1. 急求电影《人猿泰山》观后感……汉语英语都行！！！
《人猿泰山》英语观后感236篇:
http://www.imdb.com/title/tt0120855/usercomments
George of the Jungle 中文名是森林泰山。
3. 人猿泰山观后感英文版
However, I want to say is" the Taishan" throughout the film reveal that excite people's mind, inspire people up the emotional guidance, let the audience imperceptibly of infection, and then wake up the sleeping enterprise. As the theme song to sing in the world: regardless of his change, in my heart, no matter what time, no matter in any place, any change.
The film is the social textbook, we in the film solidification, we in the movie to find their own direction.
4. 急求电影《人猿泰山》观后感……汉语英语都行！！
希望我的回答对你有帮助O(∩_∩)O~~~记得及时采纳哦~
觉得哪篇不好的你可以删~
只是大概的，你可以适当自己添加，主要剧情啊，感受啊，我都列出来了，你看一下好了~
1871年，英国上校布赖顿带着女儿凯蒂来到印度，一个印度青年纳束与其妻子及两岁的儿子莫基里成为他们的向导，为军队引路，凯蒂和莫基里成了好朋友。
一天晚上，一只老虎偷袭军营，纳束不幸身亡，其子莫基里混乱中不慎落入万丈深渊，被河水冲走，最后被野狼救起，从此莫基里在森林里幸存下来，学会求生打猎的天赋本领，与动物为伍，过着野居生活。
光阴荏苒，在大自然的抚育下，转眼间莫基里长大成为一个身强力壮的十七岁英俊少年，成为森林之王。 不料后来被人们发现后视为怪物，被将军捉拿监禁于狱中……
幸而凯蒂凭借当初相送的手链认出了莫基里，将其解救出来，还教他各种礼仪想让他回归社会。
但是，凯蒂的未婚夫以她和她父亲作为威胁，逼迫莫基里带他们去寻找森林里的宝藏。无奈之下莫基里只得顺从，当凯蒂的未婚夫拿到了宝藏，得意忘形之时，宝藏的守护者----一条巨大的眼镜蛇将其拖入水中……
结局：莫基里与凯蒂在森林里翩翩起舞，相守永远。
看《人猿泰山》有感
今天我到南京少儿科技培训中心去观看红太阳推出的《人猿泰山》人偶剧，这个`剧团来自保加利亚，所以，这些人都是讲英语的，整个片子都是用英语演的，我们只能通过两边的两个小屏幕来阅读的。
这个片子的内容是：一个孩子在丛林里，被狼群拣到了。狼群们收留了他，并给他取名为莫格利，它们让灰熊巴卢教莫格利十年的动物森林法。渐渐的，莫格利长大了，除了他的外貌，他似乎就是一只狼，由于老虎要杀了莫格利，所以，莫格利回到了一个人类的村庄，他还非常幸运的找到了自己的妈妈，他不仅这样，还找到了一份很好的工作：放牧。有一天他在放牧的时候看到了一只原来在森林的一只狼兄弟狼兄弟对莫格利说：“老虎准备要杀了你，你一定要作好准备，以免受伤。”可是狼兄弟的话刚说完，老虎便从一个灌木丛里面窜了出来，从肉垫里弹了四只尖锐的指甲，它一边向莫格利冲了过去，莫格利与狼兄弟和老虎纠缠了一会儿，他们很快就发现自己不是老虎的对手，于是莫格利就想出了一个办法，他让牛群生气，于是它们就向老虎的那个方向冲过去，老虎被压成了肉饼。可是这个村里的人并不喜欢像莫格利这样健壮的人，并开始欺负和嘲笑他，莫格利对村里人的行为感到很不解，便又重新回到了森林。可是，虽然莫格利回到了森林。但是，村里的人并没有罢休，而是接二连三的拿莫格利的妈妈出气，他们有时骂莫格利的妈妈，有时打莫格利的妈妈，他们不择手段地欺负她。莫格利不知什么时候知道了这个消息，便立刻和他的动物兄弟们商量，他们都表示同意。于是莫格利便立刻到了那个村庄，找到了他妈妈的家了，便又很快的带着他的妈妈从村里逃走，穿过树丛，来到了另外一个村庄，把他的妈妈安定在了那，来到了另外一个村庄，把他的妈妈安定在了那儿，自己又回到了森林。最后他在森林里又住了几年，那一天他在森林里的时候，突然看见了一位美丽的姑娘，他看了她一眼就喜欢上了那位美丽的姑娘，他们俩终于走到了一起，并离开了森林，来到了村庄，过起了他们自己的自由的生活。
我想：莫格利原来是人类，虽然在森林里生活了几年，但是他毕竟是人，不可能一辈子生活在树林里；做不了一辈子的人猿，他有感情，他要结婚，要生子，他要过自己的生活。记得一个故事是这样说的：两对鸟在一棵树上，有一天，上面那一对鸟看见下面的鸟不在，边悄悄地到了下面一只鸟的巢边上，偷了它们的一只鸟蛋，便到了自己家的巢，这一天，小鸟们都学会飞了，它们都飞上了蓝天，而回来的时候，那只被偷的鸟蛋孵出的小鸟，也回到了它真正的妈妈的怀抱里。
每个人或动物都是总要回到生他的地方。
5. 请问谁看过英文原版小说《人猿泰山》的
原版的小说写的非常好，值得一看
6. 人猿泰山的英语翻译
Disney Tarzan 隐藏摘要
人猿泰山
【摘要】 人猿泰山/Disney.Tarzan.
7. 我想要动画片《人猿泰山》英文版的故事介绍，谢谢
人猿泰山动画片故事介绍：
Tarzan, a fictional character created by Edgar Rice Burroughs, first appeared in the 1912 novel Tarzan of the Apes, and then in twenty-three sequels. He is the son of a British Lord and Lady, marooned on the coast of Africa by mutineers. His parents died when he was an infant, and he was raised by Great Apes of a species unknown to science. Kala is his ape mother. Tarzan (White-skin) is his ape name; his English name is John Clayton, Lord Greystoke (according to Burroughs; Earl of Greystoke in later, non-canonical sources, notably the 1984 movie Greystoke). As a young alt, he meets Jane, and when she returns to America he leaves the jungle in search of his true love. Tarzan and Jane marry, and he lives with her for a time in England. They have one son, Jack, who takes the ape name Korak. Tarzan is contemptuous of the hypocrisy of civilization, and he and Jane return to Africa where, both being immortal, they still live.
The Tarzan character
Burroughs has created in Tarzan an extreme example of a hero figure unalloyed with character flaws or faults. Tarzan is described by Burroughs as being Caucasian, extremely athletic, tall, handsome, and tanned. He has gray eyes. Emotionally, he is courageous, loyal and steady. He is intelligent and learns new languages easily. He is presented as always behaving ethically in all situations, according to Burroughs' definitions. He is deeply in love with his wife and totally devoted to her. Always the gentleman, in numerous situations where other women express their attraction to Tarzan, he politely and as kindly as possible declines their attentions. If presented with a situation where a weaker indivial or party is being preyed upon by a stronger foe, Tarzan will invariably take the part of the weaker party (and invariably, if eventually, win). In dealing with other men Tarzan is firm and forceful. With male friends he is reserved but deeply loyal and generous. As a host he is likewise generous and gracious. As a leader he commands devoted loyalty.
In contrast to all these urbane and sophisticated capabilities and characteristics, Tarzan's philosophy embraces an extreme form of "return to nature". His preferred dress is a knife and a loin cloth made from uncured animal hide. His preferred abode is a convenient tree branch which happens to be nearby when he desires to sleep. His preferred food is raw meat, killed by himself; even better if he is able to bury it a week so that putrefaction has had a chance to tenderize it a bit. Although Tarzan is able to pass within society as a civilized indivial, he prefers to, as Burroughs often puts it "strip off the thin veneer of civilization".
This philosophy was absorbed by countless fans, amongst whom was Jane Goodall, who describes the Tarzan series as having a major influence on her childhood. She states that she felt she would be a much better spouse for Tarzan than his fictional wife, Jane, and that when she first began to live among and study the chimpanzees she was fulfilling her childhood dream of living among the great apes just as Tarzan did.
8. 人猿泰山中的“泰山”英文是什么
《人猿泰山》，Tarzan of the Apes
泰山，Tarzan
供参
9. 用英语简述人猿泰山的内容
Tarzan was a small orphan who was raised by an ape named Kala since he was a child.He believed that this was his family,but on an expedition Jane Porter is rescued by Tarzan.He then finds out that he's human.Now Tarzan must make the decision as to which family he should belong to.
10. 急求人猿泰山观后感英文版
1999年版动画片人猿泰山(Tarzan)观后感：
Without a doubt, this is the most visually impressive animated movie Disney has ever created. In the entire visual history of animated films, this one stands head and shoulders with the best, and above most. The concept of incorporating all or part of the actual person's face and mannerisms who provides the voice for an animated character (which Disney pioneered), has been raised to near art form in this movie. The casting of voices for the characters is excellent, and adds greatly to the impact of the animated performances. Indeed it adds immensely to the entire movie. The visual richness in this film is absolutely awe inspiring.
I look for little things, that normally get overlooked, as a guide for how devoted animators are to bringing quality to the screen. For a small example of this, check out the scene (pretty early in the film) where boy Tarzan asks Terk if he can come with him to play. Terk says no, because `...you can't keep up'. The next scene Terk comes through a group of ferns and starts talking to his friends. Check out the movement of the ferns behind Terk, and also when boy Tarzan comes through them. They are incredibly detailed and are constantly moving (realistically). All this requires time, money and talent and NO WHERE in this film is that scrimped on.
Deep Canvas, the new technique created by Disney, adds immeasurably to Tarzan. This film wouldn't be NEAR what it is without it. Normally for animation to occur where we follow the action `into' the frame or toward and away from you, the background has to be redrawn continuously because (for instance) elements get larger as you move toward them. This, In contrast to action that moves side-to-side where the background can be drawn once and only character cells need be redrawn. Its like moving `into' a painting, rather than back and forth across the canvas (hence the name probably).
Animators rarely do much action `into' the frame, because the time and cost involved is very great. Deep Canvas uses backgrounds, hand drawn into the computer, to "computerize" (to an extent) this process. This not only greatly reces the time and cost involved, but it also adds new tools at the animators disposal. Really, it allows the background to "come alive". It doesn't look computerized though, it looks like traditional animation. The technique resulted in many spectacular sequences in Tarzan. The scenes where he `surfs' the trees showcases just how awesome this new tool is. There is MUCH more to Deep Canvas than my over-simplified definition. There is MUCH to like in Tarzan... the visual lushness, excellent character animation and voice performances, the music (even if you aren't a Phil Collins fan, it's good) and it has an excellent sense of humor. It also shies away from the overly cute depictions of animals (as in Bambi) for more realistic ones which really took a big turn for the better in The Lion King. The sequences with babies and children (human and animal) and interactions between parent and child also rang very true, something else that began to really take off in The Lion King.
Some scenes are very powerful, and will rock even alts. One scene in particular comes to mind. Directly after the fight sequence with Sabor (the leopard), Tarzan does his traditional "Tarzan" yell. This raised the hair on top of my head. I have found myself watching this over and over again. It's just about as perfect as animation can get. The yell itself is new and fresh, not the traditional yell we have heard so many times before (which is great, but shows it's age). Tremendous power and emotion is translated by less than six seconds of screen time. You will feel yourself fighting back your own yell, or tears when you watch this.
Disney did so much right in this movie, but they continued one long, bad tradition. Which is the weak writing and casting of the villain. Indeed the whole conceptualization and portrayal of the antagonist in Disney films, including this one, needs a massive overhaul.
Alfred Hitchcock, above all others, understood how important the villain or antagonist was to a film. Hitch made the `heavy' attractive and intelligent. Often the villain was a much better person in most respects than the protagonist of the film, with only one fatal flaw marring him. The villain might be a person that you would really want as a friend or a lover, if it weren't for that ONE thing - which was a BIG thing, like he (or she) was a psycho or a traitor or a murderer. On one hand you wanted the `good-guy' to triumph, but you could identify with the villain and you often liked him more. Making the villain a desirable and multi-faceted character created incredible tension in the audience.
I mention all this because this is one area where Disney REPEATEDLY fails in it's animated films, and Tarzan is no exception. The anti-hero in Tarzan is one-dimensional, and we don't identify with him in any way. He is the `bad hunter', used often as a villain in recent Disney movies, e.g., Beauty and the Beast and Pocahontas. We are drawn into the way Tarzan himself is torn between his adoptive gorilla family, and his identity with the human race. This tension is well done in the film, in every way from the writing and casting to the actual animation of emotion. We aren't however, a bit drawn in by the antagonist of the film.
That aside, overall this film was GREAT. I loved it and anyone who likes animated films will love it too. Even if you don't like animation you will probably like this one. It far surpasses most if not all in recent memory. The only gripe I have is the cardboard cut-out villain. I long for more three dimensional antagonists that can get the audience thinking and emotionally involved in the struggle occurring on screen. Enrolling all the writers of the Disney animated movies in a college-level course on the films of Alfred Hitchcock could do WONDERS for their next projects. But that's about the only area where they need help. In every other way Disney is holding class, and all other feature animation studios could do well to sign up for a course or two.