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你对那部电影有什么看法英文

发布时间:2021-07-21 17:56:04

A. 写一部自己喜欢的电影,影星及对电影的看法。(用英语,不少于30个词)

I like the film named Chinese kongfu,which Cheng Long acts it,Cheng Long is the very famous moive star ,His English name is Jacky Chen.Chinese Kongfu is a very exciting moive.I like it vry much. and also I like Cheng Long very much. He is a very excellent movie star.

B. 最近你看过哪部电影你对该电影有何看法(用英语说)

您好! 翻译为:Which film did you watch recently? How do you like the film? 最近你看过哪部电影?你对该电影有何看法? 望您采纳,谢谢您的支持!

C. 用英语介绍你最喜欢的电影[急,急!]

A movie I like
I like a lot of movies.Today, I'd like to talk about one of them--Fanfan.
Fanfan is a French movie telling a romatic story.The hero was an intern with an unhappy childhood who had already got a fiancée.But,he didn't love her.He loved an other girl named Fanfan who loved him as well.However he was not going to marry Fanfan,because he thought love would go after marriage.Of course Fanfan disagreed with him.So she encouraged him in all ways,until he got over of his fears and accepted her as a result.
I like Fanfan because she was honest and sweet,who showed great courage chasing happiness belonged to her.I was encouraged by her too,so I like this movie.By the way,the scene is beautiful and enjoyable to watch

D. 用英语描写你对一部电影的感受

I watched the film many times, every time reading, there will be a different
feeling, this movie tells us that our lives
are very
cruel, in the movie there are classic lines: "get busy living or get busy dying", take life as
a cruel
choice, but I get that simple life has to be worth the aftertaste from it . Believe in yourself, don't give up hope, do not give up efforts, patiently waiting
for the life of
your own brilliant, this is what the<
shawshank redemption> want to express
本部电影我看了很多遍,每次看完,都会有不同的感觉,这部电影告诉我们生活是很残酷的,电影里面有句经典的台词:“忙着去活或是忙着去死”,把生活比喻成一个残酷的选择,但是我从中看出简单的生活也有值得回味的地方。相信自己,不放弃希望,不放弃努力,耐心地等待生命中属于自己的辉煌,这就是肖申克的救赎所要表达的

E. 用英文对一部电影的看法(急急急急)

国王的演讲
Years ago Pacino in "scent of a woman" at the end has been a time of impassioned love of my heart was felt that this man is really a force, ah, the first, with truly eloquent, roaring glory. So even if the film Pacino plays Frank has been a blind, the light was not dim. Can ye blind to? People there, children want is a Manner, the man Well, if the total life of your life that children in charge of the do.

Fran a good tongue, but it is a blind man, "King" two eyes sparkling bright, but it is a stammer. There is no absolute strong, the sun has sunspots, the absolute good and absolute existence of defects are theoretical, while those in some prominent figures will become a special hero, hero, great man. These iconic figures for thousands and thousands of the meaning of mortal beings, the most important one is to bring "inspirational", the "heart and desire," the expectations, vision, and of course action. "The king's speech," China's King George VI prototype, according to historical records, the film reference to "clip young leg orthopedic plate" and stuttering, stress and other experiences are true, while his brother is the demise That greatly famous Edward VIII - Do not Sacrifice for Love, for

F. 给朋友介绍自己最近观看的一部电影和自己的感想英语作文100词

最近比较火比较有意义的电影
就有绿皮书。
你可以用英语概括这部电影的主要内容。
说说这部电影对你的感受。
比如看完这个电影后,
你深刻意识到了
平等对待每一个人的重要性。

G. 谁能帮我写一篇英文的对电影的评价

这是《芝加哥时报》著名影评人Roger Ebert的评论:

For centuries, countless tales have been told of the legend of King Arthur. But the only story you've never heard ... is the true story that inspired the legend. -- Trailer for "King Arthur"

Uh, huh. And in the true story, Arthur traveled to Rome, became a Christian and a soldier, and was assigned to lead a group of yurt-dwelling warriors from Sarmatia on a 15-year tour of ty in England, where Guinevere is a fierce woman warrior of the Woads. His knights team up with the Woads to battle the Saxons. In this version, Guinevere and Lancelot are not lovers, although they exchange significant glances; Arthur is Guinevere's lover. So much for all those legends we learned from Thomas Malory's immortal Le Morte d'Arthur (1470) and the less immortal "Knights of the Round Table" (1953).

This new "King Arthur" tells a story with uncanny parallels to current events in Iraq. The imperialists from Rome enter England intent on overthrowing the tyrannical Saxons, and find allies in the brave Woads. "You -- all of you -- were free from your first breath!" Arthur informs his charges and future subjects, anticipating by a millennium or so the notion that all men are born free, and overlooking the detail that his knights have been pressed into involuntary servitude. Later he comes across a Roman torture chamber, although with Geneva and its Convention safely in the future, he doesn’t believe that Romans do not do such things.

The movie is darker and the weather chillier than in the usual Arthurian movie. There is a round table, but the knights scarcely find time to sit down at it. Guinevere is not a damsel in potential distress, but seems to have been cloned from Brigitte Nielsen in "Red Sonja." And everybody speaks idiomatic English -- even the knights, who as natives of Sarmatia might be expected to converse in an early version of Uzbek, and the Woads, whose accents get a free pass because not even the Oxford English Dictionary has heard of a Woad. To the line "Last night was a mistake" in "Troy," we can now add, in our anthology of unlikely statements in history, Lancelot's line to Guinevere as seven warriors prepare to do battle on a frozen lake with hundreds if not thousands of Saxons: "There are a lot of lonely men over there." (Her reply: "Don't worry. I won't let them rape you," also seems somewhat non-historical.)

Despite these objections, "King Arthur" is not a bad movie, although it could have been better. It isn't flat-out silly like "Troy," its actors look at home as their characters, and director Antoine Fuqua curtails the use of computer effects in the battle scenes, which involve mostly real people. There is a sense of place here, and although the costumes bespeak a thriving trade in tailoring somewhere beyond the mead, the film's locations look rough, ready and green (it was filmed in Ireland).

Clive Owen, who has been on the edge of stardom for a decade, makes an Arthur who seems more like a drill instructor, less like a fairy-tale prince, than most of the Arthurs we've seen. Lean, dark and angular, he takes the character to the edge of anti-hero status. Keira Knightley, who was the best friend in "Bend It Like Beckham," here looks simultaneously sexy and muddy, which is a necessity in this movie, and fits right into the current appetite for women action heroes who are essentially honorary men, all except for the squishy parts. The cast is filled with dependable actors with great faces, such as Ray Winstone as a tough-as-nails knight who inexplicably but perhaps appropriately anticipates the Cockney accent, and Stephen Dillane as Merlin, leader of the Woads and more of a psychic and sorcerer than a magician who does David Copperfield material.

The plot involves Rome's desire to defend its English colony against the invading Saxons, and its decision to back the local Woads in their long struggle against the barbarians. But Rome, declining and falling right on schele, is losing its territorial ambitions and beginning to withdraw from the far corners of its empire. That leaves Arthur risking his neck without much support from the folks at home, and perhaps he will cast his lot with England. In the traditional legends he became king at 15, and went on to conquer Scotland, Ireland, Iceland -- and Orkney, which was flattered to find itself in such company.

The movie ends with a pitched battle that's heavy on swords and maces and stabbings and skewerings, and in which countless enemies fall while nobody that we know ever dies except for those whose deaths are prefigured by prescient dialogue or the requirements of fate. I have at this point seen about enough swashbuckling, I think, although procer Jerry Bruckheimer hasn't, since this project follows right on the heels of his "Pirates of the Caribbean." I would have liked to see deeper characterizations and more complex dialogue, as in movies like "Braveheart" or "Rob Roy," but today's multiplex audience, once it has digested a word like Sarmatia, feels its day's work is done.

That the movie works is because of the considerable proction qualities and the charisma of the actors, who bring more interest to the characters than they deserve. There is a kind of direct, unadorned conviction to the acting of Clive Owen and the others; raised on Shakespeare, trained for swordfights, with an idea of Arthurian legend in their heads since childhood, they don't seem out of time and place like the cast of "Troy." They get on with it.

H. 你对这部电影有什么看法 用英语怎么写

你对这部电影有什么看法 ?How do you think about the film?

I. 看任意一部你喜欢的英文电影,写下你的感受和想法.字数50-100字

怦然心动.这部电影讲了一个小女孩喜欢邻家男孩子,但男孩子讨厌她,影片有喜剧效果,也有很美的风景,很多都是描述主人公内心独白的,很有意思,男主角也很帅.很美的爱情电影,后来男孩和女孩的情况相反了,男孩爱上女孩,但女孩讨厌男孩,结果当然是有情人终成眷属了,很好看的片子.

J. 急啊!用英语 介绍一部你喜欢的电影!写出简单的剧情和你对电影的看法70字

关于《诺丁山》 About Notting Hill

Notting Hill is a diversion with awesome diversionary power. I didn't realize until it was well over that it could also be titled, Fifth Wedding, But No Funeral.
It was written by Richard Curtis, the writer of Four Weddings and a Funeral. It's a vehicle for Hugh Grant, who is as good here as he was in Four Weddings. Maybe better. It's an extraordinarily effective romantic comedy told in the idiom of Four Weddings' very-British humor.

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