影片《木乃伊》是一部1999年环球影业出品的美国冒险电影，由斯蒂芬·索莫斯编剧并执导，布兰登·费舍、蕾切尔·薇兹、约翰·汉纳、凯文·J·奥康纳和阿诺德·沃斯洛等联袂出演。影片一定程度上是1932年同名恐怖片的重拍片。影片于1999年5月7日在美国上映[1] 。
电影讲述1920年，美国探险家欧康纳受雇于英国图书馆员和她那当埃及学家的兄弟，来到埃及探险，不幸将千年木乃伊“释放”成活人，随后开始了一段刺激惊险之旅。
中文名 木乃伊 外文名 Momia, La 其它译名 盗墓迷城 出品公司 阿尔法维尔影业 发行公司 环球影业 制片地区 美国 导 演 斯蒂芬·索莫斯 编 剧 斯蒂芬·索莫斯 制片人 肖恩·丹尼尔 类 型 动作 主 演 布兰登·费舍，蕾切尔·薇姿 片 长 124分钟 上映时间 1999年5月7日 票 房 4亿1593万3406美元 对白语言 英语 / 阿拉伯语
Ⅱ 求木乃伊1的影评
Mummy Returns
http://www.reelviews.net/movies/m/mummy2.html
The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million, Universal had already put two additional Mummy films into the hopper, awarding the series the "franchise" label. The Mummy Returns, which re-unites nearly the entire cast from the 1999 movie, is the first of these two proctions. The other, a prequel called The Scorpion King, will be released either later this year or next year, depending on how Universal arranges its release schele.
Stephen Sommers' 1999 feature was an enjoyable, if overlong, romp recounting the struggles of an adventurer and his companions to stop the apocalyptic agenda of an ancient Egyptian priest. While not entirely successful, The Mummy nevertheless boasted an infectious blend of high adventure, low-scare horror, and special effects that transformed it into a crowd-pleaser capable of sating the early summer audience until The Phantom Menace came along a few weeks later. Now, Rick O'Connell (Brendan Fraser), Evie O'Connell (Rachel Weisz), Jonathan Carnahan (John Hannah), Ardeth Bay (Oded Fehr), and (of course) Im-Ho-Tep (Arnold Vosloo) are all back. Joining them are a couple of notable newcomers: Rick and Evie's son, Alex (Freddie Boath), and the dreaded Scorpion King (WWF mainstay, The Rock).
The story for The Mummy Returns is a meager and muddled affair peppered with deus ex machina contrivances. A cult of power-mad Egyptologists (is there another kind?) have concocted a plan by which they can obtain world domination. First, they must resurrect Im-Ho-Tep, the mummy from the first film. Since they are being led by the ancient priest's re-incarnated girlfriend, Anck-Su-Namun (Patricia Velazquez), this proves to be surprisingly easy. Then, with his powers restored, Im-Ho-Tep heads off to do battle with the mythical Scorpion King, whose tomb lies in a pyramid at the center of a hidden oasis. In order to find that oasis, Im-Ho-Tep needs an artifact which happens to be in the possession of Alex O'Connell. And, when the boy is kidnapped, that brings his parents, his uncle Jonathan, and their old friend, Ardeth Bay, into the conflict. This results in a lot of chasing around the globe and a climax that features a special effects-laden battle between a large force of humans and an army of decaying, dog-faced creatures.
The fundamental problem underlying The Mummy Returns is the reason that the movie exists in the first place. This is not the byproct of the creative process; it's an off-shoot of Universal Pictures' greed. The sequel was made not because the filmmakers had a compelling story to tell, but because The Mummy made so much money that a second installment became mandatory. This thought process results in countless pointless and derivative sequels - a class in which The Mummy Returns unquestionably belongs. The plot is just a flimsy excuse to bring back old friends and stick them in a series of cliffhangers. It's low-rent Raiders of the Lost Ark, with high-quality special effects filling in for character development and intelligible storytelling.
Some of the action sequences in The Mummy Returns are fun and the visual effects are more polished and less noticably "fake" than in the previous film. Unfortunately, all of this can't obscure the fact that there is basically no plot. The clash of armies at the end has no purpose beyond showing off the effects mavens' skills at the computer. (In terms of style, it's reminiscent of the war in The Phantom Menace, albeit without the same strong story motivation.) The Mummy Returns has opportunities to do interesting things (at one point, there's a chance to force Im-Ho-Tep and Rick into an uneasy alliance, but that is neatly bypassed). Like the Indiana Jones movies, The Mummy Returns tries to blend low-key humor with a non-stop series of cliffhangers. However, while some of the jokes are funny, the action sequences are only sporadically satisfying, owing primarily to their often preposterous resolutions. And, while Rick possesses a certain charm, he's no Indiana Jones.
Brendan Fraser and Rachel Weisz rekindle the cute chemistry that existed between their characters in The Mummy. Freddie Boath makes an effective addition to the cast, primarily because he's not as annoying as most movie kids. John Hannah is back as the fatuous Jonathan. Arnold Vosloo's Im-Ho-Tep is subtly diminished, perhaps because he now has to share the spotlight with two other villains. Patricia Velazquez has an expanded role here from the one she essayed in the first film. And the part of The Scorpion King doesn't challenge The Rock's thespian abilities - all he has to do is snarl and look tough - things he is familiar with from his day job.
The Mummy Returns offers one surprise - an unexpectedly poignant dramatic moment in which we feel a surge of sympathy for one of the characters. Unfortunately, it's for one of the bad guys, which makes the ending a downer. Overall, the film probably offers what fans of The Mummy are expecting. The thinner, unnecessarily long storyline notwithstanding, this is essentially more of the same. It's hollow, lightweight entertaininment - not unpleasant, but far from the summer's definitive action/adventure flick.
http://www.tiscali.co.uk/entertainment/film/reviews/the_mummy_returns.html
http://www.plume-noire.com/movies/reviews/themummyreturns.html
http://www.moviefreak.com/reviews/m/mummyreturns_1.htm
Ⅲ 木乃伊有关的电影有哪些（不是说英文的）
木乃伊1、2、(3)
这两部电影名气太大，就不罗嗦了。
木乃伊魔咒
这部拍摄于1960年代的恐怖片经典或许能让观众稍满足一下对古埃及传说的好奇心。当一群来自欧洲的古埃及学家发现埃及王子雷的坟墓时，赞助商美国实业家亚历山大坚持将发现的所有宝藏和石棺运回英国巡回展览； 当石棺运至英格兰境内后，一位心怀不轨的坏蛋发现了唤醒木乃伊的方法，让这位沈睡千年的埃及王子在维多莉亚时代的伦敦觉醒，开始追杀所有亵渎他神圣墓地的人，有谁能阻挡木乃伊无边的魔力呢？
卢浮魅影
在新世纪来临前的黎明，在罗浮宫里一个被邪恶势力附身的古埃及木乃伊，诞生了一个鬼魅：贝佛果(Belphegor)，骚扰这座史上收藏最丰富的美术馆之一，于是罗浮宫里开始鬼影幢幢，监视摄影机拍摄到诡异画面、古埃及的收藏品接连失踪、怪事持续发生…，到底这座人类文明的殿堂能否全身而退？这是史上第一部进入罗浮宫实地拍摄的电影。
死亡军团
安娜·德特是乍特的女祭师，是混乱和邪恶之神，据她的追随者说她有能够复活死者和获得永生的强大力量。安娜·德特的强大力量威胁到了乔治亚的统治，所以她被放逐了，而今天，古埃及大女祭祀Aneh-Tet从她的4000年的睡眠里醒过来，她要重回人间统治世界...
魔茧复活
半个世纪前，德教授率领考古队在埃及帝王谷发现了一个罕有的金字塔「太洛斯」。更碰上一股邪恶的恐怖力量，为了令邪灵不致为祸人间，德教授不惜引爆搜索现埸，与邪灵同埋于沙漠深处。
德教授的孙女珊美其后自组搜索队，决定重新征服「太洛斯」，但同样遇上邪恶力量，各队员更是死的死，疯的疯。从此，「太洛斯」的阴影一直潜伏在她的心中。岂料一天，珊美收到英国国家博物馆的宣传品，即将举行的展览竟是「太洛斯」！经历了几千年的沉睡，终于重现人间。
夺宝奇兵1：法柜奇兵
剧情介绍：
印地安纳．琼斯是一所大学的考古学教授，一天，美国军方找到他，他们破译了一份关于
Ⅳ 电影《木乃伊》第一部观后感
虽然是含有恐怖元素的探险类电影,<木乃伊>却显得精致许多,情节紧凑,画面也一直保持统一,一直是那片纯净又迷人的金黄色.它们将埃及那种神秘又致命的美丽表现得充满张力,令人神往,至少我是这样.
我跟影片的主角伊芙琳不一样,我没有探险家的父母,没有潜心研究古籍的定力与耐心,甚至没有足够的热情可以不顾后果地去探寻.所以我只是坐在这里,像发了毒誓的凡尔纳只有在自己的幻想中去旅行.去发掘生命的奇迹.
而伊芙琳不是,她踏上了那片迷人的土地,她触摸到了那些古老的遗迹,她深入了风暴的中心,因此她成为了传奇,尽管那些只是虚拟,我也心甘情愿地相信.我看着她在那些危险中成长起来.一开始她只是想探险,她把这些当做游戏,而当她真的看见了实现童年梦想的可能性时她便再不肯说放弃.她的勇气牵引她去完成那些不可能的任务,去寻找"黄金金经".这个时候那些热情让她变得无所畏惧.而后是责任让她坚持,是她打开了亡灵书,是她唤醒了邪恶的大祭司,是她带来了世界的灾难所以也要由她去负担后果尽管她还不知道用什么样的方式,她只知道不可以放弃.再后来她学会了牺牲自己虽然自己心里已经装满了恐惧.角色的成长往往是让观者最感欣悦的事情,这一点<木乃伊>做得很成功.想起安妮的一句话"女人是会随着时间的流转而逐渐变得坚硬和实用起来的."
其实排除掉片中大量恶心情节外,故事内容是相对轻松的.女主角平时不中用的哥哥,带了一大串护身符信仰各种教派,关键时刻甚至连"菩萨保佑"都搬出来的怕死的小角色都不乏幽默.所以我无法理解将该片冠以"恐怖片"的行为.而影片中真正恐怖的是那些被贪念控制的卑微的心.因为执着于黄金而死掉的人们其实才是最大的悲剧.正像瑞克说的,伊芙琳只是喜欢那本"黄金金经"而不在乎它是不是用黄金做的.也许正因如此,他们才能活着走出那片充满诱惑的沙漠.
带着他们的财富,亲情,友情,还有爱情.
有人跟我说<木乃伊归来>做为续集还算合格,可是女主角的人格魅力却大不如前.确实那个只有单纯得甚至愚钝的心眼的伊芙琳变得风情万种,变得娇俏可人了.不复再有第一部的纯粹,那么将这些看成一种蜕变不是更好吗?!她不单是一个考古学家,她还是一个妻子是一个母亲.瑞克不仅是一个老道的探险家他还成为了一个父亲.他身上也有了多的责任,在他抱着儿子拼命奔跑,要在日出之前赶到太阳神庙的时候这种蜕变显得尤其灼眼.甚至于吊而啷当的乔纳森也必须成为一个长辈,一个孩子的舅舅,尽管他做的不怎么好.可是这些变化终究还是让我们惊喜,让我们有理由去记起.这个未完的传奇.
在每次重看这样的电影时都会发现新的东西.这次我发现一个拥有知识的女性在男人中散发的吸引力.当伊芙琳讲述那些古老的传说时,所有人都只看着她,都陷在远古的幻想中.这个时候没有人可以看轻她.她带他们看到了不一样的世界.以女性的眼光审视的世界,一个远古的充满故事的世界,他们只有叹服,他们无法抗拒她的魅力.那些故事让她变得厚重又轻盈,让她成为另一个迷,虽然只是瑞克解开了,可是每个人都会敬重这个带着故事的女人.
也许是因着考古学家的梦想,也许是出于对这一题材的热爱,又或者只是单纯的执念,总之我很喜欢这部电影,它带来的不只是惊奇,还有绮丽的梦境,让我不放弃去寻找生命中的圣地,不再忽视那些突兀的美丽.
Ⅳ 跪求<木乃伊归来2 >的英文影评
Mummy Returns,
The United States, 2001
U.S. Release Date: 5/4/01 (wide)
Running Length: 2:08
MPAA Classification: PG-13 (Violence)
Theatrical Aspect Ratio: 2.35:1
Seen at: UA Riverview, Philadelphia
Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Adewale Akinnuoye-Agbaje, Freddie Boath, Oded Fehr, The Rock, Patricia Velazquez
Director: Stephen Sommers
Procers: Sean Daniel, James Jacks
Screenplay: Stephen Sommers
Cinematography: Adrian Biddle
Music: Alan Silvestri
U.S. Distributor: Universal Pictures
The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million, Universal had already put two additional Mummy films into the hopper, awarding the series the "franchise" label. The Mummy Returns, which re-unites nearly the entire cast from the 1999 movie, is the first of these two proctions. The other, a prequel called The Scorpion King, will be released either later this year or next year, depending on how Universal arranges its release schele.
Stephen Sommers' 1999 feature was an enjoyable, if overlong, romp recounting the struggles of an adventurer and his companions to stop the apocalyptic agenda of an ancient Egyptian priest. While not entirely successful, The Mummy nevertheless boasted an infectious blend of high adventure, low-scare horror, and special effects that transformed it into a crowd-pleaser capable of sating the early summer audience until The Phantom Menace came along a few weeks later. Now, Rick O'Connell (Brendan Fraser), Evie O'Connell (Rachel Weisz), Jonathan Carnahan (John Hannah), Ardeth Bay (Oded Fehr), and (of course) Im-Ho-Tep (Arnold Vosloo) are all back. Joining them are a couple of notable newcomers: Rick and Evie's son, Alex (Freddie Boath), and the dreaded Scorpion King (WWF mainstay, The Rock).
The story for The Mummy Returns is a meager and muddled affair peppered with deus ex machina contrivances. A cult of power-mad Egyptologists (is there another kind?) have concocted a plan by which they can obtain world domination. First, they must resurrect Im-Ho-Tep, the mummy from the first film. Since they are being led by the ancient priest's re-incarnated girlfriend, Anck-Su-Namun (Patricia Velazquez), this proves to be surprisingly easy. Then, with his powers restored, Im-Ho-Tep heads off to do battle with the mythical Scorpion King, whose tomb lies in a pyramid at the center of a hidden oasis. In order to find that oasis, Im-Ho-Tep needs an artifact which happens to be in the possession of Alex O'Connell. And, when the boy is kidnapped, that brings his parents, his uncle Jonathan, and their old friend, Ardeth Bay, into the conflict. This results in a lot of chasing around the globe and a climax that features a special effects-laden battle between a large force of humans and an army of decaying, dog-faced creatures.
The fundamental problem underlying The Mummy Returns is the reason that the movie exists in the first place. This is not the byproct of the creative process; it's an off-shoot of Universal Pictures' greed. The sequel was made not because the filmmakers had a compelling story to tell, but because The Mummy made so much money that a second installment became mandatory. This thought process results in countless pointless and derivative sequels - a class in which The Mummy Returns unquestionably belongs. The plot is just a flimsy excuse to bring back old friends and stick them in a series of cliffhangers. It's low-rent Raiders of the Lost Ark, with high-quality special effects filling in for character development and intelligible storytelling.
Some of the action sequences in The Mummy Returns are fun and the visual effects are more polished and less noticably "fake" than in the previous film. Unfortunately, all of this can't obscure the fact that there is basically no plot. The clash of armies at the end has no purpose beyond showing off the effects mavens' skills at the computer. (In terms of style, it's reminiscent of the war in The Phantom Menace, albeit without the same strong story motivation.) The Mummy Returns has opportunities to do interesting things (at one point, there's a chance to force Im-Ho-Tep and Rick into an uneasy alliance, but that is neatly bypassed). Like the Indiana Jones movies, The Mummy Returns tries to blend low-key humor with a non-stop series of cliffhangers. However, while some of the jokes are funny, the action sequences are only sporadically satisfying, owing primarily to their often preposterous resolutions. And, while Rick possesses a certain charm, he's no Indiana Jones.
Brendan Fraser and Rachel Weisz rekindle the cute chemistry that existed between their characters in The Mummy. Freddie Boath makes an effective addition to the cast, primarily because he's not as annoying as most movie kids. John Hannah is back as the fatuous Jonathan. Arnold Vosloo's Im-Ho-Tep is subtly diminished, perhaps because he now has to share the spotlight with two other villains. Patricia Velazquez has an expanded role here from the one she essayed in the first film. And the part of The Scorpion King doesn't challenge The Rock's thespian abilities - all he has to do is snarl and look tough - things he is familiar with from his day job.
The Mummy Returns offers one surprise - an unexpectedly poignant dramatic moment in which we feel a surge of sympathy for one of the characters. Unfortunately, it's for one of the bad guys, which makes the ending a downer. Overall, the film probably offers what fans of The Mummy are expecting. The thinner, unnecessarily long storyline notwithstanding, this is essentially more of the same. It's hollow, lightweight entertaininment - not unpleasant, but far from the summer's definitive action/adventure flick.
Ⅵ 木乃伊3英文观后感
木乃伊3英文观后感453篇：
http://www.imdb.com/title/tt0859163/usercomments
自己选择一下，也可以将多篇整理合成一篇。
Ⅶ 关于木乃伊的英文介绍
《鱼游到了纸上》是新教材六年制第九册的新增课文。课文记叙的是作者在西湖玉泉看鱼时，发现了一位举止特别的青年，经过多次观察，作者不仅发现他所画的鱼活灵活现，还发现了他是一位聋哑人，所以钦佩之情油然而生，在叙事的同时也表达了自己的思想情感。教学时如果能把握好课文的脉络，顺着作者发现这位举止特别的聋哑青年及其爱鱼爱到了忘我的境界这条线，就能逐步体会作者的思想感情，从而让学生悟出要把自己的意思表达出来就离不开典型的事例和材料这样一个道理。而这些典型材料恰恰源于自己身边发生的事，只有平时留心观察和积累，写起文章来才能做到内容真实感人。因此，教学本文，要先理解课文内容，在此基础上归纳总结写法。可采用以下的步骤：
一、整体入手，了解全文每一篇文章拿到手上，都必须先大概了解内容，目的是让学生精学课文之前对全文有一个初步印象，扫清阅读中生字、新词的障碍，并理清作者思路，文章写作顺序。所以可以让学生带着问题去自读、轮读或范读。教师设问：课文讲了发生在什么地方的事？主要人物是谁？课文的主要内容是什么？
二、紧扣课题，理清主线题目是文章的眼睛，课题就是统率全文的灵魂。“鱼游到了纸上”正是青年刻苦练习、勤于观察的结果。在弄清了这个句子的意思以后，从课文中再找一找与它类似的句子，比较每一次出现的语句有什么不同，每一次是在什么情况下出现的，再设问为什么鱼游到了纸上，使学生初步明确“游到纸上”和“先游到心里”的关系。可用“因为……所以……”的句式表明二者的关系，这样为深入理解课文找到突破口，也为下面理解“从哪里看出游到了纸上”和“从哪里看出先游到了心里”作了铺垫。
三、精讲重点词句，体会作者感情变化为了让长文短教，就要让学生透彻地理解重点词句，这样就会有事半功倍的效果，还可以在体会句子内涵的同时，使学生情感的闸门大开，心灵也会受到触动，以达到与作者产生共鸣的效果。几个重点句子处理方法如下：
一句：“我认识了一位举止特别的青年。”“举止”是什么意思？“举止特别”是什么意思？从哪些地方表现了青年的举止特别？通过以上几个问题的讨论，便能直插重点，也是全文的难点，就是那位青年人看鱼如醉如痴，忘却了周围的一切，从而引出“忘我的境界”，这样对“忘我”一词的理解就不空洞了。再辅以朗读指导，加深印象。这也是作者留心观察的一个着眼点，把一个专心、认真看鱼的青年形象呈现在我们眼前。
二句：“金鱼游到他的纸上了！”①这话是谁说的？用什么口气说的？作者挤进去又会用什么口气说？什么叫赞叹？②你认为这句话是什么意思？从哪里看出鱼画得活灵活现？青年人用了什么方法画鱼？这句话出自一个小姑娘之口，但代表了所有人的心声，而对问题②的理解，更有助于加深学生对这句话所包含的赞叹之情的理解。由于青年人爱鱼爱到了忘我的境界，画鱼时又是那么专注、勤奋，以至于受到所有围观的群众一致夸赞，小姑娘惊奇地大叫，说明所画的鱼栩栩如生，非同一般。至此，青年人忘我的观察鱼的原因也有了交待，作者自己对这位青年人的观察也就兴致更浓。“他好像和游鱼融为一体”的秘密何在？由此引发作者更强烈的好奇心，想尽快了解清楚，可见作者的观察是有目的的、积极的。至此学习第三句“他好像和游鱼融为一体了”的理解就迎刃而解了。接着引导学生联想青年人可能在想什么，作者从中可以知道什么，进一步为理解下文作铺垫。
三句：“鱼游到了你的纸上”与“先游到了我的心里”。这是作者从青年人的厂徽上发现他是个聋哑人，敬佩之情油然而生。为了进一步了解他，作者与青年进行了笔谈，这是笔谈中的两句话。前一句是作者对青年人的称赞，后一句则是青年人的回答。首先理解前一句，设问，如：作者的话是什么意思？表达了作者的什么感情？重点挖掘后一句的含义，可以顺着这样的思路启发学生：“心”是指什么？为什么鱼先游到了青年的心里？游字说明鱼的特征在青年脑海中形成什么样的印象？“先”是指什么先？先字点明了这两句话的关系是什么？
明晰了两句话的意思以及弄清它们之间的联系，就更明确了这位聋哑青年由于勤奋观察、刻苦练习，才达到了忘我的境界。那么作者感情也是伴随着对青年人的观察一步步深入而变化的。
四、把握时机，有机渗透写法每一堂课教学都应该有一个重点、难点，难点的突破，便是这堂课最大的收获，如果能在这时将读写结合，课文对学生的写作起的作用就更大。
理解了《鱼游到了纸上》的内容，体会到了作者感情的变化就是课堂上的一大收获。此时，让学生根据作者感情的变化给课文分段，是写法渗透之一，然后说说每段之间有什么联系。因为作者经常去玉泉看鱼，所以发现了这位举止特别的青年人，再经过多次留心观察，发现青年人爱鱼爱到了忘我的境界，画鱼十分刻苦细致。在观察中进一步发现他是聋哑人，才采取笔谈的方式深入了解。为了表达自己对聋哑青年的钦佩之情，作者就以“爱鱼爱到了忘我的境界”为线索，把材料加以整理、筛选，才写成了《鱼游到了纸上》这篇文章。最后，因势利导，鼓励学生要像作者那样做生活的有心人，只要用心去发现，善于发现，并把观察的事物记录下来，注意积累，那么作文时就有取之不劲用之不竭的材料。
Ⅷ 美国电影《木乃伊》一句英文翻译
Deadth is only beginning
在第一部中，伊莫顿死的时候用埃及语说的，而伊芙把她用英语翻译过来-"Deadth ......is only beginning"
昨天才看完这3部电影哈！