电影赎罪英文影评

③ 《肖申克的救赎》英文影评

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④ 肖申克的救赎影评英文100字左右

写作思路：先写肖申科坐牢的原因，再写肖申科在监狱渴望自由，然后告诉我们人不能缺少希望。

was wrongfully convicted in court， Xiao Shenke prison． Andy every hour and moment not longing for freedom and hope， faith that he spent 29 years of time． When he escaped， hope and freedom of the distillation． ＂ I guess it comes down to a simple choice： get busy living or get busy dying．＂ this is Andy impresses me saying，＂ Hope is a good thing， maybe the best of things， and no good thing ever dies．＂ it tells us that important．

《肖申克的救赎》在影片中，杜弗雷在法庭上被冤枉定罪，肖申科坐牢。安迪每时每刻都不渴望自由和希望，坚信自己花了29年的时间。当他逃跑时，希望和自由得到升华。”我想这可以归结为一个简单的选择：要么忙着活，要么忙着死。”这是安迪给我留下的印象：“希望是件好事，也许是最好的东西，好东西永远不会死。”它告诉我们这一点很重要。

(4)电影赎罪英文影评扩展阅读

《肖申克的救赎》不是真实故事，是虚构作品。

《肖申克的救赎》的主题围绕著“希望”两个字，然而在阐述光明面的同时，却藉由监狱的黑暗面及囚犯对于新生的渴望，来衬托这个充满正面意义的主题。

故事背景是20个世纪30年代。故事中，年轻的银行家安迪因为妻子和她的情人被杀而被判无期徒刑，由于监狱的腐败，他在真相即将大白的情况下仍然得不到昭雪，反而在肖申克监狱饱受了各种精神上和肉体上的摧残。

然而，安迪并没有被多舛的命运毁掉，他经过20多年水滴石穿般地不懈挖掘，终于在一个雷雨交加的夜晚，从500码长的污粪管道中爬出，重获自由，在墨西哥海边过上了自由人的生活。

⑤ 电影《肖申克的救赎》的英文观后感

Atonement,是救赎之义。at one,指的是由一人所带来的救赎，在基督教中指的是耶稣基督的犠牲，为人类带来的救恩。而在肖申克的电影之中，主角最后的成功逃狱之前，为狱友带来了各种恩惠，而他的逃狱也来自于多人的帮助，彼此为彼此在一群有罪之人聚集之地，成为了彼此的救赎。

事实上，主角Andy一开始是被陷害入狱的，所以救赎这个名词，同时也带有讽刺之义。无罪之人何来救赎。

⑥ 关于《肖申克的救赎》的影评（英文版）

无论是什么，都关不住希望，一切皆因希望起，世间无数的拼搏、付出，以及百折不回，就正是为了内心的希望吗？有了希望，肖申克监狱不过形同虚设，有了希望，一把小小的锤子便可以救赎生命、救赎自由，甚至救赎鲨堡（肖申克监狱）。有了希望，安迪便可在无尽的等待与提心吊胆中尽情享受每一个小小的乐趣，并将这乐趣传播开来，将希望播种在每个人心里。希望是关不住的，锁不牢的，是有翅膀的鸟，是流动的空气，是息息尚存的呼吸，是永远无法遏制的，是任何黑暗都无法染指的。有了希望就有了一切，有了希望就一切皆有可能。
瑞德心中早已没有了希望，那图书馆管理员老布，居然会对希望充满恐惧，而安迪却始终心怀希望，那怕 “用这样的小锤挖洞，至少需要600年。”安迪最能打动人心的品质，恰恰是这种看似对眼前现实平和接受，而心中希望却永不不磨灭的精神。
关于自由
一头是系在小小鹤嘴锄上的自由，这种自由的追求要面对频繁的查房和重重的高墙；一头是监狱里悠然自得地生活，这种生活看起来既不空洞又拥有尊重。安迪毫不忧郁的选择了前者，那怕风险是那样的大，哪怕安全仅仅来源于一张丽塔.海华丝的海报（海报后面就是安迪用锤子挖的洞）……
一个人能够在十九年痛苦的牢狱生活里，不放弃对自由的向往，这是一种怎样的精神力量？这其间又要付出多么大的代价？当凶恶的狱警将安迪推向死亡的边缘，他仍然面不改色，口若悬河。最后，他第一次在监狱里赢得了自由，虽然这自由，只是在完工的屋顶喝上一口啤酒。
片中，瑞德曾这样说道：“体制化是这样一种东西，一开始你排斥它，后来你习惯它，直到最后你离不开它。想想看，我们的身体已经有多大一部分被体制化了？ ”
看看老布。重获自由后，他失去了监狱安稳的生活和周围犯人的尊重，又迟迟无法融入新的环境，只能选择结束自己的生命。自杀前，他饱含深情的放飞了自己饲养多年的乌鸦，他的自由，也只能在高飞而去的鸟儿身上延续，因为，他已经被鲨堡高度体制化了。甚至瑞德，也若隐若现地走在体制化的边缘。这，不能不说是一种悲哀。
安迪，只有他安迪，找到了对抗体制化的办法，那就是始终不放弃对窗外自由的追求，哪怕这种追求是多么的危险。为此，他付出了太多。当安迪将监狱喇叭放上《费加罗的婚礼》，安详的半躺在在广播室的椅子上，掩目微笑时，他得到了短暂的自由，虽然代价是一周的禁闭，但是，解除禁闭，他又微笑的走了出来。
安迪终于重获自由，在那个雷雨交加的夜晚。他从污泥中艰难地站了起来，仰头深深的呼吸——他一定闻到了自由的味道。那一刻，一道闪电划破天空，笼罩他整整十九年的，那所有的冤屈和压抑，全然释放！
“上帝地审判比预料来得快！”这是典狱长办公室墙上挂的圣经刺绣。他的审判，也来得比预料得快，但那却不是上帝带来的，而源自一个越狱犯人的举报。
关于安迪
安迪既是弱者，又是强者。我们同情弱者，安迪正是弱者，因为他遭人误解，身处冤狱；我们崇拜强者，安迪又是强者，因为他充满智慧，且内心坚定无比，他利用智慧和希望，这两个自己仅有的资源，救赎了自由，也救赎了充满罪恶的鲨堡。
“要么忙着去活，要么赶着去死，人总得做点什么”，这个人类朴素的真理，被安迪完美的演绎。当失败和成功的概率对比如此悬殊时，他毅然决然的选择了冒险。最终，这个白面书生，成为了真正的英雄！

⑦ 肖申克的救赎 英语影评2000字

影片主要是围绕着“自由，友谊,希望”。
主人公andy有着颗非常坚强的心，更有着坚毅的信念和永恒不变的对自由的向往追求，无论是狱中的恶劣的生活环境，孤独寂寞的精神折磨，时间的消磨都未曾让他放弃过追求自由的信念，片中典狱长曾对他说：“把你的信念交给圣经，把你的贱命交给我”而安迪一直坚信救赎之法就在其中，他把信念交给了非形式化的圣经而是其表现的一种精神上给予万物的救赎，就是靠一把别人眼里要凿600年的锤子，凿通了整堵墙面，挖出了一条隧道通向自由。但是他并没有急于逃离，相信机会有很多，但是他留了下来是为了给整个鲨堡的每个人带来一点精神上的东西，那就是希望，通过帮助别人通过考试，图书馆，等等无不看出他所做的努力。
或许你可以禁锢我的躯体，但你不可能给我的灵魂套上枷锁，它向往自由，怀揣这梦想是你永远无法毁灭的
其实影片不在于他的布局越狱有多精密，他有多智慧，而是这些表层之后的东西一个人为了自由的活着，为了给人带来希望所能迸发出来的勇气和忍耐。
对于一个人来说，实际空间上的大小并非所谓自由的定义，真正的自由在你的心里，在于你敢去想敢有梦，有了希望就有你生存的空间，所以对于安迪来说心灵的自由让他无论身处何地都有追求的动力。而像老布，即使出了狱，但是长时间的囚禁让他彻底的绝望---那是用了一个人大半辈子的时间换来的绝望，一切服从制度不再敢想，甚至不再有自己的想法没有了梦想没有了追求没有了希望，这样的人即使已不禁锢住你的身躯，也已经没有了灵魂，所以他的心难以得到真正的救赎。
所以感悟就是虽然我们一无所有，对未来的不确定有着莫名的恐惧，但即使这样我们都未曾绝望，未曾沮丧，因为我们有梦想，因为每个清晨醒来我们都会怀着憧憬去面对接下来的生活，一切皆于金钱。。。无关，所以在任何情况下不能犯罪，不能放弃，不能没有希望

⑧ 肖申克的救赎 英文影评

这里提供《肖申克的救赎》的英文影评：
http://www.docin.com/p-293573835.html
可以在线阅读，也可以下载。

⑨ 电影肖申克救赎的英文影评

“Hope is a good thing, maybe the best of things and no good thing ever dies!” This is one of classic lines that impresses me most. The movie gives us a great illustration of how one can be free in a desperate condition .After seeing this movie , I feel relief for the moment .Not only am I aware of the importance of hope that can set one free genuinely when one is trapped in a desperate dilemma ,but also I learn positive attitudes towards life .

In the movie ,a banker named Andy Dufresne is convicted of murdering his wife and her lover and is sentenced to two life sentences at Shawshank state prison. He is quickly befriended by Red and they become friends .Even behind bars ,he doesn’t lose hope and believes that there are places in the world that are not made out of stone ,there is something inside that they can not get to, that is hope . However, the majority of people are deprived of hope that are considered to be the worst thing in Shawshank. Those people become institutionalized . The librarian Brooks gains parole ,but he commits suicides at last ,lacking of hope in life .When I saw this scene, I was shocked .What I bear in mind is that hope is really a good thing that one ought to stick to .Obstacles may trap one’s body ,but hope can set one free genuinely .Life will be gloomy and meaningless without hope .After Brooks ‘s death ,as he says “get busy living ,or get busy dying."Andy tries to help other prisoner’s to find out the meaning of life and the best thing—hope. He starts to extend the library and helps others to obtain high school diploma. The role Andy impresses me most ,being a smart and upright man .At the end of the movie ,by the seaside where the sky is blue and air is clean, Andy and Red meet again .I think it is hope that brings them together.

From the movie , I derive many benefits . I believe that hope is indispensable in our life .On the one hand ,it gives us courage to overcome the obstacles. On the other hand , hope enforces us to move forwards and have a positive attitude towards life .

⑩ 高分跪求肖申克救赎英文影评！

1，播放音乐
片中，瑞德曾这样说道：“体制化是这样一种东西，一开始你排斥它，后来你习惯它，直到最后你离不开它。想想看，我们的身体已经有多大一部分被体制化了？ ”
看看老布。重获自由后，他失去了监狱安稳的生活和周围犯人的尊重，又迟迟无法融入新的环境，只能选择结束自己的生命。自杀前，他饱含深情的放飞了自己饲养多年的乌鸦，他的自由，也只能在高飞而去的鸟儿身上延续，因为，他已经被鲨堡高度体制化了。甚至瑞德，也若隐若现地走在体制化的边缘。这，不能不说是一种悲哀。
安迪，只有他安迪，找到了对抗体制化的办法，那就是始终不放弃对窗外自由的追求，哪怕这种追求是多么的危险。为此，他付出了太多。当安迪将监狱喇叭放上《费加罗的婚礼》，安详的半躺在在广播室的椅子上，掩目微笑时，他得到了短暂的自由，虽然代价是一周的禁闭，但是，解除禁闭，他又微笑的走了出来。
安迪终于重获自由，在那个雷雨交加的夜晚。他从污泥中艰难地站了起来，仰头深深的呼吸——他一定闻到了自由的味道。那一刻，一道闪电划破天空，笼罩他整整十九年的，那所有的冤屈和压抑，全然释放！
“上帝地审判比预料来得快！”这是典狱长办公室墙上挂的圣经刺绣。他的审判，也来得比预料得快，但那却不是上帝带来的，而源自一个越狱犯人的举报。

2，喝啤酒
至今记得，瑞德与安迪的一段关于希望的对白，并奉为经典。
安迪：你应该继续吹(指口琴)就不会忘记了。
瑞德：忘记什么？
安迪：忘记在这世界上，还有这用高墙栅栏围起来的地方，还有你自己心里的，他们拿不走、碰不到的东西，属于你自己的东西。
瑞德：你指什么？
安迪：希望！
瑞德：希望？听我说一句老朋友，希望是很危险的，它会让你发疯，在这种地方，千万不要有这种念头。
显然，瑞德已经认同了典狱长的话：把信仰交给上帝，把身体交给我。
但是，安迪却答之以一个淡定的微笑。
无论是什么，都关不住希望，一切皆因希望起，世间无数的拼搏、付出，以及百折不回，就正是为了内心的希望吗？有了希望，肖申克监狱不过形同虚设，有了希望，一把小小的锤子便可以救赎生命、救赎自由，甚至救赎鲨堡（肖申克监狱）。有了希望，安迪便可在无尽的等待与提心吊胆中尽情享受每一个小小的乐趣，并将这乐趣传播开来，将希望播种在每个人心里。希望是关不住的，锁不牢的，是有翅膀的鸟，是流动的空气，是息息尚存的呼吸，是永远无法遏制的，是任何黑暗都无法染指的。有了希望就有了一切，有了希望就一切皆有可能。
瑞德心中早已没有了希望，那图书馆管理员老布，居然会对希望充满恐惧，而安迪却始终心怀希望，那怕 “用这样的小锤挖洞，至少需要600年。”安迪最能打动人心的品质，恰恰是这种看似对眼前现实平和接受，而心中希望却永不不磨灭的精神。
关于自由
一头是系在小小鹤嘴锄上的自由，这种自由的追求要面对频繁的查房和重重的高墙；一头是监狱里悠然自得地生活，这种生活看起来既不空洞又拥有尊重。安迪毫不忧郁的选择了前者，那怕风险是那样的大，哪怕安全仅仅来源于一张丽塔.海华丝的海报（海报后面就是安迪用锤子挖的洞）……
一个人能够在十九年痛苦的牢狱生活里，不放弃对自由的向往，这是一种怎样的精神力量？这其间又要付出多么大的代价？当凶恶的狱警将安迪推向死亡的边缘，他仍然面不改色，口若悬河。最后，他第一次在监狱里赢得了自由，虽然这自由，只是在完工的屋顶喝上一口啤酒。

3，体制化
“体制化是这样一种东西，一开始你排斥它，后来你习惯它，直到最后你离不开它。”这是其中的一句台词,但说的不正是我们嘛,当我们被人为划定的圈子的固步自封,以为这就是我们所希望的生活,就象电影中的BROOKS,在监狱待了50年,入狱前就只见过一次汽车,出狱后面对熙熙攘攘的车流,那种茫然,那种无所适从,心里唯一的想法竟然是回到那个万恶的监狱,长期的没有希望的生活已让他失去了面对新生活的勇气,他最后也选择了自杀,也只能是他唯一的结局.记得那句刻在木廊上的字嘛?"BROOKS WAS HERE."
"hope is a good thing,maybe the best thing！Busy for living or busyfor death！"Andy在狱中对Read说的一句话,换来了Read诧异的目光,在他看来自己已经在监狱待了40年,已经"习惯"这里的一切,谈希望未免太可笑.他已经习惯了体制化的生活,若不是遇见Andy,他的下场应该是与Brooks是一样的,出来后看着陌生的世界，也就只有一死了之.所以在监狱里,Andy并不是进行的自我救赎,而是感染了身边的一切,也就是带来了希望,导演把 Andy戏耍典狱长的情节一笔代过，并没有着重描述，其实凭借他的才能，有这样的结果是可以预见的，虽然有点出乎意料，但让在可以接受的范围内．但对于Read,影片中曾不只一次的突出的叙述他对这种生活的满意以及对未来自由生活的胆怯，在他心里，现在这种状态才是最好的。Andy改变了他，与其说是改变，不如说在生死关头给他指引了一条生路，给他带来了勇气与希望．当看到Read拿起那把小刀，心里为之一震，还好，他在Brooks刻字的旁边写下了这么一句：”Me too."同样的遭遇，同样的地点，不一样的结局，这就是Andy出现多带来的改变．

Shawshank redeems Hollywood

Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, e to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.

The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.

By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.

While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to indivialism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.

With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.

With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.

This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and proction facilities. These artists show their capability to proce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.