joker电影英文影评

❶ 蝙蝠侠之黑暗骑士影评求翻译成英文。。谢谢

全是自己打的：
The battle between bat and the Joker is the battle between two edges of humanity. Joker does have the right point, but Batman always wins.
The existance of the Joker could be seen as the marginal edge of the evil of humanity, instead of the representation of the evils, since he has been trying to examine the validity of the other indivials.
However he based on the wrong theory, which leads to the invalidity of his conclusion. Seeing the fact that the real criminals mping the detonator that could save their lives by killing others, while the real civilians still fighting each other to decide whether to press the button, there's a strong contrast rooted deep inside down the heart of the audiences.
In a civilized society, a man who always operate under their own principles without breaking them can always win. It's not a battle of life and death. The Joker could drag Harvery Dent down to his level, but he could never corrupt Batman. As a matter of fact, the real justice can never be destroyed.

我是蝙蝠迷，握手。

❷ 我记得有一个英文故事关于小丑的

楼主的这个问题……不好答。就我所知有两个割嘴角的小丑，而且也是电影（漫画）中出现的。这里就列出来看看能不能帮到楼主了。
1、《针》一部电影，Richard·Stitches·Grindle是一名专门参加孩子生日派对的小丑，他为了生活每天都必须微笑以诙谐幽默的话语逗孩子开心，直到一次他参加了一群非常顽劣孩子的生日party，这次聚会让他“丧命”，多年后当年的孩子已经长大，在一次聚会上，小丑不邀而至为的是报复这群年轻人。（这段信息来源于网络。是自己无意间发现的。）
2、《蝙蝠侠2：黑暗骑士》同样是一部电影（个人非常喜欢的），里面是整个DC宇宙中，蝙蝠侠最强大的对手Joker(小丑)。同样是以割开面颊出名。但是该部作品中的小丑是一个彻彻底底的疯子。希望的是和蝙蝠侠永远争斗下去（该片没有涉及很快乐，反而透出小丑的那股疯狂与无奈）。
希望对楼主有所帮助。

❸ 求一个 蝙蝠侠暗夜骑士 这部电影的一个短的英文简介，比较简洁就好谢谢了

When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, the caped crusader must come to terms with one of the greatest psychological tests of his ability to fight injustice.

❹ 蝙蝠侠里的小丑是JACK还是JOKER

《蝙蝠侠》第一部中的小丑是有名有姓的，叫杰克.奈皮尔。
这次的《黑暗骑士》中的小丑是个身分成谜的人，戈登警官说过小丑“没有，指纹、DNA和牙科纪录都没有符合的，穿的是戏服，口袋里只有小刀和绷带，没有名字，没有其他身份证明”，到最后也不知道小丑过去的身份。

JOKER是扑克牌中的鬼牌，在英文中的小丑就是JOKER。

这两部电影是由两个导演的导的，是两个不同的系列，彼此没有联系，所以剧情和人物设定上彼此不同。

❺ 急！！！！剪刀手爱德华影评 英文 1500字左右的 原创的最好 好的话追加100分

简介：The director Tim Burton wages a valiant battle to show us new and wonderful things. In a Hollywood that placidly recycles the same old images, Burton uses special effects and visual tricks to create s ...

The director Tim Burton wages a valiant battle to show us new and wonderful things. In a Hollywood that placidly recycles the same old images, Burton uses special effects and visual tricks to create sights that have never been seen before. That is the good news. The disappointment is that Burton has not yet found the storytelling and character-building strength to go along with his pictorial flair.

That was true even of his "Batman," which was 1989's box office champion, but could have been a better film, I believe, if there had been anyone in it to inspire our emotional commitment. Even comic characters can make us care. Unlike Richard Donner's original "Superman," which actually had a heart beneath its special effects, Burton's "Batman" occupied a terrain in which every character was a grotesque of one sort of another, and all of their actions were inspired by shallow melodramatic motivations.

That movie was stolen by a supporting character - Jack Nicholson's Joker - and now comes "Edward Scissorhands," another inventive effort in which the hero is strangely remote. He is intended, I think, as an everyman, a universal figure like one of the silent movie clowns, who exists on a different plane from the people he meets in his adventures. One problem is that the other people are as weird, in their ways, as he is: Everyone in this film is stylized and peculiar, so he becomes another exhibit in the menagerie, instead of a commentary on it.

The movie takes place in an entirely artificial world, where a haunting gothic castle crouches on a mountaintop high above a storybook suburb, a goofy sitcom neighborhood where all of the houses are shades of pastels and all of the inhabitants seem to be emotional clones of the Jetsons. The warmest and most human resident of this suburb is the Avon lady (Dianne Wiest), who comes calling one day at the castle - not even its forbidding facade can deter her - and finds it occupied only by a lonely young man named Edward (Johnny Depp).

His story, told in a flashback, is a sad one. He was created by a mad inventor (Vincent Price), who was almost finished with his task when he died, leaving Edward with temporary scissors in place of real hands. One look at Edward and we see that scissors are inconvenient substitutes for fingers: His face is a mass of scars, and he tends to shred everything he tries to pick up.

The Avon lady isn't fazed. She bundles Edward into her car and drives him back down the mountain to join her family, which includes daughter Kim (Winona Ryder) and husband Bill (Alan Arkin).

The neighbors in this suburb are insatiably curious, led by a nosy neighbor named Joyce (Kathy Baker). The movie then develops into a series of situations that seem inspired by silent comedy, as when Edward tries to pick up a pea.

Successful satire has to have a place to stand, and a target to aim at. The entire world of "Edward Scissorhands" is satire, and so Edward inhabits it, rather than taking aim at it. Even if he lived in a more hospitable world, however, it is hard to tell what satirical comment Edward would have to make, because the movie makes an abrupt switch in his character about two-thirds of the way through. Until then he's been a gentle, goofy soul, a quixotic outsider. Then Burton and his writer, Caroline Thompson, go on autopilot and paste in a standard Hollywood ending.

You know what that is. The hero and the villain meet, there is a deadly confrontation, and no prizes for guessing who wins.

Except in pure action films, situations used to be solved by dialogue and plot developments. No more. Now someone is killed, and that's the solution, and the movie is over. In "Edward Scissorhands," the villain is a neighborhood lout named Jim (Anthony Michael Hall), who doesn't like guys with scissors for hands, and picks on Edward until finally there is a trumped-up fight to the finish up at the castle.

This conclusion is so lame it's disheartening. Surely anyone clever enough to dream up Edward Scissorhands should be swift enough to think of a payoff that involves our imagination.

All of Burton's movies look great. "Pee-wee's Big Adventure" was an unalloyed visual delight, and so was "Beetlejuice," and "Batman" gave us a Gotham City that was one of the most original and atmospheric places I've seen in the movies. But shouldn't there be something more? Some attempt to make the characters more than caricatures? All of the central characters in a Burton film - Pee-wee, the demon Betelgeuse, Batman, the Joker or Edward Scissorhands - exist in personality vacuums; they're self-contained oddities with no connection to the real world. It's saying something about a director's work when the most well-rounded and socialized hero in any of his films is Pee-wee Herman.

❻ 为什么说希斯莱杰的小丑演得好

希斯·莱杰参考康拉德·维德在1928年电影《笑面人》中的剧照完善了小丑的外貌，诡异中带着幽默。

同年9月，澳大利亚电影组织（AIF）以莱杰的名义创立奖学金。而莱杰的前妻米歇尔·威廉姆斯将成为该项奖学金的首批捐赠者之一。该项奖学金的获奖者将得到一万美金奖金、往返机票和赴美工作的机会。

❼ 如何理解《小丑》(Joker)的结局

理解《小丑》(Joker)的结局：

由托德·菲利普斯（ToddPhilips）执导，杰昆·菲尼克斯（JoaquinPhoenix）主演的《小丑》（JOKER）在观影者和影评人中掀起激烈的争议。一些人称赞菲尼克斯的精湛演出对蝙蝠侠最大的对手进行了丰满的诠释。

而另一些人则抨击这部电影美化了暴力，纵容了这个心理变态的杀人犯。本周观看了《小丑》（JOKER）后，我认为这部电影比评论家们所表达的要深刻和复杂得多。这个版本的小丑故事暴露了我们社会的分裂。

审视了抑郁症带给人的黑暗阴影，也揭示出许多人所感受到的生活空虚和无意义。这是一个警世的故事，讲述的是当爱、对他人的同情和真理被抛到一边时，我们的社会可能会制造出一些坏人。《小丑》的来由简而言之。

《小丑》是DC漫画系列中最著名的反派，亚瑟·弗莱克（ArthurFleck）变成小丑所经历的蜕变和扭曲。小丑这个标志性的反派角色在银幕上有很多版本，其中《蝙蝠侠:黑暗骑士》（TheDarkKnight）中希斯·莱杰（HeathLedger）的表演最为瞩目。

然而，这是小丑首次没有和蝙蝠侠同台登场，作家托德·菲利普斯（ToddPhilips）和斯科特·西尔弗（ScottSilver）欲通过电影对他的生命进行研究，来向我们展示一个像亚瑟这样的精神病患者如何变成小丑。

一个杀人不眨眼的犯罪头目。我认为亚瑟疯狂堕落成小丑的过程可以分为三个阶段，每一个阶段都浮现出我们今天所面临的问题。

❽ 蝙蝠侠：暗夜骑士 JOKER why so serious

那大概是：
How about a life ? Wanna know how I got this scar ? My father was a drinker...and a fined! In one night,he goes crazier than usual.Mummy gets the kitchen-knive to defend herself,he doesn't like that...not one bit.So,me watching,he takes the knive to her,laughing he does it.He turns to me,and he said:"Why so serious,son?"He comes to me with the knive,"Why so serious,son?"Sticked the blade in my mouth,"Lei's put a smile on that face!And,why so serious?"随后便是杀掉黑帮。

❾ 求小丑2019剧情介绍，要英文版

The Joker is an agent of chaos - a gleefully violent sadist whose motivations remain mysterious, unknowable. Director Todd Phillips' new film seeks to strip away all mystery from the character and make his motivations very knowable. And in that much, at least, he succeeds. Meet Arthur Fleck

JOAQUIN PHOENIX (As Arthur Fleck/Joker) My mother always tells me to smile and put on a happy face. She told me I had a purpose - to bring laughter and joy to the world.

杰昆·菲尼克斯（饰演亚瑟·弗莱克/小丑）：我妈妈总是告诉我要微笑，装出一副开心的样子。她告诉我我有一个目标——为这个世界带来欢笑和快乐。

❿ 蝙蝠侠前传2：黑暗骑士的观后感、【英文！简单就OK了、】

It
takes
me
3
hours
to
watch
this
film.It
is
the
sixth
of
the
batman
series.The
movie
has
a
subtle
insight
into
human
nature.
In
Gotham
City,
the
Joker
robs
a
mob-owned
bank
with
his
accomplices,
whom
he
tricks
into
killing
each
other.
Batman
and
Gordon
contemplate
including
new
district
attorney
Harvey
Dent
in
their
plan
to
eradicate
the
mob,
as
he
could
be
the
public
hero
Batman
cannot
be.
However,
Batman
wonders
if
Dent
can
be
trusted.
Bruce
runs
into
Rachel
and
Dent,
who
are
dating,
and
after
talking
to
Dent
he
realizes
he
is
sincere
and
decides
to
host
a
fundraiser
for
him.
Underworld
gangsters
meet
to
discuss
both
Batman
and
Dent.
Lau,
a
Chinese
mafia
accountant,
informs
them
that
he
has
hidden
their
money
and
fled
to
Hong
Kong
in
an
attempt
to
preempt
Gordon's
plan
to
seize
the
mobsters'
funds.
The
Joker
arrives
unexpectedly,
offering
to
kill
Batman
in
return
for
half
of
the
mob's
money,
an
offer
the
mobsters
refuse.
In
Hong
Kong,
Batman
captures
Lau
and
delivers
him
to
the
Gotham
City
police,
where
Lau
agrees
to
testify
against
the
mob.
In
retaliation,
the
mobsters
hire
the
Joker
to
kill
Batman
and
Lau.
The
Joker
issues
an
ultimatum
to
Gotham,
stating
that
if
Batman
does
not
reveal
his
identity
to
the
public,
people
will
die
each
day.
Dent
announces
at
a
press
conference
that
he
himself
is
Batman
and
is
arrested
as
part
of
a
plan
to
draw
the
Joker
out
of
hiding.
Later
that
night,
Dent
and
Rachel
disappear.
At
the
police
station,
Batman
interrogates
the
Joker,
who
reveals
that
their
police
escorts
were
on
Maroni's
payroll,
and
have
placed
them
in
warehouses
rigged
with
explosives
on
opposite
sides
of
the
city
—
far
enough
apart
so
that
Batman
cannot
save
them
both.
Batman
leaves
to
save
Rachel,
while
Gordon
and
the
police
head
after
Dent.
With
the
aid
of
a
smuggled
bomb,
the
Joker
escapes
police
custody
with
Lau.
Batman
arrives
to
save
Rachel
but
instead
finds
Dent.
Batman
successfully
saves
Dent,
but
the
ensuing
explosion
disfigures
Dent's
face.
Gordon
arrives
at
Rachel's
location
too
late,
and
she
is
killed.
In
the
hospital,
Dent's
grief
drives
him
to
madness.
The
Joker
burns
Lau
to
death
atop
a
pile
of
the
mob's
money.
Then
the
Joker
goes
to
the
hospital
and
convinces
Dent
to
exact
revenge
on
the
corrupt
cops
and
mobsters
responsible
for
Rachel's
death,
as
well
as
Batman
and
Gordon.
Dent
goes
on
a
personal
vendetta
confronting
Maroni
and
the
corrupt
cops
one
by
one,
deciding
their
fates
with
the
flip
of
a
coin.
The
Joker
announces
to
the
public
that
anyone
left
in
Gotham
at
nightfall
will
be
subject
to
his
rule.
Authorities
begin
evacuating
people
by
ferry.
The
Joker
places
explosives
on
two
of
the
ferries—
one
ferry
with
convicts,
the
other
with
civilians—telling
the
passengers
the
only
way
to
save
themselves
is
to
trigger
the
explosives
on
the
other
ferry;
otherwise,
he
will
destroy
both
at
midnight.
Meanwhile,
the
Joker's
plan
to
destroy
the
ferries
fails
after
the
passengers
on
both
decide
not
to
destroy
each
other.
Batman
locates
and
subes
the
Joker.
Batman
leaves
in
search
of
Dent.
At
the
remains
of
the
building
where
Rachel
died,
Batman
finds
Dent
holding
Gordon
and
his
family
at
gunpoint.
Dent
judges
the
innocence
of
Batman,
himself,
and
Gordon's
son
through
three
coin
tosses.
As
a
result
of
the
first
two
flips,
he
shoots
Batman
and
spares
himself.
Before
Dent
can
determine
the
boy's
fate,
Batman,
tackles
him
and
they
both
fall
over
the
side
of
the
building
—
Dent
appears
dead.
Batman
and
Gordon
realize
that
the
morale
of
the
city
would
suffer
if
Dent's
murders
became
known.
Batman
persuades
Gordon
to
preserve
Dent's
image
by
holding
"Batman"
responsible
for
the
murders.
And
a
manhunt
for
Batman
begins.