A. 跪求：丁丁历险记英语作文
The Adventures of Tintin (French: Les Aventures de Tintin) is a series of comic albums created by Belgian cartoonist Georges Remi (1907–1983), who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By the time of the centenary of Hergé's birth in 2007,[1] Tintin had been published in more than 70 languages with sales of more than 200 million copies.[2]
The series first appeared in French on 10 January 1929 in Le Petit Vingtième, a youth supplement to the Belgian newspaper Le Vingtième Siècle. The success of the series saw the serialised strips published in Belgium's leading newspaper Le Soir and spun into a successful Tintin magazine. In 1950, Hergé created Studios Hergé, which proced the canonical series of twenty-four Tintin albums.The Adventures of Tintin have been adapted for radio, television, theatre, and film.
The series is set ring a largely realistic[3] 20th century. Its hero is Tintin, a young Belgian reporter. He is aided by his faithful fox terrier dog Snowy (Milou in the original French edition). Later, popular additions to the cast included the brash and cynical Captain Haddock, the highly intelligent but hearing-impaired Professor Calculus (French: Professeur Tournesol), and other supporting characters such as the incompetent detectives Thomson and Thompson (French: Dupont et Dupond) and the opera diva Bianca Castafiore.
The series has been admired for its clean, expressive drawings in Hergé's signature ligne claire("clear line") style.[4] Its well-researched[5] plots straddle a variety of genres: swashbuckling adventures with elements of fantasy, mysteries, political thrillers, and science fiction. The stories feature slapstick humour, offset by dashes of sophisticated satire and political or cultural commentary.
Tintin and Snowy[edit]
Main articles: Tintin (character) and Snowy (character)
Tintin and Snowy, located on the roof of the former headquarters of Le Lombard, close to Gare Midi, inBrussels
Tintin is a young Belgian reporter who becomes involved in dangerous cases in which he takes heroic action to save the day. The Adventures may feature Tintin hard at work in his investigative journalism, but seldom is he seen actually turning in a story. He is a boy of neutral attitudes with whom the audience can identify; in this respect, he represents the everyman.
Readers and critics have described Tintin as a well-rounded yet open-ended, intelligent and creative character, noting that his rather neutral personality—sometimes labelled as bland—permits a balanced reflection of the evil, folly, and foolhardiness, which surrounds him. His Boy Scout ideals, which represent Hergé's own, are never compromised by the character, and his status allows the reader to assume his position within the story, rather than merely following the adventures of a strong protagonist.[37] Tintin's iconic representation enhances this aspect, with Scott McCloud noting that it "allows readers to mask themselves in a character and safely enter a sensually stimulating world."[38]
Snowy (Milou in Hergé's original version), a white fox terrier dog, is Tintin's loyal, four-legged companion. The bond between Snowy and Tintin is very deep, as they have saved each other from perilous situations many times. Snowy frequently "speaks" to the reader through his thoughts (often displaying a dry sense of humour), which are not heard by the human characters in the story. Snowy has nearly let Tintin down on occasion, particularly when distracted by a bone. Like Captain Haddock, he is fond of Loch Lomond brand Scotch whisky, and his occasional bouts of drinking tend to get him into trouble. When not distracted, Snowy is generally fearless, his only fear being arachnophobia. When Tintin gets tied up by villains (which often happens), Snowy is usually able to free him by biting through the rope.
Captain Haddock[edit]
Main article: Captain Haddock
Captain Archibald Haddock (Capitaine Haddock in Hergé's original version), a Merchant Marine sea captain of disputed ancestry (he may be of Belgian, French, English, or Scottish origin), is Tintin's best friend. Introced in The Crab with the Golden Claws, Haddock is initially depicted as a weak and alcoholic character, but later evolves to become genuinely heroic and even a socialite after he finds a treasure from his ancestor, Sir Francis Haddock. The Captain's coarse humanity and sarcasm act as a counterpoint to Tintin's often-implausible heroism; he is always quick with a dry comment whenever the boy reporter seems too idealistic. After he and Tintin find Red Rackham's treasure, Captain Haddock lives in the luxurious mansion Marlinspike Hall (Le château de Moulinsart in the original French).
The hot-tempered Haddock uses a range of colourful insults and curses to express his feelings, such as "billions of blue blistering barnacles" or "ten thousand thundering typhoons", "bashi-bazouk", "visigoths", "kleptomaniac", or "sea gherkin", but nothing actually considered a swear word. He is a hard drinker, particularly fond of rum and of Scotch whisky, especially Loch Lomond; his bouts of drunkenness are often used for comic effect, but sometimes get him into serious trouble.
Professor Calculus[edit]
Main article: Professor Calculus
Professor Cuthbert Calculus (Professeur Tryphon Tournesol in Hergé's original version), an absent-minded and half-deaf physicist, is a regular character alongside Tintin, Snowy, and Captain Haddock. He was introced in Red Rackham's Treasure, and based partially on Auguste Piccard, a Swiss physicist.[39] His presence is initially not welcomed by the leading characters, but through his generous nature and his scientific ability, he develops a lasting bond with them. Eventually, by the end of Land of Black Gold, he becomes a resident of Marlinspike Hall. Normally mild-mannered and dignified, Calculus occasionally loses his temper and acts in a spectacularly aggressive manner in response to actual or perceived insults, such as when Captain Haddock belittles his work or accuses him of "acting the goat". He is a fervent believer indowsing, and carries a penlum for that purpose. Calculus's deafness is a frequent source of humour, as he repeats back what he thinks he has heard, usually in the most unlikely words possible. He does not admit to being near-deaf and insists he is only "a little hard of hearing in one ear."
B. 两部电影的观后感（英文）狂野大自然和丁丁历险记 急急急急急急急
两部电影的英文观后感：狂野大自然和丁丁历险记，已上传，下载附件即可。
C. 丁丁历险记观后感：无懈可击的电影和我们失去的情怀
[丁丁历险记观后感：无懈可击的电影和我们失去的情怀]我看完《丁丁历险记》电影之后，就有一个困惑一直萦绕不去，丁丁历险记观后感：无懈可击的电影和我们失去的情怀。为了解决这个困惑，我换了家设备更好的影院又看了一遍，然后终于确认了我的这个困惑：这个电影没有缺点，所有该做的都做到了，但它就是让我觉得有点无趣。我作为一个\"丁丁迷\"，之前对这部电影有着很高的期待。然而在看了两遍电影之后，还是觉得这个电影无趣，是一件让我很困惑的事情。我第一个反应是我年纪大了，失去了当年的童心。这个感觉的打击面实在是太大了，以至于我都没兴趣写观后感了。《丁丁历险记》从技术上来说是无懈可击的，动作捕捉技术营造出的华丽视觉，以及动画片所独有的3D视觉优势，都让这部电影无可指责。而丁丁的题材、故事、人物造型，在很大程度上都非常忠实于原著，对于一个丁丁迷来说，也几乎没什么可抱怨的。但是，我看完之后就是觉得有点不对劲：这一切都太圆熟了，太完美了，隐约间缺失了点什么，让这个电影失去了打动我的东西。后来和朋友聊天的时候，我无意间说了一句刻薄话，让我忽然反应过来，丁丁不应该是《夺宝奇兵5》啊！斯皮尔伯格导演的这部《丁丁历险记》，其核心本质难道不是《夺宝奇兵5》的动画版吗?如果我们要看夺宝奇兵，我们就要看挥舞着鞭子的印第安纳琼斯，就算福伯已经老到不得不在电影里给他安排一个二十多岁的儿子，可我们要看的还是那个牛仔版的历史学教授，而不是一个披着丁丁外衣的印第安纳琼斯。现在的这部丁丁电影，有着一切娱乐电影所应具有的元素，动作、冒险、友谊、坏人，一切元素都被精心地设计过，所有的比例都按照观众所可能会有的情感反应进行了反复的调试，也努力让尽可能多的观众从中得到娱乐和欢笑。但是在这一切的背后，我还是觉得失去了最重要的东西：情怀。我们为什么要看电影?因为我们要在电影银幕里的冒险故事中，看到自己内心深处的那个小我在自己的幻想世界中完成现实世界永远无法实现的梦想。对于《丁丁历险记》这个电影来说，它带给我的感动，远没有当年我第一次看到丁丁小人书时带给我的震撼那么真切，观后感《丁丁历险记观后感：无懈可击的电影和我们失去的情怀》。当然我知道要求一部好莱坞电影带给我情怀和感动是有点过分了，因为人家要照顾全世界的市场，不太可能顾及到一帮在上世纪八十年代里曾经看过黑白版小人书的中国孩子。在那个时候，我刚刚小学毕业，借着父母在北京培训的机会，在暑假来北京游玩。那时北京的街道还显得很宽敞，天空几乎每天都是蓝的，还能喝到放在大冰块上的北冰洋汽水，喝的时候还要插根麦管(是真的麦管)。中关村当时还算是郊区，我坐了很久的公交车才到了一个亲戚家。就在那里，我第一次看到了丁丁的黑白版小人书，带给我巨大震撼的同时，也给我的人生留下了第一个巨大的遗憾--他家的那套丁丁丢了几本，以至于我看完了《向月球飞去》以后，一直到我上大学才看到了下集《月球探险》。中间横跨的那些年里，我没事儿的时候就会琢磨，丁丁、船长和教授在月球上到底都发现了什么?(作为人生的一种补偿，我后来去过比利时的丁丁博物馆，作为丁丁迷来说，也算是得偿所愿了。)作为陪伴我和整整一代人成长的一个漫画人物，丁丁在上世纪八十年代偶然来到了中国，从此给无数人的童年或青春期留下了不可磨灭的痕迹。后来当我在丁丁博物馆看到了全世界几乎所有语言的版本被陈列在一间巨大的房间时，我意识到还有无数的孩子曾经和我一样被这个穿着风衣的小伙子所感动过。但是，那种感动属于一去不返的时光，它其实和故事、技巧、技术都无关。所以，尽管《丁丁历险记》的电影版无懈可击，但它和那些汹涌流逝的时光无关。
D. 求 丁丁历险记：独角兽号的秘密电影版的英文介绍，大概介绍一下剧情
丁丁历险记：独角兽号的秘密电影版的英文介绍，见附件。
E. 电影《丁丁历险记 独角兽号的秘密》观后感
《丁丁历险记》是享誉世界影坛、擅于创造影像奇观的斯皮尔伯格和彼得·杰克逊联手打造出来的。这部影片是根据同名漫画之《独角兽号的秘密》改编而成，我深深地被影片吸引着。影片中的各个角色都给人以栩栩如生的真实感，近两个小时的观看，我居然没看出来剧中人物都是数字合成的，竟然没有一个是真人，这拍摄技术实在是令人惊叹不已！
《丁丁历险记》这部影片不但拍摄技术好，内容也非常精彩，老弟看过之后都兴奋得嚷着要看第二部。影片中，主人公丁丁和他的伙伴“白雪”被国际贩毒集团绑架到一艘货船上，从而引发了一场正义与邪恶的较量。
主人公丁丁是个记者，他遇事冷静乐观，非常聪明。他劫持过坏人的飞机，穿过了死亡之墙，就算进了沙漠也毫不气馁，最后历尽千难万险找到了海盗头子“红色拉克母”的宝藏秘密。邪恶永远都战胜不了正义，恶毒的萨卡林被逮捕了。丁丁那种知难而进、无坚不摧的精神深深地感动着我，他的身上洋溢着迷人的青春气息。多好的一部电影啊，实在是没看够！
虽然我们遇不到像丁丁经历过的那些事情，但是并不代表我们的生活中就没有困难。正如船长“阿道克”所说的：“如果有一道墙挡在你的面前，你就要毫不犹豫地冲破它!”这不正是告诉我们生活中遇到困难要怎样去做吗？
F. 电影丁丁历险记观后感
[电影丁丁历险记观后感]上周六晚上，我和小儿子一起，在昌平沃尔玛商城四楼的“大地数字影院”观看了电影《丁丁历险记》，电影丁丁历险记观后感。 一听名字《丁丁历险记》，想着是儿童片，可能没有什么意思；但看了此片，觉得真好，这是根据比利时著名漫画家埃尔热(Herge，本名GeorgesRemi)的名作改编的，由史蒂文·斯皮尔伯格和彼得·杰克逊两位巨头联手打造、全球影迷热切期待的年度3D立体电影；虽是动画片，但场景和人物形象非常逼真，情节也很跌宕起伏，讲述的是丁丁买了一只古老的船模送给船长作为礼物，于是一次惊险的历险开始了。从一本古老的日记本上他们知道了这艘古老船模的历史。独角兽号隐藏着一个海盗和财宝的故事。在他们的朋友杜邦侦探的帮助下，丁丁，白雪和船长开始去揭开独角兽号的秘密。尽管困难重重，丁丁还是成功了。影片充满冒险，充满勇敢和勇气，是少年（也可以说是小青年）丁丁和阿道克船长一起的历险经历，与海盗做斗争的故事，看着很过瘾啊，如同前些日子看《哈利波特》一样。...... 看之前虽然不知道故事情节，但听说是斯皮尔伯格导演的，想着一定好，于是就说看吧，果然好！我觉得看这种电影，具有童心童趣，惬意！ 看完影片，回家在网上搜了搜，方知道《丁丁历险记》自上世纪20年代问世以来，这个漫画系列一直流行至今，深受到全球读者的热爱，观后感《电影丁丁历险记观后感》。上世纪80年代，《丁丁》漫画走入中国，2004年又有中央电视台译制的动画在我国播出，培养了整整三代“丁丁迷”。斯皮尔伯格本人作为《丁丁历险记》的忠实读者，手握漫画作者埃尔热本人授予的改编权多年，直到与另一位“丁丁迷”彼得·杰克逊相遇，将其搬上大银幕的计划才终于修成正果。两人还合计抛出大手笔，决定一口气打造三部《丁丁》，讲述年轻记者丁丁和伙伴小白狗“白雪”在世界各国冒险的故事。这次我们看的《丁丁历险记：独角兽号的秘密》实际上是《丁丁》三部曲的第一部，也是斯皮尔伯格导演生涯中拍摄的第一部数字电影。 小儿子作为大地影院的会员，半价买到票，50元的票只要25元，我们两个人花了50元（当然这不能和几十年前我们那个年代相比，那时的电影票才几角钱），这在现在就算是便宜的了。 看了这个电影，觉得中国现在几乎没有什么好的儿童片，真应当向国外学习，学习人家的拍摄理念，怎样适应小观众的欣赏需要和欣赏情趣。我们看电影时，有许多爸爸妈妈都抱着孩子，领着孩子一块儿看，大人孩子都兴致勃勃。当时还发生了一件小小的差错，电影刚开始一会儿，是英文字幕，于是一个妈妈就对工作人员说，“我们买的是国语的，我们还带着孩子，请换一下”；于是工作人员向大家致歉，说“等一下”；又等了一会儿，电影重新开始，这回是中文对白了，于是大人孩子们都安心投入剧情了…… 我还期待着斯皮尔伯格导演的《丁丁》系列的第二部……
G. 丁丁历险记:独角兽号的秘密,观后感英文作文100词
"The Adventures of Tintin" is a world-renowned film good at creating images spectacle Spielberg and Peter Jackson together to create out. The film is based on the comic book "The Unicorn's Secret" adapted from, I deeply attract by the film. Various roles in the movie gives lifelike realism, nearly two hours of viewing, I actually did not see it the characters are digital synthesis, there is not even a real person, shooting technology is really marvel !
"Adventures of Tintin" The film is not only good shooting technique, content is also very exciting, and brother, after reading the excited shouting look at the second part. Movie hero Tintin and his partner "Snow" by international drug trafficking syndicates kidnapped on a cargo vessel, and thus lead to a just and evil.
Hero Tintin is a reporter, his distress when they are calm and optimistic, very smart. He hijacked the wrong aircraft through the wall of death, and even into the desert Undaunted, the last pirate child red Mubarak mother suffered a thousand difficulties to find "treasures secret. The evil always overcome not justice the vicious Sacalin arrested. Tintin is the kind face of difficulties, the all-conquering spirit deeply touched me, his body filled with charming youthful. More than a good movie, it is not seen enough!
Although we never quite found the experience those things like Tintin, but does not mean that there is no difficulty in our lives. As Captain Haddock said: "If there is a wall to stand in front of you, you should not hesitate to break through it!" This is not exactly tell us the difficulties life to how to do this?
谢谢楼主啊！请采纳！谢谢！！！这也是我们英语老师以前留的！
H. 丁丁历险记观后感
看完《丁丁历险记》后，深有感触。
《丁丁历险记》是享誉世界影坛、擅于创造影像奇观的斯皮尔伯格和彼得·杰克逊联手打造出来的。这部影片是根据同名漫画之《独角兽号的秘密》改编而成，我深深地被影片吸引着。影片中的各个角色都给人以栩栩如生的真实感，近两个小时的观看，我居然没看出来剧中人物都是数字合成的，竟然没有一个是真人，这拍摄技术实在是令人惊叹不已！
《丁丁历险记》这部影片不但拍摄技术好，内容也非常精彩，同学们看过之后都兴奋得嚷着要看第二部。影片中，主人公丁丁和他的伙伴“白雪”被国际贩毒集团绑架到一艘货船上，从而引发了一场正义与邪恶的较量。
主人公丁丁和我们一样也是个记者，他遇事冷静乐观，非常聪明。他劫持过坏人的飞机，穿过了死亡之墙，就算进了沙漠也毫不气馁，最后历尽千难万险找到了海盗头子“红色拉克母”的宝藏秘密。邪恶永远都战胜不了正义，恶毒的萨卡林被逮捕了。丁丁那种知难而进、无坚不摧的精神深深地感动着我，他的身上洋溢着迷人的青春气息。多好的一部电影啊，实在是没看够！
虽然我们遇不到像丁丁经历过的那些事情，但是并不代表我们的生活中就没有困难。正如船长“阿道克”所说的：“如果有一道墙挡在你的面前，你就要毫不犹豫地冲破它!”这不正是告诉我们生活中遇到困难要怎样去做吗？
I. 丁丁历险记观后感1000字
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O(∩_∩)O，互相帮助，祝共同进步！
我在看完《丁丁历险记》之后，就有一个困惑一直萦绕不去。为了解决这个困惑，我换了家设备更好的影院又看了一遍，然后终于确认了我的这个困惑：这个电影没有缺点，所有该做的都做到了，但它就是让我觉得有点无趣。
我作为一个“丁丁迷”，之前对这部电影有着很高的期待。然而在看了两遍电影之后，还是觉得这个电影无趣，是一件让我很困惑的事情。我第一个反应是我年纪大了，失去了当年的童心。这个感觉的打击面实在是太大了，以至于我都没兴趣写观后感了。
《丁丁历险记》从技术上来说是无懈可击的，动作捕捉技术营造出的华丽视觉，以及动画片所独有的3D视觉优势，都让这部电影无可指责。而丁丁的题材、故事、人物造型，在很大程度上都非常忠实于原著，对于一个丁丁迷来说，也几乎没什么可抱怨的。但是，我看完之后就是觉得有点不对劲：这一切都太圆熟了，太完美了，隐约间缺失了点什么，让这个电影失去了打动我的东西。
后来和朋友聊天的时候，我无意间说了一句刻薄话，让我忽然反应过来，丁丁不应该是《夺宝奇兵5》啊！斯皮尔伯格导演的这部《丁丁历险记》，其核心本质难道不是《夺宝奇兵5》的动画版吗？如果我们要看夺宝奇兵，我们就要看挥舞着鞭子的印第安纳琼斯，就算福伯已经老到不得不在电影里给他安排一个二十多岁的儿子，可我们要看的还是那个牛仔版的历史学教授，而不是一个披着丁丁外衣的印第安纳琼斯。现在的这部丁丁电影，有着一切娱乐电影所应具有的元素，动作、冒险、友谊、坏人，一切元素都被精心地设计过，所有的比例都按照观众所可能会有的情感反应进行了反复的调试，也努力让尽可能多的观众从中得到娱乐和欢笑。但是在这一切的背后，我还是觉得失去了最重要的东西：情怀。
我们为什么要看电影？因为我们要在电影银幕里的冒险故事中，看到自己内心深处的那个小我在自己的幻想世界中完成现实世界永远无法实现的梦想。对于《丁丁历险记》这个电影来说，它带给我的感动，远没有当年我第一次看到丁丁小人书时带给我的震撼那么真切。当然我知道要求一部好莱坞电影带给我情怀和感动是有点过分了，因为人家要照顾全世界的市场，不太可能顾及到一帮在上世纪八十年代里曾经看过黑白版小人书的中国孩子。
在那个时候，我刚刚小学毕业，借着父母在北京培训的机会，在暑假来北京游玩。那时北京的街道还显得很宽敞，天空几乎每天都是蓝的，还能喝到放在大冰块上的北冰洋汽水，喝的时候还要插根麦管（是真的麦管）。中关村当时还算是郊区，我坐了很久的公交车才到了一个亲戚家。就在那里，我第一次看到了丁丁的黑白版小人书，带给我巨大震撼的同时，也给我的人生留下了第一个巨大的遗憾——他家的那套丁丁丢了几本，以至于我看完了《向月球飞去》以后，一直到我上大学才看到了下集《月球探险》。中间横跨的那些年里，我没事儿的时候就会琢磨，丁丁、船长和教授在月球上到底都发现了什么？（作为人生的一种补偿，我后来去过比利时的丁丁博物馆，作为丁丁迷来说，也算是得偿所愿了。）
作为陪伴我和整整一代人成长的一个漫画人物，丁丁在上世纪八十年代偶然来到了中国，从此给无数人的童年或青春期留下了不可磨灭的痕迹。后来当我在丁丁博物馆看到了全世界几乎所有语言的版本被陈列在一间巨大的房间时，我意识到还有无数的孩子曾经和我一样被这个穿着风衣的小伙子所感动过。
但是，那种感动属于一去不返的时光，它其实和故事、技巧、技术都无关。所以，尽管《丁丁历险记》的电影版无懈可击，但它和那些汹涌流逝的时光无关。
J. 用英文回答影片闪灵的观后感
The film "the shining".
I recently revisited many horror films, and the shining, is my first time to see, movies of the 1970s did make me surprised. Seventy years, the film left me the most impressive is the terminator and star wars, both in the visual effect to win. And "the shining", I think is a photographic lens and create an atmosphere of the most successful, and so far, the horror movie, rarely seen to the lens and the atmosphere was so wonderful. I have a classic in mind.
Story of the original author Stephen King, impressed me most is the film adaptation of his novel "1408 phantom space" and "dangerous love ten days". I frankly said, although I like to read the novel, but the horror master's literary works I have not seen. Only according to his novel adaptation of the film, so I know the master.
"The shining" of the picture is quite depressed, one cannot escape repression. Mainly from the huge hotel space, empty footage has been to let the audience into the environment empathy. Psychologically, the director has been firmly in control of the audience's emotions. A flow of blood poured into the picture, but let the fear of sublimation. I believe that the work of Stephen Chow's "Kung Fu", a friend, will not forget a scene. Stephen Chow to not normal research center fire cloud gods, after a corridor, a shares the bloody slumped, indicating the fire cloud gods once from here out will enable the rivers in the world. This scene, I know now that is from "the shining" . The original "Kung Fu" in addition to the "Lord of the rings" salute "the matrix", and a "shining".
In addition, what I like most is the way of the film. Both the montage chase, has long shot with the film, and the shots is the key to the audience into the tense atmosphere. With shot especially impressed me, remember actor went to the hotel for an interview, black actor with the heroine in the kitchen to walk in a circle, a child riding in the hall turned laps, maze of hedges and other places are continuous with the shoot long shot. In my impression "Tom Yum Goong" and "the adventures of Tintin, by a long shot is one of the most profoundly, Tintin simply take the A, live recording is impossible to beat out complex lens, chase unpopular scene hearty, let the audience 360 degree full range along with actor through this cry thirty seconds. This non-stop chase is the history of the classic! As long as the lens is not disconnected, the audience's heart will always follow the lens and hanging. To this point, "the shining" was very good!
Whether it is the director's approach, or actor's performance, are perfect. The actor's performance, I think the success of the film which is a key, a eye movements, a hidden smile can foil film atmosphere of terror. Plus the soundtrack of the film is pretty good.
电影《闪灵》观后感
我最近重温了不少恐怖电影，而《闪灵》是我第一次看，这部七十年代的电影的确让我吃了一惊。七十年代，电影留给我印象最深的是《终结者》和《星球大战》，两者均以视觉效果取胜。而《闪灵》，我觉得是摄影镜头和气氛营造最成功，而且是迄今为止，恐怖电影之中，极少见到能够把镜头和气氛做得如此出色。我心目中又多了一部经典。
故事原作者史蒂芬·金，我印象最深的是根据他小说改编的电影《1408幻影空间》和《危情十日》。我坦白的说，虽然我很喜欢看小说，但这位恐怖大师的文学作品我是一本都没有看过。唯独是根据他小说改编的电影，才让我认识到这位大师。
《闪灵》的画面相当压抑，有一种逃不出去的压抑。主要来自于偌大的酒店空间，空空荡荡，镜头一直让观众融入到这种环境之中，感同身受。从心理上，导演已经牢牢控制住观众的情绪。一股如潮涌的血水倾泻而入的画面，更是让这种恐惧升华。相信看过周星驰导演作品《功夫》的朋友，一定不会忘记一个场面。周星驰去到不正常人研究中心救火云邪神时，经过一道走廊，一股血水狂泻而出，预示着火云邪神一旦从这里出去将令世间血流成河。而这个场景，我现在才知道是抄自《闪灵》的。原来《功夫》除了向《指环王》《黑客帝国》致敬外，还有一部《闪灵》。
另外，我最喜欢的是这部电影的镜头手法。既有追逐时的蒙太奇手法，亦有长镜头跟拍，而这些镜头是把观众带入紧张气氛的关键。跟拍镜头尤其让我印象深刻，记得男主角去到酒店面试的时候、黑人演员带着女主角在厨房走了一圈、小孩子骑着车在大厅里转了几圈、迷宫树墙等地方都用了连续跟拍的长镜头。在我印象中《冬阴功》和《丁丁历险记》里的长镜头最为深刻，《丁丁历险记》简直拍出了一个，真人拍摄是不可能拍出来的复杂镜头，中间追逐火爆的一场戏酣畅淋漓，让观众360度全方位跟随着男主角渡过这惊魂三十秒。这个不间断的追逐镜头绝对是影史上的经典！只要镜头没有断开，观众的心就会一直跟着镜头而悬着。这一点，《闪灵》是做得非常好的！
无论是导演的处理手法，还是男演员的表演，都堪称完美。男主角的表演，我认为是电影成功的其中一个关键，一个眼神动作，一个深藏不露的笑容都能衬托影片的恐怖气氛。再加上电影的配乐也相当不错。