㈠ 影评电影《飘》，英语的怎么写
注意看了:gone with the wind
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.
Gone With the Wind, an all-time best-seller by Margaret
Mitchell, is a legendary recollection of the last brilliance of the Old South. The writer's debut novel was an instant success. And the story has been bestowed an even further reaching popularity since Vivian Leigh presented a vivid translation to the screen of Katie Scarlett O'Hara, a southern belle raised in her father's white-pillared plantation Tara. A climax of Hollywood, from Director Victor Fleming for MGM, Gone with the Wind is more than a vicissitude, it is also an old, lost culture revisited.
It is Old South, which today is no more than a dream remembered. People were once there, living with the high strong slaves' songs in the quarters, in security, peace and eternity. Here, Scarlett spends her young maiden years. She is well disciplined by her mother, but her blazing green eyes always betray her covert capricious self; the one who enjoys parties and the surrounding ofbeaus. She dreams to marry the noble Ashley Wilkes. The impending war shatters the golden peace of the South, and leaves many lives permanently changed. Plantations, treasures, and honor are ruined. Scarlett is made a most peculiar widow by the war, and then compelled into a second marriage in continuation of her struggle for the salvation of Tara. And her third marriage to Rhett Butler is also jeopardized because of her secret, stubborn ardency for Ashley.
㈡ 推荐一些好看的英文电影.
《简爱》 《雾都孤儿》 《后窗》《呼啸山庄》 《悲惨世界》 《罗密欧与朱丽叶》 《红与黑》 《茶花女》 《娜娜》 《基督山伯爵》 《巴黎圣母院》 《双城记》 《欧也妮葛郎台》 《三个火枪手》 《堂吉科德》 《哈姆雷特》 《钢铁是怎样炼成的》 《老人与海》 《鲁滨逊漂流记》 《格列佛游记》《傲慢与偏见》 《战争与和平》 《红字》 《飘》（乱世佳人） 《小妇人》 《奥塞罗》 《李尔王》 《麦克百》 《威尼斯商人》
㈢ 电影飘英文作文
例文
“Gone With the Wind” is quite famous. The story happens ring Civil War. Scarlet, the daughter of a farmer was beautiful and attractive. Before the war, her life was placid. But when the war broke out, her life changed totally. Her husband died because of disease, and she became a widow. However, she was different from other women. She couldn’t bear wearing dark clothes and staying at home all the time. Just at that time, Captain Butler came into her life. They were very similar, both treacherous and avaricious, so they soon became friends. Scarlet had to be feed the whole family, and this made her marble. Later on, Scarlet had her own factory, and was graally disliked by many people because of her arrogance.
Captain Butler was very wealthy and charming as well. He loved Scarlet, and before long, they got married.
On the other hand, Scarlet had been loving a man called Ashley for a long time, but Ashley had a wife, Melanie, who was respected by everyone, except Scarlet. Even after she got married with Butler, she still wanted Ashley.
Some time later, Scarlet and Captain Butler had a daughter. This made Butler become a kind father. But their daughter died. From then on, Scarlet and Butler quarreled much oftener than before. Otherwise, when Scarlet met Ashley on his birthday at the factory, people saw them hugging, and this made Butler fly into a rage.
Melanie fell sick and she was about to die. Scarlet talked with her beside her bed, and she suddenly realized that Melanie was her only female friend, and she loved her very much. She also realized she didn’t really love Ashley. But everything was too late. When she came back home, Captain Butler was leaving. Her tears couldn’t do any help, and she could only watch him leave.
This story figured a lady who was fortitudinous. But the society made her play hard, and her personality distorted. She only cared for money, and she didn’t care about other people’s feeling. When she finally re
㈣ 电影《飘》的 Rhett 人物评价 用英文的120字左右
怎么问那么奇怪的问题啊
㈤ 求救:专家们哪为告诉我英文版的电影<飘>的影评!!!
你要的是乱世佳人的影评吗？
Gone with the Wind
Gone with the Wind is a very good movie, perhaps bordering on being great, but its subject matter and running time (which is easily 60 minutes too long) argue against its status as a masterpiece. As for its high placing on the AFI's list... it isn't the only travesty on that roster, but it is one of the most obvious.
Gone with the Wind is, simply put, a tale of two halves. The movie is divided by an intermission into a pair of roughly-equal segments. The first, which is brilliant and consistently captivating, covers the time period of the Civil War, beginning shortly after the election of Abraham Lincoln, and ending ring Sherman's march through Atlanta. The post-intermission half, which dishes out the suds, picks up at the end of the Civil War and concludes about eight years later. This portion of Gone with the Wind, while still retaining a degree of appeal and narrative interest, spins its wheels frequently.
Nevertheless, viewing Gone with the Wind on television pales in comparison to seeing it projected on a motion picture screen. New Line Cinema has chosen to re-release the film (which is now in its sixth major revival) for its 59th anniversary. (Why not wait a year for the 60th?) Anyone who loves movies but has only seen this one on TV or video is heartily encouraged to visit the nearest participating venue. Theatrically, Gone with the Wind is an entirely different experience from its small-screen counterpart; some of the second-half narrative tedium is effaced by the glorious visuals. With a restored three-strip Technicolor print that preserves all of the original's deep, vibrant colors and digitally-enhanced sound, this picture has never looked or sounded better.
Gone with the Wind has one of the best-known storylines of any film, e in large part to the popularity of the source material, Margaret Mitchell's best-selling 1936 book. It's essentially a sumptuous soap opera set around Civil War times in the deep South. The main character is Scarlett O'Hara (Vivien Leigh), the spoiled, manipulative daughter of an Irish immigrant plantation owner (Thomas Mitchell, who would later play Uncle Billy in Frank Capra's It's a Wonderful Life). Scarlett has two sisters, but she is by far the most spirited of the three O'Hara girls, and her father, seeing her as his successor, teaches her lessons about the importance of the land. "It's the only thing that lasts... the only thing worth fighting for," he comments in the face of war.
Scarlett is secretly in love with Ashley Wilkes (Leslie Howard), who is about to marry the gentle, demure Melanie Hamilton (Olivia De Havilland). When Scarlett confesses her love to Ashley, he admits his feelings for her, but notes that Melanie will make a much better wife. Immediately after this meeting, Scarlett has her first encounter with the irrepressible Rhett Butler (Clark Gable), the cynical, smart hero who eventually falls in love with her. They are two headstrong likes who simultaneously repel and attract one another. When Scarlett remarks, "You, Sir, are no gentleman," Rhett's smiling, easy response is, "And you're no lady."
The bulk of the film follows a romantic quadrangle as it unfolds against the backdrop of war and reconstruction in and around Atlanta and the O'Hara plantation, Tara. Scarlett is in love with Ashley, or thinks she is, but he won't leave his wife. Melanie loves both her husband and Scarlett, who improbably becomes her best friend. Rhett is smitten with Scarlett, and she is clearly interested in him, but the real question is how long it will take for her to recognize the depth of her feelings. Ultimately, when Rhett has finally had enough, he walks out of her life after answering "Frankly, my dear, I don't give a damn" to her plaintive query about what she's supposed to do without him.
The pre-intermission portion of Gone with the Wind, which runs about 115 minutes, is glorious from both a visual and an emotional standpoint. It's a grand tale of love and loss in the midst of this country's most bitter war. Most importantly, it shows Scarlett's development from a vain, spoiled brat into a hardened, determined young woman. Her relationship with Rhett is there, but kept carefully in the background. There is sadness, humor, and a number of breathtaking shots of Scarlett silhouetted against a reddish sunset or the backdrop of Atlanta in flames. The film's most lingering image -- that of thousands of Confederate wounded paving an Atlanta street -- occurs ring this part of the movie.
The second half, with its repetitive concentration on Scarlett's back-and-forth, do-I-love-him-or-not relationship with Rhett, is less successful. This stuff is real soap opera material, and, even as well- acted and well-presented as the narrative is, there's no mistaking it for anything else. If it didn't run on for so long, it would be a lot more bearable, but Gone with the Wind threatens to wear out its welcome long before the end title appears. The problem is that the bulk of the story is really told in the first half, so there's a lot of filler in the post-intermission material.
Gone with the Wind stands as a romantic monument to the Old South -- an homage to an era and a lifestyle long gone. The opening title states: "There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind." This clearly illustrates where the film's sympathies lies, and it isn't with the often-grim plight of the slaves (in fact, slavery is largely treated as a neutral, or even benevolent, institution).
One of the tests of the lasting impact of any film is determining whether it's still effective decades after its initial release. Gone with the Wind looks so good that it is surprising to consider its actual age. It's hard to believe that many of the people involved with this film have long since died. Of course, period pieces should not be constrained by the era in which they're made, only by the one in which they're set. The storyline, while "progressive" and "modern" for the 1930s, is a little tame for the 1990s (hence the MPAA's "G" rating), but, in its three-dimensional depiction of Scarlett and Rhett, it's rarely naive. The dialogue is often brilliant, and some of the Rhett/Scarlett exchanges are particularly clever. Gone with the Wind avoids becoming hopelessly maudlin by peppering the lengthy storyline with a variety of lively and humorous sequences.
Probably as much has been written about Scarlett and Rhett as about Casablanca's Rick and Ilsa. Vivien Leigh and Clark Gable were perfectly cast in the leading roles -- she was a relative unknown who was "discovered" almost by accident after an exhaustive casting period; he was an established idol. They fit together perfectly, and, while their chemistry isn't as overwhelming as that of Bogart and Bergman, it's pretty close. As with all couples, their glances and body language say as much or more than their words, and, especially in Scarlett's case, are always more truthful. The characters are fascinating, both on their own and in their interaction with each other. Scarlett is a devious manipulator with a dangerous charm (beware her when she bats her eyelashes); Rhett sees through her at every turn, but, even as smart as he is, he can't help falling for her.
There are a number of noteworthy supporting players. The two with the most screen time (aside from Gable and Leigh) are Leslie Howard and Olivia De Havilland. Both portray low-key characters, but do it so well that we develop a deep sympathy for them and their plight. When it comes to the games of the heart engaged in by Scarlett and Rhett, Ashley and Melanie are out of their league. Another standout is Hattie McDaniel, whose brilliant Mammy (the housekeeper at Tara) steals scenes from the more prominent characters. McDaniel brings Mammy to life, and, while she's not three-dimensional, she's real. Mammy is also evidence that Gone with the Wind was capable of transcending (at least in part) the too-easy black stereotypes that were in evidence ring the 1930s.
When discussing the creative forces behind Gone with the Wind, one rarely hears the name of Victor Fleming (The Wizard of Oz), the credited director. (He was actually one of four men to helm the project.) Instead, Gone with the Wind is referred to as "a David O. Selznick Proction," because Selznick was the driving force behind the movie's development. As Procer or Executive Procer, Selznick was instrumental in making over 50 films, including titles like King Kong, A Tale of Two Cities, A Star Is Born, Rebecca, Spellbound, and The Third Man. With four directors, over a dozen uncredited screenwriters, and several cinematographers, Selznick proved to be the creative glue that held Gone with the Wind together. This was his child -- an obsession that consumed him for years.
To date, no film has sold more box-office tickets than Gone with the Wind. Domestically, the tally almost doubles that for the phenomenally-popular Titanic. Of course, when the movie was first released, it wasn't just another motion picture -- it was a spectacle, an event. Even though the habits of movie- goers have changed over the years, it's easy to see why this film provoked such an outpouring of praise and alation ring its initial release, and why its stature has grown with the passage of decades. Gone with the Wind has flaws, but it's still undeniably a classic and a legend.
找些有用的摘下来吧！
㈥ 英语评论电影[飘]
!#$$#@@%
㈦ 谁有《乱世佳人》（飘）英文版带字幕的电影视频
提供本片RayFile网盘下载链接，需要安装RaySource客户端，新建任务，在下载链接(URL)这里把下面的地址粘贴上去，就可以下载了。
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㈧ 想找一下《飘》的英文版电影
电驴上就有
www.verycd.com
㈨ 飘（乱世佳人）英文电影剧本，中英对照
我也非常想要，[email protected]
非常感谢
㈩ 适合《飘》的英文歌曲 电影乱世佳人
《飘》（GONE WITH THE WIND）有,叫斯佳丽.由琼·沃莉·克尔默 , 提莫西·达尔顿主
演.约翰·尔曼导演.
1939年，根据美国小说《飘》改编的电影《乱世佳人》公演，引起世界轰动，半个多世纪以来，它的精髓滋养了几代人的精神世界，人们一直渴望看到男女主人公生活的续演。
本片就是由《飘》的续集《斯佳丽》改编而成，美国华纳公司500万美金购买书籍出版权，贝塔电影公司以900万美金购买拍摄权，男主角曾是电影007的扮演者，女主角则是剧组寻遍欧美，历时两年，挑选了10000多名女演员，才最终确定的美丽女皇。
该片拍摄周期长达两年之久，拍摄地点跨越多个国家，有167处景点建设项目，3场豪华舞会，且使用服装几千套，仅斯佳丽一人的服装就多达120多套，是《飘》主人公的3倍……电影耗资巨大，制作精美，剧情跌宕，群星荟萃，在欧美地区播出时取得了巨大成功，创造了年度最高票房！
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