龙猫电影英文影评

❶ 以电影《龙猫》为题的英语作文初中水平

"My Neighbor Totoro" is Studio Ghibli and Tokuma launched in 1988 an animated film by Hayao Miyazaki directed. Film is a description of the height of Japan's economic development before the existence of the natural beauty, the only child to see the magical world and rich imagination. Satsuki film about the hero after his mother is ill in hospital, with her father and year-old sister Ada to live countryside. They feel for where the environment is very strange, also we found some interesting things.

❷ 求《风之谷》和《龙猫》的英文介绍

龙猫 My Neighbor Totoro (となりのトトロ, Tonari no Totoro?), is a 1988 Japanese anime film written and directed by Hayao Miyazaki and proced by Studio Ghibli. The film follows the two young daughters of a professor and their interactions with friendly wood spirits in postwar rural Japan. The movie won the Animage Anime Grand Prix prize in 1988. The movie was originally released in the U.S. in VHS format with the title, My Friend Totoro. Streamline Pictures proced an exclusive b for Japan Airlines' trans-Pacific flights in 1988. Troma Films, under their 50th St. Films banner, distibuted the b of the film co-proced by Jerry Beck. It was released on VHS and DVD by Fox Video. Troma's and Fox's rights to this version expired in 2004. The film was re-released by Disney on March 7, 2006. It features a new b cast. This DVD release is the first version of the film in the United States to include both Japanese and English language tracks, as Fox did not have the rights to the Japanese audio track for their version. In 1958, the Kusakabe family reunites when a university professor and his two daughters, Satsuki and Mei, move into an old house in rural Japan to be closer to the hospital where his wife is recovering from an illness. The daughters find that the house is inhabited by tiny animated st creatures called soot sprites—small house spirits seen when moving from light to dark places. When the girls become comfortable in their new house and laugh with their father, the soot spirits leave. While she is playing outside one day, the younger daughter, Mei, sees two white, rabbit-like ears in the grass. She follows the ears under the house where she discovers two small magical creatures, who lead her through a briar patch, and into the hollow of a large Camphor Laurel tree. She meets and befriends a larger version of the same kind of spirit, which identifies itself by a series of roars she interprets as "Totoro" (in the original Japanese b, it stems from Mei's mispronunciation of the Japanese pronunciation of the word "troll"). Her father later tells her that this is the "keeper of the forest". One rainy night the girls are waiting for their father's bus and grow worried when he does not arrive on the bus they expect him on. As they wait, Mei eventually falls asleep on Satsuki's back and Totoro appears beside them, allowing Satsuki to see him for the first time. He only has a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken along for her father. Totoro is delighted at both the shelter and the sounds made upon it by falling raindrops. In return he gives her a bundle of nuts and seeds. A bus-shaped giant cat halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, their father’s bus arrives. The girls plant the seeds. A few days later they awaken at midnight to find Totoro and his two miniature colleagues engaged in a ritual dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout and then grow into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. In the morning, the tree is gone, but the seeds have indeed sprouted. Mei, believing her mother's condition has worsened, sets off on foot to the hospital and gets lost. Desperate to find her sister, Satsuki returns to the camphor laurel tree and pleads for Totoro's help. Delighted to be of assistance, he summons the Catbus, which rescues Mei, then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital to discover that she is doing well. They deliver an ear of corn that Mei believes will speed her mother's recovery, and then return home on the Catbus. When the Catbus departs, it fades away from the girls' sight. The closing credits show Mei and Satsuki's mother returning home and feature scenes of Satsuki and Mei playing with other human children, with Totoro and his friends as unseen observers. 风之谷 Nausicaä of the Valley of the Wind (风の谷のナウシカ, Kaze no Tani no Naushika?) is a 1984 post-apocalyptic Japanese animated film, written and directed by Hayao Miyazaki, based on his manga of the same name. The film has environmentalist undertones and was presented by the World Wide Fund for Nature when it was released in 1984. While created before Studio Ghibli was founded, the film is considered to be the beginning of the studio, and is often included as part of the Studio's works, including the Studio Ghibli Collection DVDs. Among its numerous awards, it won the Animage Anime Grand Prix prize in 1984. The story takes place 1,000 years after the "Seven Days of Fire", an event which destroyed human civilization and most of the Earth's original ecosystem. Scattered human settlements survive, isolated from one another by the Sea of Decay (腐海, fukai?). Literally translated as the Rotting Sea, Sea of Fungus, Sea of Corruption or Toxic jungle in the English version, the Sea of Decay is a jungle of giant plants and fungi swarming with giant insects, which seem to come together only to wage war. Everything in the Sea of Decay, including the air, is lethally toxic. The main protagonist, Nausicaä, is a charismatic young princess of the peaceful Valley of the Wind. Although a skillful fighter, Miyazaki's Nausicaä is humane and peace-loving. She has an unusual gift for communicating with the giant insects (particularly with the Ohmu, gigantic, armored, caterpillar- or isopod-like insects who are the most intelligent creatures in the Sea of Decay. Their eyes turn red with rage and blue when calm). She is also noted for her empathy toward animals, humans, and other beings. An intelligent girl, and inspired by the mentor figure Yupa, a wandering samurai type possessed of great wisdom, Nausicaä frequently explores the Sea of Decay and concts scientific experiments in an attempt to define the true nature and origins of the toxic world in which she lives. Her explorations are facilitated by her skill at "windriding"; flying with an advanced jet assisted glider craft. Yupa is searching for the mythological man in blue who, according to the legend, will appear surrounded by a sea of gold and reunite the people and nature. One day, an airship crashes onto the cliffs near the Valley of the Wind. Nausicaä tries to rescue a shackled girl of her age from the burning wreck, but the girl dies after revealing that she is Princess Lastelle from the kingdom Pejite and that the cargo of the airship must be destroyed. The airship is from Tolmekia and the cargo turns out to be the embryo of a kyoshinhei (Giant Warrior in the English version), one of the lethal, giant biological weapons used in the ancient war. It is later revealed that the Warrior embryo was unearthed by Pejite, but it was stolen by the more powerful state of Tolmekia (Torumekia in the manga). While transporting the Warrior and Lastelle (as a hostage) back to their realm, the Tolmekians were attacked by insects and later crash-land in the Valley. The next day, the Tolmekians, under the leadership of princess Kushana, invade the Valley to kill the Valley king and to secure and revive the Warrior. Kushana explains that the God Warrior will be used to burn the Sea of Decay, although Obaba, a blind elder Valley woman, warns that attempting so will only anger the Ohmu and lead to more deaths and turn the valley into part of the Sea of Decay. Kushana attempts to return to Tolmekia, with Nausicaä and several others as hostages. Before their departure, Nausicaä reveals to Yupa a hidden garden of jungle plants which are not toxic because they are growing in sand and water from a deep, untainted well. Nausicaä explains that the jungle is only toxic e to the toxic soil that covers the surface of the earth, even in the Valley; she has been trying to find the cause and a possible cure for her people, including her now-dead father. Since she has to depart, however, she has shut down the water flows which keep the plants alive. The airships are attacked by a Pejitan gunship and several of the ships are destroyed. Nausicaä and another hostage make their way to a gunship that the Tolmekians took, but before they can leave, Kushana joins them. They are forced to make an emergency landing in the Sea of Decay. There, Nausicaä communicates with several Ohmus and discovers that the pilot of the Pejitan gunship is still alive. With the help of her glider, Nausicaä rescues the pilot from a swarm of enraged insects. However, the plane crashes and, along with Nausicaä and the Pegitan pilot, ends up in a strange, non-toxic world that is below the Sea of Decay. Nausicaä realizes the plants in the Sea of Decay purify the polluted topsoil, procing clean water and sand which remains hidden in the undergro

❸ 看《龙猫》的总结和感想（英文）

翻译结果
看 龙猫 的总结和感想
The summary of watching totoro and feeling

❹ 动画电影《龙猫》的深度影评

988年4月，日本东京的电影院同时贴出两张电影海报，一张是宫崎骏的《龙猫》，另一张是高畑勲的《萤火虫之墓》，上映日期赫然都是4月16日。观众傻眼了，宫崎骏和高畑勲都是吉卜力的主力干将，在同一天上映公司的两部动画，这不明摆着脑袋被夹了节奏么？难道刚成立时间不长的吉卜力，现在就起内讧了？
而此时在吉卜力的办公室，一贯工作起来不要命的宫崎骏却难得地放松了下来，他倒一杯茶给大自己几岁的高畑勲，说道：“你猜，观众们是先笑了再哭呢，还是先哭后笑呢？”
几天后两部动画同时上映。想着看吉卜力笑话的人却惊讶的发现，很多人在看了其中的一部后，接着又买了另一部动画的票。据统计，当时有40万人次同时看了这两部动画，而他们普遍表示，两部动画看下来，一会儿想哭一会儿想笑，整个人都感觉不好了。

两部动画一起看，无论谁先谁后，都会让观众格外体会到平静生活的不易。其实两部动画放在一起不仅仅是一个宣传噱头，更是以《龙猫》的和平反衬《萤火虫之墓》的战争，以《萤火虫之墓》的残酷凸显《龙猫》的美好，将反战这一主题表现地更加入木三分。但作为一个泪点相对较低的人，《萤火虫之墓》对我来说实在过于残酷，如此美好的生命就这样被现实残忍地撕裂毁灭，让我很难再拾起勇气看第二遍。而《龙猫》则恰恰相反，如此温暖，如沐春风，我甚至忘了自己看过几遍。

并不是要比较两部动画孰高孰低，而是对我而言，更喜欢平和的影像。生活是由涓涓细流汇成，战争这样残酷的惊涛骇浪，大多数人都没经历过，所以看《萤火虫之墓》，更多是以猎奇的心态，迎接直接的悲剧力量冲击，直到被冲击地落荒而逃。《龙猫》魅力在于从平凡的生活中提取出的点点滴滴，不猛烈，却沁人心脾，不知不觉见你就被这种温和的力量润物无声了。我总是带着笑开始看这部动画，而到听完欢快的片尾曲《我的邻居龙猫》后，却突然感觉眼角有淡淡的湿润。
这部如梦如幻的作品自始至终洋溢着夏天的勃勃生机，孩子们的喜怒哀乐中都夹杂着河边青草的气息，清爽如风。它甚至没有完整地讲述一个故事，因为它本身就如同站在树端吹着埙的龙猫，是宫崎骏编织的一个关于童年的梦，这个梦，我们都曾做过。

《龙猫》中几乎没有什么冲突，在宫崎骏的作品中算得上别具一格。玉米快要成熟的季节，父亲带着两个女儿来到乡下的房子里，等待快要出院的母亲。就这么简单，所有的故事都是围绕着这两个四岁和十二岁的小女孩展开的。打扫房子，上学，种树，看望妈妈，迷路，或许，这些简简单单的事情在我们少年的暑假中也都做过。然而，也就是因为这些事情的似曾相识，才让我们对两个小女孩的故事感到亲切又回味无穷。甚至连龙猫的出现都不令人惊讶，我们不是也曾梦到过么，有一个巨大且法力无边的朋友，带着我们在茂密的森林里穿梭，在翠绿如茵的玉米地上空飞行。人最快乐的事情之一就是重温以前的美梦，何况是童年时没有任何杂质的纯真的美梦。所以电影结束时，不要急着离开，长大之后，童年美好的梦早被我们遗忘，电影帮我们把它找了回来，闭上眼睛，是不是又闻到河边的青草和泥土的味道？

宫崎骏说：“在我们乡下，有一种神奇的小精灵，他们就像我们的邻居一样，居住在我们的身边嬉戏、玩耍。但是普通人是看不到他们的，据说只有小孩子纯真无邪的心灵可以捕捉他们的形迹。如果静下心来倾听，风声里可以隐约听到他们奔跑的声音。”可是恐怕现在被钢筋水泥和电子玩具包裹的孩子们已经丧失了与精灵交流的能力。宫崎骏一直在作品中展现人类与自然的冲突，虽然《龙猫》里没有对抗，只有田园般的美好，但他也在这里寄托了自己的理念：只有干净如孩童般的心灵，才能毫无欲念地感受自然的美好，实现人与自然的和谐。所以他的作品中主角总是少年，这位已过古稀之年的老人，依然有一颗少年般的心。
龙猫在电影中只出现了四次，第一次是小梅钻进树洞时，第二次是姐妹两个雨中站牌下等车时，第三次是院中的橡树发芽时，第四次是小月寻找迷路的小梅时。它就像西方的孩子们心目中的圣诞老人一样，并不频繁地出现，而出现就为你带来快乐。虽然再也回不到童年，但看完电影，在群星闪烁的夜晚，我们也会盼望，在远处的树梢上看到一只吹着埙的龙猫，那是梦，也是快乐。

❺ 《龙猫》英文观后感

篇幅比较长 楼主可以删去一些Totoro" is Hayao Miyazaki works one of my favorite one, which he's a medium-term work, adhering to the style of his usual clear and natural, large tracts of green to use, so that the screen is full of vitality, However, e to technical reasons, but not later, "Princess Mononoke," such a high pixel, the slightest lack of texture.
If no one wins in the visual animation other works but in the end everyone's favorite to win, it must be included in this work the content and ideas touched our heartstrings. "My Neighbor Totoro" is such a work, he was a childhood filled with pure animation, hitting the depths of my heart fall asleep in his childhood. In fact, strictly speaking, "My Neighbor Totoro" is not speaking in ideological content of a work, his childhood memories just collected pieces, like life in general gentle dip me. His charm is not a cognitive shock, but the emotional resonance. Do you have rural living experience? If so, then you must be happy, because there is broad room for you to Sahuan; If not, then "My Neighbor Totoro" will be able to evoke a deep longing for you, but do not regret the whole animation is not because it is Living in the countryside until it has a playful element of the. Do you have like a film, like the millet sister's parrot to repeat the words loudly announce to the new things with your presence? Do you, like the little sisters, the stakes of a rotten smile on a half-day? With shouting, to the unknown, "Phantom" announcement of your guts? At this point, you must have smiled and thought of my own childhood!
What is childhood? If you have doubt, that the "My Neighbor Totoro" where the millet will tell you. Childhood is a sister Paoyuan looked, but could not make cars, Wu Zhao small hand is badly needed; childhood is a rush to see the chestnut has to climb up, the clumsy thump like Dengzhe calf; childhood bent on stealing chestnuts demanded that the squirrel wrangling; Childhood is taking a bath, play loud protest against the sister's child, cried millet are not afraid of the childish. Of course, there is that childhood, shy but kind-hearted little boy, as well as stories and legends in the good wizard and the ghost children to eat. Childhood have always believed the words of the old people looked curious surprise every day.
My Neighbor Totoro, this story is only innocent children to see the wizard, large and simple and honest, the children will not be afraid of his claws and huge body, which also made the photograph of the rain, waiting for his father's picture is full of warmth. Childhood grief and disputes are a result of share of pure and beautiful, the little sisters would quarrel with her mother's illness; will confused, disorderly house, a fit of anger in each half; will be well-intentioned neighbors come to help grandma cook ; will eventually bury the hatchet, with a smile waiting for tomorrow's sun.
After reading "My Neighbor Totoro" really good memory of that to worry about the future, what felt strange childhood. We can boldly rolling in the grass, you can do, like millet, crying aloud. It was only some carefree child crying, then no matter regardless of to vent their grievances with their own.
Can not help but sigh, Hayao Miyazaki is really good at summing up a life master! 《龙猫》是宫崎骏作品里我的最喜爱的一部，这是他中期的一部作品，画风上秉承了他一贯的清晰自然，大片大片的绿色使用，让画面充满了生机，但由于技术上的原因，却没有后来的《幽灵公主》那么高的像素，质感上稍有欠缺。
如果一部动画在视觉上没有胜出其他作品但最终赢得大家的喜爱，那一定是这部作品所包含的内涵和思想触动了我们的心弦。《龙猫》就是这样一部作品，他是一部洋溢着童年纯真的动画，撞击着我内心深处沉沉睡去的童年时光。其实严格说来，《龙猫》并不是一部讲思想讲内涵的作品，他只是把童年的记忆片断收集起来，像生活一般温和地浸染着我。他的魅力不是认知上的震撼，而是情感上的共鸣。你是否有乡间生活的经历呢？如果有，那你一定是快乐的，因为那里有广阔的天地让你去撒欢；如果没有，那《龙猫》一定可以勾起你深深的向往，但是不用遗憾，整部动画并不是因为是在乡村生活才那么具有童趣的。你是否有像片中的小米一样鹦鹉学舌地重复着姐姐的话，大声地向新事物宣布着你的存在？你是否也像片中的小姐妹一样，对一根烂了的木桩笑上半天？用大声叫嚷来对未知的“鬼怪”宣示你的胆量？此刻，你一定微笑着想起了自己的童年！
童年是什么？如果你曾疑惑，那《龙猫》里的小米会告诉你。童年是看着姐姐跑远，却下不了车，舞着小手的急切；童年是急着看栗子却爬不上来，扑腾般蹬着小腿的笨拙；童年是一意孤行地要求偷栗子的是松鼠的执拗；童年是洗澡时，大声的抗议姐姐的戏虐，大叫着小米不怕的孩子气。当然童年还有那个害羞却善良的小男孩以及故事和传说中善良的精灵和吃小孩的鬼怪。童年总是相信老人们的话好奇的看着每天都有的惊喜。
龙猫，这个传说只有纯真的孩子才能看到的精灵，庞大而憨厚，孩子们不会畏惧他的利爪和巨大的身躯，这也让那幅雨中等候爸爸的画面充满了温馨。童年的忧伤和争执也因那份纯洁而美好，片中的小姐妹会为妈妈的病吵架；会把屋子弄得乱乱的，赌气地各占一半；会有好心的邻居老奶奶来帮忙做饭；会最终言归于好，笑着等待明天的太阳。
看完《龙猫》真的好怀念那个不用担忧未来，对什么都感到新奇的童年。我们可以大胆的在草地上翻滚，可以像小米那样放声的哭泣。那是无忧无虑的孩子才会有的哭声，那么不管不顾地发泄着自己的委屈。
不禁感叹，宫崎骏真是一位善于总结生活的大师！

❻ 宫崎骏的《龙猫》英语观后感100词左右 蟹蟹啦

宫崎骏的《龙猫》英语观后感100词左右，见附件。

❼ 宫崎骏 龙猫 的英文介绍，不要翻译器翻译的。

My Neighbor TOTORO（1998）

龙猫(1988)

Logo: this strange creature, perhaps still living in Japan.

宣传语：这种奇怪的生物，说不定仍生活在日本。

简介

Two young girls, Satsuke and her younger sister Mei, move into a house in the country with their father to be closer to their hospitalized mother.

Satsuke and Mei discover that the nearby forest is in habited by magical creatures called Totoros (pronounced toe-toe-ro).

为了照顾住院的母亲，女孩月和她的妹妹小梅随父亲一起搬到了乡下，很快两姐妹发现附近的森林中住着名为龙猫的神奇生物。

They soon befriend these Totoros, and have several magical adventures.

她们与龙猫逐渐亲近，并发生了许多奇异而有趣的故事

The film is full of fairy tale colour and the warmth of family, the success of the audience into a fantastic fairy tale world, it is a rare and excellent work.

这部影片充满了童话色彩和亲情的温馨，把观众成功的带入了一个梦幻般的童话世界里，它是一部不可多得的佳作。

(7)龙猫电影英文影评扩展阅读：

1、获奖记录

宫崎骏获得1989年每日电影奖及大藤信郎奖

影片获得1989年日本电影蓝丝带奖的特别赏

影片获得1988年 《电影旬报》 十佳电影的榜首

2、创作背景

该片最初是一个60分钟左右的中篇企划，难以单独公映。为了配合《龙猫》，吉卜力决定同时推出由高畑勋执导的中篇作品《萤火虫之墓》。

但是最终做出来的两部作品都是时长90分钟左右的长篇企划。1988年4月16日，两部题材和风格完全不同的动画电影同日上映。

3、影片评价

新华网：该片优美的画面充满着农村田园的清新气息，片中却不乏各种惊心动魄的场面。虽然让观众有点紧张但这也是该片牵动人心的魅力所在。

无论是大人还是小孩都能在影片中产生心灵共鸣。

可谓是老幼皆宜。在宫崎骏神来之笔的点缀下，龙猫可以当软床睡，当魔术师膜拜的软萌“宠物”，还会陪五月、梅采摘山果子。

每一个桥段都透着大自然对人类的呵护之情，捍卫了观众们的童真年代。

❽ 龙猫英文介绍!

It is a very passive pet,very tameble,it is not too many in the world,even in danger in some period,it has the strong curiosity which is look like fairly cute.and it is very easy to feed

❾ 龙猫的英文简介，急需！！！

He is a lovely Japanese cat~~

刚才去找了一下，没找到英文的，以下是中文information ,你了解一下，然后可以自己用语言组织一下写成英文的.

《龙猫》My Neighbor Totoro

《龙猫》是宫崎骏的在STUDIO GHIBLI的第三部电影，因为这部平静而温馨的电影使得龙猫这个可爱的生物在全世界都家喻户晓。《龙猫》十分适合一家老小齐齐观看的。

“在我们乡下，有一种神奇的小精灵，他们就像我们的邻居一样，居住在我们的身边嬉戏、玩耍。但是普通人是看不到他们的，据说只有小孩子纯真无邪的心灵可以捕捉他们的形迹。如果静下心来倾听，风声里可以隐约听到他们奔跑的声音。”

这是宫崎骏幼年时在家乡听到的传说，年少的他也曾经认真地在小径上等待，在草丛间寻找吧。长大后，他投身于动画制作，心中始终念念不忘乡下渡过的那段美好的时光，始终念念不忘这个为小孩子们编织的精巧的梦。在这种情绪的感召下“龙猫”问世了。

小女孩五月和妹妹阿明跟随爸爸一起搬入了乡下的新居，“龙猫”的故事也在一片如画的田园风光中展开。由于爸爸经常要去医院探望有病的妈妈，两个女孩只得自己去认识周围这崭新的环境，乡下天空是那么蓝、空气是那么好，没有车水马龙的喧嚣声，没有了高高厚厚的水泥墙。在大自然的怀抱里，两个孩子体会到了以前从未感受过的欣喜。

于是在庭院里看见了搬家的小龙猫，看到了神秘高耸的老橡树，还有树洞里那一窝大大小小的龙猫。虽然像小山似的肥大，但一点儿也不让人害怕，胖胖的龙猫啊，你愿意交个朋友吗？

雨中，在公交车站看到了等车的你，依旧是胖胖的，矗立在雨中，爸爸的雨伞是不是能完全遮住你呢？还有那呼啸狂奔的猫BUS，坐在上面飞奔的感觉一定很好吧？

妈妈病情变化，不能回家。妹妹也走失在树林里，五月唯一能做的就是去找老橡树，去拜托龙猫。坐在猫BUS上狂奔，奔过田野、奔过山岗，在这一刻孩子们感受到了树的呼吸，听到了风的歌声。就像那次和龙猫初遇，就像那粒种子破土变成大树参天，这一切一切也许只是小孩子心底纯真的梦，亦真亦幻，倒映出美好的心声。

宫崎骏热爱描写自然，热衷于为孩子们编织梦想，整部“龙猫”带有其一贯的魔幻现实主义风格，利用一些自然景物切入到主角的意识流之中，让观者的心得到最真切的共鸣。宫崎骏说道：

“日本这国家恩泽于四季多变，充满了丰富美丽的自然景色。而《龙猫》就是选取了充满了大自然气色的乡间作背景。

“澄清的小河、森林、田地，住在其中 的人、鸟、兽、昆虫，夏天的闷热、大雨、突然挂起的劲风、恐怖的黑夜…… 这些东西全都显出日本的美态。我觉得保护这些可以让生物蓬勃地生长的自然环境很重要。

“这个故事中场出现的古怪生物龙猫，在很久以前便悠然地住在森林的深处，从未在人前露面。“这些年来，大自然看来受到很大的破坏，不过身边的花草树木、小河都仍是相互存在着。花、小石、昆虫等，其中有些外形不大美观的，不过也可以尝试用手触摸并细心观察。”

有机会去乡下看一看麦穗的舞蹈，听一听风的歌声，坐在木篱上静心倾听，说不定你也可以听到身旁的龙猫的呼吸。

❿ 宫崎骏的《龙猫》英语观后感100词左右

宫崎骏的《龙猫》英语观后感100词左右，见附件。