『壹』 关于最近流行的电影的英语演讲稿
Good evening London,
Allow me first to apologize. I do, like many of you, appreciate the comforts of the everyday routine, the security of the familiar, the tranquility of repetition. I enjoy them as much as any bloke. But in the spirit of commemoration, whereby important events of the past usually associated with someone’s death or the end of some awful, bloody struggle are celebrated with a nice holiday. I thought we could mark this November the 5th a day that is, sadly no longer remembered by taking some time out of our daily lives to sit down and have a little chat. There are, of course, those who do not want us to speak. I suspect even now, orders are being shouted into telephones and men with guns will soon be on their way.
Why? Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning and, for those who will listen, the enunciation of truth. And the truth is, there is something terribly wrong with this country, isn’t it there?
Cruelty and injustice, intolerance and oppression, and where once you had the freedom to object to think and speak as you saw fit, you now have censors and system of surveillance coercing your conformity and soliciting submission.How did this happen? Who’s to blame? Certainly there are those who are more responsible than others. And they will be held accountable. But again, truth be told, if you’re looking for the guilty you need only look into a mirror.
I know why you did it. I know you were afraid. Who wouldn’t be? War, terror, disease. There were a myriad of problems which conspired to corrupt your reason and rob you of your common sense.Fear got t
hebe
st of you. And in your panic, you turned to the now High Chancellor Adam Sutler. He promised you order, he promised you peace and all he demanded in return was your silent, obedient consent.
Last night, I sought to end that silence. Last night, I de
『贰』 求一篇英语演讲 什么人文 历史 书籍 电影介绍都可以 急！！！！！
要多少字？
要多长的演讲时间？
『叁』 关于电影的英语演讲稿
你必须给出一个具体的电影啊.
『肆』 英语电影片段，演讲用
肖申克的救赎经典
Fear can hold you prisoner, hope can set you free. A strong man can save himself, a great man can save another.
懦怯囚禁人的灵魂,希望可以令你感受自由。强者自救,圣者渡人。
Prison life consists of routine, and then more routine.
监狱生活充满了一段又一段的例行公事。
These walls are kind of funny like that. First you hate them, then you get used to them. Enough time passed, get so you depend on them. That's institutionalized.
这些墙很有趣。刚入狱的时候,你痛恨周围的高墙;慢慢地,你习惯了生活在其中;最终你会发现自己不得不依靠它而生存。这就叫体制化。
I find I'm so excited. I can barely sit still or hold a thought in my head. I think it the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
我发现自己是如此的激动,以至于不能安坐或思考。我想只有那些重获自由即将踏上新征程的人们才能感受到这种即将揭开未来神秘面纱的激动心情。我希望跨越边境，与朋友相见握手。我希望太平洋的海水如同梦中一样的蓝。我希望。
I guess it comes down to a simple choice: get busy living or get busy dying.
人生可以归结为一种简单的选择:不是忙着活,就是忙着死。
There's not a day goes by I don't fell regret. Not because I'm in here, or because you think I should. I look back on the way I was then, a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can’t. That kid's long gone and this old man is all that's left. I got to live with that. Rehabilitated? It's just a bullshit word. So you go on and stump your form, sonny, and stop wasting my time. Because to tell you the truth,I don't give a shit.
我无时无刻不对自己的所作所为深感内疚,这不是因为我在这里(监狱),也不是讨好你们(假释官)。回首曾经走过的弯路,我多么想对那个犯下重罪的愚蠢的年轻人说些什么,告诉他我现在的感受,告诉他还可以有其他的方式解决问题。可是,我做不到了.那个年轻人早已淹没在岁月的长河里,只留下一个老人孤独地面对过去。重新做人?骗人罢了!小子,别再浪费我的时间了,盖你的章吧,说实话，我不在乎。
Some birds aren't meant to be caged, that's all. Their feathers are just too bright...
有的鸟是不会被关住的，因为它们的羽毛太美丽了！
『伍』 介绍一本书或电影(英文) 急....!!!
要看网络小说的话可以选《神墓》《星辰变》《坏蛋是怎么练成的》《盘龙》都不错！
『陆』 要一篇英文演讲稿，关于电影的。
This movie is delightful from start to finish. Although some of the coincidences and chance meetings are highly improbable (both going to NYC? Both watching the same TV set at the same time?), they cannot spoil what is a genuinely touching and moving experience.
Instead of a the usual scenario where two people try desperately to find love, the two leads, Li Chiao (Maggie Cheung) and Li Xiao Jun (Leon Lai), try desperately to avoid it. Both Mainlanders, she has come to Hong Kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the Mainland. Through a brief meeting in a McDonalds where Li Chiao works one of her several part-time jobs, and Xiao Jun has come to experience the unknown-in-his-hometown food, they become friends. They discover a shared love for the songs of Taiwanese singer Teresa Tang, which become the soundtrack to their relationship. Both are lonely, and graally they form a genuine friendship, then a not-so-casual intimate relationship. Their struggle to remain true to their original goal in coming to Hong Kong leads to an emotional crisis for both them and their partners. The struggle takes place over a ten year period, ring which they separate only to keep bumping into one another and reopening old wounds. The resolution of this struggle is sweet indeed.
The lead actors are both exceptional, particularly Leon Lai, who always seemed to be playing a variation on himself until this film. He is completely believable as the naive and trusting Xiao Jun, and Maggie Cheung is, as ever, radiant and affecting. The songs of Teresa Tang are used to great effect, one of which gives the film it's title (Tian mi mi, the title of the Chinese version, roughly translates as Sweet Like Honey).
invisible and chose
Just ask yourself-- billions of people in the world, why do I meet you not someone else?
『柒』 用英语推荐一本书或一部电影 （用于英语课前演讲的）
真爱至上（英式发音），舞出我人生（美式发音）
『捌』 求一个英语演讲的ppt啊 关于 书籍电影等等各种什么的都可以 大概3分钟左右的 感激！！！！！
我这儿有各种题材的，都是我自己做的，你要是要的话我给你打包过去
『玖』 求关于最喜欢的电影的英语演讲5分钟左右
There are so many movies I've loved that the entire list would be nearly book-length. It's tough to pick just a few, but I'll give it a try.
Before I start any kind of numbered list, I have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. It isn't fair to list it with others. While I'll still refer to #1 on the list below as my favorite as follow.
Movie:d'Amélie Poulain, Directed by :Jean-Pierre Jeunet.
Jean-Pierre Jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.Every single character,including Amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of Dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.Amelie is like the angel who repairs the missing links in their lives and finds a root of her own.The "All's Well that Ends Well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.
For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to proce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.
I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.
Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.
The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.
Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.
这个影片“天使爱美丽”的观后感，从导演及音乐、摄影方面阐述了对该电影的喜爱之情。文章字数为4500字左右，根据演讲人语速5分钟内应该无问题，我也可以再删减内容，希望能帮到你。