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一个电影演员英文怎么写

发布时间:2021-07-25 00:57:51

英文演员表怎么写 想写一个英文的演员表要怎么写 演员表英文怎么说

cast
actor-role
演员-角色

❷ 我想成为一名电影演员。用英语怎么说

I want to be a movie actor/actress.

❸ 演员、电影、角色用英语怎么写

演员、电影、角色
正规的英语(口语)
Actors,
film,
role

有问必答团队希望能帮到你

❹ 主演的英文怎么写

act the leading role(ækt ðə ˈliːdɪŋ rəʊl英、ækt ðə ˈliːdɪŋ roʊl美)(扮演戏剧或电影中的主角、主演)。

主角,即主要角色。指影片中的主人公。一部影片中一般只有一个主角。如有男女两个主人公,习惯上称男主角、女主角。主人公是影片主题思想的重要体现者,始终处于矛盾冲突的主体地位,所以主角的戏往往最为吃重。

(4)一个电影演员英文怎么写扩展阅读

剧组其他工作人员介绍

1、导演——director

是制作影视作品的组织者和领导者,是用演员表达自己思想的人。是把影视文学剧本搬上荧屏的总负责人。作为影视创作中各种艺术元素的综合者,导演的任务是:组织和团结剧组内所有的创作人员和技术人员和演出人员,发挥他们的才能,使众人的创造性劳动融为一体。

2、剧务——The audience sitting

是剧组服务的简称,是电视剧摄制过程中的日常事务负责人,其主要工作任务是在制作主任的直接领导下做好衣、食、住、行等方面的工作。因摄制组人员众多,大的组可达一百多人。有些大的场景可达几千人甚至上万人。

❺ 演员用英文怎么说

actor。

可以翻译为演员、参与者。

[英][ˈæktə][美][ˈæktɚ]

n.演员(尤指男演员);行动者;参与者;

例句

1、He is the actor whoId is like.

他是我讨厌的一个演员。

2、Kelly:I want to be an actor.

凯利:我想当一名男演员。

3、He was not really an actor.

他并不是个真正的演员。

(5)一个电影演员英文怎么写扩展阅读

影视相关词汇

1、电影词汇

film instry 电影工业, cinema, pictures 电影院 (美作:movie theater),premiere 首映式,film festival 电影节,distributor 发行人,release 准予上映 ,banned film 禁映影片。

2、电影类型词汇

film, motion picture 影片,电影 (美作:movie),filmdom 电影界,moviedom 电影界literary film 文艺片,musicals 音乐片,newsreel 新闻片,纪录片documentary (film) 记录片,文献片,comedy 喜剧片。

3、有关演员词汇

cast 阵容,director 导演,film star, movie star 电影明星,film actor 男电影明星,film actress 女电影明星,star, lead 主角,double, stand-in 替身演员,stunt man 特技替身演员,extra, walker-on 临时演员,support 配角,util 跑龙套,extra 特别客串。

❻ “电影明星”用英语怎么说

电影明星
拼音:
[diàn yǐng míng xīng]
释义:
The movie star,film star
短语:
电影明星 movie star;film star;film star movie star大牌电影明星 leading movie luminary电视与电影明星 TV and Film Star

❼ 请问“主演”的英文是什么(要电影里地道的说法)

举例来说 :

越狱由 温特沃斯·米勒 (Wentworth Miller) 主演

Prison break is "starring" by Wentworth Miller

电影结束时 , 你也可以看到 "领衔主演" starring by ....

❽ 谁知道杰弗里拉什的英文名是什么(一个电影演员)

英文名:Geoffrey
Rush
生日:1951年7月6日
出生地:澳大利亚昆士兰的图瓦巴

❾ 用英语写的电影明星的简介

Jet Li
Born: Apr 26, 1963 in Beijing, China
Occupation: Actor
Active: '80s-2000s
Major Genres: Action
Career Highlights: Once Upon a Time in China, Fong Sai-Yuk, Swordsman II
First Major Screen Credit: The Shaolin Temple (1982)

Biography
Following closely on Jackie Chan's well-calloused heels as one of the most dazzling physical performers of the silver screen, Jet Li's lightning-fast moves, friendly sense of humor, and genuine concern for his fans have endeared him to a generation of international action-film lovers as one of the most respected figures in martial arts cinema.

The youngest of five siblings (consisting of two brother and two sisters) whose father died when he was only two years old, one might say that the painfully honest momma's boy has, since reaching althood, slightly overcompensated for his admittedly over-protected childhood (the future daredevil didn't even learn how to ride a bicycle until in his early teens). Sent ring summer recess to what is now referred to as the Beijing Sports and Exercise school, Li was fatefully assigned to the wushu class and was one of a mere handful of students asked to return when the season ended and students filed back into classrooms in the fall. An exceptionally adept wushu student despite being only eight years of age, the experience boosted the confidence of the shy youth despite urges to join his classmates in after-school play. Leaving home for the first time the following year to attend competition, Li took first place at the event and was concurrently given the honor of performing at the opening ceremony of the eagerly anticipated Pan-Asian-African-Latin American Table Tennis Championships, an honor which also included the youth receiving personal praise from none other than Premier Zhou Enlai.

No longer required to attend conventional schooling, the young wonder was admitted to a rigorous sports school. Eventually remaining with a group that consisted of 20 of China's finest young wushu practitioners, the students were then put through another kind of training entirely -- this time of the Western etiquette persuasion -- for an extremely important goodwill tour of the United States. Despite a potentially embarrassing international incident in which the overly excited youngster expressed his excitement when he spotted what he thought was a Chinese airplane in Hawaii (the plane was actually Tawianese, an extremely sensitive and important distinction at the time) and travels with a heavily guarded entourage, the journey went fairly well and gave Li a newfound sense of independence. Winning the coveted All-China Youth Championships upon his return to China provided Li with his first national championship title, though it was only a prelude to a slew of awards to come including a bloodied performance at the qualifying round of China's National Games, ring which Li accidentally cut his head with his saber (the determined youngster didn't even realize what had happened, assuming he was simply perspiring, until his form was nearly finished). Despite his serious injury, the 12-year-old Li went on to win first place in the National Games to the amazement of the enraptured crowd.

Competing frequently in the following years and surviving a close brush with death in a faulty cargo plane (the passengers were literally given pads of paper to write out their wills), Li was later appointed to an official welcoming committee for American presidents e to his previous contributions to positive Sino-American relations. Later attempting to live up to his title of "All-Around Wushu Champion of China," the 16-year-old who many referred to as all capable decided to do all he could to live up to the title by internalizing his understanding of the wushu practice through philosophy. Operating on the basic principle of Taiji (similar to yin/yang in the balance/counterbalance theory), Li began an internal voyage that would be just as rewarding as the physical labors he had so diligently pursued.

Breaking into the world of film with an exciting performance in 1979's Shaolin Temple, Li's screen presence was undeniable and ignited a boom in the kung-fu film instry ring the 1980s. Though he took an unsuccessful attempt at directing a few short years later with Born to Defend (1986), his acting career continued to accelerate at high speed with such hits as the Once Upon a Time in China and the Fong Sai-Yuk series in the early '90s. Rising to remarkable celebrity status e to his charm and unmatchable moves, Li gained fans in both the young and old and continued to thrill Eastern moviegoers in increasingly awe-inspiring ways. A crossover to American films began with his role as the villain in Lethal Weapon 4 (1998) (a role originally offered to Chan but turned down e to his inclination never to play the bad guy), and continued with more likable roles in Romeo Must Die and Kiss of the Dragon (2000 and 2001 respectively). Li caused something of a sensation with the release of Kiss of the Dragon when he made a special plea to parents not to bring their children to the film e to the unusually (for Li) alt-oriented violence of the film. A request virtually unheard of in the Hollywood system, Li promised parents that they would soon be able to share his high-kicking escapades with their children with the decidedly more family friendly The One a few short months later. In 2003 Li would return to stateside screens alongside DMX in Cradle to the Grave (2003), a remake of the classic Fritz Lang film M (1931) which fared only moderatly well at the box office.

Just as it began to seem as if Li had forsaken the period martial arts genre on which he was weaned in favor of mainstream Hollywood success, his memorable return to the format with director Zhang Yimou's richly textured 2002 effort Hero proved to fans that he still possessed all the talent and charm he had so skillfully displayed in the previous Hong Kong hits proced before his crossover success. Despite the fact that the film drew some of the best reviews of Li's later career, however, the inexplicable decision made by U.S. distributor Miramax to sit on Hero for nearly two years before unceremoniously mping it into stateside theaters in August of 2004 eventually caused many fans to seek out foreign releases of the critically-praised effort well before it's official U.S. release; a mournful mistake that likely resulted in diminshed sales at stateside multiplexes. A second collaboration with Kiss of the Dragon collaborator Luc Besson resulted in Unleashed, an effort many fans considered to be a notable improvement over his previous U.S. efforts, and in 2006 Li would return to the genre that launched his career one last time with the throwback martial arts biopic Fearless. A traditional-minded kung-fu epic that eschewed wirework and digital effects to focus on character and the art of fighting, Fearless proved an enormous success when it out-grossed such recent hits as House of Flying Daggars, Hero, and Crouching Tiger, Hidden Dragon upon being released into East Asian theaters in January of 2006. ~ Jason Buchanan, All Movie Guide

❿ 当他10岁时成为一个电影明星。用英语怎么说

He became a movie star when he was ten years old.
He became a movie star when he was ten.
When he was ten years old, he became a movie star.
When he was ten, he became a movie star.
He became a movie star at the age of ten.
At the age of ten, he became a movie star.

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