泰国电影blindside

① 求the blind side 电影背景 英文 介绍

不知道你要的是不是这个，还找到一个东西在这个放不下，在下个答案里给你
Sandra Bullock ("The Proposal"), Tim McGraw ("Friday Night Lights") and Oscar® winner Kathy Bates ("Misery") star in Alcon Entertainment and Warner Bros. Pictures' "The Blind Side," which depicts the remarkable true story of All-American football star Michael Oher.
Teenager Michael Oher (Quinton Aaron) is surviving on his own, virtually homeless, when he is spotted on the street by Leigh Anne Tuohy (Sandra Bullock). Learning that the young man is one of her daughter's classmates, Leigh Anne insists that Michael—wearing shorts and a t-shirt in the dead of winter—come out of the cold. Without a moment's hesitation, she invites him to stay at the Tuohy home for the night. What starts out as a gesture of kindness becomes much more as Michael becomes part of the Tuohy family despite the differences in their backgrounds.
Living in his new environment, the teen faces a completely different set of challenges to overcome. And as the family helps Michael fulfill his potential, both on and off the football field, Michael's presence in the Tuohys' lives leads them to some insightful self-discoveries of their own.
"The Blind Side" is directed by John Lee Hancock ("The Rookie"), who also wrote the screenplay based on the book <em>The Blind Side: Evolution of a Game</em>, by Michael Lewis. Gil Netter, Broderick Johnson and Andrew Kosove are procing the film with Molly Smith, Erwin Stoff and Tim Bourne serving as executive procers.
Sandra Bullock and Tim McGraw star as Leigh Anne and Sean Tuohy, and Kathy Bates stars as one of Michael Oher's dedicated tutors, Miss Sue. Quinton Aaron is introced in the central role of Michael Oher. The film also stars newcomer Lily Collins and Jae Head ("Hancock") as the Tuohy children, Collins and S.J., respectively.
The behind-the-scenes creative team is led by director of photography Alar Kivilo ("Year One," "The Lake House"), two-time Oscar®-nominated proction designer Michael Corenblith ("Apollo 13," "How the Grinch Stole Christmas," "Frost/Nixon"), editor Mark Livolsi ("Marley & Me," "The Devil Wears Prada") and costume designer Daniel Orlandi ("Angels & Demons," "Frost/Nixon").
Opening nationwide on November 20, "The Blind Side" is a presentation of Alcon Entertainment and will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

不能回答了，但是有个PDF很不错，介绍背景的
http://www.theblindsidemovie.com/pdf/prodNotes.pdf

② 求2篇英文影评

公主日记2
The story opens with Mia graating from college (when we last saw her she was in high school) and zipping off to Genovia, which her grandmother, Queen Clarisse Renaldi (Julie Andrews), hopes she will govern someday soon. As in the original ''Princess Diaries,'' much of the putative comedy involves the free-spirited Mia working in gentle, contrapuntal harmony with her veddy, veddy proper grandmother. Because the ugly ckling has already molted into a swan, however, the plot this time around hinges on some minor palace intrigue and romances with two blow-dried suitors who take turns holding the royal hand while keeping a safe distance from the royal chastity. In between the cooing and wooing, the pratfalls and proct placements, Ms. Hathaway and Ms. Andrews flash smiles of such dazzling wattage they could carry California through its next energy crisis.

''The Princess Diaries 2'' was directed by Garry Marshall, who has been selling wish-fulfillment fantasies for years, most notably in ''Pretty Woman'' and in the first ''Princess Diaries'' movie. Mr. Marshall, whose place in pop-culture heaven was secured long ago by television comedies like ''The Dick Van Dyke Show,'' on which he served as a writer, is not much of a film director. Depending on the budget, his movies look either cheap (like this one) or studio slick (''Pretty Woman''), and tend to have the same flat, presentational visual style that's familiar from most sitcoms. (That's why his movies fit so snugly into airplane monitors.) And as in those sitcoms shot in front of live audiences, Mr. Marshall's actors often play to the camera and wait for laughs, which can be a serious problem when the screenplay is as deeply unfunny as this one.

Built on vintage and newly minted clichés, Shonda Rhimes's script combines a classic storybook scenario with the usual self-help uplift. After undergoing a radical makeover in the first ''Princess'' movie, Anne has metamorphosed into a self-possessed young woman. She knows how to walk in high heels, iron the frizz out of her hair and whirl around the dance floor with ineligible partners without making them feel bad. True, her sexuality comes across as weirdly underdeveloped, closer to that of the preadolescents who constitute this G-rated movie's core audience, than that of most typical college graates. But that's in keeping with the character whose appeal is largely predicated on being essentially unremarkable in every respect in looks, intelligence, personality and that most bious of designated female traits, niceness.

There's nothing wrong with being nice if it means giving succor to the poor and being kind to animals, but there's something unsettling about a character as bland, mushy and fiber-free as soggy corn flakes. Once upon a different time, Mia might have found her truest self by hanging out with the soulfully truculent adolescent girls in ''Ghost World.'' Instead, Ms. Andrews whisked in with a face frozen in do-re-mi beatitude and carried Mia off to a world where every unruly hair and thought is as smoothed down as the grass on a windswept Bavarian mountain. In the first film, Mia discovered she was to the manner born. Now, the princess who would be queen learns what the rest of us know already: happy movie endings generally come to those women who eat their independence and, in time, a wedding cake too.

《贫民窟的百万富翁》
A gaudy, gorgeous rush of color, sound and motion, “Slumdog Millionaire,” the latest from the British shape-shifter Danny Boyle, doesn’t travel through the lower depths, it giddily bounces from one horror to the next. A modern fairy tale about a pauper angling to become a prince, this sensory blowout largely takes place amid the squalor of Mum, India, where lost children and dogs sift through trash so fetid you swear you can smell the discarded mango as well as its peel, or could if the film weren’t already hurtling through another picturesque gutter.

Mr. Boyle, who first stormed the British movie scene in the mid-1990s with flashy entertainments like “Shallow Grave” and “Trainspotting,” has a flair for the outré. Few other directors could turn a heroin addict rummaging inside a rank toilet bowl into a surrealistic underwater reverie, as he does in “Trainspotting,” and fewer still could do so while holding onto the character’s basic humanity. The addict, played by Ewan McGregor, emerges from his repulsive splish-splashing with a near-beatific smile (having successfully retrieved some pills), a terrible if darkly funny image that turns out to have been representative not just of Mr. Boyle’s bent humor but also of his worldview: better to swim than to sink.

Swimming comes naturally to Jamal (the British actor Dev Patel in his feature-film debut), who earns a living as a chai-wallah serving fragrant tea to call-center workers in Mum and who, after a series of alternating exhilarating and unnerving adventures, has landed in the hot seat on the television game show “Who Wants to Be a Millionaire.” Yet while the story opens with Jamal on the verge of grabbing the big prize, Simon Beaufoy’s cleverly kinked screenplay, adapted from a novel by Vikas Swarup, embraces a fluid view of time and space, effortlessly shuttling between the young contestant’s past and his present, his childhood spaces and grown-up times. Here, narrative doesn’t begin and end: it flows and eddies — just like life.

By all rights the texture of Jamal’s life should have been brutally coarsened by tragedy and poverty by the time he makes a grab for the television jackpot. But because “Slumdog Millionaire” is self-consciously (perhaps commercially) framed as a contemporary fairy tale cum love story, or because Mr. Boyle leans toward the sanguine, this proves to be one of the most upbeat stories about living in hell imaginable. It’s a life that begins in a vast, vibrant, sun-soaked, jampacked ghetto, a kaleidoscopic city of flimsy shacks and struggling humanity and takes an abrupt, cruel turn when Jamal (Ayush Mahesh Khedekar), then an exuberant 7, and his cagier brother, Salim (Azharuddin Mohammed Ismail), witness the murder of their mother (Sanchita Choudhary) by marauding fanatics armed with anti-Muslim epithets and clubs.

Cast into the larger, uncaring world along with another new orphan, a shy beauty named Latika (Rubina Ali plays the child, Freida Pinto the teenager), the three children make their way from one refuge to another before falling prey to a villain whose exploitation pushes the story to the edge of the unspeakable. Although there’s something undeniably fascinating, or at least watchable, about this ghastly interlude — the young actors are very appealing and sympathetic, and the images are invariably pleasing even when they shouldn’t be — it’s unsettling to watch these young characters and, by extension, the young nonprofessionals playing them enact such a pantomime. It doesn’t help even if you remember that Jamal makes it out alive long enough to have his 15 televised minutes.

It’s hard to hold onto any reservations in the face of Mr. Boyle’s resolutely upbeat pitch and sective visual style. Beautifully shot with great sensitivity to color by the cinematographer Anthony Dod Mantle, in both film and digital video, “Slumdog Millionaire” makes for a better viewing experience than it does for a reflective one. It’s an undeniably attractive package, a seamless mixture of thrills and tears, armchair tourism (the Taj Mahal makes a guest appearance ring a sprightly interlude) and crackerjack professionalism. Both the reliably great Irrfan Khan (“A Mighty Heart”), as a sadistic detective, and the Bollywood star Anil Kapoor, as the preening game-show host, run circles around the young Mr. Patel, an agreeable enough if vague centerpiece to all this coordinated, insistently happy chaos.

In the end, what gives me reluctant pause about this bright, cheery, hard-to-resist movie is that its joyfulness feels more like a filmmaker’s calculation than an honest cry from the heart about the human spirit (or, better yet, a moral tale). In the past Mr. Boyle has managed to wring giggles out of murder (“Shallow Grave”) and addiction (“Trainspotting”), and invest even the apocalypse with a certain joie de vivre (the excellent zombie flick “28 Days Later”). He’s a blithely glib entertainer who can dazzle you with technique and, on occasion, blindside you with emotion, as he does in his underrated children’s movie, “Millions.” He plucked my heartstrings in “Slumdog Millionaire” with well-practiced dexterity, coaxing laughter and sobs out of each sweet, sour and false note.

③ Pitiful (Lp Version) 歌词

歌曲名:Pitiful (Lp Version)
歌手:Blindside
专辑:Silence

<Pitiful>
by Blindside
As I recall with my stomach turning
I was hiding away from myself
Away from you
Like nothing
Though something was terribly wrong
And I admit that I was only waiting for the right time
Night time
the right moment for you to look away
Though you never did, I pretended for a while
So I could walk where I don't belong
And I remember every word you said
Come back in time, come back
And I remember I would soon be dead
Now so pitiful, so pitiful
But I know
As I hammered those nails into your beautiful hands
Your eyes still try to search for mine
But I look away
Now your eyes are the only thing that can save me
I'm still so afraid of them piercing
Youre breaking into my prison,
Just pretended for a while
My soul is dying
I won't look away
And I remember every word you said...
Come back in time, come back
And I remember I would soon be dead
Now so pitiful, so pitiful
Pitiful, so pitiful ...
Pitiful, so pitiful ...
I'll remember every word you said
This time I won't look away
I'll remember every word you said
This time I won't look away
I'll remember every word you said
Come back in time, come back
And I remember I would soon be dead
Now so pitiful, so pitiful
I'll remember every word you said
Pitiful, so pitiful
Pitiful, so pitiful...

http://music..com/song/802647

④ 电影《弱点》：为什么叫弱点

blind
side说的是橄榄球里面四分卫的盲区，双关表示人们所关注的世界里的盲区（也就是那些有着非凡天赋却因为种种原因生活在社会底层的弱势群体）
人性的弱点，情绪的弱点，思想的弱点，以及选择理性的弱点

⑤ 快乐大本营金敏智热舞秀歌曲歌词翻译

时光在旋转一个人回想重播的快乐时光
爱情很危险所以要勇敢时间会帮我的忙
墙上的钟响过了12点爱情也消失了吗
最后看你一眼顺便告诉你再见了我的国王
跳支芭蕾 one two three 纪念我爱过你
往事很美我会踏着回忆的旋律孤单单的跳到天亮
我不会慢慢慢慢忘记一段爱情
慌慌张张跟着世界旋转
麻麻烦烦天天胡思乱想我不会
我不要忙忙忙忙故意欺骗自己
平平凡凡忽略我的梦想
孤孤单单夜夜看着月亮办不到
为了爱情空转
拿走你的回忆
(rap):123 wanna 忘记你 so why don't you
just gimme some peace i just want to forget
abourt you but thoughts just keep
on comin' in not what's agril to do i gotta
be strong just keep goin; on and
ireally should have known know all along
know that even when your're gone i can still carry on

深呼吸练习忘了你别担心
我一定可以我相信爱有一种复原的能力
忘记你爱我的原因
明天起我不认识你
谢谢你离开我的世界吧

⑥ 极度恐慌一共多少幕

攻略如下：6章
第1章
看过开场画面后，玩家就踏上这段惊恐之旅。第一章基本上是教学章，主要是教导玩家如何操作。因为此作的操控方式跟其它FPS有一点点差别，大家不清楚的话可以参考一下上面的控制方法介绍。

一开始主角会在一架车里，下了车的玩家向前行，首先看到有几块木板阻挡玩家的去路。玩家可以使用右键把木板搞破，就可以穿过这里。穿过后在左面找到一道门，在门前按F可把门打开，进入后就走到一间非常黑暗的房间，此时按X就能把手电筒打开，不过要留意手电筒每次使用都有时间限制，但在关掉后又会自动充电。穿过黑房后会看到一名同伴在一道封闭了的门后，玩家要找路跟他会合。

在玩家面前有一道楼梯及两道门，玩家先走进其中一门中，里面可以看到一个Health Booster，可以增加玩家最大HP，之后一直走就会从别一道门出来，之后走上楼梯，打开门口一直走会看到一张桌子挡路，按空格键跳过桌子，向前行转弯会，再看到一些木板封住的门，跟一开始一样用右键把木板打破，再往前走，看到一道上锁的门，能用手枪打破锁。继续走看到有东西挡住的门，同伴此时会出现帮玩家移开阻挡物。

跟着同伴走，奇怪的事发生，同伴突然消失，一直往前走会看到一具死尸坐在椅子上，过走看死尸的时候，同伴又突然出现…。同伴叫你死处看看，看到一道楼梯可以走上去，一直走会到达天台，此时没有分岔路，继续一直走，去到一个转角，主角却被击晕。

主角醒来后沿着来路回去找同伴，跟同伴会合后，第一章也完结。

第2章

玩家一开始会乘坐一辆直升机去到一个新地方。今次行动主角将会代表F、E、A、R、(First Encounter Assault Recon)小组跟SFOD-D小组合作进行任务。落机后SFOD-D小组会站在一道大铁丝网门前，叫你找开关把门打开。大家可以在网门的右手边找到一条窄路，进入后会先看到一道半开的闩门，进入后可以看到一支Reflex Booster，这支东西的用途可以加长你使用Slow Motion的时间。离开房间后继续走会看到一条楼梯，跑上去一直走，在一间房中会看到一具死尸，而闩门的开关就在死尸旁，大家走近开关，按F就能启动。

启动后回去跟SFOD-D小组会合，走到一半却传来惨叫声，玩家赶紧回去闩门，到达时却只见满地鲜血及骨头，原来SFOD-D遇上了那名红衣女孩…

继续往前走，玩家终于会遇到敌人了。在一间房间中主角会遇上2至3名敌人，大家在刚遇上时敌人大多背向主角，主角可以按Shift慢慢瞄准他们才开枪。不过一开枪后就会惹来其它敌人的注意，要小心。过了这间房间后继续走，会看到一条楼梯，上去后又会遇上其它敌人，杀了他们后会看到一间有药箱的房间，大家拿到药箱后，可以按Z来吃药补血，而药箱最多同时间拿10个。

继续走会发现没路走，不过旁边却有一道用木板封住的窗，按右键打破后，爬出窗后往右转，走到尽头跳到地下，会有一道门能够打开。

继续往前走会到达一个满布货柜的地方，这里敌人众多，大家可以按Control使用Slow Motion来瞄准敌人，不过千万不要冲动冲出去，除非你玩Easy，不然很易被人杀死。杀光敌人后就看到一间稍稍下陷的地下室，进去后一直走，到达一间很多货物的地方，又发生灵异事件。继续走又再出现敌人，此时系统会教你起双飞，大家只要按前、跳及右键就能起飞腿。

继续走看到楼梯，走上去后会到达一个被杂物阻挡住的门，右面有路可以跳到那间有杂物的房间，在房间内会有一些手榴弹和一部电话，大家可以按F收听电话录音。在房外有一个控制器，按F后会有一个货柜移来刚才要跳的地方。当货柜移到那位置时，对面走道会有人冲出来，要小心。大家可以经由那货柜跳到对面走道。杀死敌人后继续走，期间也会遇到几次敌人，不过就不会出现分岔路，路也很容易找。一直走呀走，又会发生灵异事件，看到一个男人的背影，一接近就会化灰，跟着他会到达一个有楼梯的房，上楼梯发现房间没有其它路可行，只有一道破了的窗户。

没办法之下主角唯有跳下去，一落地，那女孩又再出现，而她身后更有红红烈火，大家此时开枪也没有用，也不要向着女孩跑，而是向反方向跑，然后房间会爆炸，主角也爆飞到屋外，而第二章也完结了。

第3章—Escalation

上一章最后讲到主角被爆风炸出室外，救援小组也及时赶到将主角救醒，而食尸男Paxton Fettel仍然在逃，主角需要继续追捕他。此关路并不难找，敌人也不算强，不过惊吓成份十足…

Infitration
1、 接到新任务的玩家先进入建筑物，越过一条黄色的铁桥后，可看到一个控制器，启动控制器后(按F可启动，下同)，可把铁桥位置改变。

2、此处下楼梯可找到药箱。

3、经过零星的战斗后来到有两个大缸的房间，找到上锁的铁门，把锁打破并把门打开进入里面。

4、一直往前会到达室外，此处敌人众多要小心。

5、再次进入建筑物，会看到一个水池，跳下去再从对面的楼梯爬上来，沿路向前进，在小女孩移动方向的暗角，会在地上看到一个出口。

6、跳下去会进入异度空间，向前行到门前

Heavy resistance
7、再次掉进水里的主角，可先蹲下后从左方的通道离开水池，之后并没有分岔路，却会遇上零星的战斗。

8、一直向前行会再次去到室外，此处地形看似复杂，不过路其实只有一条，沿路一直走便可。另外此处敌人繁多，要小心。

9、进入图中的地方会到一座断了的铁桥，大家可从旁边的门走到外边，找到一个軚盘型开关，打开后回到断桥处，会发现桥下水位上升，大家可利用浮起的木箱跳到桥的另一边

10、向前走的期间会遇到一名着重装甲的敌人，非常难缠，要小心。再沿路走会看到一个大水池，旁边有一个軚盘型开关，打开后在开关后方会有一条小铁管在水中升起，大家跳到铁管上，再经由房间旁的窄路走到楼梯处。

11、沿路走到图中的位置，可看到地上的坑渠盖，打破后跳下去。

Bad water
12、一直往前走会看到不少灵异事件，当玩家进入血红的异度空间时，会有两个鬼影冲向主角，开枪能把他们打成碎片，主角也能离开异度空间。

13、一轮灵异事件后又要开始战斗，途中会看到一名满身鲜血的人坐在椅上，并会发生事件，事件完结后会有大量敌人攻击。

14、进入图中地方要小心地上的地雷，要用枪打破它，打破后会爆炸并出现闪电，玩家要另外找路通过此处。大家可以在左边墙壁上找到一个可打破的铁气窗，打破后进入。

15、进入后上楼梯，到图中之处可跳到水管走到对面。

16、去到图中场景时会出现大量敌人，杀光后向前进，走到一个很暗的房间后会有一间水管，水管后会有一条楼梯，要留心找找。

17、上楼梯后可走到有闪电的房间，而电力的开关就在附近，打开手电筒会较易找到。之后的路并不难找，不过敌人十分之多，走到最后会有直升机接载主角离开。

第4章—Infiltration

“F、E、A、R、”小组收到消息此事件源自Armacham公司，而部份SFOD-D的成员也在此公司的总部发生意外，主角立即乘坐直升机到达Armacham公司总部，不过一下直升机却受到袭击，而总部的正门也已被破坏。此关路并不难找，不过有很多封住的路，因此比较麻烦，但要留意的是此章战斗比重较重。

LZ is hot

1、一开始敌人非常多，并会从左右包抄主角，玩家要擅用Slow Motion以及尽量找掩护。击退敌人后可从他们来处找到总部外部入口。

2、这一部分路并不难行，主要也是留意敌人的袭击，最后在图中的地方可跳下去，便能成功侵入总部内部。

Watchers
3、在总部内很多通道都因为电动门联机出现问题而关闭，只剩下一条路可以走下去，在图中会遇到很多这种某外星人牌子的Laptop型计算机，遇到后按F即可与“F、E、A、R、”指挥官更新情报。另外看到一些亮灯的电话也可以按F接听留言。

4、沿路走(只有一条路)会到达一个大堂，在大堂二楼会出现新的敌人，他们会隐形袭击主角，他们的移动速度很高，玩家可利用Slow Motion在他们现形时击倒他们。

5、在一间有警卫死尸的房间中(房内会有收音机广播)，可以看到一台汽水机，大家可利用地上杂物跳上汽水机上找到道路。

6、一路上继续使用Laptop更新情报，并在一个柜台前看到一个肥佬Mapes。在他面前按F会发生事件，最后他会把旁边的门打开。

7、离开肥佬后继续向前行，玩家目标是找到图中蓝色莹光幕的控制装置。按F打开后可从旁边的小监视器看到其中一道门打开了。

8、图中位置的门已经打开，进入后会再找到的一个蓝莹幕开关，按F后另一道门会打开，玩家从此路走，并要在路上寻找失去联络的SFOD-D成员。

9、一直走会到达一个正在装修的地方，期间再次进入异度空间，在一个着火的房间中，大家会在一道有灯光透出来的门，走近后会回到现实。

10、回到现实后沿路走到达一个满地鲜血的大堂，此时同伴会在电梯内出现，一轮谈话后，指挥官要求玩家继续追查食尸男Fettel。而此时电梯无法使用，大家只能从另一道门向前行，到尽头处会看到一道锁了的门，而此时唯一能走的路就是从二楼跳到一楼去。

第5章—Extraction

寻找到失去联络的SFOD-D队员后的主角继续旅程，而指挥官又再度侦测到Paxton Fettel身上通话器的讯号，位置就在主角身处的大楼内。指挥官要求主角在Armacham总部找到Fettel并加以拦截。此章有很多可以接听的电话留言，如要了解故事剧情的话，大家可以全部接听，这些电话并不难找，大多是在必经之路上。另外这章战斗的比重十分高，而路方面在前半段比较易走，就算是分岔路，到最后大多会到达同一个地方。后半段则比较多隐藏的路。

Bishop
1、此关敌人经常会在高处出现，大家如果听到敌人交谈声音，就要多加留意。

2、到达图中位置会遇上激烈的战斗，大家要多加利用Slow Motion。杀死敌人后进入图中那间有灯光的房间，进入后会听到呼叫声。

3、在房间右方会找到一道门，而呼叫声就是来自这道门后。在房中会看到一名被缚上炸弹的男人，他名叫Bishop，跟他谈话后指挥官又传来新指令，要主角往前行到电梯大堂跟“F、E、A、R、”小队的爆破专家会合。

4、往前行会到达一个有很多电梯的房间，大家最好在图中位置等待敌人，因为敌人会分批从各部电梯围剿主角，因为敌人数量很多，而且从前、左、右方拥来，有点难对付，大家可以边打边退到后方，引他们过来逐个击破。

5、战斗结束后终于等到两名爆破专家，他们会把一面墙炸开，大家可从这里带两名专家回去找Bishop，而在专家正为他除下身上的炸弹时，火警钟会响起。

6、就在旁边本来不能走的门现在打开了，进入后向前走，在尽头处可找到一个关掉火警钟的装置，关掉后又再有事情发生。

7、回过神来的玩家需要在屋顶上跟Bishop及爆破专家会合，大家可以坐图中的电梯上去。

8、电梯走到一半却突然停了，无奈的主角只能离开进入一间布满杂物的小房间，在房间找到图中的位置，可以利用油桶跳到右方的木板上。

9、在木板上向前走，打开手电筒可看到一个可破坏的通风口。

10、到达一个可望向街外的房间，却因为闩门被锁不能前进，大家可打破玻璃跳到窗台继续前进。在此要小心跌落街，转过一个角后会到达一间有灯的房间，打破玻璃进入房间。

11、刚才走了一段路后，现在又进入战斗时间，一边打一边行，会到达图中的位置，大家需要跳上去才能继续往上走。

12、到顶后会看到一道被木板围住的门，大家打开手电筒后可看到板后有一个红色木箱，大家可利用那木箱跳过木板。

Blindside
13、此节一开始都是战斗，不过杀光所有敌人后你可能会找不到路，大家可在一个室外的平台上，亦即是图中左前方位置向下看，就能找到去路。

14、此时只有一条路，向前行会看到一个洞，跳进去主角会掉进水渠里，而主角此时要找路回到主建筑物中。

15、离开水渠后会看到一道上锁的铁门，开枪后会引起爆炸。

16、主角会被爆风弹会水里，而水旁的路也被炸破，玩家可从跳到破损了的路继续往前走。

17、在图中地方会遇上天花下榻，把前面铁桥毁掉，大家可跳下图左的小路找到一条小通风口。通风口位于铁桥底。

18、一直走会发生爆炸，令通往出口的楼梯被火所阻，大家可从以再从桥底找到另一个通风口继续前进。

19、一直兜来兜去的主角最终找到关掉煤气的开关，关掉煤气后可从原路回到通往出口的楼梯。

20、向前行会遇到一道被杂物顶住的门，左边会有一个电梯槽，在另一边的房间有一个水池，在一个水池旁找到一个水闩的开关，打开后水池的水位会上升，跳进水里可以游水到另一边

21、离开水后会到达被杂物顶住的门的另一边，这里有一条楼梯，楼梯后有一个要开手电筒才看到的开关，打开此开关能让刚才电梯槽处的电梯到达。进入电梯后按键，终于完成此章。

第6章—Interception

终于回到主建筑物的主角继续找寻Paxton Fettel的下落…

Sayonara, sucker
1、经历上一章后极度黑暗的环境后，终于回到有灯的总部内，而主角再次找到肥佬Mr、 Mapes。

2、主角再次要找寻蓝色莹幕装置来打开被锁的电子门，这里每一间房间的空间都看似很大很复杂，不过其实能走的路只有一条。当主角看到图片中的地方时，可以勇敢地跳下去。

3、找到装置打开电子门后，其中一道电子门会打开，穿过这门走上楼梯，却发现Mr、 Mapes很惊慌地逃进电梯内，而电梯也不能再用。

4、在电梯旁找到一条往上的楼梯，利用图左极窄的小路可走到楼梯旁，爬上楼梯后可在柱后找到另一条楼梯，再往上爬。上去后会看到两条栏杆，跳过栏杆后可打破前方的通风口，再由通风口继续前进。

Unauthorized personnel
5、往前走会看到肥佬Mr、 Mapes躲在一间房间内，只见他按了一个按钮后就跑掉。而屋顶就有一个会攻击的电子装置攻击主角，此装置火力强大，大家可立即跑到装置下方以最短时间破坏它。在这一章会经常出现这个装置，大家如果不能接近它的话，就先躲起来，等它停止射击后再用Slow Motion把他破坏。

6、破坏装置后从原路回去，在一个有很多排气管的地方，可找到一条往下的出路。

7、打开路上一道写着CLOSED AREA的门，进去后有一开关，打开后继续走。一路上会主角会经上看到肥佬Mapes，不过他每次都能躲开主角。

8、这段路不难走，到达一个中间有着大升降机的地方，找到开关后把在二楼的升降机降下来，会出现一只使用飞弹的机械人，大家要小心应付。

9、摧毁机械人后使用升降机上二楼，到达一个很多杂物的房间，爬上红色楼梯后，会有一间很黑，看似没有通的房间，不过大家只要打开手电筒，照向房间右方就能看到一条通风口。

10、通过通风口后警鸣大作，大家找到开关关掉警钟后继续走，会看到一部控制遥控电子机枪的装置，大家使用此装置可以杀死旁边房间的大部份敌人。

11、杀完人后大家可从图中右边的窗口跳到下面，图左是遥控电子机枪装置。(笔者在此卡关卡了很久说…)通过这里后应该问题不大，一直往前走到一处可跳到下面一层的地方时，向下跳便可完成此节。

Afterimage
12、此节一开始以惊吓挂帅，路很易走。一直走到一个可看到星空的中庭，杀光敌人后可以在中庭尽头找到进入室内的楼梯。

13、进入室内后以战斗为主，走到尽头发觉闩门关闭，大家可打破旁边玻璃，向外跳到花槽上，就能完成此章。

⑦ 这个电影的中文名字 是什么啊 《blindside>

有翻译成《弱点》，《温情橄榄球》，《攻其不备》，或者《暗算》， 导演： 约翰·李·汉柯克John Lee Hancock

⑧ 弱点原型是谁

《弱点》的原创剧本是书籍《弱点：比赛进程》

书中描述的人物原型是迈克尔·奥尔，他是电影中主宰体育场的大人物。影片以书为原型，书的原型来自真实人物。虽然经过两个艺术过程，迈克尔在现实中的生活经历与迈克尔在电影中的生活经历基本上达到了95%的重合。

看电影就是看他的生活，除了迈克尔·奥尔的名字外，影片中其他主角的名字和背后的故事基本符合现实。这也证明了最好的电影总是来自现实生活。

(8)泰国电影blindside扩展阅读

剧情简介

黑人迈克尔·奥赫自幼父母离异，无家可归。不过，木讷的他却因为极强的身体条件和运动天赋，幸运地进入了一家基督教学校。虽然，他科科零分，但是一些细节却让他显得与众不同。一次排球比赛后，他主动收拾垃圾的行为，引起了陶西一家的注意。

于是，陶西太太决定收养奥赫，并把他培养成橄榄球选手。陶西太太让他感受到了家庭的温暖。同时，陶西的儿子还帮助奥赫训练，使他很快地融入了橄榄球队的生活，不断激发运动的潜能。终于，在一次比赛中，他因出色的表现崭露头角，开始获得了球探的关注，并且最终收获。

⑨ 有什么适合英语初学者的教学视频或电影

经常有级别较低的学员让我们推荐一些适合他们的电影。我绞尽脑汁回忆了几部好看又好懂的英文电影（美音）。
1.Hachiko:
A
Dog's
Story—忠犬八公
这部电影非常日常，表达方式实用，句子简短，逻辑简单，特别适合初学者。
2.
Proposal
–假结婚
很多女孩子会喜欢的电影，轻松愉快，而不是很烂俗。句子普遍很短，适合初学者理解。
3.School
of
Rock—摇滚校园
令人有点小惊喜的一部喜剧，虽然比杰克布莱克之前的Tenacious
D的笑点低。除了少部分词组需要特别查阅字典外，大部分句子都很容易从字面上理解。
4.
The
Blind
Side—弱点
不矫揉造作的一部励志运动电影。有一些专有名词、大词和令人费解的表达方式，但是大部分都比较好懂。

⑩ blind-sided什么意思

blindside
blindside[简明英汉词典]
[ˈblainsaid]
vt. 1 攻其不备; 出其不意地袭击 2 使遭受意外打击

词条指正 - Google 搜索