关于中国电影市场的英文新闻稿

㈠ 你怎么看待中国即将成为最大的电影市场

中国本就应该成为世界最大的电影市场，问凭什么，就凭我们比美国足足多了10个亿的人口。我们的电影需求还有至少三分之二没有被开发，很多70后还没有养成观影习惯，而且越来越完善的休假制度会调动起许多工薪阶层的观影欲望。可以想象不久的将来，在我们和我们的下一代成长起来之后，中国的电影市场的繁荣程度可能是美国的好几倍。

所以，国产电影的水平的确有了不错的提升。在经历了上世纪90年代港台大陆电影相映红的黄金时代后，近十年来出彩的电影真的不多，国产电影保护月制度反而成了烂片保护伞。而竞争越来越激烈的电影市场已经出现了优胜劣汰的现象，这是观众们喜闻乐见的。

㈡ 好莱坞大片渴望中国市场，你认为未来电影业将如何发展

中国电影产业要实现“由大到强”的跨越式发展，要抓住新时代新机遇，领先一步，方能实现电影强国的目标。 中国电影产业要及时抓住电影技术创新、内容精品打造、分众与衍生消费趋势、智慧影院建设等机遇，乘势而上，加速实现电影强国之梦。

近年来，国家出台了一系列扩大内需的政策措施，为推动全社会文化消费水平提升，发展影视文化产业提供了难得的机遇，2016年全国社会消费品零售总额达到332316亿，同比增长10.4%。目前，我国的文化产品和服务需求旺盛，但文化产品供给存在巨大缺口，为电影产业创造了宽广的市场拓展空间。 知识产权保护机制的建立对于鼓励和推动电影行业持续快速发展具有良好的促进作用。随着改革开放政策的进一步实施，中国知识产权的保护范围和保护水平已逐步同国际市场惯例接轨。在知识产权得到良好保护的前提下，电影企业投资制作大电影，音像制品、电视及网络播放等收入渠道也将得以进一步拓宽，有利于我国电影行业的持续健康发展。再加上国家颁布的《电影促进法》，所以中国电影市场一切都向着更好的方向在发展。

㈢ 英语作文 中国电影与好莱坞电影的区别

在百年中国电影的发展过程中，除了新中国成立以后的17年和“文革”10年外，好莱坞电影文化的影响均有迹可寻。特别是早期中国电影，影响尤其显著。
电影观念与审美情趣的渗透和定型：好莱坞十分注重电影的娱乐性和商业性，它把电影由一种科技发明转化为商业上的一种重要的投资牟利的手段。这对早期中国电影创作者的影响颇大。
还有就是电影创作方法和技巧的借鉴早期中国电影创作者在创作的方法和技巧上较多地摹仿好莱坞电影。特别是30至40年代是好莱坞的鼎盛时期，有声片和彩色片的相继诞生，类型电影的丰富多样，均对中国电影创作产生了很大影响。新中国成立以后，由于许多主创人员曾长期受过好莱坞电影的熏陶和影响，故原有的一些创作技巧和拍摄方法仍得以延续，为了适应新的时代需要，进一步强化了意识形态因素，并糅合了新的美学元素，消除了简单摹仿的痕迹。自80年代以来，好莱坞电影对中国电影创作和电影事业发展的影响在不断增长；特别是当商业电影成为故事片创作的主要样式后，好莱坞电影的创作技巧、拍摄方法和市场运作方式，成为中国电影主要的学习借鉴对象

㈣ 中国电影发展史的英文介绍

An introction of the history of Chinese films in English.
中国电影发展史的英文介绍

㈤ 谁能给我一个英文简介关于横店影视城的，最好5分钟时间的讲演稿！！！！

Movieland成为横店梦想之都

三十年前,横店城是一个极小的和消除在浙江省东阳市的中心。今天已成为世界知名的基地横店制作电影和电视系列在中国。美国著名电影导演,约翰Mctiernan横店Movieland,一旦称赞,“它看起来像好莱坞在过去!”

全球金融危机严重影响了全球旅游产业和即将到来的世界著名的品牌,比如的迪斯尼乐园和宇宙展览馆,横店Movieland也面临著新的挑战。然而,它的发展道路是独一无二的。这Movieland有限公司成立于1996年。基地的第一部电影的拍摄广州和香港街道,那里的企业家也想发展观光,但他们失败了。

在2001年,新的旅游产品曾获横店设计新设的公司Movieland L...

㈥ 欧美电影对中国电影市场的影响

这次增加进口影片数量可谓在影视界最震动的事情了，对中国电影市场我感觉有好也有坏。
好在可以刺激和带动一下中国电影市场，提高中国电影的水准，因为欧美电影大量进入中国市场，那么会有更多的外来投资者看到这个潜力，瞄准这个时机，会有更多的影视公司和影人来华发展合作，是促进市场的好时机。让中国影人清醒点，感觉到危机和竞争。.....
坏在文化冲击，随着大批欧美电影的进入，国产电影受到排挤，如果国产电影不能适时反击，那中国电影市场的资金将会跟人半分江山。而中国的传统文化也会在还没有很好的发展起来便被人打压下去了，不再会有人关注了。....

上述两点是个人的一点愚见。

㈦ 关于介绍中国电影的英语作文

写作思路：介绍电影类的作文可以先写电影的介绍如导演是谁，电影是什么类型，然后写电影讲了什么故事，最后写一下电影的幕后制作，具体如下：

Grand Masters is a Kung Fu movie, directed by the famous director Karwai Wong, representing the legend life of Kung Fu master, Ye Wen.

《一代宗师》是一部功夫电影，由著名导演王家卫执导，讲述了功夫大师叶文的传奇人生。

The movie stars from mainland and Hong Kong co-star in this film, attracting many movie fans’attraction.

来自内地和香港的电影明星在这部电影中联合主演，吸引了许多影迷的注意。

Tony Leung Chiu Wai and Zhang Ziyi are the leading roles. The movie focuses on the legend stories of mutual martial arts ring the Republic of China.

梁朝伟和章子怡是主演。这部电影主要讲述了民国时期两种武术的传奇故事。

In order to truly show the moves and spirits of the four Kung Fu branches, Wing Chun, the Eight Diagrams, Bachi and Ying Yie.

为了真正展现咏春、八卦、八极、形意这四种功夫的动作和精神。

the director Karwai Wong collected a large amount of precious materials in the period of Republic of China, visited more than one hundred descendants across the country in three years.

导演王家卫收集了大量民国时期的珍贵资料，在三年时间里走访了全国各地的百余位后人。

Besides, the leading roles went to learn Kung Fu for many years. As a result, we can enjoy a beautifully proced and fantastic Kung Fu movie.

另外，主角们还学了很多年功夫。因此，可以欣赏到一部制作精美、精彩绝伦的功夫片。

I watched it in the cinema, feeling it’s so great that I couldn’t describe it in language. I desperately love this film.

我在电影院看的，感觉太棒了，我无法用语言来描述它。我非常喜欢这部电影。

㈧ 征求一篇关于我国电影发展史的英文稿

欣逢中国电影百年华诞，是我们这代人的幸运。值此承前启后的时光节点，我们很想做些实事，在下一个百年为拓展中国电影史研究尽绵薄之力。
目前我们能读到的最早的中国电影史著述有两种，
即1934年版《中国电影年鉴》刊载的谷剑尘著《中国电影发达史》和1936年版《近代中国艺术发展史》收入的郑君里著《现代中国电影史略》。两位著者在这一领域有筚路蓝缕之功，其目力笔力所及，止于中国电影初创时期的影事轶闻。

新中国成立后，在电影史方面产生重要影响的首推程季华主编两卷本《中国电影发展史》。该书“十年磨一剑”，于1950年开始酝酿，从全国各地搜寻有关中国电影的资料、报刊、说明书、剧照和海报，1958年正式立项投入写作，1962年修改定稿；有关领导为慎重起见，决定以“初稿”方式出版，1963年首次开印4200册销售一空。三位编著者当初面对中国电影史研究这片“尚未开垦的处女地”，四处搜集积微成著，整合资源殊为可观——正文里片名索引达1336部(次)，影人人名索引为985人（次），刊发图片、剧照819幅；附录里提供了1905年至1949年间出品的国产片目录，程季华称这部书稿为“第一次的、极为初步的关于中国电影历史情况的一份调查报告”。尽管从今天的眼光来看，《中国电影发展史》还存在不少偏颇，但让编著者引以为荣的是，在史料搜集这一点上赢得了海内外专业人士的认可，如1986年版《剑桥中国史·中国民国史》强调“这部两卷著作至今仍是研究中国电影的内容包罗最广的著作”。

On the occasion of the founding of the China Film century, our generation is lucky. On the occasion of the link between past and future nodes time, we want to do practical things in the next 100 years for China to expand study of the history of film to make modest. At present, we can read the earliest Chinese writing the history of film, there are two, that is, the 1934 edition of "China Film Year Book," published in the sword-st "the history of Chinese film developed" and the 1936 edition of "Modern Chinese History of the development of the arts," the income of Zheng Junli "Modern Chinese History of cinema."The two authors in this field have the arous work and vision of its total power as far as I can, beyond the start-up period of Chinese film about the impact of anecdotal things.
After new China was founded in film history have a major impact on most of the quarter-China editor-in-chief of the two-volume "History of the development of Chinese film." The book, "10-year Sword", began in 1950, from all over the country to search for information on China's film, newspapers, periodicals, brochures, posters and stills, officially approved in 1958 into writing, to amend the final version in 1962; about the leadership cautious for the Purposes, the decision to "first draft" of the press, opened for the first time in 1963 and India 4200 sold out.Bianzhu three who had the face of China's film study of the history of this "has not yet opened up the virgin land", to gather around the plot into a micro-book, for the integration of resources is significant - the body of the index reached title in 1336 (), film names index 985 to 000 (times), published photos, stills 819; provided in the appendix from 1905 to 1949 between the films proced catalog-quarter of China said that this manuscript as "the first time, very preliminary film on the history of China A survey report. "Although today's point of view, "the development of Chinese film history" there are still a lot of bias, but Bianzhu so proud of those who, in collecting historical data on this point at home and abroad to win professional recognition, such as the 1986 version of the "Cambridge Chinese History of Chinese history in "stress" of the two volumes of this book is still the study of Chinese film the widest coverage for the contents of the book. "

㈨ 请教各位老师帮我找关于第十三届北京大学生电影节的英文新闻稿

The 13th Beijing Student Film Festival showcases the latest Chinese films.
It is spring, 1993, and six teachers and five students belonging to the newly founded film and TV department of Beijing Normal University are going to great efforts to hold a low key student film festival. Every spring since, the Beijing Student Film Festival has grown in size, successfully sating the thirst of Chinese cinema fans. The festival will celebrate its 13th birthday this month on April 8. Open to the public, the twenty-day festival features everything from the latest Chinese films to foreign classics, as well as a variety of short films by students.

In the first portion, audiences will get a heavy dose of the finest in Chinese cinema with 28 new films being screened. The works of internationally revered directors will be played alongside those of first-time filmmakers. Audiences have the chance to catch up on a number of award-winning movies including Shanghai Dreams, Little Red Flowers, You and Me, Silent Holy Stone and more. Movies such as Mongolia Pingpong and Anayi will be premiered at the festival. Most screenings will be concluded with a talk from the directors and/or actors from each respective movie. Students will then have a chance to vote for Best Movie, Best Actor and Best Actress. This year the "Peacock Lady," Zhang Jingchu, is the spokesperson for the film festival and her latest movie, The Road, is also up for consideration.

The foreign film section will begin on April 22, and sixteen movies from France, America, Mexico, Australia, Greece and South Korea will be shown, including the classics Au Revoir Les Enfants, Diva, and newer works such as Mullet and My Mother Frank, as well as big budget Hollywood proctions, including The Legend of Zorro and Mona Lisa Smile.

The annual student film festival is regarded as an important bridge between audiences and filmmakers, as well as providing a good opportunity for people to gain an understanding of the broad range of movies China has to offer. "Since the bigger Chinese film festivals will now be held every two years [the Hundred Flowers and Golden Rooster Film Festivals will only take place annually until 2007 and 2009 respectively], according to the official document from the China Broadcast Bureau, this festival has now become the only large-scale festival this year. It's a precious opportunity for film fans," says Yao Sijiang, the organizer from Beijing Normal University. "The festival is held for public interest, not for earning money, so the ticket price is low."

The Student Film Festival will be held at China Film Archives, China Digital Cinema and Beiguo Theater at Beijing Normal University, from April 8 to April 28. Tickets available at the cinemas. For more information, please visit www.filmfestival.com.cn and www.cfa.com.cn. See Cinema Events on p52 for the schele.