1. 求经典外国电影影评---要英文版本的
珍珠港的影评
pearl harbour film review
Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.
Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?
If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.
Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions
2. 适合写影评的英文电影（推荐5个吧）
推荐电影复仇者联盟，和恐怖电影死神来了，都是大片，最近有一部电影也很不错，推荐你看，名叫无名之辈，好看的不得了。
该片围绕一把丢失的老枪，讲述了一对低配版的劫匪，一个落魄的保安，一个身体残疾却性格彪悍的毒舌女，这些“无名之辈”身上发生的一系列荒诞故事。
总之是一部优秀电影。
3. 关于经典英文电影的影评
《百万英镑》给我印象深刻的是它的幽默滑稽的手法，生动有趣又入木三分地展现了金钱社会的世态炎凉。具有讽刺意味的是，差不多一个世纪过去了，片中描写的种种现象都存在于现实社会中，让人联想到当今社会中人们的感慨，“钱不是万能的，但没钱是万万不能的”，极具批判现实意义 。派克在片中颓废加调侃的表演和他在银幕上大多数严肃正义的君子形象迥然不同，显示了他塑造不同类型人物的功力和演技。
4. 求英文电影影评
英文影评：
1. Finding Nemo (2003)
http://www.imdb.com/title/tt0266543/usercomments
2. Gone with the Wind (1939)
http://www.imdb.com/rg/title-tease/usercomments/title/tt0031381/usercomments
3. Courage Mountain (1990)
http://www.imdb.com/rg/title-tease/usercomments/title/tt0097115/usercomments
4. Sleepless in Seattle (1993)
http://www.imdb.com/rg/title-tease/usercomments/title/tt0108160/usercomments
其余两部没有找到，抱歉。
5. 要一部英文电影的影评
提供英文电影Ocean's Twelve (2004)的英文影评，见附件。
如果看不到附件，请用电脑访问。
6. 求一部电影的英文影评
Romantic comedy has never had a strong basis in logic and this was never more apparent than in "Kate & Leopold", Meg Ryan's mb but enjoyable return to the romantic comedy fray.
Ryan plays Ally McBeal-alike Kate, a career-orientated New Yorker with romance issues. She lives in an apartment below her ex, Stuart (Schreiber), a scientist who discovers - as you do - a time portal just off the Brooklyn Bridge. Travelling back to 1876, Stuart accidentally brings Leopold (Jackman), an English ke, back to the present day with him.
Kate clashes with Leopold initially, only to be won over by his dashing English charm (the English being big on charm in the 19th century, of course). But, as he's Stuart's great-grandfather, Leopold must return to his own time to keep the family line intact, leaving Kate to decide between a future in the present or the past.
With its mostly nonsensical plot, "Kate & Leopold" is the kind of sentimental flight of fancy where romance and chivalry preside over narrative logic. Never mind how the time travel works, if you care enough about the fate of these two likable leads, then common sense is irrelevant to the film's enjoyment factor.
Enjoying more success here than in his previous romantic comedy "Someone Like You", Hugh Jackman has the looks, decorum, and comic timing to capture Leopold's persona. He's the highlight of the film, and some of the most amusing scenes are between Leopold and Kate's brother, Charlie (Meyer), an unemployed actor who thinks Leopold's anachronistic persona is an extreme form of method acting.
Hilarious at times, unbearably soppy at others, "Kate & Leopold" is comfortable viewing for old romantics.
7. 我要3部英文电影的影评，每篇50-70字用英文，初三水平
闪电狗(Bolt)的英文影评，70字，见附件。如果看不到附件，请用电脑访问。
8. 跪求几部英文电影影评 快快快！
简爱
Kent State University's school of theatre and dance performed a rendition of the classic, Jane Eyre this month. The show was a musical with all of the necessary elements to lift you from your seat and submerse youinto a society in nineteenth century England from the time the cell phone shut-off announcement was made until the last note at the curtain call. The recurring arches, darkened, soft lighting, and the use of a classic chorus to go along with them alluded that a sinister underbelly of social status and reputation were present in the performance.
One of the first things that an audience member noticed was the grandeur of the set. It was composed of a gothic-style foreground with rustic twigs of a root-like earthy appearance. There were grand arches for windows and entries as well. Also, the background was a large arch with the silhouette of roots. There were also two matching greek-style pillar arches on either side of the stage. They added a lot to many messages of the show. For one, they were grand structures that were barren inside which is much like Mr. Rochester himself. He was a man of high social stature but felt enslaved by his trick of a marriage and his grand yet incomplete (without a true love) home. The arches also suggest the importance of reputation with the same sort of fundamental grand image yet emptiness. The way that people are enslaved yet scramble to ascertain that solid image amongst their peers. The arches were almost inviting the audience to come inside to reveal their secret, the thing that was hidden deep inside that could send the structure crumbling in ruin.
呼啸山庄
Although "Wuthering Heights" is Emily Bronte's only novel, published in 1847, it has long been considered a classic and is included in many literary canons. In the story Catherine and Heathcliff are friends who are also in a perpetual sexually frustrated state. They are constantly wishing they were with each other, even though they have relationships with other people. This passionate friendship leads to nothing but trouble, especially when there are other people involved. Both Catherine and Heathcliff are selfish and self-centered, and the result of their egotism strains the relationships all around them to the point of breaking.
Catherine ends up marrying Edgar Linton who is from the neighboring estate, Thrushcross Grange. They reside together with Edgar's sister, Isabella. In a rebellious state, Isabella runs off to marry Heathcliff. Edgar and Catherine have a little girl, also named Catherine (or Cathy), who is born just hours before Catherine (the elder) dies. Meanwhile, Isabella runs away from the tyrant Heathcliff only to find out she is pregnant with his son, whom she names Linton.
Cathy continues to grow up at the Grange under the care of her father, Edgar. Isabella becomes sick and dies. Linton is then taken in by Edgar, but when Heathcliff finds out he has a son, he takes the boy into his house at Wuthering Heights.
There were many times where the characteristics of the parent come out in the child. For instance, Catherine (the elder) was quite conceited and was used to having her way. There were many times where she was downright rude to the people around her and treated the servants with no respect at all. Even though Cathy never knew her mother, there were times when she was haughty and rude, especially when she met Hareton, her other cousin, and made fun of his vernacular speech.
After Linton was summoned to Wuthering Heights to live with his father, Heathcliff, his father was candid with him, noting his weakness and scrawniness. Linton eventually married Cathy. Almost immediately, young Linton takes on the telltale characteristics of his long-lost father. He tells Cathy that everything she owns is his, including all of her estate and even the locket she wears on her neck (at which he proceeds to tear from her neck and crush with his boot just to show her his power). Thus far, these actions seem quite out of place with Linton's past demeanor.
Children learn from their parents and other influential alts in their lives, even if the behavior isn't positive. In Cathy's case, she didn't even have to witness her mother's actions to mimic them in her teenage years. Linton didn't grow up with his father, but in a matter of a few years learned from his example in how to treat women. Although he did not have many positive male role models, he used what male role models were there, and it was the absent father figure who turned up later in life. He chose to behave like his father (perhaps to assimilate) rather than the upbringing his mother had tried to instill in him. He chose to believe his father's lies rather than what his mother had taught him before she died (which goes along with what his uncle and Nelly Dean told him). It is in human nature to imitate the parent figure of the same sex to a certain degree, even if it not right.
黑骏马
Here's a story told by a horse, in his own words. It is a story of how he was treated with affection and respect when he was a young and healthy horse, but how he fell into illness and despair as he was passed from one set of careless hands to the next.
As a very young foal, the beautiful Black Beauty receives some very sound advice from his mother:
She told me the better I behaved, the better I should be treated, and that it was wisest always to do my best to please my master; 'but,' said she, 'there are a great many kinds of men; there are good, thoughtful men like our master, that any horse may be proud to serve; but there are bad, cruel men, who never ought to have a horse or dog to call their own. Beside, there are a great many foolish men, vain, ignorant, and careless, who never trouble themselves to think; these spoil more horses than all, just for want of sense; they don't mean it, but they do it for all that. I hope you will fall into good hands; but a horse never knows who may buy him, or who may drive him; it is all a chance for us, but still I say, do your best wherever it is, and keep up your good name.'
This piece of advice lays down the plan for the book. Black Beauty does indeed pass through the hands of all kinds of men - good, cruel and foolish.
At his first place, the local squire's hall, Black Beauty meets other horses who all have stories to tell about men and the ways they treat their animals. Black Beauty is very happy with Squire Gordon, but the household is eventually closed down when the squire goes to live abroad and all the horses are sold on. Squire Gordon makes every effort to find Black Beauty a good place, and indeed, does so, but no amount of effort can guard a horse from stupidity.
He is ridden carelessly by a drunk servant one night and falls because he has a broken shoe. The drunkard is killed, but Black Beauty is not blamed for that. They know it was the rider's fault. Nevertheless, Black Beauty now has scarred knees from his fall and is no longer fit to be in a gentleman's stables:
... the black one, he must be sold; 'tis a great pity, but I could not have knees like these in my stables.'
It is the beginning of the downward spiral for Black Beauty. No longer fit to be a gentleman's horse, he is sold on, to work for his living. There is nothing wrong with that, of course, Black Beauty is proud and happy to work for a good master, but cannot work well if he is not cared for properly.
Read the book to see how Black Beauty enjoys the many kindnesses and survives the terrible mistreatments. Although this book is sad, I don't think you will find it too sad to read. Black Beauty is a very understanding and forgiving horse, and it does all end happily ever after.
This book is almost a collection of short stories, as each chapter relates a different episode in the life of Black Beauty and other horses who he meets along the way. A good book to choose if, perhaps, you prefer to read in short sessions.
9. 写5个关于英文电影的英语影评！要英语的！每个20个单词。
蜘蛛侠情节想必都知道，以下是影评 You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him. 美国逃犯 Jesse James (Colin Farrell), his brother Frank (Gabriel Macht) and their cousin Cole Younger (Scott Caan) seem to have arrived on the scene just in time for the invention of the electric guitar. It wails on the soundtrack and makes this western, which doubtless considers itself to be a reimagining (as did ''Planet of the Apes''), sound as if it came from the mind of Jon Bon Jovi. Directed with anonymous pep by Les Mayfield, ''Outlaws'' is a dreary populist telling of the story of the James gang. And the Bon Jovi reference is apropos, since the movie treats the fellas like a touring band that breaks up because of feuding egos and the stresses of the road. Cole, incensed over the news focus on the James boys, wants to share the billing. In fact, as their notoriety grows, Cole wants top billing -- the Younger-James Gang -- leading to ruminative riffing by his amiable brother Bob (Will McCormack): ''Wouldn't people wonder if there was an older James gang?'' It would need only a drug casualty to turn into ''Behind the Music: Jesse James,'' though -- choke, sob -- the James tour does claim a couple of lives, and it's easy to predict which ones. This could be the story of any disintegrating band, except that in this group, the Jameses complete each other, as someone said in ''Jerry Maguire.'' Their personalities are worked out in the kind of schematics taught in screenwriting classes. Frank is the plotter and Jesse is all impulse. At the outset, Union soldiers ambush a group of unsuspecting Rebels that includes Jesse, Frank and Cole. Pinned behind a wagon by both cannon and Gatling gunfire, the sharpshooter Frank asks Jesse for a diversion. A smile pulling at the corners of his face, Jesse creates an eye-catching one. At various moments, ''American Outlaws'' looks as if it wants to try something different and make Jesse an infantile psychopath who is awakened by his taste for violence. He lights up when he has a gun in his hand, but he has no conflicts about his nature; he may make you long for the Chekhovian depth of Emilio Estevez's Billy the Kid in the ''Young Guns'' movies. (Missing is the epic emotional scale of previous James Gang movies like ''The Great Northfield, Minnesota Raid'' and ''The Long Riders,'' both worth seeking out.) ''American Outlaws'' paints all of its young stars as happy guys, so uncomplicated that they're thrilled to hear that Lee has surrendered at Appomattox; none of them seem bothered by the fact that the South has just lost the war. Upon returning home, they find that the railroad tycoon Thaddeus Rains (Harris Yulin) is behind a scheme to run them off their farms. (In this age of entertainment conglomerates like AOL-Time Warner, it seems droll for a Warner Brothers picture to single out the big-moneyed interest in one small town as a black-hatted villain.) ''As we have the most power, we may move with impunity,'' Rains snarls to his martinet (Terry O'Quinn), who is only too happy to carry out Rains's orders. Jesse, Frank and the others are forced down the road of vengeance after arson at their farm takes the life of their ma (Kathy Bates, whose maternal hamminess may bring misery to viewers). When Jesse and the gang follow Frank's notion of giving money they've taken from banks back to the poor farmers, they become heroes, and a true menace to Rains. ''They're disciplined and have a charismatic leader,'' notes Allan Pinkerton (Timothy Dalton), the 19th-century rent-a-cop hired by Rains to track down the gang. What Pinkerton doesn't mention, though he doesn't really have to, is that the real leader of the ''Outlaw'' band is Frank, played by Mr. Macht with desert-dry aplomb. It doesn't hurt that he gets the best lines. ''It's the scientific method I hear is all the rage,'' he says when plying a new technique ring a crime. The script by Roderick Taylor and John Rogers has made Frank the film's George Burns, wiling away the movie by commenting on the world as it passes him by. 功夫熊猫Kung fu panda, this is the interesting film. Paul wanted to become a wu3 lin2's ace (near master) kung-fu to save those who were in danger, teacher taught him how to fight, and let him go to save the world, at last, he defeated 3 Tailung, he met not friends, I think he is a great hero, I like the movie, because... I like the film . . Each meets his story with emotions ranging from enraptured to derision, as they learn with the audience the incredible life Forrest has led. This includes him starring in the All American Football team, winning a Congressional Medal of Honour in Vietnam, exposing the Watergate scandal and making millions from 'Bubba-Gump shrimping instries', while meeting three different U.S Presidents along the way. The film ends on a poignant note, with Jenny and Forrest meeting again and having a son, as Jenny dies of HIV/AIDS. 歌舞青春 Along with Tom Hanks in the title role Forrest Gump featured an excellent supporting cast, with career bests from Robin Wright Penn as Jenny and Gary Sinise as the legless Vietnam veteran Lt. Dan Taylor. I was inspired by the wonder of a man experiencing his life without realising its significance to the world, just simply wishing for an emotionally damaged woman who goes on to live a lonely life without him. She rejects Forrest, telling him 'he doesn't know what love is', before eventually realising that no-one would ever love her more. 哈里，波特 The musical numbers here are, to be frank, laughable. This certainly isn't the fault of the cast, though. These kids quite obviously have talent both in singing and dancing. The problem comes from the choreography and songs themselves. Nowhere is director Kenny Ortega's "bigger is better" method more appalling than in these numbers. The dancing on display is too steeped in modern sensibilities to be timeless, and yet it's too showy and stagey to be looked at through serious modern eyes. In other words, it's too hip for Broadway and too Broadway for modern dance. All of the songs have a distinctly electronic sound to them and try desperately to be seen more as MTV-style singles than Broadway standards. They don't even contribute much to the storyline. The number one sin in film musicals is having songs that stop the story dead in its tracks. Three-quarters of the numbers here do just that. They're often self-inlgent, and when they aren't, they simply (and needlessly) re-emphasize what's already been established via dialogue. 第一部是蜘蛛侠，第二部是美国逃犯，第三部是功夫熊猫，第四部是歌舞青春，第五部是哈里，波特
10. 几部电影的英文影评
1.火柴人
Ridley Scott did an amazing job transfering this movie from the novel and delivers a wonderfully entertaining and enjoyable film.
Nicholas Cage's performance of a man riddled with tics and phobias deserves high praise as does Alison Lohman for being able to pull off being a 14 yr old despite actually being 10 years older. Sam Rockwell adds the finishing touches in what was most definitely an entertaining and mouth-dropping film.
Both Cage's and Lohman's on-screen chemistry fittingly akward for the film as Cage plays a con artist reunited for the first time with his daughter Lohman. Soon after, finding that raising a daughter and being a con artist are both too demanding on their own, he decides to integrate the two and teach his daughter some tricks of the trade. Rockwell rounds out the cast as Cage's con partner, delivering just the amount of comedic acting to balance out Cage's entertainingly interesting tics and movements on camera.
The film itself was very well done, providing a sound and believable story between father and daughter all through out the film and makes this film a delightful watch. By the end, Ridley Scott ties up all the loose strings and finishes up his film "Matchstick Men" with an ending that is sure to surprise and amaze.
Well delivered, well performed and highly pleasing, this is a film for anyone who enjoyed "The Sixth Sense" or "The Usual Suspects" but with a lighter and more comedic approach.
2.闻香识女人
Directed by Martin Brest Scent Of A Woman is a touching and at times very funny tale about friendship and the choices we have to make about what's right and wrong.
Young scholarship student Charlie Simms(Chris O'Donnell)is an honest and hardworking student at a private school,who takes up a summer job to pay for his plane fare home for Christmas.He becomes the helper over Thanksgiving Break to a blind retired Army officer.The tough and embittered Lt.Colonel Frank Slade(Al Pacino).
At first the two are at odds,then after arriving in New York (for what Charlie presumes is just a break they become friends and Charlie learns the real reason for the trip.The suicidal Colonel has come to the Big Apple to stay in a top hotel,have a great meal,drive a Ferrari meet a beautiful woman,see his brother and then shoot himself.
The heart of this film is the relationship between these two and the sheer desperation and despair of Slade(directed towards his blindness the result of a demonstration gone wrong).At times the films very funny especially ring the scenes featuring some very colourful language courtesy of the Colonel.There's fine support from a young Phillp Seymour Hoffman as a school friend of Charlie and James Rebhorn as Charlies hated headmaster.
Slightly cheesy at times this is still highly enjoyable and should have you laughing and crying in equal measure,Al won a long overe Oscar for best actor for his performance and who of us hasn't wanted to dance the Tango with the Colonel? This is well worth watching.