韩国电影电话英文

㈠ 韩国电影《完美的他人》里俊模的英文手机铃音是什么名字

㈡ 之前看过韩国的一块电影是两个人打电话最后好了的。电影名字。。。忘了。谁知道。好评

楼主你好

听你的描述又加上是韩国的话

我觉得可能是【我的PS搭档】这部电影 .

如下：

㈢ 韩国的英文名的男同电影

night flight吧 还不错，小清新类型

㈣ 求韩国电影《雏菊》的英文评论或介绍

Review：

PanAsia lives with Daisy. This ballyhooed Korean film screams quality from the get-go. Not only does it star the inestimable Sassy Girl herself, Jeon Ji-Hyun, but it's got a story from My Sassy Girl mastermind Kwak Jae-Yong, plus it features a killer o of actors in Jung Woo-Sung and Lee Sung-Jae. The crossover occurs with Hong Kong director Andrew Lau, who's been on an insane streak since he made the Infernal Affairs series and Initial D. The Amsterdam location and genre-friendly hitman-with-a-heart storyline only intensify any notion of this being a must-see Asian film. Better check those expectations pronto; the actors are fine and the film looks great, but that's as good as it gets.
Jeon Ji-Hyun is Hye-Young, a young painter who works at her grandfather's antique shop in Amsterdam, and makes some money on the side sketching portraits for tourists. She ends up falling in love with Jeong-Woo (Lee Sung-Jae), who she mistakenly believes to be the guy who sends her daisies on a weekly basis. Jeong-Woo is actually an Interpol agent specializing in Asian criminals, and not a daisy-delivering romantic, though his growing affection for Hye-Young makes it hard to come clean. Jeong-Woo also must eventually face off against the real daisy guy: Park-Yi (Jung Woo-Sung), a soulful hitman who has pined for Hye-Young ever since he spied her painting daisies in the countryside. Through myriad manufactured circumstances, the two men meet and become rivals over love and the law. Meanwhile, Hye-Young cries in the background, clueless as to who her promised daisy guy really is.
If you're looking for good filmmaking, you just might join Hye-Young in her tears. While possessing stunning proction values and some fine performances, Daisy goes to hell pretty damn quick thanks to superficial direction, obvious voiceover, and events that are mind-blowing in their sheer stupidity. The film starts promisingly enough. The characters are introced effectively, and the first action sequence is kinetic and exciting. The actors are charismatic and likable, especially Lee Sung-Jae, who gives his third-wheel cop character both humanity and heart. And the location and cinematography are aces. As a music video - or a tourism commercial for Amsterdam - Daisy is supreme stuff. There may not be a better-looking movie this year.
The problem is that's all on the surface. Outwardly, Daisy presents quality, but the interior of the film is startlingly routine and even laughable. First of all, nothing is left to the viewer's imagination. Lau and his screenwriters spell everything out with copious voiceover, such that the film starts to feel like it's being recited rather than told. Also, the film is mind-numblingly serious. Daisy recalls HK flicks like The Killer and Fulltime Killer with its "soulful hitman" clichés, but unlike those films - which possessed dark wit or an enthralling cinematic verve - Daisy possesses absolutely no sense of humor, and its style is exceedingly artificial. Everything is played for such heart-rending emotional effect that you can either submit and buy into the overblown romanticism, or give up and start laughing.
Furthermore, the characters begin to act stupidly. At a certain point, they drop any pretense of logical lives, and begin to submit to some over-idealized romantic world where love controls and basically is everything. That may work in some sappy melodrama, but this is a movie with hitmen and cops, who should actually try to do their jobs instead of giving up because the Sassy Girl may prefer the other person. Also, it's all well and good to hold some romantic longing for a secret admirer who sends you daisies, but you'd think that discovering he was a hitman would give you some pause. That's not the case here. In Daisy, the idealized notion of love seems to hold amazing sway over everyone; it's like ideal love is The Force, and what The Force instructs is that your self-imagined idea of romance is more important than trivial things like laws, morality, or perhaps human life. That sounds like a great idea if the filmmakers could sell it. But they can't, and since Lau and his cohorts can't convince us that love is as powerful as Daisy purports it to be, all we're left with is a promising, but overblown romantic drama with some minor bits of effective action. We all deserve better.

㈤ 《电话》韩国恐怖片剧情是什么

《电话》讲述了书妍（朴信惠饰）在听到妈妈（金成铃饰）生病的消息后回到了很久没有回来的老家。在收拾房子的时候手机遗失了。

为了找寻手机她找出了家里的旧式有线电话拨打自己的手机号码，却总是一个奇怪的女子接电话，所以产生了迷雾团。

(5)韩国电影电话英文扩展阅读

《电话》结局意思：

2019年的英淑不是死亡，也不是凭空消亡，而是随着环境的改变，出现在了她应该在的地方，可能是街头，可能是监狱，也可能是世界上某个阴暗的角落。

书妍保留了1999年至2019年的所有记忆，她记得爸爸在她面前惨死，记得妈妈第二天再次被虐杀，记得自己被整整囚禁了20年。所以最后一个镜头白布揭开，书妍的表情不是茫然，而是惊惧交加。

㈥ 被誉为韩国最好的悬疑电影《电话》，它为何能够得到如此好的评价

《电话》被誉为韩国最好的悬疑电影，不知道大家有没有看过呢？我了解了一下，真的非常恐怖。那么他为什么能够获得如此高的评价呢（誉为韩国最好的悬疑电影）？

还有演员，主演包括全钟瑞、朴信惠、金成铃、李艾、李东辉、朴浩山、吴世贞，虽然只有少部分人我听过，但他们的实力也一定非常的强，相信在韩国也是老戏骨般的存在。

韩国的恐怖电影或者悬疑电影，如:《红色高跟鞋》，也是恐怖电影中的经典，还有香港电影《山村老尸》，都是恐怖电影中的经典，喜欢看恐怖片的同学不要错过。

㈦ 经典英文电影

肖申克的救赎，罗马假日，乱世佳人，阿甘正传

㈧ 好看的英语或韩国电影

《盗梦空间》《最后一曲》《舞出我的人生》这是英语的，《天国的邮递员》这个是韩国的，都挺好看的。

㈨ 有部韩国电影电话里聊性的

我的PS搭档
金雅中和池城主演

㈩ 有英文字母P开头的手机么韩国电影里经常演的！！

Panasonic松下，philips飞利浦