花木兰电影英语好词好句

❽ 动画电影花木兰中英文对照精典句子

动画电影花木兰插曲《倒影》中英歌词对照
1介绍编辑
Christina在经理人的面前清唱了自己最喜欢的歌手Etta James的At Last，唱出了高音“E”音阶（比高音"C"还要高），之后她被挑选演唱其电影的主题曲"Reflection"。两天之内，Christina在日本就录制好了这首歌，录制这首歌曲使她在同一周内得到了RCA Records的唱片合约。"Reflection"在成人单曲榜最高名次为第十九名，不仅如此，当年这首歌还被提名为金球奖最佳原创歌曲。1999年该曲被收录于Christina的第一张同名专辑中。该曲为中英双版，中文版歌曲名为《自己》，由李玟演唱。[1]
同名专辑
《Reflection》 倒影(电影花木兰主题曲)
CHRISTINA AGUIELRA (演唱：克莉丝汀娜)

2歌词编辑

Look at me 看着我,
You may think you see who I really am你也许以为你看到了真正的我
But you’ll never know me但你永远不会了解我
every day每一天
It’s as if I play a part似乎我真的扮演一个角色，发挥着我的作用。
Now I see现在我明白，
If I wear a mask如果自我掩饰，
I can fool the world我可以愚弄这个世界，
But I cannot fool my heart 却无法欺骗自己的内心。
Who is that girl I see,我见到的那女孩是谁，
Staring straight back at me?两眼直直地望着我。
When will my reflection show何时我的倒影才能显示出
Who I am inside?真正的自我。
I am now in a world我此时身在一个世界，
Where I have to hide my heart在这里我不得不掩饰我的内心世界。
And what I believe in 以及我所信仰的。
But somehow但无论如何，
I will show the world我将告诉这世界，
What’s inside my heart 我心中的秘密，
And beloved for whom I am我爱这样的我。
Who is that girl I see,我见到的那女孩是谁，
Staring straight back at me?两眼直直地望着我。
Why is my reflection someone为何我自己的倒影
I don’t know?我自己却都不认识？
Must I pretend that难道我必须
I’m someone else for all time?一直都扮演一个非我的角色？
When will my reflection show Who I am inside 何时我的倒影才能显现出真正的自我
There’s a heart that must be free to fly有一颗心需要自由飞翔，
That burns with a need
To know the reason why它迫切地需要知道
Why must we all conceal what we think, how we feel?为何我们都得隐瞒自己在想什么，自己的真正感受
Must there be a secret me难道有一个秘密，
I’m forced to hide?必须要我隐藏？
I won’t pretend that I’m someone else
For all time我不会一直去扮演另一个身份角色。
When will my reflection show Who I am inside 何时我的倒影才能显现出真正的自我
When will my reflection show Who I am inside 何时我的倒影才能显现出真正的自我

❾ 求一篇描写电影花木兰的英文文章！

Disney turned East seeking inspiration and found it in Mulan, a thoughtful coming-of-age adventure story about a brave and clever daughter risking her life to save her ailing father in Imperial China. Having fun with the comic possibilities of cross-dressing and gender confusions, this beautifully animated feature places its title character in armor and eventually into the thick of battle, with the stakes no less than the fate of her country. Based on a popular Chinese legend (similar to that of Joan of Arc, but with a kinder conclusion), Mulan is that rarity in any patriarchal culture, a genuine heroine celebrated for breaking the conventions of her sex.

Mulan tries to honor her family the traditional way, letting her mother and grandmother powder her face white and dress her like a China doll in preparation for her interview with the matchmaker, but she utterly fails to please the pompous power broker e to the unintentional interference of her 'good luck' cricket (a close, though mute, cousin to Jimminy). Presented in song with amusing lyrics and overtones of Gigi, this comedy of errors evolves into fairly serious drama. Mulan is deeply ashamed at her failure to bring honor to her family in the only way her society deems possible.

She discovers, however, that her father still believes in her. Beneath the gentle canopy of a cherry blossom tree, he tells her that 'the flower that blooms in adversity is the most rare and beautiful of all.' In this one scene, directors Barry Cook and Tony Bancroft poignantly establish the powerful bond between the tiful but independent-minded daughter and her conventional but compassionate, aged father.

When Mulan learns that the Emperor is demanding one male volunteer from every family to fight the Hun invaders, she secretly cuts her hair, dons her father's armor, takes his sword and rides off in his place. Dramatically staged without dialogue, this is the film's most stirring sequence.

That's where Eddie Murphy comes in, as the voice of Mushu, Mulan's diminutive, streetwise, would-be guardian dragon. Though less witty than Robin Williams in Aladdin, Murphy breathes some edgy, contemporary humor into his toon with attitude. In a wonderfully funny meeting of Mulan's ancestral spirits, the demoted Mushu is sent to notify a 'real' guardian dragon to protect the inexperienced young warrior. But Mushu seizes the opportunity to prove himself by attempting to make Mulan a war hero. Though romance is secondary in the story, Mulan does fall in love with her hunky commanding officer, Captain Shang, who nearly drops his slender recruit until he/she uses her intelligence to complete a daunting task, in a G.I. Jane moment.

As usual, Disney animators succeed in creating a stylishly scary villain-in this case, the monolithic, square-faced Hun leader Shan-Yu, whose yellow eyes gleam with hate. Mulan, with her grace under fire, prevails against this seemingly invincible enemy, but not without some interesting setbacks, including her rejection by Shang and her three army buddies-Ling, Chien Po and Yao-after they find out that 'she' is a woman.

Soon after Mulan enlists, there's a Yentl-like scene in which she is bathing in a pond, only to be joined by this trio of boisterous cohorts. Although she deftly makes her getaway before blowing her cover, it makes for some wry comic suspense. Late in the film, the roles are reversed, as Ling, Chien Po and Yao discover that cross-dressing can serve their martial purposes as well.

With its striking computer-assisted visuals, such as the nearly 3D Great Wall of China that opens the film, and the massive attack of the Huns that recalls the wildebeest stampede in The Lion King, Mulan sets new standards in animation. But it is in the subtlety of its characters' 'acting' that Mulan excels. As has been noted in the past, Disney's cartoon characters show more vitality than many flesh-and-blood actors in non-animated films, and Mulan's are no exception.

But, of course, actors invest these character with life, and all of Mulan's voices do their drawings proud. Ming-Na Wen lends Mulan vulnerability and grit, and Lea Salonga provides as lovely a singing voice for her as she did for Princess Jasmine in Aladdin. B.D. Wong (Seven Years in Tibet) as Shang and Donny Osmond as his singing voice team up to make one virile but multi-faceted drill sergeant. Harvey Fierstein's inimitable gravely voice adds character to the macho, pint-sized Yao, and Miguel Ferrer (recently of television's 'Lateline') fuels Shan-Yu's villainy.

While Stevie Wonder and 98% let you leave the theatre buoyed by Matthew Wilder and David Zippel's 'True to Your Heart,' the other Wilder/Zippel songs in Mulan are less memorable. Veteran Jerry Goldsmith's score, however, adds urgency and emotion to the narrative.

As the Emperor (Pat Morita) tells Shang after Mulan rides back to her family, 'You don't meet a girl like that every dynasty.' He's right.