关于电影joker的介绍英文

⑴ 蝙蝠侠:黑暗骑士 的英文介绍

In Gotham City, the Joker robs a mob-owned bank with his
accomplices, whom he tricks into killing each other. Batman and
Gordon contemplate including new district attorney Harvey Dent in
their plan to eradicate the mob, as he could be the public hero
Batman cannot be. However, Batman wonders if Dent can be trusted.
Bruce runs into Rachel and Dent, who are dating, and after talking
to Dent he realizes he is sincere and decides to host a fundraiser
for him.

Underworld gangsters meet to discuss both Batman and Dent. Lau, a
Chinese mafia accountant, informs them that he has hidden their
money and fled to Hong Kong in an attempt to preempt Gordon's plan
to seize the mobsters' funds. The Joker arrives unexpectedly,
offering to kill Batman in return for half of the mob's money, an
offer the mobsters refuse. In Hong Kong, Batman captures Lau and
delivers him to the Gotham City police, where Lau agrees to testify
against the mob. In retaliation, the mobsters hire the Joker to kill
Batman and Lau. The Joker issues an ultimatum to Gotham, stating
that if Batman does not reveal his identity to the public, people
will die each day. Dent announces at a press conference that he
himself is Batman and is arrested as part of a plan to draw the
Joker out of hiding.

⑵ 有一个科幻电影里面有一个叫joker

蝙蝠侠：黑暗骑士

导演:克里斯托弗·诺兰
编剧:乔纳森·诺兰/克里斯托弗·诺兰
主演:克里斯蒂安·贝尔/希斯·莱杰/艾伦·艾克哈特/迈克尔·凯恩/玛吉·吉伦哈尔
类型:剧情/动作/科幻
制片国家/地区:美国 / 英国
语言:英语 / 汉语普通话
上映日期:2008-07-14
片长:152分钟

⑶ 《蝙蝠侠黑暗骑士》的英语介绍

Batman raises the stakes in his bourgeois war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker.

⑷ 询蝙蝠侠英文介绍

蝙蝠侠:黑暗骑士 的英文介绍 In Gotham City, the Joker robs a mob-owned bank with his accomplices, whom he tricks into killing each other. Batman and Gordon contemplate including new district attorney Harvey Dent in their plan to eradicate the mob, as he could be the public hero Batman cannot be. However, Batman wonders if Dent can be trusted. Bruce runs into Rachel and Dent, who are dating, and after talking to Dent he realizes he is sincere and decides to host a fundraiser for him. Underworld gangsters meet to discuss both Batman and Dent. Lau, a Chinese mafia accountant, informs them that he has hidden their money and fled to Hong Kong in an attempt to preempt Gordon's plan to seize the mobsters' funds. The Joker arrives unexpectedly, offering to kill Batman in return for half of the mob's money, an offer the mobsters refuse. In Hong Kong, Batman captures Lau and delivers him to the Gotham City police, where Lau agrees to testify against the mob. In retaliation, the mobsters hire the Joker to kill Batman and Lau. The Joker issues an ultimatum to Gotham, stating that if Batman does not reveal his identity to the public, people will die each day. Dent announces at a press conference that he himself is Batman and is arrested as part of a plan to draw the Joker out of hiding

⑸ 求一个 蝙蝠侠暗夜骑士 这部电影的一个短的英文简介，比较简洁就好谢谢了

When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, the caped crusader must come to terms with one of the greatest psychological tests of his ability to fight injustice.

⑹ 最新电影英文介绍~~急用~~

《The Dark Knight》被人为是2008年最好的美国电影。

Batman raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker. Written by Peteagassi

With just one year having passed after taking out Ra's Al Ghul's plan to have Gotham eliminated and the mysterious disappearance of Dr. Jonathan Crane AKA the Scarecrow, and after the city was nearly plundered with his toxins, Bruce Wayne and his vigilante alter-ego the Batman, continue the seemingly endless effort to bring order to Gotham, with the help of Lt. James Gordon and newly appointed District Attorney Harvey Dent. But a new threat has now emerged into the streets. The Dark Knight faces a rising psychopathic criminal called The Joker, whose eerie grin, laughter, and inhuman morality makes him as dangerous than what he has yet to unleash. It becomes an agenda to Batman to stop the mysterious Joker at all costs, knowing that both of them are in an opposite line. One has no method at all and seeks to see the world plunge into the fire he has yet to light. One represents the symbol of hope and uses his own shadow to bring the peace and order he has yet to accomplish doing. Written by Anonymous

Set within a year after the events of Batman Begins, Batman, Lieutenant James Gordon, and new district attorney Harvey Dent successfully begin to round up the criminals that plague Gotham City until a mysterious and sadistic criminal mastermind known only as the Joker appears in Gotham, creating a new wave of chaos. Batman's struggle against the Joker becomes deeply personal, forcing him to "confront everything he believes" and improve his technology to stop him. A love triangle develops between Bruce Wayne, Dent and Rachel Dawes.

⑺ 我记得有一个英文故事关于小丑的

楼主的这个问题……不好答。就我所知有两个割嘴角的小丑，而且也是电影（漫画）中出现的。这里就列出来看看能不能帮到楼主了。
1、《针》一部电影，Richard·Stitches·Grindle是一名专门参加孩子生日派对的小丑，他为了生活每天都必须微笑以诙谐幽默的话语逗孩子开心，直到一次他参加了一群非常顽劣孩子的生日party，这次聚会让他“丧命”，多年后当年的孩子已经长大，在一次聚会上，小丑不邀而至为的是报复这群年轻人。（这段信息来源于网络。是自己无意间发现的。）
2、《蝙蝠侠2：黑暗骑士》同样是一部电影（个人非常喜欢的），里面是整个DC宇宙中，蝙蝠侠最强大的对手Joker(小丑)。同样是以割开面颊出名。但是该部作品中的小丑是一个彻彻底底的疯子。希望的是和蝙蝠侠永远争斗下去（该片没有涉及很快乐，反而透出小丑的那股疯狂与无奈）。
希望对楼主有所帮助。

⑻ 求小丑2019剧情介绍，要英文版

The Joker is an agent of chaos - a gleefully violent sadist whose motivations remain mysterious, unknowable. Director Todd Phillips' new film seeks to strip away all mystery from the character and make his motivations very knowable. And in that much, at least, he succeeds. Meet Arthur Fleck

JOAQUIN PHOENIX (As Arthur Fleck/Joker) My mother always tells me to smile and put on a happy face. She told me I had a purpose - to bring laughter and joy to the world.

杰昆·菲尼克斯（饰演亚瑟·弗莱克/小丑）：我妈妈总是告诉我要微笑，装出一副开心的样子。她告诉我我有一个目标——为这个世界带来欢笑和快乐。

⑼ 英文的电影简介 不要太难太长（适合初一初二水平）5篇

The Dark Knight (2008) With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to destroy organized crime in Gotham for good. The triumvirate proves to be effective, but they soon find themselves prey to a rising criminal mastermind known as the Joker, who thrusts Gotham into anarchy and forces the Dark Knight ever closer to crossing the fine line between hero and vigilante. Mamma Mia! (2008) Raised on a Greek island by a formerly rebellious mom who never disclosed the identity of her father, a bride-to-be locates three men who might be her father and invites them to her wedding. Hancock (2008) There are heroes... there are superheroes... and then there's Hancock. With great power comes great responsibility -- everyone knows that -- everyone, that is, but Hancock. Edgy, conflicted, sarcastic, and misunderstood, Hancock's well-intentioned heroics might get the job done and save countless lives, but always seem to leave jaw-dropping damage in their wake. The public has finally had enough -- as grateful as they are to have their local hero, the good citizens of Los Angeles are wondering what they ever did to deserve this guy. Hancock isn't the kind of man who cares what other people think -- until the day that he saves the life of PR executive Ray Embrey, and the sardonic superhero begins to realize that he may have a vulnerable side after all. Facing that will be Hancock's greatest challenge yet -- and a task that may prove impossible as Ray's wife, Mary, insists that he's a lost cause.

⑽ 蝙蝠侠前传2介绍（英文）

Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don’t play by the rules, such penalties are suspended. However, in Christopher Nolan’s Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most alt superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture - one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight’s subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It’s about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and - yes - consequences.

It has often been said that Tim Burton’s vision of Batman was the darkest representation we were ever likely to see of a superhero. Compared to how Nolan sees the character, Burton’s version was a pantomime. For many long-running franchises, Burton’s included, the second volume stands tallest. Nolan has followed up on his gritty and successful Batman Begins with one of the best all-time sequels, and perhaps the most impressive mainstream entertainment experience since 2003’s The Return of the King. The Dark Knight builds upon the themes and premises founded three years ago. With the introctions and origins dispensed with in Batman Begins, Nolan uses this opportunity to expand upon his portrait of Batman as a haunted indivial who, driven by forces rooted deep in his psyche, must dispense justice according to his own strict code.

Following his defeat of Ra’s Al Ghul at the end of Batman Begins, Batman (Christian Bale) has become a mythical figure in Gotham City. The Caped Crusader, as he is now known, is the city’s great hope, although the debate rages as to whether he is more hero or menace. There are cat "Batmen," as well - vigilantes who wear similar costumes but whose methods are crude. Batman’s nocturnal activities are taking a heavy toll on Gotham’s organized crime syndicates, and things take a turn for the worse when the new D.A., Harvey Dent (Aaron Eckhart), decides to take them on rather than turn a blind eye or take a payment. Abetted by incorruptible police lieutenant Jim Gordon (Gary Oldman), Dent meets with Batman and the two come to an understanding about how to proceed in this war against crime. But a new threat is rising in the form of a sadistic lunatic called The Joker (Heath Ledger), who offers to become the mob’s enforcer in the pursuit of a single goal: chaos. And this brings him squarely into conflict with the city’s black-costumed guardian. To Batman, he makes one demand: remove the mask and turn himself in or the streets will run red with blood. When Bruce Wayne’s identity remains secret, The Joker makes good on his word.

Often in superhero movies, there’s a sense that, no matter what challenges the protagonist must face, all will be right in the end. That certainty is missing here, and its absence may represent Nolan’s most impressive accomplishment. Batman is fallible and his world is dangerous. No character, no matter how well-established in Batman lore, is safe. This director’s Gotham City may be less garish and gothic than Burton’s, but it is in many ways a bleaker and more oppressive place. It’s a joyless venue and the hero takes his demeanor from his city. Batman is a grim, brooding superhero. He rarely speaks while in costume and, when he does, his voice quivers with menace and his words are devoid of the quips and one-liners audiences have come to associate with action heroes.

The survivors of Batman Begins are all back. Christian Bale has become the first Batman where it matters which actor is under the cowl. Keaton, Kilmer, and Clooney were all interchangeable when wearing the Bat-suit. Not so with Bale, who owns the role. His presence in the costume is forceful in a way that none of his predecessors achieved. Michael Caine’s Alfred acts not only as Bruce Wayne’s butler but as his conscience. Lucius Fox (Morgan Freeman) is Batman’s version of "Q." Indeed, there’s a scene in The Dark Knight that could have been lifted from one of many James Bond films. Gary Oldman’s Jim Gordon, who wasn’t too sure about Batman for much of the first film, is now fully on board as his unofficial liaison to the police force. Assistant D.A. Rachel Dawes remains the girl who got away, the woman whose promise of a normal, happy life provides Wayne with hope for the future. For The Dark Knight, Maggie Gyllenhaal has replaced Katie Holmes, but the change in actress isn’t a detriment. Gyllenhaal is a better actress and makes the character her own from her first scene.

Of the newcomers, the Joker is the biggest addition. One could argue that it’s impossible to make a Batman series without facing the main character against the Joker at some point. No superhero and villain are more inextricably linked. Yet this Joker is unlike any we have previously encountered. Cesar Romero’s interpretation of the character (in the ’60s TV series) was that of a deadly prankster. Jack Nicholson’s over-the-top performance made 1989’s Batman all about the bad guy. The late Heath Ledger, however, gives us something darker and more twisted - a role that would have been no less memorable had it not been his last and most grueling. There’s nothing humorous about this freak. No flowery lines like "You ever dance with the devil in the pale moonlight?" This is no caricature - The Joker is a frighteningly vicious and intelligent monster who represents a legitimate match for the title character.

The other major character to join the ensemble is Aaron Eckhart as Gotham’s charismatic, photogenic D.A. Harvey Dent is Gotham’s Knight in Shining Armor, and that’s how Eckhart plays him - an indivial with a pure heart who makes his own luck. Those even passingly familiar with Batman lore know Dent’s fate, and it plays out here as one might suspect, although Nolan puts a different spin on things than did Joel Schumacher.

For all of the heavy lifting done by the movie’s screenplay, dealing as it does with substantive issues and existential questions, there’s still plenty of the meat-and-potatoes content of any superhero movie: action sequences. There are numerous fights, chases, and races. The Batmobile gets its share of screen time as does a new Bat-cycle. Batman takes on bad guys singly and in bunches. And there’s a heart-pounding sequence in which the Caped Crusader must race against time to save a life, where the price is almost as terrible if he succeeds as if he fails. Nolan’s inherent sense of how to transform a relatively mundane fight scene into something involving is in evidence here, much as was the case in Batman Begins. He avoids flash editing and allows the action to evolve in a coherent manner, drawing the viewer in rather than keeping him guessing what’s going on.

2008 may be the year that the superhero movie comes of age. Iron Man represents the best screen adventure of a Marvel hero. Now, D.C. has answered with The Dark Knight, a film so impressive in every significant facet that it makes one wonder why it took so long for the genre to reach this high level. Christopher Nolan has provided movie-goers with the best superhero movie to-date, outclassing previous titles both mediocre and excellent, and giving this franchise its The Empire Strikes Back.