幸福终点站电影影评英文

D. 电影《幸福终点站》的英文剧情简介和英文读后感

电影《幸福终点站》的英文剧情简介:

Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in.

英文读后感543篇:
http://www.imdb.com/title/tt0362227/usercomments

E. 幸福终点站英语影评

给你点提示，自己写吧：

1、主人公因为国家失控、语言不通，因此滞留在机场。

2、正因为语言不通，主人公无法良好地自我表达，他的自我价值便只能体现在自己的行为上。

3、主人公正是通过自己真诚、智慧的行为，赢得了他人的理解、尊重，并进而获得他人真诚的帮助。

4、主人公拥有执着的信念。正是这种信念，令他身陷困境，但不失信心与乐观，并且乐于助人。

5、这部影片是一部现代都市童话，但也告诉我们一个道理：不要让歧视和偏见使我们失去公允之心、理智之思和善良之行。

F. 幸福终点站英文影评

If you can get past the fact Tom Hanks’ character learns English at an incredibly accelerated rate and if you can overlook the lack of chemistry between Catherine Zeta-Jones and Hanks, then you’ll be able to get some enjoyment out of “The Terminal.”
“The Terminal” is the story of Viktor Navorski (Hanks), a traveler who’s stranded at John F. Kennedy International Airport after a coup topples the leadership of his homeland, the fictional Krakoa. The new rulers aren’t recognized by the United States, so Viktor finds himself stuck between a rock and a hard place, unable to enter the U.S. and unable to fly home because his passport is no longer valid. He’s told ‘America is closed’ and is forced to wait out the war in the international terminal, passing the time learning English, hanging out with a few sympathetic airport workers, falling for a stewardess, and trying to avoid causing further problems for the airport’s homeland security official (played by Stanley Tucci).

“The Terminal” benefits from the artistically uncomplicated meshing of good buddies Tom Hanks and Steven Spielberg (“Saving Private Ryan,” “Band of Brothers” and “Catch Me If You Can”) but really misses the mark when it incorporates an ill-conceived love story between Hanks and Catherine Zeta-Jones into the plot. As Viktor, Hanks is genuine and appealing, making it near impossible not to have sympathy for his plight. But throw Zeta-Jones into the frame as a stewardess who admits to always getting involved with the wrong men, and the movie becomes a muddled mess. Zeta-Jones does nothing to make audiences empathize with her character’s inability to find true love. Pairing her with Hanks, as likeable as his character is, sends the movie off on a tangent that almost – but, thankfully, not quite - kills the film. And let’s just be brutally honest: Catherine Zeta-Jones is gorgeous. Even if you don’t admire her acting talent, you have to admit she’s a very beautiful woman. Not to knock Hanks, but come on, he’s not exactly in the same league as Zeta-Jones. If you plop them outside the movie world and into reality, would someone like Zeta-Jones instantly fall for this weird guy who stalks her in an airport? I don't think so. I didn’t believe the quick pairing of these two in the movie, and sadly, the love story is an unnecessary distraction in an otherwise entertaining and moving film.

“The Terminal” does provide an answer to the perplexing question of what happens to all the items lost in an airport. And the cast of characters who interact with Hanks – Diego Luna, Zoe Saldana, Stanley Tucci, Chi McBride, Barry Shabaka Henley, and especially Kumar Pallana – all add a lot of humanity and charm to the picture. If only Spielberg had erased the romance from the script and added in a little more time with each member of the interesting ensemble of actors who portray the airport workers, then “The Terminal” would have really achieved something special. But with the love story in place, “The Terminal” stretches the limits of believability beyond what I was willing to forgive.

G. 关于电影《幸福终点站》的感想、评论

汤姆·汉克斯的片，真的部部经典，《幸福终点站》其实以前已经看过了，刚好看到有人提供下载，就再看一次。

纳沃斯基为了圆父亲的梦想，希望获取一个爵士乐手的签名而来到纽约，不幸却因为本国政变而成为没有国家的公民，只能在机场内四处游荡。不过，纳沃斯基却很幸运，也很努力，在纽约机场的大厅里生存了9个月。在这九个月里，他几乎得到了一切，差点包括一个女朋友艾米利亚。

不过故事的结局却并不如想象的那样完美，纳沃斯基似乎已经做到了一切艾米利亚能感动的事情，不过，艾米利亚还是选择了“命运(destiny)”，并没有跟纳沃斯基一起，而是与那个有老婆孩子的男人走了，他的印度清洁工朋友也被抓了，而跟他作对的机场官员却依然升职了。

每个人都在等待，每个人等待的事情都不一样，有人得到了，有人失去了，有人坚持了，有人放弃了。艾米利亚等了20年，最后获得了不知道是不是幸福的选择，纳沃斯基的父亲等待了40年，却没有等到心愿了却的那一天。等待不一定总是美丽的，等待是一门艺术。博弈的过程，就是你愿意花多少时间去等待你认为值多少的事情，有的人坚持等待，却没有结果，有的人放弃等待，获得了更好的结果，这些或许可以说上天注定。不过，等待却是一种牺牲的过程，人为什么等待？是因为对方让你觉得有了等待的机会与价值，而正是这种“觉得”，有时却可能害了一个人，等待，有时候也是一种上当的过程。反过来讲，当你都没有想让别人等待时，不妨斩钉截铁一些，而不是编造一些冠冕堂皇的理由。

一个人在机场大厅生活了9个月，总归还是有很好的学习的地方，我大概总结了下面几点：

1、生存的能力，不懂英文，甚至连最基本的交流都不会，没有钱甚至连免费餐券都丢了，还受到了各种白眼，但是纳沃斯基首先想到的是生存，而不是在机场吵闹。在九个月时间里，还要忍受那个BT的机场官员迪克逊的百般刁难。如果一个人，在美国这么一个地方，没有钱，也不懂英文，经过九个月还能生存下来真是奇迹，普通人可能都变成了乞丐了。

2、乐观的心态，什么人有乐观的心态？人品好的人，只有好人品的人才不会有那么多小肠子，做人才能大度，纳沃斯基人品是好的，没有想过害人，首先想到的是解决问题，人品好也为他赢得了很多机会，防人之心不可无害人之心不可有。在无聊的时候，他没有自暴自弃，而是选择了帮助别人，帮助别人的同时也为自己获得了生存的空间。在他被以朋友的工作来威胁必须走人时，他几乎好不忧郁选择了走人。

3、坚持，迪克逊通过各种手段“引诱”纳沃斯基走出机场大门，甚至已经出了最后的杀手锏，试图把纳沃斯基变成难民，不过，纳沃斯基却回了一句，我爱我的祖国，我怎么会讨厌自己的国家。甚至纳沃斯基在受到美女的引诱出去吃意大利餐也没有动摇。当然，你可以说纳沃斯基比较傻，不知道原来可以这样走，但是从另外一个角度来说，他是一个坚持的人。

4、学习的能力，不懂英文，怎么办？通过机场的多语言小册子，学习到英文，然后再进行一些沟通，进而提升自己的“眼睛”，在国外，看不懂就基本上属于瞎子，如果听不懂就属于聋子，而不会说，就属于哑巴，只能通过学习来摆脱其中的一种，才能有生存的空间。

5、人际关系处理。每个人，面对新的入侵者都会有戒心，所以当纳沃斯基面对扫地的、送货的等等对他的刁难时，并没有进行硬碰硬，因为这肯定没用，还会加重对方的不满，纳沃斯基至少人品是好的，他没有想通过特殊的手段来做到什么，而是通过一些事情，跟这些人交流，至少取消了“FBI”的帽子。在一个新的环境，处理人际关系还真是一门学问。

6、抓住机会，很多人都说，给我机会，我能怎么样，很多人也说，机会是自己争取的，其实，我倒觉得，机会需要争取，机会也需要别人给的，不过最重要的是能否抓住机会。为了吃饭，纳沃斯基发现了收行李车可以赚钱，为了吃饭，他日复一日跑签证，仅仅是为了帮那个西班牙人泡妞，不过，却换得了吃饭的机会，为了吃饭，他做了装修工人，不过，很明显，机会有些是自己争取的，有些是抓住了机会，因为他有能力。

H. 求～哪里有《幸福终点站》（The Terminal）的英文简介或者影评

英文简介(来源于
imdb)：
viktor
navorski,
a
man
from
an
eastern
european
country
arrives
in
new
york.
however
after
he
left
his
country
war
broke
out.
suddenly
navorski
is
a
man
without
a
country
-
or
one
that
the
u.s.
cannot
recognize,
thus
he
is
denied
entrance
to
the
u.s.
however,
he
also
can't
be
deported
so
he
is
told
by
the
security
manager
that
he
has
to
remain
in
the
airport
until
his
status
can
be
fixed.
and
also
navorski
doesn't
speak
english
very
well,
so
he
cannot
talk
to
or
understand
anyone.
but
he
somehow
adapts
and
sets
up
residence
in
the
airport,
which
makes
the
man
who
placed
him
there
unhappy,
as
it
seems
he
is
in
line
for
a
promotion
but
navroski's
presence
might
complicate
that.
so
he
tries
to
get
navorski
to
leave
but
navorski
remains
where
he
is.
navorski
makes
friends
with
some
of
the
people
who
work
in
the
airport
and
is
attracted
to
a
flight
attendant
he
runs
into
whenever
she
comes
in.
英文影评见附件。如果看不到附件，请用电脑访问。

I. 求英文幸福终点站的评论

PARIS –
As far as Steven Spielberg's new blockbuster, "The Terminal," is concerned, the experience of being trapped inside an airport for a year can lead to friendship, comic high jinks, and even romance.

But it's hard to see the life of Mehran Karimi Nasseri through Spielberg-colored glasses. Mr. Nasseri is the inspiration for the movie - a real-life Iranian refugee who arrived at Paris's Charles de Gaulle Airport in 1988 without a passport and without papers to enter another country. He's been stuck in Terminal One ever since. Like a lost and battered suitcase, he has been claimed by no one.

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06/18/04

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"The Terminal," which opened Friday in the United States, recounts the hardships of Viktor Navorski (Tom Hanks), a fictitious Balkan traveler stranded at New York's JFK Airport. His homeland erupts into civil war and his passport becomes void. He can't officially enter the US, but neither can he return to Eastern Europe. So he lives for months in the hermetically sealed microcosm of an airport concourse.

Some of Navorski's survival tactics are similar to Nasseri's, like bathing in the washroom, setting up a living area on a bench, and accepting food vouchers from airport workers. But where the movie has embellished the story with madcap adventures and a fling with a flight attendant played by Catherine Zeta-Jones, Nasseri's life consists mostly of reading. His most recent book is Hillary Clinton's autobiography. "Maybe I don't do it like Tom Hanks does it," he says. "My day is just like inside a library. Silence."

Lately, though, he's had more visitors than usual. This urban legend is already the subject of three other films, two of them documentaries. Reporters and tourists visit and talk with him all day at his makeshift press lounge. "Is this public entertainment?" Nasseri asks with a pained grimace. Yet, at the same time, "Alfred," as he is also known, seems to relish his celebrity.

"He is known throughout the world and people come to see him," says Valérie Chevillot, who can see Nasseri's encampment of assorted boxes, bags, and suitcases through the window of her Phénix clothing boutique. "But no one really knows him."

The original crisis began when Nasseri tried to travel to England from Belgium via France. But he lost papers declaring his status as an Iranian refugee. It's been confirmed that he was expelled from Iran in the 1970s, but the famous squatter has since rejected his heritage - even denied he can speak Farsi - under the belief that his Iranian background is the cause of cause of his troubles. No family members have ever contacted him. "Police say they don't live," he says cryptically.

Summarizing the details of Alfred's bureaucratic nightmare since then isn't easy. Nasseri waited at Charles de Gaulle while Britain, France, and Belgium played a shell game with his case for years. At one point, in a classic Catch-22, Belgian authorities said they had proof of his original refugee papers, but insisted he pick them up in person - yet wouldn't let him into the country. He has been jailed several times, and technically could be removed from the airport at any time.

After a lengthy legal battle waged by his lawyer, the French government finally gave him the necessary documents to reside in France and legally travel.

But he refuses to use them.

Nasseri is convinced he has no official identity. If he leaves France, he says, "There are soldiers there who shoot you dead." So he won't venture further than the first floor of the terminal. "I stay until I obtain my origin identity," he often repeats.

Airport shopkeepers don't seem bothered by the fuss over their famous neighbor. The cleaning staff warn that he'll charge a few euros if you take his picture. But otherwise, "he never asks anything of anyone," says Mossaoid Ben, who runs the Coccimarket next door.

Mr. Ben hypothesizes why Nasseri has remained in the dreary cocoon of the Charles de Gaulle building, a kind of doughnut-shaped, concrete UFO stranded out on the tarmac. "He'll have to pay rent elsewhere. Maybe that's why he's here."

Other theories abound as to why Nasseri persists with his self-imposed exile. "In my opinion, Alfred needs professional help to get him adapted to the outside world," says Alexis Kouros, an Iranian documentary filmmaker and doctor, who tried to help him leave for Brussels while making his film, "Waiting for Godot at de Gaulle," in 2000. "He used to be a normal person. By spending 15 years in that place, he has become institutionalized," says Mr. Kouros, who worries Alfred's mental health is worsening.

Nasseri, a pale and listless man, spends much of his day writing on sheets of blank white paper that have become a journal of his self-imposed captivity. "I write about what I hear on the news," he says. "Ray Charles dead; the elections in France." His reams of papers and books fill some dozen Lufthansa cargo boxes. "The only problem is I need a portable TV," he says.

In theory, he has plenty of money to buy one. DreamWorks, the company that made "The Terminal," paid Nasseri for the use of his story. But he doesn't have a bank account, so he can't access checks reportedly sent to his lawyer.

Nevertheless, he's enjoying the renewed burst of attention. "Gives me something more to read. It's better to read than about war, Iraq, terrorism," he says.

There's also a hint of optimism in Nasseri's voice. He talks wistfully of how he hopes to move to the United States or Canada. "I expect some change by October," he says. "In the end I will be happy."

J. 电影 幸福终点站 英文观后感300字 速度啊~~~

Tom had just read. Hanks in "Terminal happiness," which I Xinweicucu Yan. Big films, as described: pure love, the complexity of human nature, and there are a large number of variables life. I think that, in addition to the things between men and women, the film also showed a more profound theme: that is our commitment that the father and son reflect the situation. Recently flies Yongyongliuliu, often alternative to the game thinking, and thus are rarely touched. But, after all, there has not been a pure reality of the destruction, to see beautiful things, there will be breathtaking heartbeat of times.