经典英文电影思维导图

Ⅰ 一部经典电影的PPT,英文的,要有图,英语课上要作展示

好嘛，我发给你一个《泰坦尼克号》好吧。

Ⅱ 急需英语经典电影的英文介绍!!!(详细的好!)

这是1933年版《金刚》电影的介绍，希望对你交作业有帮助

The greatest and most famous classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Co-procers and directors Merian C. Cooper and Ernest B. Schoedsack (both real-life adventurers and film documentarians) conceived of the low-budget story of a beautiful, plucky blonde woman (Fay Wray) and a frightening, gigantic, 50 foot ape-monster as a metaphoric re-telling of the archetypal Beauty and the Beast fable. [Fay Wray mistakenly believed that her RKO film co-star, 'the tallest, darkest leading man in Hollywood,' would be Cary Grant rather than the beast. Later in her life, she titled her autobiography "On the Other Hand" in memory of her squirming in Kong's grip.]

The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), the hero (Bruce Cabot in a part originally offered to Joel McCrea), the voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires. However, the primitive, giant ape must also struggle against the forces of urban civilization and technology when it is exploited for profit and returned for display in New York City ring a time of economic oppression.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot ring the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.

The following scenes for the 1938 re-release, that were excised by censors after the Proction Code took effect in 1934, were restored in recent editions of the film:

the Brontosaurus' killing of three victims (instead of five in the original)
the giant spider scene
Kong's stripping/peeling of Fay Wray's clothing while holding her unconscious in his palm
Kong's chewing of a New York victim and his drop of a woman from the Empire State Building
This remarkable film received no Academy Awards nominations - it would have won in the Special Effects category if there had been such a category. The film contained many revolutionary technical innovations for its time (rear projection, miniature models about 18 inches in height, and trick photography, etc.), and some of the most phenomenal stop-motion animation sequences and special effects ever filmed (by chief technician Willis O'Brien, famed for his first feature film The Lost World (1925)). A wildly dramatic musical score by Max Steiner enhanced the action of the story.

The film has numerous memorable moments, including Kong's battle with a giant snake in a misty cavern, his struggle against a flying pterodactyl, the screaming beauty (Fay Wray, known as the "Queen of Scream") held captive in Kong's giant clenched palm, and the finale with the defiant Kong atop the Empire State Building while circling aircraft shoot him down. In director John Guillermin's inferior remake King Kong (1976), starring Jessica Lange, the great ape takes his last stand atop one of the towers of the World Trade Center.

King Kong launched the "giant beast" subgenre of science-fiction, inspiring the 1950's atomic mutant creature features and the Japanese giant movie monsters like Godzilla, Gamera, Rodan, etc. Godzilla and King Kong actually faced off in the Japanese film King Kong Vs. Godzilla (1962, Jp.) (aka Godzilla vs. King Kong in Japan). Various other Kong-related films are summarized in the following list:

Son of Kong (1933)
Mighty Joe Young (1949)
Konga (1961)
King Kong Vs. Godzilla (1962, Jp.)
King Kong Escapes (1967, Jp.)
King of Kong Island (1968)
King Kong (1976)
A*P*E (1976, Kor.)
Queen Kong (1976, UK)
King Kong Lives (1986)
The Mighty Kong (1998, animated)
Mighty Joe Young (1998)
[Oscar-winning The Lord of the Rings trilogy director Peter Jackson shot a remake of the classic 1933 film as King Kong (2005), with Jack Black (as Carl Denham), Adrien Brody (as Jack Driscoll), Naomi Watts (as Fay Wray), and Andy Serkis (and CGI) employed for the 25-foot tall monstrous ape.]

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The film begins with the title card from an Old Arabian Proverb:

And the Prophet said, 'And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.'
The scene is 1932 at the Hoboken docks in New Jersey ring a Depression-era winter. A dock night watchman is approached and asked about the nearby moored steamer: "Say, is this the moving picture ship?" The watchman confirms that the ship is going on a "crazy" voyage, and knows of the brash reputation of Carl Denham (Robert Armstrong), a fearless and arrogant adventure filmmaker and movie procer, who is preparing for a film expedition: "...that crazy fella that's a runnin' it....They say he ain't scared of nothing. If he wants a picture of a lion, he just goes up to him and tells him to look pleasant." Everybody around the dock is talking about the unusually large cargo and number of crew members - "three times more than the ship needs." The well-dressed man, Charles Weston (Sam Hardy), a theatrical agent, is invited on board the vessel by First Mate Jack (John) Driscoll (Bruce Cabot) and is told: "Come on board. Denham's gettin' wild. I hope you got some good news for him."

In the captain's cabin, trusted skipper-Captain Englehorn (Frank Reicher) confers with Denham and suggests that he sail immediately by the next day's light, before the fire marshal can discover his illegal cargo of ammunition, explosives and gas bombs, one of which is strong enough "to knock out an elephant." They must also get to their destination to finish filming before the monsoon season starts. Weston and Driscoll enter and Denham demands to know if the agent has located an actress to star in his top-secret film: "Somebody's interfered with every girl I've tried to hire. And now all the agents in town have shut down on me. All but you, you know I'm square." Weston believes Denham has a "reputation for recklessness that can't be glossed over." Weston also objects to Denham's secretiveness - not even the skipper and first mate know where they are going. The agent hasn't found a girl because his conscience won't let him ask a young girl to take on such an unknown project:

I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
No ingenue actress will commit to a long sea voyage to an unknown destination, with an all-male crew. Denham argues that there's more danger in New York for most women: "Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me." "Yeah, but they know that kind of danger," thick-headed Jack pipes up. Denham complains that he needs to have a heroine in his picture to provide romance and a love interest:

Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want.
Undaunted but frustrated, the entrepreneurial, jungle filmmaker promises them he will make the "greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back." He leaves to find a girl for his picture by himself, vowing: "even if I have to marry one." A cab drops him off outside the Woman's Home Mission where women are in a breadline, but he doesn't see any potential prospects. Nearby, he notices a hungry, out-of-work, and broke girl reaching for an apple from a fruit market on the streets of New York. The street vendor catches the girl and threatens to call the police. After paying off the irate proprietor with a buck to rescue her, she swoons into his arms. When he takes a good look at her, he impulsively decides that she has the kind of beauty that he is looking for - perfect for the starring role in his documentary movie.

Denham takes the starving young girl by taxi to a Bowery restaurant, buys her a meal, and over a cup of coffee asks her about herself. She is orphaned with no family, although she says: "I'm supposed to have an uncle someplace." She also worked as a film extra at a studio on Long Island before it closed. She identifies herself as Ann Darrow (Fay Wray) and he enthusiastically offers the down-and-out, destitute woman a job: "I've got a job for you. Costumes on the ship won't fit you. Broadway shops are still open. I can get some clothes for you there." To encourage the beautiful girl to go along, he entices her with a promise of lifting her out of obscurity:

It's money and adventure and fame. It's the thrill of a lifetime and a long sea voyage that starts at six o'clock tomorrow morning.
Ann hesitates with fear in her voice, fearing that she will be made Denham's mistress: "No wait. I - I don't understand. You must tell me. I do want the job so, but I can't..." Denham chivalrously reassures her by explaining his position: "Oh, I see. No, you've got me wrong. This is strictly business....Listen, I'm Carl Denham. Ever hear of me?" His fearless, courageous, daredevil reputation is even known by Ann: "Yes. Yes! You make moving pictures in jungles and places." Ann is told that she has been picked to be the leading lady in his new film, and their voyage leaves at 6 am to a place "a long way off." Ann agrees to the voyage, after Denham offers final assurances that sex isn't involved: "I'm on the level. No funny business...Just trust me and keep your chin up." They shake on it.

The next day, the all-male crew sets sail on a long six-week journey on the S. S. Venture bound for the South Pacific. The good-looking and brawny, but disgruntled First Mate Driscoll meets Ann on deck and unpleasantly marks her as "that girl Denham picked up last night." The males on board are angry and distrustful at the prospect of having such a tempting, attractive, and charming woman along on such a dangerous voyage: "I've never been on one with a woman before." Women are a "nuisance" on board ships, according to him.

During the voyage, Ann prepares to practice and rehearse a scene for the film director on the deck, "to see which side of my face looks best and all that." Driscoll really believes her life is in jeopardy and is feeling protective of her safety: "This is no place for a girl," he tells her. The First Mate is chauvinistic, but apologetic: "You're all right, but, but, but women, women just can't help being a bother. Made that way, I guess."

Denham strolls into their company, and sees Ann fondly petting the ship's pet monkey - a miniature foreshadowing of the regal Beast in the film. He comments, sardonically: "Beauty and the Beast, eh?" Ann excuses herself to put on one of her costumes for the film test to be directed by Denham. While waiting for Ann to reappear, Driscoll confronts Denham and asks what lies ahead: "When do we find out where we're going?...And you going to tell us what happens when we get there?"

Possibly feeling threatened by Driscoll's growing crush on his actress-heroine, Denham suspects that the crew member has been emasculated and gone "soft" and "sappy" over Ann's Beauty. Denham equates the first mate to the Beast in his Hollywood script - already robbed of his virile masculinity e to his concern for Ann's vulnerable presence:

Denham: Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll: Love affair! You think I'm gonna fall for any dame?
Denham: I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll: Now who's goin' sappy? Listen, I haven't run out on ya, have I?
Denham: No, you're a pretty tough guy, but if Beauty gets you, ya...(He breaks his train of thought and turns away with a self-deprecating smile.) Huh, I'm going right into a theme song here.
Driscoll: Say, what are you talkin' about?
Denham: It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.

Ⅲ 英语思维导图

下面是用MindManager制作的英语思维导图：

做到以上所述不能缺的就是耐心和自信了，虽说做到这些不容易，但是既然有了方向我们是不是应该为了这些方向而努力呢，相信MindManager思维导图，相信自己，你一定可以学好英语的,Better late than never，只要开始，虽晚不迟。

Ⅳ 100分求一关于英文经典电影的PPT（急用）

My Favorite Movie - Star Wars
http://www.authorstream.com/Presentation/manotas-75759-favorite-movie-star-wars-daniel-english-international-collaboration-rodriguez-2-ecation-ppt-powerpoint/

My Favorite Movie - Titanic
http://www.authorstream.com/Presentation/biancaperez-75046-favorite-movie-second-evaluation-6th-level-ecation-ppt-powerpoint/

Ⅳ 经典电影的英文介绍

当幸福来敲门 ; 剧情介绍 克里斯·加纳（威尔·史密斯）是一个聪明的推销员，他勤奋肯乾努力，却总没办法让家里过上好日子。妻子琳达终究因为不能忍受养家糊口的压力，离开了克里斯，只留下他和5岁的儿子克里斯托夫相依为命。事业失败穷途潦倒，还成为了单亲爸爸，克里斯的银行帐户里甚至只剩下了21块钱，因为没钱付房租，他和儿子不得不被撵出了公寓。

克里斯好不容易得到了在一家声名显赫的股票投资公司实习的机会，然而实习期间没有薪水，90%的人都没有最终成功。但克里斯明白，这是他最后的机会，是通往幸福生活的唯一路途。没有收入、无处容身，克里斯唯一拥有的，就是懂事的儿子无条件的的信任和爱。

他们夜晚无家可归，就睡在收容所、地铁站、公共浴室，一切可以暂且栖身的空地；白天没钱吃饭，就排队领救济，吃着勉强裹腹的食物。生活的穷困让人沮丧无比，但为了儿子的未来，为了自己的信仰，克里斯咬紧牙关，始终坚信：只要今天够努力，幸福明天就会来临！皇天不负苦心人，克里斯最终成为一名成功的投资专家。

阿甘正传 ;剧情介绍 阿甘是个智商只有75的低能儿。在学校里为了躲避别的孩子的欺侮，听从一个朋友珍妮的话而开始“跑”。他跑着躲避别人的捉弄。在中学时，他为了躲避别人而跑进了一所学校的橄榄球场，就这样跑进了大学。阿甘被破格录取，并成了橄榄球巨星，受到了肯尼迪总统的接见。

在大学毕业后，阿甘又应征入伍去了越南。在那里，他有了两个朋友：热衷捕虾的布巴和令人敬畏的长官邓·泰勒上尉。这时，珍妮已经堕落，过着放荡的生活。甘一直爱着珍妮，但珍妮却不爱他。在战争结束后，甘作为英雄受到了约翰逊总统的接见。在一次和平集会上，甘又遇见了珍妮，两人匆匆相遇又匆匆分手。在“说到就要做到”这一信条的指引下，甘最终闯出了一片属于自己的天空。在他的生活中，他结识了许多美国的名人。他告发了水门事件的窃听者，作为美国乒乓球队的一员到了中国，为中美建交立下了功劳。猫王和约翰·列侬这两位音乐巨星也是通过与他的交往而创作了许多风靡一时的歌曲。最后，甘通过捕虾成了一名企业家。为了纪念死去的布巴，他成立了布巴·甘公司，并把公司的一半股份给了布巴的母亲，自己去做一名园丁。甘经历了世界风云变幻的各个历史时期，但无论何时，无论何处，无论和谁在一起，他都依然如故，纯朴而善良。

在隐居生活中，他时常思念珍妮。而这时的珍妮早已误入歧途， 陷于绝望之中。 终于有一天，珍妮回来了。她和甘共同生活了一段日子。在一天夜晚，珍妮投入了阿甘的怀抱，之后又在黎明悄然离去。醒来的甘木然坐在门前的长椅上，然后突然开始奔跑。他跑步横越了美国，又一次成了名人。在奔跑了许久之后，甘停了下来，开始回自己的故乡。在途中， 他收到了珍妮的信。 他又一次见到了珍妮，还有一个小男孩，那是他的儿子。这时的珍妮已经得了一种不治之症。甘和珍妮三人一同回到了家乡，一起度过了一段幸福的时光。

珍妮过世了，他们的儿子也已到了上学的年龄。甘送儿子上了校车，坐在公共汽车站的长椅上，回忆起了他一生的遭遇。

辛德勒的名单 ;剧情介绍 1939年9月，德军在两周内攻占了波兰，纳粹下令波兰全境的犹太人必须集中到指定的城市进行登记，每天有一万多名犹太人从乡村来到克拉科夫。

在克拉科夫的犹太人推举了24名犹太人组成委员会帮助被集中到该城的犹太人解决住宿膳食，分配劳役和排解纷争等问题。

刚从家乡来到克拉科夫的德国企业家奥斯卡·辛德勒身材高大、相貌英俊、举止风流倜傥。他在酒店及各种社交场合慷慨地大量结交德国军官和党卫军。

辛德勒也来到登记处，找一个曾在利勃兹一家搪瓷厂当过会计，名叫伊扎克·斯泰恩的犹太人。辛德勒有意买下那个经营不善的搪瓷厂以生产食用器皿，供应军需，发战争财。他要斯泰恩当他的会计师和助手来管理工厂。可令斯泰恩疑惑的是：辛德勒做什么呢……
还有 《美丽人生》《光荣之路》《这个杀手不太冷》《海上钢琴师》《泰坦尼克号》《勇敢的心》这些全都是世界经典电影且全是英文版的！

Ⅵ 有谁能告诉什么是脑图英语啊

一、产品背景

脑图英语学习法由陕西新思维网络科技有限责任公司开发，起源于原国家教育部关于学习效率研究小组的科研成果。在学习负担日益加重的今天，如何提高学习效率成为全社会关心的问题。这个小组在长达六年的研究当中，经过无数次的实验研究，发现了影响学生学习效率的三大原因，并且提出了具体有效的解决方案。脑图英语学习法就是这种原理的具体应用。
英语词汇的记忆问题是整个英语学习当中一直倍受人们关注的问题。经过多年的总结，一个高中学生要记住高考所要求的2000多单词，通常需要650个小时以上。在传统教学当中，学生反复背诵，效率低下，很多学生因为单词记忆的问题逐渐失去了学习英语的信心。学生们更渴望的是有种方法能够教授如何背诵单词，并在最短的时间内彻底解决词汇的记忆问题。
脑图英语学习法的产生解决了英语学习者普遍面临的难题。以该学习法的高中部分为例，学生通过30-60个小时的学习，可能完全掌握高中阶段的词汇，并能长期保持，比传统方法效率提高了10-20倍以上，不但节省了时间，而且大大提高了学生学习英语的信心。

二、三大原理

脑图英语学习法之所以能达到这样的效果，是基于心理学中关于记忆的基本原理和右脑开发的研究成果：
★ 留下深刻印象的东西是不容易忘记的
★ 形象化的东西不容易忘记
★ 未知的东西同已知的以某种方式联系在一起不容易忘记

我们从小长到大一定经历过许多事情，但是什么事情是你一直记在心里不易忘记的呢？比如说你的初恋、初吻、第一次在学校获奖等等。这些东西都给你留下深刻的印象，即使多年过去我们依然无法忘记，而这些我们从来没有复习过。如果每一个单词都像能给我们留下深刻印象，那么不需要太多的复习，我们依然无法忘记。
至于形象化的东西不容易忘记十分好理解。蒙娜丽莎的微笑、罗丹的思想者、某个精彩的电影片断等等看过一遍便深刻留在头脑中很难忘记。那么如果我们把抽象化的英文转化为形象化的图像，那么就可以大大提高记忆效率。
对于陌生的东西我们总是很难一次记住，那么我们总是利用一些我们熟悉的来记陌生的。例如当我们看到12985763556这个数字是十分难记的，可是当我们看到130110120021这个数字的时候，却很容易记住，为什么呢？当我们看到这个数字的时候，首先会做一个分解，把它分解为130－110－120－021四个部分，而130是联通的手机号，这是我们所熟悉的，110是报警电话 120是急救电话 021则是上海的区号。实际上我们看到的不是一串单纯的数字，而是我们熟悉的联通手机＋报警电话＋急救电话＋上海区号四个部分，就是把我们不熟悉的、抽象的数字和我们熟悉的、形象化的手机报警电话等有机地联系在一起，就很容易记住了。英语单词的记忆也是如此。

三、产品特点

产品的特点是由产品本身和消费者的消费习惯决定的，我们在调查的时候发现了以下结论：

★ 应试制度下学生学习负担重，自由时间少；
★ 背单词是一种负担，希望有老师讲解，方法越简单越好；
★ 学生的疲劳期为15－30分钟

基于以上结论，我们赋于脑图英语学习法以下特点：

★ 国内独立研究，为原创性课程

陕西新思维网络科技公司是一个研究型的公司，坚持创新第一与独树一帜的理念，在国内坚持原创性的研究，努力为学习者提高效率设计更多更有效的课程。

★ 严格的程序化学习步骤

传统的教育注重讲授，而忽视了正确的学习方法和有效的训练。我们按照记忆和学习的规律设定好最佳的学习程序，学生只要按照规定的学习步骤就可以顺利完成学习。学习可以像操作傻瓜相机时“按快门”一样简单。

★ 自由灵活的学习时间

我们根据学习者的时间紧、易疲劳的特点，灵活设置授课时间，方便学生见缝插针学习。

★ 轻松随心所欲的学习方式

通常在课堂上，会与不会的都必须按照老师的讲课顺序学下去。至于记住多少，全靠自己的努力，但是网络改变了这一切，我们可以随心所欲地学习，可以反复学习，也可以跳过那些原本已经会的部分，只学习自己不会的部分。

★ 以网络为载体，以动漫画和形象记忆为载体

网络正在不断改变着人类的生活。在网络上可以使用更多的手段，更多地调动学习者的积极性，使学习效率不断提高。

★ 以掌握为核心的训练方式

通常情况下，我们听教师讲课比较多，而有效的训练不足，只有通过科学有效的训练，让学生在短时间完全掌握，最终达到提高的目的。

★ 突破时间、地域和师资条件的限制，实现全国资源共享

网络教育突破了时间、地域和师资条件的限制，在第一时间把最优秀的资源通过互联网传播到全国各地，迅速实现了全国资源共享，普通人也能在第一时间享受到一流的教育。

★ 更新迅速

我们不断跟踪国家教育部门的改革方向，在新教材推出的15天内就可以完全更新课程，满足学生的实际需要。

产品名称：《脑图新概念》
产品类型：脑图文章背诵
产品状态：运营中
产品列表： 新概念I卡 新概念II卡
开发进度：第一册,第二册已完成,第三册开发中
推出时间：2006年1月
产品梗概
《新概念英语》作为享誉全球的、最为经典地道的英语学习宝典，早已成为英语学习者的必选教材。《脑图新概念》课程借助网络、多媒体和flash动画技术把《新概念英语》里的句子、文章变成了flash情境动画片，配以真人讲解，纯正发音，让学习者轻松掌握原文对“听说读写译”的学习要求，把过去枯燥、低效率的文章抽象记忆，变得生动、鲜活、有趣，从而大幅度提高了单词记忆和课文背诵的效率，帮助学习者全面突破提升英语成绩。

学习载体新颖，学习兴趣提高
网上将每篇新概念的故事情节通过flash动画片的形式表现出来，生动直观的画面使学习者对课文理解更深刻，记忆更牢固。学习者在轻松愉快的氛围里看着动漫，掌握了知识。由于学得轻松，学有所获，学习兴趣也因之提高。

Ⅶ 英语思维导图片

Mid autumn Festival中秋节The Mid Autumn Festival is drawing near. 中秋节快到了。

Ⅷ 推荐一部经典英文电影中的场景对白，3~4分钟。（必须注明原因，谢谢！）

《傲慢与偏见》中达西第一次向伊丽莎白表白的那一段，很不错，情节有起伏，比较能够抓住观众（当然需要一些肢体语言），时间应该够。还有就是《泰坦尼克号》中最经典的“you jump ,i jump”的那一段，这个也不错，不过没试过。PS：《傲慢与偏见》我在英语口语考试中和搭档用过那一段对白，效果很不错的哦~~~

Ⅸ 推荐30部经典的英文电影

十大经典电影（人生篇）
1、《肖申克的救赎》

2、《百万金婴》又名《百万宝贝》

3、《悲惨世界》1958年版
4、《辛德勒的名单》
5、《阿甘正传》
6、《勇敢的心》

7、《活着》

8、《天堂影院》

9、《杀手里昂》又名:
这个杀手不太冷/
终极追杀令
/
杀手里昂

10、《完美的世界》
十大经典电影（爱情篇）
1、《罗马假日》

2、《泰坦尼克》

3、《卡萨布兰卡》

4、《花样年华》

5、《人鬼情未了》

6、《乱世佳人》

7、《风月俏佳人》

8、《西雅图未眠夜》

9、《廊桥遗梦》

10、《英国病人》
十大经典电影（战争篇）
1、《巴顿将军》
2、《拯救大兵雷恩》

3、《现代启示录》

4、《战争与和平》

5、《野战排》

6、《西线无战事》

7、《最长的一天》

8、《猎鹿人》

9、《遥远的桥》

10、《黑鹰坠落》

Ⅹ 10部经典英文电影推荐

肖申克的救赎》（不用多说，非常震撼人的电影）
《辛德勒的名单》（感人感人！）
《人工智能》（01年的片子，机器人小孩的爱，基调有些悲伤，但十分感人！）
《教父》（黑帮经典，被称为“男人的圣经”。本人原本不感兴趣，意外地看了之后完全迷上了．．．！）
《美丽人生》（意大利的，亲情+励志，看过不下5遍）
《指环王》（可能不是所有人都感兴趣，但是每个人看完只要看懂了都会发自内心喜欢这三部电影。个人认为绝对经典，其史诗地位不可动摇，将黑暗与光明，人性的罪恶和善良描述地很到位~！经典中的经典！！！！）
还有一些不错的，比如《金刚》、《漫长的婚约》（法国）、《天使艾美丽》（法国）、《雨人》、《第六感》、《美丽心灵》、《角斗士》、《芝加哥》（有些人说这是奥斯卡最佳影片里面的烂片，可是我觉得还很不错～）．还有什么《飞越疯人院》，《夜访吸血鬼》感觉也很特别。最近的也不是没有好看的，《赎罪》就挺好。
如果除了这些很打动人心的片子之外你还对动作、冒险片感兴趣，那么推荐几部：《谍中谍》系列，《虎胆龙威4》（算最近的吗？）．谍影重重系列．．．《变形金刚》．．．
恐怖片推荐《闪灵》，史蒂芬·金很有代表性作品之一～～～！（我至今不敢看，但是据说里面对于人性罪恶的描写很真实很震撼）
可能你看过很多了.因为真的很经典