appreciate the Forrest Gump of Jennifer affectionate, and the other people moving. In short this is a separate people appreciate a good film
生命就像一盒巧克力,结果往往出人意料
人生如果不去坚持不去奋斗永远都不会知道接下来会发生什么事情,里面最后看到丹中尉就觉得沧桑。最后他在阿甘的帮助下,和他一起捕虾。逐渐找到了人生的信心和乐趣。风平浪静的时候,用两只手坐在船舷上,对阿甘说“一直没对你说谢谢,你救了我的命”。然后跳下水去用两只手臂尽情地游着。可以感觉到他的快乐。最后他与阿甘的捕虾大获成功,成了富翁,上了杂志封面。在片子的最后,阿甘和心爱的珍妮结婚时,装着用金属制成的两条腿的丹中尉携着未婚妻,还是一个东方人。(会不会是一个中国人)来参加他们的婚礼。丹看上去十分有精神,还说自己的腿是“造太空飞船用的材料”。看来他已经找到生活的勇气了。这也是阿甘带给他的勇气和条件。

人生,说短也短,说长也长。说不尽,道不完。阿甘的经历,又像是一场传奇。他看似傻,却有有力奔跑的腿,一直不停地奔跑,不用知道为什么。就像他的妈妈说的一句话“生活就像盒子里的巧克力糖,你不知道下一个拿出来的是什么味道”。而阿甘常说的“Stupid is as stupid does.“傻就照傻的方式做。难道是他的格言。

没有人生来就是傻的。每个人都有自己独特的秉性和天赋。每个人也都有自己的行事方式和人生。重要的是有阿甘一样的坚韧不拔的精神。才能“傻人有傻福”。

看完这部片子,觉得很享受。其中像阿甘在跑步时的风景真的很陶冶人心。片中的许多语言也像格言一样给人启迪。内容吩咐多彩。阿甘的许多做法有些诙谐。在诙谐的氛围中,还能体味到阿甘对珍妮的深情,另人感动不已。总之这是一部另人欣赏的好片子。

② 电影观后感英文简单点

My Favorite Movie
我最喜欢的电影
.Among so many films I have watched,the one I like best is High School Musical.This film tells the stories about two high school juniors from rival cliques – Troy Bolton,captain of the basketball team,and Gabriella Montez,a beautiful and shy transfer student who is a hard working girl.Together,they try out for the lead parts in their high school musical.In this process,a series of stories happen,but in the end,the musical achieves great success and Troy and Gabriella fall in love with each other.It’s totally a happy ending.I like this movie because the high school life in that is so colorful and amazing,which I admire so much.Besides,everyone loves happy ending of love story.
.在我所看过的电影中,我最喜欢的是《歌舞青春》.这部电影讲述了两个高中生的故事——学校篮球队的队长Troy Bolton和性格害羞、长相甜美、成绩优异的新生Gabriella Montez.他们要一起主演学校的音乐剧.在这个过程中,发生了一系列的故事,而最终,音乐剧获得了成功,他们之间也碰撞出了爱的火花,完美落幕.我喜欢这部电影的原因是因为电影中展现的高中生活丰富多彩、奇妙无比,让我十分羡慕.再者,有谁不喜欢爱情故事的大圆满结局呢.

③ 电影英语观后感45词

请问是哪部电影的观后感,还是说随便哪一部都可以?
疯狂动物城观后感:
"Crazy Town animal" proced by Walt Disney Pictures of 3D animation, a modern urban animals, each animal in here have their own homes, Plaza Sahara desert climate, year-round cold glacier town and so on, it is like a big melting pot, the animals here Peaceful Coexistence -- whether it was an elephant or a little mouse, as long as you work hard can break some tricks. Rabbit Judy grew up on the dream can become animal city police, despite all the people around feel rabbit impossible when the police, but she still through their own efforts, among the to the whole is bigger animal town police station, became the first officer for rabbits. In order to prove himself, she decided to solve a mystery case. Follow the truth on the road, Judy force in animal town to swindling fox Nick to help himself, but found that behind the pile cases hidden an intended to subvert the huge conspiracy Town animal, they had to cooperate together, to try uncover the hidden truth in this huge conspiracy.
翻译:
《疯狂动物城》由迪士尼影业出品的3D动画片,一个现代化的动物都市,每种动物在这里都有自己的居所,有沙漠气候的撒哈拉广场、常年严寒的冰川镇等等,它就像一座大熔炉,动物们在这里和平共处——无论是大象还是小老鼠,只要努力,都能闯出一番名堂。兔子朱迪从小就梦想能成为动物城市的警察,尽管身边的所有人都觉得兔子不可能当上警察,但她还是通过自己的努力,跻身到了全是大块头动物城警察局,成为了第一个兔子警官。为了证明自己,她决心侦破一桩神秘案件。追寻真相的路上,朱迪迫使在动物城里以坑蒙拐骗为生的狐狸尼克帮助自己,却发现这桩案件背后隐藏着一个意欲颠覆动物城的巨大阴谋,他们不得不联手合作,去尝试揭开隐藏在这巨大阴谋后的真相

④ 5篇英文电影观后感(用英语写的)60词左右

功夫熊猫(这个是最近的.)
Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.
这个杀手不太冷
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.

I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
动画喜剧 海底总动员
Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running
世界末日
There are so many amazing things in the world.这个世界上有太多不可思议的事情。If tomorrow is the end of the world,what can we do?如果明天是世界末日,我们可以做什么?So now,i think we should keep smile everyday.所以现在,我觉得我们应该每天都微笑。After i finish the movie of "2012The end of the world",I feel very upset about that.我看完“2012世界末日”这电影之后,我感到很悲伤。When I saw the people die in the movie,I thought about if this event will happen to us,will we die very helpless?当我看到人类在这个电影里死了,我想到了如果这件事情发生在我们身上,我们会死得很无助吗?If we have to die,I'll choose the one happy ending,like we have to cherish what we have now.如果我们一定要死,我会选择一个开心的结局,就好像我们一定要珍惜我们现在拥有的一切!My family and my friends are love me,there are so many people love me!我的家人和我的朋友都很爱我,有很多人都爱我!I should thanks God for gave me so many things.我应该感激上天给我的一切。When the end really came in the world,I will not feel regret!当世界末日真的来临了,我也不会感到遗憾!Beginning at this minute,I'll be happy everyday!从这一分钟开始,我会开心每一天!

英文电影:阿甘正传观后感(中英文对照)
阿甘有自己的坚持,他不断地跑步,JUST RUNS. 他跑步不为任何理由。他说:"人要往前看,千万不要被过去拖累。我想我跑步就是这个意义”和过去告别,不停留在原处。也许这世界上太多人随拨逐流,很少人会坚持做一件事,阿甘坚持自己的坚持,于是他成了“神”。影片中还有一位主要人物是上校丹。他在越南战争中失去了双腿。他说他的命运就是战死。然而阿甘却救他,让他活了下来。失去双腿后他开始憎恨生活,生活得很颓废,责怪阿甘当初救了他。然而当他调整心态,去和阿甘一起捕鱼生活,有了收获后,开始感觉到生活的美好。感谢阿甘当初就了他。影片试图通过这个角色告诉观者生活总是美好的。乌云后有彩虹,绝境后有重生。关键是看我们给不给自己一个好心态,一个机会去改变不好的现状。影片试图向观者传达这样一个信息:或许做好我们该做的每一件事,生活就会给我们一个好的回馈。只要有一种坚持就会出现一个奇迹。

Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: “Man has t look forward, and never encumbered by foretime. I thank that's the meaning of my running.” Say goodbye to foretime and don't stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes “GOD”. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A

Gan shouldn't save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gan's help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.

⑤ 电影观后感英文演讲

Ellen Gulden is an ambitious young writer working for a New York-based magazine. When the film opens, it's 1988, and Ellen is being questioned in connection with the death of her mother. Kate Gulden (Streep), a beloved member of a small upper New York state community, died in her sleep at the age of 48. At the time, she was suffering from advanced, terminal cancer, but the cause of death was a morphine overdose. Also under suspicion is Kate's husband, George (Hurt), a local college professor.

The story graally evolves in flashback, showing Ellen's sometimes-contentious relationship with her mother and her unswerving devotion to her father. When Kate's condition is diagnosed, George pleads with Ellen to quit her job and come home to help around the house. Apparently, George is too busy at work, Ellen's younger brother, Brian (Tom Scott Everett), is away at college, and a nurse "won't do." Somewhat resentfully, Ellen agrees to return to the nest. Soon, she finds herself losing her own identity as her mother's lifestyle swallows her up.

One True Thing is based on a novel by Anna Quindlen, and director Carl Franklin (Devil in a Blue Dress) has chosen to model the movie as a tearjerker, albeit a superior one. There are plenty of moments of sentimental melodrama (making Kleenexes a mandatory accessory), but there are also instances of surprisingly keen character insight. Although George, Kate, and Ellen start out as stereotypes, they quickly evolve beyond that baseline level. Ellen is like a wounded animal, lashing out in all directions, seeking a target. George's self-assurance is a carefully-constructed illusion. And Kate is all too aware of what's going on around her. "There's nothing that you know about your father that I don't know -- and better," she tells her daughter at one point. The relationships between these indivials are suitably complex; there are no clear-cut boundaries separating love, admiration, and resentment. And the issue of euthanasia is handled sensitively and intelligently, without the film makers getting on a pulpit to preach down to us.

⑥ 关于电影观后感的英语作文(有翻译)

英文电影:阿甘正传观后感(中英文对照)
阿甘有自己的坚持,他不断地跑步,JUST RUNS. 他跑步不为任何理由。他说:"人要往前看,千万不要被过去拖累。我想我跑步就是这个意义”和过去告别,不停留在原处。也许这世界上太多人随拨逐流,很少人会坚持做一件事,阿甘坚持自己的坚持,于是他成了“神”。影片中还有一位主要人物是上校丹。他在越南战争中失去了双腿。他说他的命运就是战死。然而阿甘却救他,让他活了下来。失去双腿后他开始憎恨生活,生活得很颓废,责怪阿甘当初救了他。然而当他调整心态,去和阿甘一起捕鱼生活,有了收获后,开始感觉到生活的美好。感谢阿甘当初就了他。影片试图通过这个角色告诉观者生活总是美好的。乌云后有彩虹,绝境后有重生。关键是看我们给不给自己一个好心态,一个机会去改变不好的现状。影片试图向观者传达这样一个信息:或许做好我们该做的每一件事,生活就会给我们一个好的回馈。只要有一种坚持就会出现一个奇迹。

Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: “Man has t look forward, and never encumbered by foretime. I thank that's the meaning of my running.” Say goodbye to foretime and don't stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes “GOD”. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A

Gan shouldn't save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gan's help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.

希望对你有帮助~ 望采纳O(∩_∩)O~

⑦ 求一篇关于电影观后感的英语作文,急急急急急。。。。。。。。

Today, we see a movie, the name of the film "snow romance". I saw this movie, I think that it is very moving. There is a little girl named Anna in the story, she has a sister, Anna is going to marry a bad guy to Prince Hans, but Anna did not know that Prince Hans is the bad guy, sister but know, therefore, my sister was very angry, do not agree with Anna and Prince Hans married. So she used his ice magic the whole castle all into winter, then alone to iceberg built a snow castle. Anna knew that Prince Hans is the bad guy, hurried to find sister, want to let elder sister put everything back to life. In the struggle, Anna help sister turned a sword. See here, I was so moved by. I also want to learn from them, solidarity and mutual assistance!
中文
今天,我们看了电影,电影的名字叫“冰雪奇缘”。看了这部电影,我觉得很感人。故事中有一个叫安娜的小女孩,她又一个姐姐,安娜要和一个坏蛋汉斯王子结婚,但是安娜不知道汉斯王子是坏蛋,姐姐却知道,因此,姐姐非常生气,不同意安娜和汉斯王子结婚。于是姐姐就利用自己的寒冰魔法把整个城堡全部变成了冬天,然后独自跑到冰山上建了一座冰雪城堡。安娜知道汉斯王子是坏蛋后,赶紧去找姐姐,想让姐姐把一切都恢复原样。搏斗中,安娜帮姐姐挡了一剑。看到这里,我心里好感动。我也要向她们学习,团结互助!

认真解答,谢谢采纳!

⑧ 5篇100字左右的英文电影的观后感,要用英语啊

变形金刚
I honestly don't know where to start with this movie. I will say however, that - like many other people - this is the film I've been waiting 20 years to see.
I suppose it's sensible to start with what should be the foundation stone of any cinematic experience - the script. It's cheesy, cliché-ridden, and poorly-structured. Characterisation (especially of the Autobots/Decepticons) is non-existent. Optimus Prime uttering the words "My bad" must go down in history as one of the worst moments in movie history. Actually scratch that - the "lubricating" scene is definitely worse. The writing of human characters is lazy at best, sticking with stereotypes such as the beautiful code-breaker, fat computer whizz, bumbling government agent etc etc. The performances (Shia aside) are instantly forgettable, but a great deal of that comes down to the script and direction. Megan Fox may be a great actress for all I know, but she may as well be a stripper for the purposes of this movie.
The effects are incredible (although not helped by Bay's erratic editing style), but when you've no reason to care about them it results in an empty experience. Effects DON'T MAKE A MOVIE.
With Spielberg as part of this project I allowed myself a little optimism, but it's patently clear that Bay and Co. had no understanding or respect for the Transformers franchise. GIANT "FLIPPING" ROBOTS BLOWING "STUFF" UP this may be, but it is most certainly not Transformers.

⑨ 急求三篇英文的电影观后感大神们帮帮忙

英文影评:千与千寻(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂总动员 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

⑩ 电影 <帮助> (The help) 的英文影评, 急!

This is the best movie I have seen in quite some time. It will make you cry and it will make you laugh.

The movie is really full. It never lags a bit. You are involved and have to watch to keep all the characters straight. There are shenanigans going on and some are supposed which are not going on and it is a bit confusing if you are on the computer or otherwise diverted from really watching. And for that attention, you get a full story with multiple plot lines going on at the same time but without the choppiness that frequently comes with multiple plots. It is all woven together and feels so natural and flowing that I did not even think about it until I was writing this.

This is a must see for those who lived in that time and for those who would like to understand a bit more about how it was and never should have been. It is not over the top in any respect. The abuse leveled on the maids is just the right amount for the story and not overdone, either. They could have gone farther but it would have not been right and would have ruined the story. I am not saying it was right for them to be abused this way, but, sadly, it was accurate for the time of this story.

It hit home with me and I highly recommend it. It is a well crafted, full story that will leave you feeling that you have not wasted your time, not even a second in watching it as you watch the evolution of lives on both sides of the "color fence".

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